{"id":382432,"date":"2025-05-16T12:58:42","date_gmt":"2025-05-16T10:58:42","guid":{"rendered":"https:\/\/www.cined.com\/?p=382432"},"modified":"2025-05-16T20:17:48","modified_gmt":"2025-05-16T18:17:48","slug":"different-types-of-tracking-shots-and-what-emotions-they-evoke","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/different-types-of-tracking-shots-and-what-emotions-they-evoke\/","title":{"rendered":"Diferentes Tipos de Planos de Seguimiento y Qu\u00e9 Emociones Evocan"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>Mover la c\u00e1mara o no? Una pregunta que todo cineasta se plantea de vez en cuando: un movimiento de c\u00e1mara bien pensado puede profundizar el impacto de una historia, mientras que uno aleatorio corre el riesgo de distraer o desconectar al p\u00fablico. Sin embargo, algunas tomas requieren movimiento, como los planos de seguimiento. Los hemos visto en innumerables pel\u00edculas de todos los g\u00e9neros. Pero \u00bfqu\u00e9 los hace tan populares, impactantes e inmersivos? \u00bfY c\u00f3mo se pueden usar para evocar emociones? Veamos algunos ejemplos cinematogr\u00e1ficos para descubrirlo.<\/strong><\/p><382432-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">Empujar, tirar, deslizar (dolly) a la izquierda o a la derecha, los planos de seguimiento pertenecen al \u00e1mbito de los movimientos de c\u00e1mara 3D. En breve analizaremos qu\u00e9 significa esto. Si deseas obtener una visi\u00f3n general de los diferentes tipos de movimiento en el cine, <a href=\"https:\/\/www.cined.com\/what-stories-does-camera-motion-tell-basic-movements-with-film-examples\/\" target=\"_blank\" rel=\"noreferrer noopener\">puedes leer nuestra gu\u00eda detallada aqu\u00ed<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"796\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300.jpg\" alt=\"An epic battle tracking shot from &quot;300&quot; by Zack Snyder, 2006\" class=\"wp-image-382333\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-300x124.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-900x373.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-768x318.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-1536x637.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-555x230.jpg 555w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Un plano de seguimiento de la batalla \u00e9pica de &#8220;300&#8221; de Zack Snyder, 2006<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 es un plano de seguimiento y por qu\u00e9 usarlo?\u00a0<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Se trata de un plano en el cual la c\u00e1mara sigue a un sujeto (generalmente un personaje u objeto) dentro del cuadro, mientras que la c\u00e1mara tambi\u00e9n se mueve de forma independiente. No se puede obtener con un simple movimiento panor\u00e1mico o de inclinaci\u00f3n. En el curso <a href=\"https:\/\/www.mzed.com\/courses\/vincent-laforet-directing-motion?tap_a=17272-420962&amp;tap_s=7960867-5f1545\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Direcci\u00f3n de Cine&#8221; de MZed.com<\/a>, el fot\u00f3grafo y cineasta ganador del Premio Pulitzer, <a href=\"https:\/\/www.imdb.com\/name\/nm3667064\/\" target=\"_blank\" rel=\"noreferrer noopener\">Vincent Laforet<\/a>, distingue entre:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 Movimientos 2D: la c\u00e1mara gira sobre un eje fijo (como los paneos o inclinaciones).<br>\u2022 Movimientos 3D: la c\u00e1mara se mueve f\u00edsicamente por la escena.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los planos de seguimiento se clasifican en 3D. Gu\u00edan nuestra atenci\u00f3n, mantienen nuestro enfoque y, por lo general, se desarrollan en tomas m\u00e1s largas. Esta duraci\u00f3n ininterrumpida les permite a los cineastas crear tensi\u00f3n, sumergir al espectador y elevar la carga emocional.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Full Metal Jacket (1987) - &quot;I am Gunnery Sergeant Hartman, your senior drill instructor!&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/sUIzoiMCp-Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=sUIzoiMCp-Q\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/sUIzoiMCp-Q\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Los planos de seguimiento se presentan en muchas formas y direcciones, cada una con una funci\u00f3n narrativa diferente. Analizaremos los tipos m\u00e1s usados a lo largo del art\u00edculo. Sin embargo, todos tienen en com\u00fan que suelen desarrollarse durante un tiempo prolongado en la edici\u00f3n. No es una regla, pero mantener a un sujeto en el cuadro durante m\u00e1s tiempo tiene su poder, y ser\u00eda una l\u00e1stima desperdiciarlo. Piensa en el ejemplo del Sargento de Artiller\u00eda Hartman en \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0093058\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Full%2520Metal%2520Jacket\" target=\"_blank\" rel=\"noreferrer noopener\">Full Metal Jacket<\/a>\u201d mencionado anteriormente. La c\u00e1mara se aleja constantemente de \u00e9l, y nosotros como espectadores sentimos la tensi\u00f3n y la presi\u00f3n, pero no podemos apartar la mirada ni escapar. Esa es precisamente la intenci\u00f3n de Kubrick.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Como explica Vincent Laforet, se trata de una cuesti\u00f3n f\u00edsica. Cuando vemos un plano est\u00e1tico, donde la c\u00e1mara est\u00e1 fija en un encuadre determinado, nuestros ojos empiezan a dispersarse, asimilando cada bit de informaci\u00f3n visual. Al mover la c\u00e1mara, los cineastas pueden dirigir la atenci\u00f3n del p\u00fablico. Los planos de seguimiento son la mejor manera de hacerlo, porque nuestra mirada siempre tiene algo que seguir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Direcci\u00f3n de los planos<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Como ya se mencion\u00f3, existen m\u00faltiples maneras y direcciones para seguir a un sujeto dentro del plano. Podr\u00edamos hacerlo lateralmente, de izquierda a derecha (o al rev\u00e9s). Por ejemplo, Wes Anderson es famoso por su pasi\u00f3n por este movimiento, y lo ver\u00e1s en muchas de sus pel\u00edculas. Es bastante com\u00fan en escenas donde los personajes corren. Aqu\u00ed tienes varias tomas similares de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt11271038\/?ref_=nv_sr_srsg_0_tt_2_nm_0_in_0_q_Licorice%2520Pizza\" target=\"_blank\" rel=\"noreferrer noopener\">Licorice Pizza<\/a>\u201d de Paul Thomas Anderson:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Running in Licorice Pizza\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/HocdA3WrAKg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=HocdA3WrAKg&amp;ab_channel=Ankitp%C3%B6k%C3%A0H%C3%B8nk%C3%A0\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/HocdA3WrAKg\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Otra forma de seguir a alguien o algo es por detr\u00e1s. Un gran ejemplo es el recorrido de Danny por los pasillos en &#8220;The Shining&#8221;. Se vuelve particularmente intenso porque no sabemos qu\u00e9 nos espera a la vuelta de cada esquina. Combinado con melod\u00edas sombr\u00edas, este plano sin duda crea la sensaci\u00f3n general de terror:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Shining (1980): Danny&#039;s Big Wheel\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/F2lU8PnA24A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=F2lU8PnA24A&amp;ab_channel=KevinLynch\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/F2lU8PnA24A\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">La c\u00e1mara tambi\u00e9n puede retroceder, mirando al actor o actores y sigui\u00e9ndolos. Este tipo de movimiento les otorga a los personajes cierto poder. Puede ser el poder del conocimiento, cuando ven algo antes que nosotros, y reaccionan a ello (es una excelente manera de crear suspenso). O bien puede ser un poder opresivo, como en la escena de &#8220;Full Metal Jacket&#8221; que ya mencionamos, o simplemente presumir con una actitud de &#8220;m\u00edrame&#8221;. Suele aplicarse este enfoque en los anuncios de perfumes, o en este ejemplo de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0266697\/?ref_=fn_all_ttl_1\" target=\"_blank\" rel=\"noreferrer noopener\">Kill Bill: Vol. 1<\/a>\u201d (con una amplia variedad de planos de seguimiento a partir del minuto 00:20):<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Kill Bill Vol.1 (2003) O-Ren Ishii&#039;s Entrance Scene  HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/DjUi-P4gm6k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/DjUi-P4gm6k?si=1nxGqJmUKhXoXr7K\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/DjUi-P4gm6k\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">\u00a1Impresionante la entrada del antagonista principal, \u00bfno?<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Firme o temblorosa<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Naturalmente, un plano de seguimiento tambi\u00e9n puede cambiar de direcci\u00f3n, siguiendo a los personajes. Repasemos la escena de batalla de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0120815\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Saving%2520Private%2520Ryan\" target=\"_blank\" rel=\"noreferrer noopener\">Saving Private Ryan<\/a>\u201d e intentemos encontrar todos los planos de seguimiento y los efectos que crean:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Saving Private Ryan (1998) - Final Battle (Part 2)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/b51x1ss6rIw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=b51x1ss6rIw&amp;ab_channel=DorkTV\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/b51x1ss6rIw\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Desordenado, ca\u00f3tico, disperso, como la batalla. Seguimos a alguien y de repente lo perdemos. A veces,\u00a0 ni siquiera la c\u00e1mara puede seguir el ritmo. Es estresante verlo y nos da la sensaci\u00f3n de estar en medio de la acci\u00f3n. \u00bfQu\u00e9 m\u00e1s contribuye a lograr este impacto? La c\u00e1mara temblorosa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esa es otra propiedad del movimiento de c\u00e1mara que puede hacer que los planos de seguimiento se sientan dr\u00e1sticamente diferentes. Por ejemplo, observa esta secuencia estable de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0110912\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_Pulp%2520Fiction\" target=\"_blank\" rel=\"noreferrer noopener\">Pulp Fiction<\/a>\u201d, donde la c\u00e1mara sigue al personaje de Bruce Willis (desde el minuto 00:25):<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Pulp Fiction &quot;The Gold Watch&quot; Tracking Shot (HD)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/7RbAPmKyMdA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=7RbAPmKyMdA&amp;ab_channel=cantcurecancer\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/7RbAPmKyMdA\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Ahora comp\u00e1rala con el plano secuencia intensamente tembloroso de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0180093\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Requiem%2520for%2520the%2520Dream\" target=\"_blank\" rel=\"noreferrer noopener\">Requiem for a Dream<\/a>\u201d (desde el minuto 00:49):<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Requiem for a Dream (7\/12) Movie CLIP - Smart, Loyal and Not a Junkie (2000) HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/2BtZY3z72jY?start=49&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=2BtZY3z72jY&amp;t=49s&amp;ab_channel=Movieclips\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/2BtZY3z72jY\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">\u00bfC\u00f3mo te hicieron sentir los dos planos? Apuesto a que diferente. Los movimientos largos y constantes suelen a\u00f1adir intensidad y suspenso a la escena, mientras que el movimiento tembloroso evoca una reacci\u00f3n de estr\u00e9s, nos hace mover la vista m\u00e1s r\u00e1pido, respirar m\u00e1s r\u00e1pido y sentirnos inc\u00f3modos.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Mantener el suspenso en un plano de seguimiento<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Anteriormente, mencion\u00e9 que este tipo de plano nos permite mostrar la reacci\u00f3n del personaje ante algo que los espectadores a\u00fan no ven, lo que aumenta el suspenso. Tambi\u00e9n funciona a la inversa: podemos darle al p\u00fablico informaci\u00f3n crucial que los personajes a\u00fan desconocen y dejar que la sigan. Probablemente ya adivinaste la escena perfecta para esto: la legendaria secuencia inicial de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0052311\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_touch%2520of%2520\" target=\"_blank\" rel=\"noreferrer noopener\">Touch of Evil<\/a>\u201d.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Touch of Evil (1958) \u2014 The Opening Sequence (Welles&#039; original)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/EhmYY5ZMXOY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=EhmYY5ZMXOY&amp;ab_channel=FixMeAScene\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/EhmYY5ZMXOY\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Esa es la cl\u00e1sica t\u00e9cnica de la &#8220;bomba bajo la mesa&#8221;. Sabemos que el tiempo avanza. Sabemos que algo inevitable va a suceder. En lugar de cortar, el director Orson Welles nos hace ver el coche -con la bomba en el cami\u00f3n- en un plano largo e ininterrumpido. \u00bfEl resultado? Una tensi\u00f3n alt\u00edsima (por cierto, si quieres aprender a crear una toma larga con tanto suspenso como esta, <a href=\"https:\/\/www.cined.com\/how-to-create-a-suspenseful-long-take-with-movie-tv-scene-examples\/\" target=\"_blank\" rel=\"noreferrer noopener\">haz clic aqu\u00ed<\/a>).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Varias posibilidades t\u00e9cnicas para los planos de seguimiento<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Algunos llaman a los planos de seguimiento como &#8220;dolly shots&#8221; debido al equipo utilizado en los inicios del cine. Sin embargo, hoy en d\u00eda disponemos de muchas otras herramientas para lograr resultados similares: Steadicam, c\u00e1mara en mano, drones o incluso gr\u00faas. Aqu\u00ed tienes un ejemplo ingenioso de la popular serie &#8220;Euphoria&#8221;:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Euphoria (01x03) - Mirror Shot feat. Kat | Spotlight\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/cMJQyZTt-Xs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=cMJQyZTt-Xs&amp;ab_channel=Spotlight\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/cMJQyZTt-Xs\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Es interesante porque pasa de un falso reflejo en un \u201c<a href=\"https:\/\/www.cined.com\/es\/tricky-shots-with-mirrors-and-ways-to-execute-them\/\" target=\"_blank\" rel=\"noreferrer noopener\">espejo<\/a>\u201d a un plano de seguimiento que sigue al personaje desde atr\u00e1s, dentro del dormitorio. Para lograrlo, el equipo mont\u00f3 la c\u00e1mara en una gr\u00faa y construy\u00f3 un falso &#8220;espejo&#8221; con un agujero para el reflejo. Los planos de seguimiento abren un mundo de posibilidades creativas.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Y m\u00e1s consejos para planos de seguimiento<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Al igual que otros movimientos de c\u00e1mara, los planos de seguimiento son una gran herramienta visual, pero es importante usarlos con intenci\u00f3n, sabiendo qu\u00e9 efecto quieres lograr en el p\u00fablico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si quieres aprender m\u00e1s sobre estos planos, los movimientos de c\u00e1mara motivados e inmotivados, y los trucos para ejecutar diferentes tipos de movimiento, mira el curso completo <a href=\"https:\/\/www.mzed.com\/courses\/vincent-laforet-directing-motion?tap_a=17272-420962&amp;tap_s=7960867-5f1545\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Direcci\u00f3n de Cine\u201d de Vincent Laforet&#8217;s en\u00a0<a href=\"http:\/\/mzed.com\/\">MZed.com<\/a><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00bfQu\u00e9 opinas de los planos de seguimiento? \u00bfSueles usarlos en tus proyectos de v\u00eddeo? \u00bfCu\u00e1ndo y por qu\u00e9? Comparte tu experiencia con nosotros en los comentarios.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Imagen destacada<\/em>: fotogramas de &#8220;Licorice Pizza&#8221; de Paul Thomas Anderson, 2021; &#8220;Pulp Fiction&#8221; de Quentin Tarantino, 1994; &#8220;Saving Private Ryan&#8221; de Steven Spielberg, 1998; y &#8220;Kill Bill: Vol. 1&#8221; de Quentin Tarantino, 2003.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Aclaraci\u00f3n:\u00a0<a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=7960867-5f1545\" target=\"_blank\" rel=\"noreferrer noopener\">MZed<\/a>\u00a0es\u00a0<a href=\"https:\/\/www.cined.com\/es\/cined-acquires-mzed\/\" target=\"_blank\" rel=\"noreferrer noopener\">propiedad de CineD<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<382432-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap wp-block-paragraph\"><strong>Mover la c\u00e1mara o no? Una pregunta que todo cineasta se plantea de vez en cuando: un movimiento de c\u00e1mara bien pensado puede profundizar el impacto de una historia, mientras que uno aleatorio corre el riesgo de distraer o desconectar al p\u00fablico. Sin embargo, algunas tomas requieren movimiento, como los planos de seguimiento. Los hemos visto en innumerables pel\u00edculas de todos los g\u00e9neros. Pero \u00bfqu\u00e9 los hace tan populares, impactantes e inmersivos? \u00bfY c\u00f3mo se pueden usar para evocar emociones? Veamos algunos ejemplos cinematogr\u00e1ficos para descubrirlo.<\/strong><\/p><382432-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">Empujar, tirar, deslizar (dolly) a la izquierda o a la derecha, los planos de seguimiento pertenecen al \u00e1mbito de los movimientos de c\u00e1mara 3D. En breve analizaremos qu\u00e9 significa esto. Si deseas obtener una visi\u00f3n general de los diferentes tipos de movimiento en el cine, <a href=\"https:\/\/www.cined.com\/what-stories-does-camera-motion-tell-basic-movements-with-film-examples\/\" target=\"_blank\" rel=\"noreferrer noopener\">puedes leer nuestra gu\u00eda detallada aqu\u00ed<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"796\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300.jpg\" alt=\"An epic battle tracking shot from &quot;300&quot; by Zack Snyder, 2006\" class=\"wp-image-382333\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-300x124.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-900x373.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-768x318.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-1536x637.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/tracking_shots-300-555x230.jpg 555w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Un plano de seguimiento de la batalla \u00e9pica de &#8220;300&#8221; de Zack Snyder, 2006<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 es un plano de seguimiento y por qu\u00e9 usarlo?\u00a0<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Se trata de un plano en el cual la c\u00e1mara sigue a un sujeto (generalmente un personaje u objeto) dentro del cuadro, mientras que la c\u00e1mara tambi\u00e9n se mueve de forma independiente. No se puede obtener con un simple movimiento panor\u00e1mico o de inclinaci\u00f3n. En el curso <a href=\"https:\/\/www.mzed.com\/courses\/vincent-laforet-directing-motion?tap_a=17272-420962&amp;tap_s=7960867-5f1545\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Direcci\u00f3n de Cine&#8221; de MZed.com<\/a>, el fot\u00f3grafo y cineasta ganador del Premio Pulitzer, <a href=\"https:\/\/www.imdb.com\/name\/nm3667064\/\" target=\"_blank\" rel=\"noreferrer noopener\">Vincent Laforet<\/a>, distingue entre:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 Movimientos 2D: la c\u00e1mara gira sobre un eje fijo (como los paneos o inclinaciones).<br>\u2022 Movimientos 3D: la c\u00e1mara se mueve f\u00edsicamente por la escena.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los planos de seguimiento se clasifican en 3D. Gu\u00edan nuestra atenci\u00f3n, mantienen nuestro enfoque y, por lo general, se desarrollan en tomas m\u00e1s largas. Esta duraci\u00f3n ininterrumpida les permite a los cineastas crear tensi\u00f3n, sumergir al espectador y elevar la carga emocional.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Full Metal Jacket (1987) - &quot;I am Gunnery Sergeant Hartman, your senior drill instructor!&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/sUIzoiMCp-Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=sUIzoiMCp-Q\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/sUIzoiMCp-Q\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Los planos de seguimiento se presentan en muchas formas y direcciones, cada una con una funci\u00f3n narrativa diferente. Analizaremos los tipos m\u00e1s usados a lo largo del art\u00edculo. Sin embargo, todos tienen en com\u00fan que suelen desarrollarse durante un tiempo prolongado en la edici\u00f3n. No es una regla, pero mantener a un sujeto en el cuadro durante m\u00e1s tiempo tiene su poder, y ser\u00eda una l\u00e1stima desperdiciarlo. Piensa en el ejemplo del Sargento de Artiller\u00eda Hartman en \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0093058\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Full%2520Metal%2520Jacket\" target=\"_blank\" rel=\"noreferrer noopener\">Full Metal Jacket<\/a>\u201d mencionado anteriormente. La c\u00e1mara se aleja constantemente de \u00e9l, y nosotros como espectadores sentimos la tensi\u00f3n y la presi\u00f3n, pero no podemos apartar la mirada ni escapar. Esa es precisamente la intenci\u00f3n de Kubrick.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Como explica Vincent Laforet, se trata de una cuesti\u00f3n f\u00edsica. Cuando vemos un plano est\u00e1tico, donde la c\u00e1mara est\u00e1 fija en un encuadre determinado, nuestros ojos empiezan a dispersarse, asimilando cada bit de informaci\u00f3n visual. Al mover la c\u00e1mara, los cineastas pueden dirigir la atenci\u00f3n del p\u00fablico. Los planos de seguimiento son la mejor manera de hacerlo, porque nuestra mirada siempre tiene algo que seguir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Direcci\u00f3n de los planos<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Como ya se mencion\u00f3, existen m\u00faltiples maneras y direcciones para seguir a un sujeto dentro del plano. Podr\u00edamos hacerlo lateralmente, de izquierda a derecha (o al rev\u00e9s). Por ejemplo, Wes Anderson es famoso por su pasi\u00f3n por este movimiento, y lo ver\u00e1s en muchas de sus pel\u00edculas. Es bastante com\u00fan en escenas donde los personajes corren. Aqu\u00ed tienes varias tomas similares de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt11271038\/?ref_=nv_sr_srsg_0_tt_2_nm_0_in_0_q_Licorice%2520Pizza\" target=\"_blank\" rel=\"noreferrer noopener\">Licorice Pizza<\/a>\u201d de Paul Thomas Anderson:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Running in Licorice Pizza\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/HocdA3WrAKg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=HocdA3WrAKg&amp;ab_channel=Ankitp%C3%B6k%C3%A0H%C3%B8nk%C3%A0\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/HocdA3WrAKg\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Otra forma de seguir a alguien o algo es por detr\u00e1s. Un gran ejemplo es el recorrido de Danny por los pasillos en &#8220;The Shining&#8221;. Se vuelve particularmente intenso porque no sabemos qu\u00e9 nos espera a la vuelta de cada esquina. Combinado con melod\u00edas sombr\u00edas, este plano sin duda crea la sensaci\u00f3n general de terror:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Shining (1980): Danny&#039;s Big Wheel\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/F2lU8PnA24A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=F2lU8PnA24A&amp;ab_channel=KevinLynch\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/F2lU8PnA24A\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">La c\u00e1mara tambi\u00e9n puede retroceder, mirando al actor o actores y sigui\u00e9ndolos. Este tipo de movimiento les otorga a los personajes cierto poder. Puede ser el poder del conocimiento, cuando ven algo antes que nosotros, y reaccionan a ello (es una excelente manera de crear suspenso). O bien puede ser un poder opresivo, como en la escena de &#8220;Full Metal Jacket&#8221; que ya mencionamos, o simplemente presumir con una actitud de &#8220;m\u00edrame&#8221;. Suele aplicarse este enfoque en los anuncios de perfumes, o en este ejemplo de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0266697\/?ref_=fn_all_ttl_1\" target=\"_blank\" rel=\"noreferrer noopener\">Kill Bill: Vol. 1<\/a>\u201d (con una amplia variedad de planos de seguimiento a partir del minuto 00:20):<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Kill Bill Vol.1 (2003) O-Ren Ishii&#039;s Entrance Scene  HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/DjUi-P4gm6k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/DjUi-P4gm6k?si=1nxGqJmUKhXoXr7K\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/DjUi-P4gm6k\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">\u00a1Impresionante la entrada del antagonista principal, \u00bfno?<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Firme o temblorosa<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Naturalmente, un plano de seguimiento tambi\u00e9n puede cambiar de direcci\u00f3n, siguiendo a los personajes. Repasemos la escena de batalla de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0120815\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Saving%2520Private%2520Ryan\" target=\"_blank\" rel=\"noreferrer noopener\">Saving Private Ryan<\/a>\u201d e intentemos encontrar todos los planos de seguimiento y los efectos que crean:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Saving Private Ryan (1998) - Final Battle (Part 2)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/b51x1ss6rIw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=b51x1ss6rIw&amp;ab_channel=DorkTV\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/b51x1ss6rIw\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Desordenado, ca\u00f3tico, disperso, como la batalla. Seguimos a alguien y de repente lo perdemos. A veces,\u00a0 ni siquiera la c\u00e1mara puede seguir el ritmo. Es estresante verlo y nos da la sensaci\u00f3n de estar en medio de la acci\u00f3n. \u00bfQu\u00e9 m\u00e1s contribuye a lograr este impacto? La c\u00e1mara temblorosa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esa es otra propiedad del movimiento de c\u00e1mara que puede hacer que los planos de seguimiento se sientan dr\u00e1sticamente diferentes. Por ejemplo, observa esta secuencia estable de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0110912\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_Pulp%2520Fiction\" target=\"_blank\" rel=\"noreferrer noopener\">Pulp Fiction<\/a>\u201d, donde la c\u00e1mara sigue al personaje de Bruce Willis (desde el minuto 00:25):<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Pulp Fiction &quot;The Gold Watch&quot; Tracking Shot (HD)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/7RbAPmKyMdA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=7RbAPmKyMdA&amp;ab_channel=cantcurecancer\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/7RbAPmKyMdA\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Ahora comp\u00e1rala con el plano secuencia intensamente tembloroso de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0180093\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Requiem%2520for%2520the%2520Dream\" target=\"_blank\" rel=\"noreferrer noopener\">Requiem for a Dream<\/a>\u201d (desde el minuto 00:49):<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Requiem for a Dream (7\/12) Movie CLIP - Smart, Loyal and Not a Junkie (2000) HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/2BtZY3z72jY?start=49&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=2BtZY3z72jY&amp;t=49s&amp;ab_channel=Movieclips\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/2BtZY3z72jY\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">\u00bfC\u00f3mo te hicieron sentir los dos planos? Apuesto a que diferente. Los movimientos largos y constantes suelen a\u00f1adir intensidad y suspenso a la escena, mientras que el movimiento tembloroso evoca una reacci\u00f3n de estr\u00e9s, nos hace mover la vista m\u00e1s r\u00e1pido, respirar m\u00e1s r\u00e1pido y sentirnos inc\u00f3modos.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Mantener el suspenso en un plano de seguimiento<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Anteriormente, mencion\u00e9 que este tipo de plano nos permite mostrar la reacci\u00f3n del personaje ante algo que los espectadores a\u00fan no ven, lo que aumenta el suspenso. Tambi\u00e9n funciona a la inversa: podemos darle al p\u00fablico informaci\u00f3n crucial que los personajes a\u00fan desconocen y dejar que la sigan. Probablemente ya adivinaste la escena perfecta para esto: la legendaria secuencia inicial de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0052311\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_touch%2520of%2520\" target=\"_blank\" rel=\"noreferrer noopener\">Touch of Evil<\/a>\u201d.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Touch of Evil (1958) \u2014 The Opening Sequence (Welles&#039; original)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/EhmYY5ZMXOY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=EhmYY5ZMXOY&amp;ab_channel=FixMeAScene\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/EhmYY5ZMXOY\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Esa es la cl\u00e1sica t\u00e9cnica de la &#8220;bomba bajo la mesa&#8221;. Sabemos que el tiempo avanza. Sabemos que algo inevitable va a suceder. En lugar de cortar, el director Orson Welles nos hace ver el coche -con la bomba en el cami\u00f3n- en un plano largo e ininterrumpido. \u00bfEl resultado? Una tensi\u00f3n alt\u00edsima (por cierto, si quieres aprender a crear una toma larga con tanto suspenso como esta, <a href=\"https:\/\/www.cined.com\/how-to-create-a-suspenseful-long-take-with-movie-tv-scene-examples\/\" target=\"_blank\" rel=\"noreferrer noopener\">haz clic aqu\u00ed<\/a>).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Varias posibilidades t\u00e9cnicas para los planos de seguimiento<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Algunos llaman a los planos de seguimiento como &#8220;dolly shots&#8221; debido al equipo utilizado en los inicios del cine. Sin embargo, hoy en d\u00eda disponemos de muchas otras herramientas para lograr resultados similares: Steadicam, c\u00e1mara en mano, drones o incluso gr\u00faas. Aqu\u00ed tienes un ejemplo ingenioso de la popular serie &#8220;Euphoria&#8221;:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Euphoria (01x03) - Mirror Shot feat. Kat | Spotlight\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/cMJQyZTt-Xs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"description\":\"Diferentes Tipos de Planos de Seguimiento y Qu\\u00e9 Emociones Evocan\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=cMJQyZTt-Xs&amp;ab_channel=Spotlight\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/cMJQyZTt-Xs\\\/mqdefault.jpg\",\"uploadDate\":\"2025-05-16T12:58:42+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Es interesante porque pasa de un falso reflejo en un \u201c<a href=\"https:\/\/www.cined.com\/es\/tricky-shots-with-mirrors-and-ways-to-execute-them\/\" target=\"_blank\" rel=\"noreferrer noopener\">espejo<\/a>\u201d a un plano de seguimiento que sigue al personaje desde atr\u00e1s, dentro del dormitorio. Para lograrlo, el equipo mont\u00f3 la c\u00e1mara en una gr\u00faa y construy\u00f3 un falso &#8220;espejo&#8221; con un agujero para el reflejo. Los planos de seguimiento abren un mundo de posibilidades creativas.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Y m\u00e1s consejos para planos de seguimiento<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Al igual que otros movimientos de c\u00e1mara, los planos de seguimiento son una gran herramienta visual, pero es importante usarlos con intenci\u00f3n, sabiendo qu\u00e9 efecto quieres lograr en el p\u00fablico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si quieres aprender m\u00e1s sobre estos planos, los movimientos de c\u00e1mara motivados e inmotivados, y los trucos para ejecutar diferentes tipos de movimiento, mira el curso completo <a href=\"https:\/\/www.mzed.com\/courses\/vincent-laforet-directing-motion?tap_a=17272-420962&amp;tap_s=7960867-5f1545\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Direcci\u00f3n de Cine\u201d de Vincent Laforet&#8217;s en\u00a0<a href=\"http:\/\/mzed.com\/\">MZed.com<\/a><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00bfQu\u00e9 opinas de los planos de seguimiento? \u00bfSueles usarlos en tus proyectos de v\u00eddeo? \u00bfCu\u00e1ndo y por qu\u00e9? Comparte tu experiencia con nosotros en los comentarios.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Imagen destacada<\/em>: fotogramas de &#8220;Licorice Pizza&#8221; de Paul Thomas Anderson, 2021; &#8220;Pulp Fiction&#8221; de Quentin Tarantino, 1994; &#8220;Saving Private Ryan&#8221; de Steven Spielberg, 1998; y &#8220;Kill Bill: Vol. 1&#8221; de Quentin Tarantino, 2003.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Aclaraci\u00f3n:\u00a0<a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=7960867-5f1545\" target=\"_blank\" rel=\"noreferrer noopener\">MZed<\/a>\u00a0es\u00a0<a href=\"https:\/\/www.cined.com\/es\/cined-acquires-mzed\/\" target=\"_blank\" rel=\"noreferrer noopener\">propiedad de CineD<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<382432-main-buylinks\/>"},"excerpt":{"rendered":"<p>Mover la c\u00e1mara o no? Una pregunta que todo cineasta se plantea de vez en cuando: un movimiento de c\u00e1mara bien pensado puede profundizar el impacto de una historia, mientras que uno aleatorio corre el riesgo de distraer o desconectar al p\u00fablico. Sin embargo, algunas tomas requieren movimiento, como los planos de seguimiento. Los hemos visto en innumerables pel\u00edculas de todos los g\u00e9neros. Pero \u00bfqu\u00e9 los hace tan populares, impactantes e inmersivos? \u00bfY c\u00f3mo se pueden usar para evocar emociones? Veamos algunos ejemplos cinematogr\u00e1ficos para descubrirlo. Empujar, tirar, deslizar (dolly) a la izquierda o a la derecha, los planos de seguimiento pertenecen al \u00e1mbito de los movimientos de c\u00e1mara 3D. [&hellip;]<\/p>\n","protected":false},"author":33644,"featured_media":382338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/www.cined.com\/es\/como-se-hace\/","slug":"como-se-hace"}],"tags":[74356,89655,24976,90751,90752,90753,90754,65169,65454,69856,70839],"tag_label":[65170],"brand":[54477],"class_list":["post-382432","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-como-se-hace","tag-visual-storytelling-es","tag-suscripcion-mzed-pro","tag-camera-movement-es","tag-cinematography-language-es","tag-tracking-shots-es","tag-camera-motion-es","tag-planos-de-seguimiento","tag-mzed-education-es","tag-mzed-pro-subscription-es","tag-cinematografia-2","tag-educacion-mzed-2","tag_label-mzed-education-es","brand-mzed-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v28.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Diferentes Tipos de Planos de Seguimiento y Qu\u00e9 Emociones Evocan | CineD<\/title>\n<meta name=\"description\" content=\"You&#039;ve seen them across every genre. But what makes tracking shots so popular, powerful, and immersive? Let&#039;s find out.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cined.com\/es\/different-types-of-tracking-shots-and-what-emotions-they-evoke\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diferentes Tipos de Planos de Seguimiento y Qu\u00e9 Emociones Evocan | CineD\" \/>\n<meta property=\"og:description\" content=\"You&#039;ve seen them across every genre. But what makes tracking shots so popular, powerful, and immersive? 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