{"id":372516,"date":"2025-02-21T12:29:26","date_gmt":"2025-02-21T11:29:26","guid":{"rendered":"https:\/\/www.cined.com\/?p=372516"},"modified":"2025-02-21T16:59:49","modified_gmt":"2025-02-21T15:59:49","slug":"the-craft-of-the-dutch-angle-unease-distortion-and-doubt-in-a-tilted-frame","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/the-craft-of-the-dutch-angle-unease-distortion-and-doubt-in-a-tilted-frame\/","title":{"rendered":"El Arte del \u00c1ngulo Holand\u00e9s &#8211; Inquietud, distorsi\u00f3n y duda en un encuadre inclinado"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>Hay dos tipos de cineastas: los que aprecian los \u00e1ngulos holandeses y los que nivelan el tr\u00edpode desde el primer momento, incluso antes de buscar una composici\u00f3n de encuadre adecuada. \u00a1Es broma! Sin embargo, hay una habilidad subestimada en esta toma inclinada especial, que fue muy popular hace d\u00e9cadas atr\u00e1s. Vamos a echarle un vistazo a la historia del \u00e1ngulo holand\u00e9s y el lugar que ocupa ahora. \u00bfQu\u00e9 poderes narrativos tiene? \u00bfC\u00f3mo puedes usarlo en tus proyectos para mejorar el viaje visual del espectador? Y, sobre todo, es hora de decidir de qu\u00e9 lado est\u00e1s: holand\u00e9s o \u201c\u00a1Nivela tu maldita toma!\u201d.<\/strong><\/p><372516-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">Seg\u00fan <a href=\"https:\/\/web.archive.org\/web\/20230421212339\/http:\/\/www.hollywoodlexicon.com\/dutchangle.html\" target=\"_blank\" rel=\"noreferrer noopener\">Hollywood Lexicon<\/a>, el \u00e1ngulo holand\u00e9s, tambi\u00e9n conocido como inclinaci\u00f3n holandesa, plano de v\u00f3rtice, inclinaci\u00f3n izquierda\/derecha, oblicuo, zanjado o \u00e1ngulo inclinado, es un tipo especial de toma en la que la l\u00ednea del horizonte no es paralela a la parte inferior del encuadre. Para lograrlo, los cineastas colocan la c\u00e1mara en un \u00e1ngulo, lo que produce un punto de vista similar a inclinar la cabeza hacia un lado (de ah\u00ed algunos de sus nombres).\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1434\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera.jpg\" alt=\"\" class=\"wp-image-372251\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-300x224.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-900x672.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-768x574.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-1536x1147.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-308x230.jpg 308w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-400x300.jpg 400w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Fotograma de \u201cMan with a Movie Camera\u201d, un documental experimental de 1929 del cineasta sovi\u00e9tico Dziga Vertov, que contiene muchas t\u00e9cnicas innovadoras<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Las ra\u00edces y la definici\u00f3n del \u00e1ngulo holand\u00e9s<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfSab\u00edas que el t\u00edtulo \u201choland\u00e9s\u201d no tiene nada que ver con Holanda? De hecho, es una versi\u00f3n distorsionada de la palabra \u201cDeutsch\u201d (\u201calem\u00e1n\u201d en alem\u00e1n). La raz\u00f3n de esto es el origen de este encuadre inusual. Fue inventado y ampliamente utilizado por los cineastas expresionistas alemanes durante la Primera Guerra Mundial, como F.W. Murnau, Erich Pommer y Fritz Lang. El movimiento art\u00edstico del pa\u00eds de la \u00e9poca se esforz\u00f3 por digerir la locura de la guerra mundial y los estados psicol\u00f3gicos oscuros relacionados con ella (traici\u00f3n, terror, psicosis, etc.). El \u00e1ngulo holand\u00e9s fue parte del lenguaje visual desarrollado para representar la locura, el malestar y la desorientaci\u00f3n. Es una gran opci\u00f3n para jugar con el subconsciente del espectador. Cuando la l\u00ednea del horizonte no se alinea con la parte superior e inferior del encuadre, la imagen da una sensaci\u00f3n extra\u00f1a, lo que indica que algo va terriblemente mal. Como ejemplo de este viaje hacia lo extra\u00f1o, tomemos \u201cThe Cabinet of Dr. Caligari\u201d, una pel\u00edcula de terror y fantas\u00eda de 1920 de Robert Wiene. La pel\u00edcula es de dominio p\u00fablico, por lo que se puede ver completa.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Das Cabinet des Dr. Caligari \/ AKA The Cabinet of Dr. Caligari (1920) [1080p Restoration]\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/-lfEp5t2FlE?start=3&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"description\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=-lfEp5t2FlE&amp;t=3s&amp;ab_channel=JosephRedman\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/-lfEp5t2FlE\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-21T12:29:26+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">\u00bfPor qu\u00e9 el \u00e1ngulo holand\u00e9s tiene tanto efecto en nosotros, adem\u00e1s de desequilibrar el encuadre? El concepto proviene de las bellas artes: las composiciones que siguen l\u00edneas horizontales y verticales son m\u00e1s f\u00e1ciles de asimilar. Las l\u00edneas diagonales, por otro lado, son m\u00e1s dif\u00edciles de asimilar y transmiten movimiento. Por lo tanto, tan pronto como las introducimos, la imagen evoca varias respuestas emocionales que se consideran din\u00e1micas: ansiedad, poder, agresi\u00f3n y tensi\u00f3n (un opuesto ser\u00eda el amor, la alegr\u00eda y la felicidad, que se consideran quietas, tranquilas e inmutables). A diferencia de las bellas artes, el cine ya es movimiento por definici\u00f3n. El \u00e1ngulo holand\u00e9s, a su vez, ayuda a acelerar la respuesta emocional y nos lleva literalmente a un estado mental diferente.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>El \u00e1ngulo holand\u00e9s llega a Hollywood<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Por supuesto, en alg\u00fan momento de finales de la d\u00e9cada de 1930 esta t\u00e9cnica, junto con otras, lleg\u00f3 de Alemania a Hollywood. Los grandes directores innovadores de su \u00e9poca, como Orson Wells y Alfred Hitchcock, eran especialmente aficionados a los \u00e1ngulos holandeses, y se nota mucho en sus pel\u00edculas. A modo de ejemplo, a continuaci\u00f3n se muestra un fotograma de la pel\u00edcula cl\u00e1sica \u201c<a href=\"https:\/\/www.imdb.com\/de\/title\/tt0033467\/?ref_=nv_sr_srsg_0_tt_5_nm_3_in_0_q_Citizen%2520Kane\" target=\"_blank\" rel=\"noreferrer noopener\">Citizen Kane<\/a>\u201d. Con un solo vistazo, sabemos de inmediato que darle m\u00e1s poder a Kane probablemente no sea la mejor idea.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"517\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-900x517.jpg\" alt=\"\" class=\"wp-image-372266\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-900x517.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-300x172.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-768x441.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-385x220.jpg 385w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-400x230.jpg 400w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane.jpg 1208w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Un fotograma de \u201cCitizen Kane\u201dde Orson Welles, 1941<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ejemplos m\u00e1s recientes del \u00e1ngulo holand\u00e9s incluyen a directores que tienen experiencia en artes visuales. Entre ellos se encuentran Tim Burton (por Edward Scissorhands y Ed Wood) y Terry Gilliam (por Brazil, 12 Monkeys, Tideland y Fear and Loathing in Las Vegas). Por lo general, se inclinan hacia el \u00e1ngulo holand\u00e9s para representar la locura y la desorientaci\u00f3n, al igual que sus predecesores. Por ejemplo, en Fear and Loathing in Las Vegas, este tipo de plano es una de las herramientas que crean la sensaci\u00f3n de un estado mental alterado bajo los efectos de las drogas. Mira la escena posterior, donde el personaje de Johnny Depp intenta registrarse en un hotel bajo los efectos del \u00e1cido:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Fear and Loathing in Las Vegas (3\/10) Movie CLIP - The Hotel on Acid (1998) HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/uOmtVFQ3WF8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"description\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=uOmtVFQ3WF8&amp;ab_channel=Movieclips\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/uOmtVFQ3WF8\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-21T12:29:26+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Naturalmente, hay una amplia gama de t\u00e9cnicas visuales en esta escena que reflejan la percepci\u00f3n del protagonista (con un contraste extremo entre el \u00e1ngulo alto y el bajo como una de ellas). Sin embargo, es el \u00e1ngulo oblicuo el que pone la guinda al pastel y distorsiona su percepci\u00f3n, \u00bfno es as\u00ed?<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Creando una sensaci\u00f3n de inquietud<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En nuestro curso de MZed \u201c<a href=\"https:\/\/www.mzed.com\/courses\/fundamentals-of-directing\/?tap_a=17272-420962&amp;tap_s=7518982-95209f\" target=\"_blank\" rel=\"noreferrer noopener\">Fundamentos de la Direcci\u00f3n<\/a>\u201d, el experimentado cineasta y educador <a href=\"https:\/\/www.imdb.com\/name\/nm2416943\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kyle Wilamowski<\/a> define la funci\u00f3n de un \u00e1ngulo holand\u00e9s de la siguiente manera:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">El \u00e1ngulo antinatural le da al espectador la sensaci\u00f3n de que el mundo est\u00e1 desequilibrado o hay una inquietud psicol\u00f3gica.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Por eso, como explica Kyle m\u00e1s adelante, lo vemos en muchas pel\u00edculas de terror. Cuando los cineastas de repente cortan a un plano de un personaje trastornado y colocan la c\u00e1mara en una extra\u00f1a inclinaci\u00f3n de derecha a izquierda, sabemos inmediatamente que algo anda mal con ellos. Sin embargo, no solo eso.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El \u00e1ngulo holand\u00e9s tambi\u00e9n tiene el poder de enfatizar un momento surrealista o crear un estilo especial. Por ejemplo, a menudo se encuentra en pel\u00edculas basadas en c\u00f3mics (como en el ejemplo de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0800369\/?ref_=nv_sr_srsg_1_tt_4_nm_3_in_0_q_Thor\" target=\"_blank\" rel=\"noreferrer noopener\">Thor<\/a>\u201d a continuaci\u00f3n, con demasiada frecuencia). Los \u00e1ngulos oblicuos en las im\u00e1genes son tradicionales en este tipo de medios impresos, y algunas pel\u00edculas se mantienen fieles al estilo original de las historias al usar \u00e1ngulos holandeses para crear esta \u201csensaci\u00f3n c\u00f3mica\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"534\" data-id=\"372263\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins.jpg\" alt=\"\" class=\"wp-image-372263\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins.jpg 1280w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins-300x125.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins-900x375.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins-768x320.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins-551x230.jpg 551w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption class=\"wp-element-caption\">A film still from &#8220;Batman Begins&#8221; by Christopher Nolan, 2005<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"544\" data-id=\"372293\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2.jpg\" alt=\"\" class=\"wp-image-372293\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2.jpg 1280w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2-900x383.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2-768x326.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2-541x230.jpg 541w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"544\" data-id=\"372290\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1.jpg\" alt=\"\" class=\"wp-image-372290\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1.jpg 1280w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1-900x383.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1-768x326.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1-541x230.jpg 541w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Thor&#8221; by Kenneth Branagh, 2011 <\/figcaption><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Cuando el mundo de un personaje tiene un \u00e1ngulo holand\u00e9s<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En las buenas pel\u00edculas, la cinematograf\u00eda habla sobre el subtexto y representa lo que experimenta el personaje principal. No es de extra\u00f1ar que nos topemos con \u00e1ngulos holandeses en el drama \u00e9pico western de Alejandro I\u00f1\u00e1rritu \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt1663202\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_The%2520Revenant\" target=\"_blank\" rel=\"noreferrer noopener\">The Revenant<\/a>\u201d. El destino del protagonista no es envidiable. Despu\u00e9s de un brutal ataque por parte de una osa parda, Glass (interpretado por Leonardo DiCaprio, quien recibi\u00f3 su premio de la Academia por este papel) tiene un pie en la tumba y no puede moverse por s\u00ed solo. Adem\u00e1s de eso, tiene que presenciar c\u00f3mo un tipo codicioso de su grupo apu\u00f1ala a su hijo hasta matarlo ante sus ojos sin poder intervenir. Estos eventos tuercen tu mundo, y eso es exactamente lo que el lenguaje visual de la pel\u00edcula le comunica a la audiencia.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"808\" data-id=\"372281\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1.jpg\" alt=\"\" class=\"wp-image-372281\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-900x379.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-768x323.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-1536x646.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-547x230.jpg 547w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;The Revenant&#8221; by Alejandro G. I\u00f1\u00e1rritu, 2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"808\" data-id=\"372284\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2.jpg\" alt=\"\" class=\"wp-image-372284\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-900x379.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-768x323.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-1536x646.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-547x230.jpg 547w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"808\" data-id=\"372287\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3.jpg\" alt=\"\" class=\"wp-image-372287\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-900x379.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-768x323.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-1536x646.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-547x230.jpg 547w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Lo extra\u00f1o no siempre es sin\u00f3nimo de terror<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ahora bien, el \u00e1ngulo holand\u00e9s no siempre est\u00e1 relacionado con una connotaci\u00f3n negativa. Para algunos personajes, puede representar su rasgo especial, y los cineastas lo utilizan para construir un mundo ligeramente extra\u00f1o a su alrededor. Un excelente ejemplo de esto es \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0211915\/?ref_=nv_sr_srsg_0_tt_1_nm_7_in_0_q_Am%25C3%25A9lie\" target=\"_blank\" rel=\"noreferrer noopener\">Am\u00e9lie<\/a>\u201d. Los creadores de pel\u00edculas enfatizan la capacidad del protagonista para encontrar magia en la vida cotidiana y experimentar el mundo como fabuloso a trav\u00e9s de colores vibrantes y una variedad de t\u00e9cnicas especiales de c\u00e1mara, incluido el \u00e1ngulo oblicuo en algunas tomas.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1018\" height=\"436\" data-id=\"372254\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1.jpg\" alt=\"\" class=\"wp-image-372254\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1.jpg 1018w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1-900x385.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1-768x329.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1-537x230.jpg 537w\" sizes=\"auto, (max-width: 1018px) 100vw, 1018px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Am\u00e9lie&#8221; by Jean-Pierre Jeunet, 2001<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1018\" height=\"436\" data-id=\"372257\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2.jpg\" alt=\"\" class=\"wp-image-372257\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2.jpg 1018w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2-900x385.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2-768x329.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2-537x230.jpg 537w\" sizes=\"auto, (max-width: 1018px) 100vw, 1018px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1018\" height=\"436\" data-id=\"372260\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3.jpg\" alt=\"\" class=\"wp-image-372260\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3.jpg 1018w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3-900x385.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3-768x329.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3-537x230.jpg 537w\" sizes=\"auto, (max-width: 1018px) 100vw, 1018px\" \/><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>No forzar el \u00e1ngulo holand\u00e9s<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El \u00e1ngulo holand\u00e9s se vuelve inadecuado cuando los cineastas lo fuerzan o lo usan en exceso (al igual que en el ejemplo de Thor anterior). Miralo desde el lado convencional. Estamos tan acostumbrados al \u00e1ngulo oblicuo en los sustos repentinos (\u00a1saluden a los juegos de terror visual!) y en las tomas que representan a los villanos que pierde su impacto en la audiencia en tales escenas, y se siente casi un clich\u00e9 implementarlo de esta manera. Una idea mucho mejor es utilizar el \u00e1ngulo holand\u00e9s sutilmente, en situaciones cotidianas. Un gran ejemplo de ello es el tranquilo drama de 2008 \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0918927\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Doubt\" target=\"_blank\" rel=\"noreferrer noopener\">Doubt<\/a>\u201d. La pel\u00edcula plantea cuestiones de fe y la falta de ella, de relaciones humanas, de culpa y chismes, y s\u00ed, de duda. Los planos inclinados de izquierda a derecha aqu\u00ed y all\u00e1 influyen inconscientemente en nuestro propio sistema de creencias. Cuestionamos los motivos del padre Brendan Flynn hasta la \u00faltima escena de la pel\u00edcula. \u00bfPodemos confiar en \u00e9l? \u00bfD\u00f3nde se esconde la verdad? \u00bfRealmente ayuda a este chico o hay algo extra\u00f1o sucediendo tras las puertas cerradas? El \u00e1ngulo inclinado se convierte en el s\u00edmbolo de la duda y, por lo tanto, desata su poder en toda su extensi\u00f3n.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Doubt (1\/10) Movie CLIP - Crisis of Faith (2008) HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/KSc0srYx9-4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"description\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=KSc0srYx9-4&amp;ab_channel=Movieclips\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/KSc0srYx9-4\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-21T12:29:26+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1040\" data-id=\"372269\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1.jpg\" alt=\"\" class=\"wp-image-372269\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-300x163.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-900x488.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-768x416.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-1536x832.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-425x230.jpg 425w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Doubt&#8221; by  John Patrick Shanley, 2008<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1040\" data-id=\"372272\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2.jpg\" alt=\"\" class=\"wp-image-372272\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-300x163.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-900x488.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-768x416.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-1536x832.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-425x230.jpg 425w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1040\" data-id=\"372275\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3.jpg\" alt=\"\" class=\"wp-image-372275\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-300x163.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-900x488.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-768x416.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-1536x832.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-425x230.jpg 425w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>En resumen, el \u00e1ngulo holand\u00e9s puede ser una gran herramienta visual en diferentes situaciones. Aun as\u00ed, debe usarse con precauci\u00f3n: su impacto es m\u00e1s fuerte cuando se siente natural, sutil y no exagerado.\u00a0\u00bfY t\u00fa? \u00bfDe qu\u00e9 lado est\u00e1s? \u00bfHoland\u00e9s o no holand\u00e9s? \u00bfEn qu\u00e9 escenas lo usar\u00edas? \u00a1Comparte tus ideas con nosotros en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Fuente de la imagen destacada:<\/em> fotogramas de las pel\u00edculas \u201cDoubt\u201d, \u201cThe Revenant\u201d y \u201cMan with a Movie Camera\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Descargo completo:\u00a0<\/strong><a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=7518982-95209f\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>MZed<\/strong><\/a><strong>\u00a0es\u00a0<\/strong><a href=\"https:\/\/www.cined.com\/es\/cined-acquires-mzed\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>propiedad de CineD<\/strong><\/a>.<\/p>\n<372516-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap wp-block-paragraph\"><strong>Hay dos tipos de cineastas: los que aprecian los \u00e1ngulos holandeses y los que nivelan el tr\u00edpode desde el primer momento, incluso antes de buscar una composici\u00f3n de encuadre adecuada. \u00a1Es broma! Sin embargo, hay una habilidad subestimada en esta toma inclinada especial, que fue muy popular hace d\u00e9cadas atr\u00e1s. Vamos a echarle un vistazo a la historia del \u00e1ngulo holand\u00e9s y el lugar que ocupa ahora. \u00bfQu\u00e9 poderes narrativos tiene? \u00bfC\u00f3mo puedes usarlo en tus proyectos para mejorar el viaje visual del espectador? Y, sobre todo, es hora de decidir de qu\u00e9 lado est\u00e1s: holand\u00e9s o \u201c\u00a1Nivela tu maldita toma!\u201d.<\/strong><\/p><372516-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">Seg\u00fan <a href=\"https:\/\/web.archive.org\/web\/20230421212339\/http:\/\/www.hollywoodlexicon.com\/dutchangle.html\" target=\"_blank\" rel=\"noreferrer noopener\">Hollywood Lexicon<\/a>, el \u00e1ngulo holand\u00e9s, tambi\u00e9n conocido como inclinaci\u00f3n holandesa, plano de v\u00f3rtice, inclinaci\u00f3n izquierda\/derecha, oblicuo, zanjado o \u00e1ngulo inclinado, es un tipo especial de toma en la que la l\u00ednea del horizonte no es paralela a la parte inferior del encuadre. Para lograrlo, los cineastas colocan la c\u00e1mara en un \u00e1ngulo, lo que produce un punto de vista similar a inclinar la cabeza hacia un lado (de ah\u00ed algunos de sus nombres).\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1434\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera.jpg\" alt=\"\" class=\"wp-image-372251\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-300x224.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-900x672.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-768x574.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-1536x1147.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-308x230.jpg 308w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-a_man_with_a_movie_camera-400x300.jpg 400w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Fotograma de \u201cMan with a Movie Camera\u201d, un documental experimental de 1929 del cineasta sovi\u00e9tico Dziga Vertov, que contiene muchas t\u00e9cnicas innovadoras<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Las ra\u00edces y la definici\u00f3n del \u00e1ngulo holand\u00e9s<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfSab\u00edas que el t\u00edtulo \u201choland\u00e9s\u201d no tiene nada que ver con Holanda? De hecho, es una versi\u00f3n distorsionada de la palabra \u201cDeutsch\u201d (\u201calem\u00e1n\u201d en alem\u00e1n). La raz\u00f3n de esto es el origen de este encuadre inusual. Fue inventado y ampliamente utilizado por los cineastas expresionistas alemanes durante la Primera Guerra Mundial, como F.W. Murnau, Erich Pommer y Fritz Lang. El movimiento art\u00edstico del pa\u00eds de la \u00e9poca se esforz\u00f3 por digerir la locura de la guerra mundial y los estados psicol\u00f3gicos oscuros relacionados con ella (traici\u00f3n, terror, psicosis, etc.). El \u00e1ngulo holand\u00e9s fue parte del lenguaje visual desarrollado para representar la locura, el malestar y la desorientaci\u00f3n. Es una gran opci\u00f3n para jugar con el subconsciente del espectador. Cuando la l\u00ednea del horizonte no se alinea con la parte superior e inferior del encuadre, la imagen da una sensaci\u00f3n extra\u00f1a, lo que indica que algo va terriblemente mal. Como ejemplo de este viaje hacia lo extra\u00f1o, tomemos \u201cThe Cabinet of Dr. Caligari\u201d, una pel\u00edcula de terror y fantas\u00eda de 1920 de Robert Wiene. La pel\u00edcula es de dominio p\u00fablico, por lo que se puede ver completa.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Das Cabinet des Dr. Caligari \/ AKA The Cabinet of Dr. Caligari (1920) [1080p Restoration]\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/-lfEp5t2FlE?start=3&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"description\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=-lfEp5t2FlE&amp;t=3s&amp;ab_channel=JosephRedman\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/-lfEp5t2FlE\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-21T12:29:26+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">\u00bfPor qu\u00e9 el \u00e1ngulo holand\u00e9s tiene tanto efecto en nosotros, adem\u00e1s de desequilibrar el encuadre? El concepto proviene de las bellas artes: las composiciones que siguen l\u00edneas horizontales y verticales son m\u00e1s f\u00e1ciles de asimilar. Las l\u00edneas diagonales, por otro lado, son m\u00e1s dif\u00edciles de asimilar y transmiten movimiento. Por lo tanto, tan pronto como las introducimos, la imagen evoca varias respuestas emocionales que se consideran din\u00e1micas: ansiedad, poder, agresi\u00f3n y tensi\u00f3n (un opuesto ser\u00eda el amor, la alegr\u00eda y la felicidad, que se consideran quietas, tranquilas e inmutables). A diferencia de las bellas artes, el cine ya es movimiento por definici\u00f3n. El \u00e1ngulo holand\u00e9s, a su vez, ayuda a acelerar la respuesta emocional y nos lleva literalmente a un estado mental diferente.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>El \u00e1ngulo holand\u00e9s llega a Hollywood<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Por supuesto, en alg\u00fan momento de finales de la d\u00e9cada de 1930 esta t\u00e9cnica, junto con otras, lleg\u00f3 de Alemania a Hollywood. Los grandes directores innovadores de su \u00e9poca, como Orson Wells y Alfred Hitchcock, eran especialmente aficionados a los \u00e1ngulos holandeses, y se nota mucho en sus pel\u00edculas. A modo de ejemplo, a continuaci\u00f3n se muestra un fotograma de la pel\u00edcula cl\u00e1sica \u201c<a href=\"https:\/\/www.imdb.com\/de\/title\/tt0033467\/?ref_=nv_sr_srsg_0_tt_5_nm_3_in_0_q_Citizen%2520Kane\" target=\"_blank\" rel=\"noreferrer noopener\">Citizen Kane<\/a>\u201d. Con un solo vistazo, sabemos de inmediato que darle m\u00e1s poder a Kane probablemente no sea la mejor idea.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"517\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-900x517.jpg\" alt=\"\" class=\"wp-image-372266\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-900x517.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-300x172.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-768x441.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-385x220.jpg 385w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane-400x230.jpg 400w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-citizen_kane.jpg 1208w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Un fotograma de \u201cCitizen Kane\u201dde Orson Welles, 1941<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ejemplos m\u00e1s recientes del \u00e1ngulo holand\u00e9s incluyen a directores que tienen experiencia en artes visuales. Entre ellos se encuentran Tim Burton (por Edward Scissorhands y Ed Wood) y Terry Gilliam (por Brazil, 12 Monkeys, Tideland y Fear and Loathing in Las Vegas). Por lo general, se inclinan hacia el \u00e1ngulo holand\u00e9s para representar la locura y la desorientaci\u00f3n, al igual que sus predecesores. Por ejemplo, en Fear and Loathing in Las Vegas, este tipo de plano es una de las herramientas que crean la sensaci\u00f3n de un estado mental alterado bajo los efectos de las drogas. Mira la escena posterior, donde el personaje de Johnny Depp intenta registrarse en un hotel bajo los efectos del \u00e1cido:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Fear and Loathing in Las Vegas (3\/10) Movie CLIP - The Hotel on Acid (1998) HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/uOmtVFQ3WF8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"description\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=uOmtVFQ3WF8&amp;ab_channel=Movieclips\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/uOmtVFQ3WF8\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-21T12:29:26+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Naturalmente, hay una amplia gama de t\u00e9cnicas visuales en esta escena que reflejan la percepci\u00f3n del protagonista (con un contraste extremo entre el \u00e1ngulo alto y el bajo como una de ellas). Sin embargo, es el \u00e1ngulo oblicuo el que pone la guinda al pastel y distorsiona su percepci\u00f3n, \u00bfno es as\u00ed?<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Creando una sensaci\u00f3n de inquietud<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En nuestro curso de MZed \u201c<a href=\"https:\/\/www.mzed.com\/courses\/fundamentals-of-directing\/?tap_a=17272-420962&amp;tap_s=7518982-95209f\" target=\"_blank\" rel=\"noreferrer noopener\">Fundamentos de la Direcci\u00f3n<\/a>\u201d, el experimentado cineasta y educador <a href=\"https:\/\/www.imdb.com\/name\/nm2416943\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kyle Wilamowski<\/a> define la funci\u00f3n de un \u00e1ngulo holand\u00e9s de la siguiente manera:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">El \u00e1ngulo antinatural le da al espectador la sensaci\u00f3n de que el mundo est\u00e1 desequilibrado o hay una inquietud psicol\u00f3gica.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Por eso, como explica Kyle m\u00e1s adelante, lo vemos en muchas pel\u00edculas de terror. Cuando los cineastas de repente cortan a un plano de un personaje trastornado y colocan la c\u00e1mara en una extra\u00f1a inclinaci\u00f3n de derecha a izquierda, sabemos inmediatamente que algo anda mal con ellos. Sin embargo, no solo eso.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El \u00e1ngulo holand\u00e9s tambi\u00e9n tiene el poder de enfatizar un momento surrealista o crear un estilo especial. Por ejemplo, a menudo se encuentra en pel\u00edculas basadas en c\u00f3mics (como en el ejemplo de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0800369\/?ref_=nv_sr_srsg_1_tt_4_nm_3_in_0_q_Thor\" target=\"_blank\" rel=\"noreferrer noopener\">Thor<\/a>\u201d a continuaci\u00f3n, con demasiada frecuencia). Los \u00e1ngulos oblicuos en las im\u00e1genes son tradicionales en este tipo de medios impresos, y algunas pel\u00edculas se mantienen fieles al estilo original de las historias al usar \u00e1ngulos holandeses para crear esta \u201csensaci\u00f3n c\u00f3mica\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"534\" data-id=\"372263\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins.jpg\" alt=\"\" class=\"wp-image-372263\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins.jpg 1280w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins-300x125.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins-900x375.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins-768x320.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-batman_begins-551x230.jpg 551w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption class=\"wp-element-caption\">A film still from &#8220;Batman Begins&#8221; by Christopher Nolan, 2005<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"544\" data-id=\"372293\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2.jpg\" alt=\"\" class=\"wp-image-372293\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2.jpg 1280w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2-900x383.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2-768x326.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-2-541x230.jpg 541w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"544\" data-id=\"372290\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1.jpg\" alt=\"\" class=\"wp-image-372290\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1.jpg 1280w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1-900x383.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1-768x326.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-thor-1-541x230.jpg 541w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Thor&#8221; by Kenneth Branagh, 2011 <\/figcaption><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Cuando el mundo de un personaje tiene un \u00e1ngulo holand\u00e9s<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En las buenas pel\u00edculas, la cinematograf\u00eda habla sobre el subtexto y representa lo que experimenta el personaje principal. No es de extra\u00f1ar que nos topemos con \u00e1ngulos holandeses en el drama \u00e9pico western de Alejandro I\u00f1\u00e1rritu \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt1663202\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_The%2520Revenant\" target=\"_blank\" rel=\"noreferrer noopener\">The Revenant<\/a>\u201d. El destino del protagonista no es envidiable. Despu\u00e9s de un brutal ataque por parte de una osa parda, Glass (interpretado por Leonardo DiCaprio, quien recibi\u00f3 su premio de la Academia por este papel) tiene un pie en la tumba y no puede moverse por s\u00ed solo. Adem\u00e1s de eso, tiene que presenciar c\u00f3mo un tipo codicioso de su grupo apu\u00f1ala a su hijo hasta matarlo ante sus ojos sin poder intervenir. Estos eventos tuercen tu mundo, y eso es exactamente lo que el lenguaje visual de la pel\u00edcula le comunica a la audiencia.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"808\" data-id=\"372281\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1.jpg\" alt=\"\" class=\"wp-image-372281\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-900x379.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-768x323.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-1536x646.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant1-547x230.jpg 547w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;The Revenant&#8221; by Alejandro G. I\u00f1\u00e1rritu, 2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"808\" data-id=\"372284\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2.jpg\" alt=\"\" class=\"wp-image-372284\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-900x379.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-768x323.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-1536x646.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant2-547x230.jpg 547w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"808\" data-id=\"372287\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3.jpg\" alt=\"\" class=\"wp-image-372287\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-900x379.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-768x323.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-1536x646.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-revenant3-547x230.jpg 547w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Lo extra\u00f1o no siempre es sin\u00f3nimo de terror<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ahora bien, el \u00e1ngulo holand\u00e9s no siempre est\u00e1 relacionado con una connotaci\u00f3n negativa. Para algunos personajes, puede representar su rasgo especial, y los cineastas lo utilizan para construir un mundo ligeramente extra\u00f1o a su alrededor. Un excelente ejemplo de esto es \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0211915\/?ref_=nv_sr_srsg_0_tt_1_nm_7_in_0_q_Am%25C3%25A9lie\" target=\"_blank\" rel=\"noreferrer noopener\">Am\u00e9lie<\/a>\u201d. Los creadores de pel\u00edculas enfatizan la capacidad del protagonista para encontrar magia en la vida cotidiana y experimentar el mundo como fabuloso a trav\u00e9s de colores vibrantes y una variedad de t\u00e9cnicas especiales de c\u00e1mara, incluido el \u00e1ngulo oblicuo en algunas tomas.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1018\" height=\"436\" data-id=\"372254\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1.jpg\" alt=\"\" class=\"wp-image-372254\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1.jpg 1018w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1-900x385.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1-768x329.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-1-537x230.jpg 537w\" sizes=\"auto, (max-width: 1018px) 100vw, 1018px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Am\u00e9lie&#8221; by Jean-Pierre Jeunet, 2001<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1018\" height=\"436\" data-id=\"372257\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2.jpg\" alt=\"\" class=\"wp-image-372257\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2.jpg 1018w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2-900x385.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2-768x329.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-2-537x230.jpg 537w\" sizes=\"auto, (max-width: 1018px) 100vw, 1018px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1018\" height=\"436\" data-id=\"372260\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3.jpg\" alt=\"\" class=\"wp-image-372260\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3.jpg 1018w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3-300x128.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3-900x385.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3-768x329.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-amelie-3-537x230.jpg 537w\" sizes=\"auto, (max-width: 1018px) 100vw, 1018px\" \/><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>No forzar el \u00e1ngulo holand\u00e9s<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El \u00e1ngulo holand\u00e9s se vuelve inadecuado cuando los cineastas lo fuerzan o lo usan en exceso (al igual que en el ejemplo de Thor anterior). Miralo desde el lado convencional. Estamos tan acostumbrados al \u00e1ngulo oblicuo en los sustos repentinos (\u00a1saluden a los juegos de terror visual!) y en las tomas que representan a los villanos que pierde su impacto en la audiencia en tales escenas, y se siente casi un clich\u00e9 implementarlo de esta manera. Una idea mucho mejor es utilizar el \u00e1ngulo holand\u00e9s sutilmente, en situaciones cotidianas. Un gran ejemplo de ello es el tranquilo drama de 2008 \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0918927\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Doubt\" target=\"_blank\" rel=\"noreferrer noopener\">Doubt<\/a>\u201d. La pel\u00edcula plantea cuestiones de fe y la falta de ella, de relaciones humanas, de culpa y chismes, y s\u00ed, de duda. Los planos inclinados de izquierda a derecha aqu\u00ed y all\u00e1 influyen inconscientemente en nuestro propio sistema de creencias. Cuestionamos los motivos del padre Brendan Flynn hasta la \u00faltima escena de la pel\u00edcula. \u00bfPodemos confiar en \u00e9l? \u00bfD\u00f3nde se esconde la verdad? \u00bfRealmente ayuda a este chico o hay algo extra\u00f1o sucediendo tras las puertas cerradas? El \u00e1ngulo inclinado se convierte en el s\u00edmbolo de la duda y, por lo tanto, desata su poder en toda su extensi\u00f3n.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Doubt (1\/10) Movie CLIP - Crisis of Faith (2008) HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/KSc0srYx9-4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"description\":\"El Arte del \\u00c1ngulo Holand\\u00e9s - Inquietud, distorsi\\u00f3n y duda en un encuadre inclinado\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=KSc0srYx9-4&amp;ab_channel=Movieclips\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/KSc0srYx9-4\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-21T12:29:26+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1040\" data-id=\"372269\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1.jpg\" alt=\"\" class=\"wp-image-372269\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-300x163.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-900x488.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-768x416.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-1536x832.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-1-425x230.jpg 425w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Doubt&#8221; by  John Patrick Shanley, 2008<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1040\" data-id=\"372272\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2.jpg\" alt=\"\" class=\"wp-image-372272\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-300x163.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-900x488.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-768x416.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-1536x832.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-2-425x230.jpg 425w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1040\" data-id=\"372275\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3.jpg\" alt=\"\" class=\"wp-image-372275\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-300x163.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-900x488.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-768x416.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-1536x832.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/02\/dutch_angle-doubt-3-425x230.jpg 425w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>En resumen, el \u00e1ngulo holand\u00e9s puede ser una gran herramienta visual en diferentes situaciones. Aun as\u00ed, debe usarse con precauci\u00f3n: su impacto es m\u00e1s fuerte cuando se siente natural, sutil y no exagerado.\u00a0\u00bfY t\u00fa? \u00bfDe qu\u00e9 lado est\u00e1s? \u00bfHoland\u00e9s o no holand\u00e9s? \u00bfEn qu\u00e9 escenas lo usar\u00edas? \u00a1Comparte tus ideas con nosotros en los comentarios a continuaci\u00f3n!<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Fuente de la imagen destacada:<\/em> fotogramas de las pel\u00edculas \u201cDoubt\u201d, \u201cThe Revenant\u201d y \u201cMan with a Movie Camera\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Descargo completo:\u00a0<\/strong><a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=7518982-95209f\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>MZed<\/strong><\/a><strong>\u00a0es\u00a0<\/strong><a href=\"https:\/\/www.cined.com\/es\/cined-acquires-mzed\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>propiedad de CineD<\/strong><\/a>.<\/p>\n<372516-main-buylinks\/>"},"excerpt":{"rendered":"<p>Hay dos tipos de cineastas: los que aprecian los \u00e1ngulos holandeses y los que nivelan el tr\u00edpode desde el primer momento, incluso antes de buscar una composici\u00f3n de encuadre adecuada. \u00a1Es broma! Sin embargo, hay una habilidad subestimada en esta toma inclinada especial, que fue muy popular hace d\u00e9cadas atr\u00e1s. Vamos a echarle un vistazo a la historia del \u00e1ngulo holand\u00e9s y el lugar que ocupa ahora. \u00bfQu\u00e9 poderes narrativos tiene? \u00bfC\u00f3mo puedes usarlo en tus proyectos para mejorar el viaje visual del espectador? Y, sobre todo, es hora de decidir de qu\u00e9 lado est\u00e1s: holand\u00e9s o \u201c\u00a1Nivela tu maldita toma!\u201d. Seg\u00fan Hollywood Lexicon, el \u00e1ngulo holand\u00e9s, tambi\u00e9n conocido como [&hellip;]<\/p>\n","protected":false},"author":33644,"featured_media":372280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/www.cined.com\/es\/como-se-hace\/","slug":"como-se-hace"}],"tags":[80048,82057,39335,87423,87424,87425,65169,65172,65455,74356,79911],"tag_label":[65170],"brand":[54477],"class_list":["post-372516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-como-se-hace","tag-visual-story-es","tag-visual-style-es","tag-mzed-pro-es","tag-dutch-angle-2-es","tag-angulo-holandes","tag-miembros-pro-mzed","tag-mzed-education-es","tag-mzed-educacion","tag-mzed-pro-membership-es","tag-visual-storytelling-es","tag-camera-language-es","tag_label-mzed-education-es","brand-mzed-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v28.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>El Arte del \u00c1ngulo Holand\u00e9s - Inquietud, distorsi\u00f3n y duda en un encuadre inclinado | CineD<\/title>\n<meta name=\"description\" content=\"There are two kinds of filmmakers: those who cherish the Dutch angle and those who level the tripod first and foremost. 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