NEW PODCAST: Wood vs. Silicon Valley: A DIY Digital Bolex, OpenAI Buys the Portrait Mode Team – Focus Check ep135 →🎙️ WATCH/LISTEN Now
Watch/Listen NowA DIY Digital Bolex & OpenAI Buys the Portrait Mode Team🎙️NEW PODCAST
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
Rigid.PRO has released the OMNIA Universal Cinema Rig Base, a rig that supports nearly any mirrorless setup, with or without a cage. Built around the Arca-Swiss standard, it enables quick transitions between handheld, gimbal, and tripod work, and its sliding baseplate gives you access to your screen even on cameras without flip-out displays. It’s rare to find a rig that offers this level of flexibility without locking you into a specific ecosystem. So let’s have a look!
Rigid.PRO is a small, Melbourne-based company started by filmmakers who were tired of rigs that didn’t fit the way they worked. Their first product, the Rigid.PRO Cinerig Base gave small mirrorless cameras a cinema-style presence, and OMNIA builds on that foundation with broader compatibility and ergonomics. Plus, every rig is machined and assembled in-house, with a focus on real-world function over flash, and a no-sponsorship policy that lets the gear speak for itself.
The Rigid.PRO OMNIA rig works with nearly any camera setup, caged or not. It has a quick-release plate that follows the Arca-Swiss standard, so it should be quite easy to move between tripod, gimbal, and handheld work. And for cameras with fixed rear screens, like many Blackmagic Design or SIGMA models, the plate can slide forward, giving you full access without the need for external monitors.
OMNIA comes with four high-current D-Tap outputs, a master power switch, and an LCD voltage display, with V-mount battery support. Crucially, the camera’s hot shoe remains accessible so audio gear, like XLR adapters, can stay connected. The simple layout means you won’t need extra adapters or complicated cable setups.
The build is straightforward and solid. The OMNIA Universal Cinema Rig weighs 672 g (~1.5 lbs) and is machined from aluminum billets, with no 3D-printed components. The mounting threads are reinforced, and the Arca-Swiss plate fits without play. A felt-lined slot houses the included screen protector, which can be adjusted up or down to suit different screen positions. And because it starts light, you should be able to add accessories without the rig becoming awkward or top-heavy. The significance of rig weight becomes clear when you’re shooting handheld for hours.
What stands out is how much access the design preserves. Where many rigs block the hot shoe or rear screen, the OMNIA Universal Cinema Rig keeps both usable. You can leave XLR adapters or other audio gear attached, and for cameras without flip-out displays, the sliding baseplate helps bring the screen back into view.
The OMNIA is a good fit for filmmakers who want a lightweight, adaptable rig that works across different camera bodies and setups without locking them into a brand-specific system. It’s especially useful for those who work solo or in small crews, who need to move between handheld, gimbal, and tripod shots quickly, or who change cameras often and don’t want to rebuild their rig every time.
The Omnia is priced at $329 and includes the universal base, quick-release mechanism, screen protector, mounting hardware, and documentation. There are also modular accessories available, including handles and more. They ship worldwide from Melbourne, Australia, via DHL Express, and the shipping is free to most countries. For more information, have a look at their website.
How much time do you spend adjusting cages, plates, and cables between setups? What part of your setup slows you down the most? Let us know in the comments!
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
A camera was put in my hands at 16, and I’ve been taking photographs ever since. Before moving to Vienna, I worked as a photographer on film sets, telling stories as they unfolded behind the scenes. Since then, I’ve focused on immersive theater, both as a photographer and an actor. I am the photographer for the award-winning Nesterval ensemble, documenting the energy and atmosphere of their performances. I’m a teller of stories. Stories hold my interest. I’ll take on any project with a story to tell.