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Blackmagic Design has expanded their Media Module lineup with the introduction of a new 16TB variant, doubling the storage capacity of their previously available 8TB option. The new media module is designed specifically for the URSA Cine 12K LF camera system and offers professional filmmakers extended recording capabilities for high-resolution productions.
The Media Module features 16TB of M.2 SSD storage that installs directly into the camera’s media bay. The module supports up to 12-bit Blackmagic RAW files and H.264 proxy files, with data storage rates reaching up to 1,432 MB/s at 24 fps. This performance level enables recording at the highest resolutions and frame rates for extended periods.
The storage solution utilizes Blackmagic’s proprietary media format and must be formatted within the camera. For workflow integration, the module is designed to work seamlessly with the optional Blackmagic Media Dock, which allows for hot-swappable operation during media transfers.
Beyond basic storage, the Media Module functions as what Blackmagic describes as “a Cloud Store Mini built into your camera.” Users can access files directly over high-speed 10G Ethernet connections. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to networks or to Blackmagic Cloud for collaborative workflows.
For users preferring traditional media formats, Blackmagic also offers an optional Media Module CF variant featuring dual CFexpress slots, accommodating existing media investments.
In case you missed it, check out our Lab Test of the Blackmagic URSA Cine 12K here.
The Blackmagic Design Media Module (16TB) is now available for pre-order at $2,965 USD. Each unit includes a protective plastic case for storage and transport protection. The module comes with Blackmagic Design’s standard limited 1-year manufacturer warranty.
The new 16TB capacity represents a significant increase in recording time for productions requiring extended takes or multiple camera setups, addressing the storage demands of modern high-resolution cinematography workflows.
Are you working with the Blackmagic URSA Cine 12K LF, and are you using a Media Module or the CF adapter – and why? Let us know in the comments.
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Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and two sons in Vienna, Austria.