{"id":384276,"date":"2025-06-04T19:00:06","date_gmt":"2025-06-04T17:00:06","guid":{"rendered":"https:\/\/www.cined.com\/?p=384276"},"modified":"2025-06-05T18:53:50","modified_gmt":"2025-06-05T16:53:50","slug":"fujifilm-gfx-eterna-more-details-coming-at-cine-gear","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/fujifilm-gfx-eterna-more-details-coming-at-cine-gear\/","title":{"rendered":"FUJIFILM GFX ETERNA – M\u00e1s detalles pr\u00f3ximamente en la Cine Gear"},"content":{"rendered":"\n

FUJIFILM contin\u00faa revelando detalles sobre su pr\u00f3xima c\u00e1mara de cine de gran formato GFX ETERNA. En este breve art\u00edculo, queremos animar a nuestra audiencia y contarles qu\u00e9 pueden esperar en nuestra pr\u00f3xima entrevista con Yuji Igarashi (Gerente de Divisi\u00f3n) y Makoto Oishi (Gerente de Planificaci\u00f3n de Producto).<\/strong><\/p>\n\n\n\n

En CineD, comenzamos a seguir el desarrollo de la c\u00e1mara en noviembre de 2024<\/a>. Desde entonces, hemos presenciado varias novedades; Una fue cuando presentaron<\/a> las funciones Open-Gate y Dual ISO, y la otra durante la NAB en abril de este a\u00f1o<\/a>, cuando la compa\u00f1\u00eda revel\u00f3 las especificaciones del filtro ND electr\u00f3nico variable, junto con la posibilidad de intercambiar las bater\u00edas en caliente, la compatibilidad con tarjetas de memoria interna, con el accesorio de mango adaptador de micr\u00f3fono TASCAM XLR y con Adobe Frame.io Camera-to-Cloud.<\/p>\n\n\n\n

\"FUJIFILM
FUJIFILM GFX ETERNA. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

Ahora es momento de avanzar, y FUJIFILM<\/a> ha revelado 10 nuevas especificaciones que incluir\u00e1 en la pr\u00f3xima c\u00e1mara cinematogr\u00e1fica:<\/p>\n\n\n\n

1. Compatibilidad con Filtro \u00d3ptico de Paso Bajo (OLPF):<\/strong> Para ayudar a reducir el moir\u00e9 y el color falso<\/p>\n\n\n\n

\u2022 Placa de onda<\/p>\n\n\n\n

\u2022 Filtro de paso bajo 1<\/p>\n\n\n\n

\u2022 Filtro de corte IR<\/p>\n\n\n\n

\u2022 Filtro de paso bajo 2<\/p>\n\n\n\n

2. Formatos de sensor disponibles para la GFX ETERNA:<\/strong> Sensor GFX ETERNA de 43.8 x 32.9mm<\/p>\n\n\n\n

\u2022 GF 4:3 Open Gate<\/p>\n\n\n\n

\u2022 GF DCI<\/p>\n\n\n\n

\u2022 Premista DCI<\/p>\n\n\n\n

\u2022 35mm DCI<\/p>\n\n\n\n

\u2022 8K DCI, punto por punto<\/p>\n\n\n\n

\u2022 Super 35 DC<\/p>\n\n\n\n

\"\"
Los elementos en naranja son exclusivos de la GFX Eterna (Cr\u00e9dito: FUJIFILM)<\/figcaption><\/figure>\n\n\n\n

3. C\u00f3decs integrados:<\/strong> La GFX ETERNA se basa en el sistema GFX100 II compatible con ProRes422. H.265 y H.264.<\/p>\n\n\n\n

En la c\u00e1mara:<\/strong><\/p>\n\n\n\n

\u2022 Apple ProRes 422 HQ, PCM lineal (sonido est\u00e9reo de 24 bits\/muestreo de 48kHz)<\/p>\n\n\n\n

\u2022 Apple ProRes 422, PCM lineal (sonido est\u00e9reo de 24 bits\/muestreo de 48kHz)<\/p>\n\n\n\n

\u2022 Apple ProRes 422 LT, PCM lineal (sonido est\u00e9reo de 24 bits\/muestreo de 48kHz)<\/p>\n\n\n\n

\u2022 HEVC\/H.265 (4:2:2 de 10 bits), PCM lineal (sonido est\u00e9reo de 24 bits\/muestreo de 48kHz)<\/p>\n\n\n\n

\u2022 Proxy Apple ProRes<\/p>\n\n\n\n

\u2022 Proxy H.264<\/p>\n\n\n\n

HDMI (grabaci\u00f3n externa)<\/strong><\/p>\n\n\n\n

\u2022 4:2:2 de 10 bits raw<\/p>\n\n\n\n

\u2022 RAW de 12 bits<\/p>\n\n\n\n

4. Carga de LUT 3D:<\/strong> La GFX ETERNA admite la carga y el almacenamiento de LUT 3D con hasta 16 tablas de b\u00fasqueda de archivos personalizadas.\u00a0<\/p>\n\n\n\n

5. Emulaci\u00f3n de pel\u00edcula:<\/strong> La GFX ETERNA admite 20 tipos de emulaciones de pel\u00edcula:<\/p>\n\n\n\n

\u2022 PROVIA\/Est\u00e1ndar<\/p>\n\n\n\n

\u2022 Velvia\/V\u00edvido<\/p>\n\n\n\n

\u2022 ASTIA\/Suave<\/p>\n\n\n\n

\u2022 Cromo cl\u00e1sico<\/p>\n\n\n\n

\u2022 REALA ACE<\/p>\n\n\n\n

\u2022 PRO Neg. HI<\/p>\n\n\n\n

\u2022 PRO Neg. Std<\/p>\n\n\n\n

\u2022 Neg. Cl\u00e1sico<\/p>\n\n\n\n

\u2022 Neg. Nost\u00e1lgico<\/p>\n\n\n\n

\u2022 ETERNA\/Cine<\/p>\n\n\n\n

\u2022 ETERNA BLEACH BYPASSACROS<\/p>\n\n\n\n

\u2022 ACROS + Filtro Ye<\/p>\n\n\n\n

\u2022 ACROS + Filtro R<\/p>\n\n\n\n

\u2022 ACROS + Filtro G<\/p>\n\n\n\n

\u2022 Blanco y negro<\/p>\n\n\n\n

\u2022 Blanco y negro + Filtro Ye<\/p>\n\n\n\n

\u2022 Blanco y negro + Filtro R<\/p>\n\n\n\n

\u2022 Blanco y negro + Filtro G<\/p>\n\n\n\n

\u2022 Sepia<\/p>\n\n\n\n

6. Desarrollo de LUT 3D de emulaci\u00f3n de pel\u00edcula para F-Log2 \/ F-Log2 C:<\/strong> Fujifilm desarrollar\u00e1 nuevas LUT 3D para emulaciones de pel\u00edcula seleccionadas para F-Log2 \/ F-Log2 C (con ITU-R BT.709), que se podr\u00e1n descargar de la web.\u00a0<\/p>\n\n\n\n

\u2022 ETERNA<\/p>\n\n\n\n

\u2022 ETERNA BLEACH BYPASS<\/p>\n\n\n\n

\u2022 PROVIA\/Est\u00e1ndar<\/p>\n\n\n\n

\u2022 Velvia\/V\u00edvido<\/p>\n\n\n\n

\u2022 ASTIA\/Suave<\/p>\n\n\n\n

\u2022 REALA ACE<\/p>\n\n\n\n

\u2022 Cromo Cl\u00e1sico<\/p>\n\n\n\n

\u2022 Negativo Cl\u00e1sico<\/p>\n\n\n\n

\u2022 ACROS<\/p>\n\n\n\n

7. Gu\u00edas de Encuadre Personalizadas:<\/strong> La GFX ETERNA admite gu\u00edas de encuadre personalizables. Podr\u00e1s crear gu\u00edas personalizadas y seleccionar la configuraci\u00f3n de 1, 2 o 3 cuadros.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

8. Control Remoto Multic\u00e1mara:<\/strong> La c\u00e1mara admite la funci\u00f3n de Grabaci\u00f3n Remota, una aplicaci\u00f3n de control remoto basada en navegador web que se ejecuta localmente en una red cableada o inal\u00e1mbrica.<\/p>\n\n\n\n

9. Compatibilidad con Bluetooth de Bajo Consumo (BLE) (AirGlu, TG-BT1):<\/strong> Admite la conexi\u00f3n BLE con ATOMOS AirGlu y FUJIFILM TG-BT1. Sincronizaci\u00f3n de Timecode. Compatibilidad con enchufe TC, dispositivos Atomos AirGlu Ambient y, mediante conexi\u00f3n USB-C, con:<\/p>\n\n\n\n

\u2022 ATOMOS AirGlu UltraSync Blue<\/p>\n\n\n\n

\u2022 Empu\u00f1adura de tr\u00edpode TG-BT1<\/p>\n\n\n\n

\u2022 Funci\u00f3n de grabaci\u00f3n remota desde el navegador del smartphone TG-BT1<\/p>\n\n\n\n

10. Especificaciones del monitor LCD y men\u00fa integrado:\u00a0<\/strong><\/p>\n\n\n\n

\u2022 Monitor LCD a color con pantalla t\u00e1ctil de 5\u201d<\/p>\n\n\n\n

\u2022 Brillo: M\u00e1x. 2000 nits<\/p>\n\n\n\n

\u2022 Formato: 16:9<\/p>\n\n\n\n

\u2022 Puntos: Aprox. 6.22 millones de puntos (1920 x 1080 x 3)<\/p>\n\n\n\n

Especificaciones del men\u00fa integrado:<\/p>\n\n\n\n

\u2022 Monitor LCD a color con pantalla t\u00e1ctil de 3\u201d<\/p>\n\n\n\n

\u2022 Brillo: M\u00e1x. 700 nits<\/p>\n\n\n\n

\u2022 Formato: 3:2<\/p>\n\n\n\n

\u2022 Puntos: Aprox. 1.04 millones de puntos (720x480x3)<\/p>\n\n\n\n

Abordaremos todos estos puntos en nuestra pr\u00f3xima entrevista con la compa\u00f1\u00eda, que se publicar\u00e1 el s\u00e1bado 7 de junio, as\u00ed que est\u00e9n atentos.<\/p>\n\n\n\n

\u00bfTe interesa saber m\u00e1s sobre la pr\u00f3xima c\u00e1mara de cine GFX ETERNA? Si es as\u00ed, \u00bfcu\u00e1les son tus expectativas? Comparte tu opini\u00f3n con nosotros en la secci\u00f3n de comentarios.<\/strong><\/p>\n<384276-main-buylinks\/>","protected":false,"clean_render":"

FUJIFILM contin\u00faa revelando detalles sobre su pr\u00f3xima c\u00e1mara de cine de gran formato GFX ETERNA. En este breve art\u00edculo, queremos animar a nuestra audiencia y contarles qu\u00e9 pueden esperar en nuestra pr\u00f3xima entrevista con Yuji Igarashi (Gerente de Divisi\u00f3n) y Makoto Oishi (Gerente de Planificaci\u00f3n de Producto).<\/strong><\/p>\n\n\n\n

En CineD, comenzamos a seguir el desarrollo de la c\u00e1mara en noviembre de 2024<\/a>. Desde entonces, hemos presenciado varias novedades; Una fue cuando presentaron<\/a> las funciones Open-Gate y Dual ISO, y la otra durante la NAB en abril de este a\u00f1o<\/a>, cuando la compa\u00f1\u00eda revel\u00f3 las especificaciones del filtro ND electr\u00f3nico variable, junto con la posibilidad de intercambiar las bater\u00edas en caliente, la compatibilidad con tarjetas de memoria interna, con el accesorio de mango adaptador de micr\u00f3fono TASCAM XLR y con Adobe Frame.io Camera-to-Cloud.<\/p>\n\n\n\n

\"FUJIFILM
FUJIFILM GFX ETERNA. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

Ahora es momento de avanzar, y FUJIFILM<\/a> ha revelado 10 nuevas especificaciones que incluir\u00e1 en la pr\u00f3xima c\u00e1mara cinematogr\u00e1fica:<\/p>\n\n\n\n

1. Compatibilidad con Filtro \u00d3ptico de Paso Bajo (OLPF):<\/strong> Para ayudar a reducir el moir\u00e9 y el color falso<\/p>\n\n\n\n

\u2022 Placa de onda<\/p>\n\n\n\n

\u2022 Filtro de paso bajo 1<\/p>\n\n\n\n

\u2022 Filtro de corte IR<\/p>\n\n\n\n

\u2022 Filtro de paso bajo 2<\/p>\n\n\n\n

2. Formatos de sensor disponibles para la GFX ETERNA:<\/strong> Sensor GFX ETERNA de 43.8 x 32.9mm<\/p>\n\n\n\n

\u2022 GF 4:3 Open Gate<\/p>\n\n\n\n

\u2022 GF DCI<\/p>\n\n\n\n

\u2022 Premista DCI<\/p>\n\n\n\n

\u2022 35mm DCI<\/p>\n\n\n\n

\u2022 8K DCI, punto por punto<\/p>\n\n\n\n

\u2022 Super 35 DC<\/p>\n\n\n\n

\"\"
Los elementos en naranja son exclusivos de la GFX Eterna (Cr\u00e9dito: FUJIFILM)<\/figcaption><\/figure>\n\n\n\n

3. C\u00f3decs integrados:<\/strong> La GFX ETERNA se basa en el sistema GFX100 II compatible con ProRes422. H.265 y H.264.<\/p>\n\n\n\n

En la c\u00e1mara:<\/strong><\/p>\n\n\n\n

\u2022 Apple ProRes 422 HQ, PCM lineal (sonido est\u00e9reo de 24 bits\/muestreo de 48kHz)<\/p>\n\n\n\n

\u2022 Apple ProRes 422, PCM lineal (sonido est\u00e9reo de 24 bits\/muestreo de 48kHz)<\/p>\n\n\n\n

\u2022 Apple ProRes 422 LT, PCM lineal (sonido est\u00e9reo de 24 bits\/muestreo de 48kHz)<\/p>\n\n\n\n

\u2022 HEVC\/H.265 (4:2:2 de 10 bits), PCM lineal (sonido est\u00e9reo de 24 bits\/muestreo de 48kHz)<\/p>\n\n\n\n

\u2022 Proxy Apple ProRes<\/p>\n\n\n\n

\u2022 Proxy H.264<\/p>\n\n\n\n

HDMI (grabaci\u00f3n externa)<\/strong><\/p>\n\n\n\n

\u2022 4:2:2 de 10 bits raw<\/p>\n\n\n\n

\u2022 RAW de 12 bits<\/p>\n\n\n\n

4. Carga de LUT 3D:<\/strong> La GFX ETERNA admite la carga y el almacenamiento de LUT 3D con hasta 16 tablas de b\u00fasqueda de archivos personalizadas.\u00a0<\/p>\n\n\n\n

5. Emulaci\u00f3n de pel\u00edcula:<\/strong> La GFX ETERNA admite 20 tipos de emulaciones de pel\u00edcula:<\/p>\n\n\n\n

\u2022 PROVIA\/Est\u00e1ndar<\/p>\n\n\n\n

\u2022 Velvia\/V\u00edvido<\/p>\n\n\n\n

\u2022 ASTIA\/Suave<\/p>\n\n\n\n

\u2022 Cromo cl\u00e1sico<\/p>\n\n\n\n

\u2022 REALA ACE<\/p>\n\n\n\n

\u2022 PRO Neg. HI<\/p>\n\n\n\n

\u2022 PRO Neg. Std<\/p>\n\n\n\n

\u2022 Neg. Cl\u00e1sico<\/p>\n\n\n\n

\u2022 Neg. Nost\u00e1lgico<\/p>\n\n\n\n

\u2022 ETERNA\/Cine<\/p>\n\n\n\n

\u2022 ETERNA BLEACH BYPASSACROS<\/p>\n\n\n\n

\u2022 ACROS + Filtro Ye<\/p>\n\n\n\n

\u2022 ACROS + Filtro R<\/p>\n\n\n\n

\u2022 ACROS + Filtro G<\/p>\n\n\n\n

\u2022 Blanco y negro<\/p>\n\n\n\n

\u2022 Blanco y negro + Filtro Ye<\/p>\n\n\n\n

\u2022 Blanco y negro + Filtro R<\/p>\n\n\n\n

\u2022 Blanco y negro + Filtro G<\/p>\n\n\n\n

\u2022 Sepia<\/p>\n\n\n\n

6. Desarrollo de LUT 3D de emulaci\u00f3n de pel\u00edcula para F-Log2 \/ F-Log2 C:<\/strong> Fujifilm desarrollar\u00e1 nuevas LUT 3D para emulaciones de pel\u00edcula seleccionadas para F-Log2 \/ F-Log2 C (con ITU-R BT.709), que se podr\u00e1n descargar de la web.\u00a0<\/p>\n\n\n\n

\u2022 ETERNA<\/p>\n\n\n\n

\u2022 ETERNA BLEACH BYPASS<\/p>\n\n\n\n

\u2022 PROVIA\/Est\u00e1ndar<\/p>\n\n\n\n

\u2022 Velvia\/V\u00edvido<\/p>\n\n\n\n

\u2022 ASTIA\/Suave<\/p>\n\n\n\n

\u2022 REALA ACE<\/p>\n\n\n\n

\u2022 Cromo Cl\u00e1sico<\/p>\n\n\n\n

\u2022 Negativo Cl\u00e1sico<\/p>\n\n\n\n

\u2022 ACROS<\/p>\n\n\n\n

7. Gu\u00edas de Encuadre Personalizadas:<\/strong> La GFX ETERNA admite gu\u00edas de encuadre personalizables. Podr\u00e1s crear gu\u00edas personalizadas y seleccionar la configuraci\u00f3n de 1, 2 o 3 cuadros.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n

8. Control Remoto Multic\u00e1mara:<\/strong> La c\u00e1mara admite la funci\u00f3n de Grabaci\u00f3n Remota, una aplicaci\u00f3n de control remoto basada en navegador web que se ejecuta localmente en una red cableada o inal\u00e1mbrica.<\/p>\n\n\n\n

9. Compatibilidad con Bluetooth de Bajo Consumo (BLE) (AirGlu, TG-BT1):<\/strong> Admite la conexi\u00f3n BLE con ATOMOS AirGlu y FUJIFILM TG-BT1. Sincronizaci\u00f3n de Timecode. Compatibilidad con enchufe TC, dispositivos Atomos AirGlu Ambient y, mediante conexi\u00f3n USB-C, con:<\/p>\n\n\n\n

\u2022 ATOMOS AirGlu UltraSync Blue<\/p>\n\n\n\n

\u2022 Empu\u00f1adura de tr\u00edpode TG-BT1<\/p>\n\n\n\n

\u2022 Funci\u00f3n de grabaci\u00f3n remota desde el navegador del smartphone TG-BT1<\/p>\n\n\n\n

10. Especificaciones del monitor LCD y men\u00fa integrado:\u00a0<\/strong><\/p>\n\n\n\n

\u2022 Monitor LCD a color con pantalla t\u00e1ctil de 5\u201d<\/p>\n\n\n\n

\u2022 Brillo: M\u00e1x. 2000 nits<\/p>\n\n\n\n

\u2022 Formato: 16:9<\/p>\n\n\n\n

\u2022 Puntos: Aprox. 6.22 millones de puntos (1920 x 1080 x 3)<\/p>\n\n\n\n

Especificaciones del men\u00fa integrado:<\/p>\n\n\n\n

\u2022 Monitor LCD a color con pantalla t\u00e1ctil de 3\u201d<\/p>\n\n\n\n

\u2022 Brillo: M\u00e1x. 700 nits<\/p>\n\n\n\n

\u2022 Formato: 3:2<\/p>\n\n\n\n

\u2022 Puntos: Aprox. 1.04 millones de puntos (720x480x3)<\/p>\n\n\n\n

Abordaremos todos estos puntos en nuestra pr\u00f3xima entrevista con la compa\u00f1\u00eda, que se publicar\u00e1 el s\u00e1bado 7 de junio, as\u00ed que est\u00e9n atentos.<\/p>\n\n\n\n

\u00bfTe interesa saber m\u00e1s sobre la pr\u00f3xima c\u00e1mara de cine GFX ETERNA? Si es as\u00ed, \u00bfcu\u00e1les son tus expectativas? Comparte tu opini\u00f3n con nosotros en la secci\u00f3n de comentarios.<\/strong><\/p>\n<384276-main-buylinks\/>"},"excerpt":{"rendered":"

FUJIFILM contin\u00faa revelando detalles sobre su pr\u00f3xima c\u00e1mara de cine de gran formato GFX ETERNA. En este breve art\u00edculo, queremos animar a nuestra audiencia y contarles qu\u00e9 pueden esperar en nuestra pr\u00f3xima entrevista con Yuji Igarashi (Gerente de Divisi\u00f3n) y Makoto Oishi (Gerente de Planificaci\u00f3n de Producto). En CineD, comenzamos a seguir el desarrollo de la c\u00e1mara en noviembre de 2024. Desde entonces, hemos presenciado varias novedades; Una fue cuando presentaron las funciones Open-Gate y Dual ISO, y la otra durante la NAB en abril de este a\u00f1o, cuando la compa\u00f1\u00eda revel\u00f3 las especificaciones del filtro ND electr\u00f3nico variable, junto con la posibilidad de intercambiar las bater\u00edas en caliente, la […]<\/p>\n","protected":false},"author":7,"featured_media":384102,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/www.cined.com\/es\/noticias\/camaras\/","slug":"camaras"}],"tags":[24431,87600,24534,91376,28060,29641,66974,85368],"tag_label":[53275],"brand":[51472],"class_list":["post-384276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-camaras","tag-cinema-camera-es","tag-gfx-eterna-2-es","tag-fujifilm-es","tag-camara-de-cine-de-gran-formato","tag-camara-de-cine","tag-cine-camera-es","tag-large-format-camera-es","tag-fujifilm-gfx-eterna-es","tag_label-camera-news-es","brand-fujifilm-es"],"yoast_head":"\nFUJIFILM GFX ETERNA - M\u00e1s detalles pr\u00f3ximamente en la Cine Gear | CineD<\/title>\n<meta name=\"description\" content=\"FUJIFILM is continuing to disclose details about the upcoming GFX ETERNA. 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