{"id":389445,"date":"2025-07-23T14:17:30","date_gmt":"2025-07-23T12:17:30","guid":{"rendered":"https:\/\/www.cined.com\/?p=389445"},"modified":"2025-07-23T18:22:04","modified_gmt":"2025-07-23T16:22:04","slug":"sony-fx2-camera-and-blazar-mantis-1-33x-35mm-anamorphic-lens-goes-daruma-dolls","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/sony-fx2-camera-and-blazar-mantis-1-33x-35mm-anamorphic-lens-goes-daruma-dolls\/","title":{"rendered":"C\u00e1mara Sony FX2 y Lente Anam\u00f3rfico BLAZAR Mantis 1.33x de 35mm – \u00a1Mu\u00f1ecos Daruma!"},"content":{"rendered":"\n

Recientemente, recibimos el nuevo lente anam\u00f3rfico full-frame BLAZAR Mantis 1.33x de 35mm para probarlo, y quer\u00edamos combinarlo con la nueva Sony FX2, a\u00fan no lanzada. Ya hemos analizado<\/a> la nueva Sony, pero con el BLAZER APEX 1.33x, un lente APS-C con enfoque autom\u00e1tico. Para completar nuestras pruebas, le pedimos a Sony Jap\u00f3n que nos enviara la FX2 de nuevo para ponerla a prueba.<\/strong><\/p><389445-inline-buylinks\/>\n\n\n\n

Esta no es una rese\u00f1a t\u00e9cnica del lente BLAZAR Mantis. El video y la descripci\u00f3n anteriores son m\u00e1s bien una experiencia pr\u00e1ctica, que da la impresi\u00f3n de trabajar con la c\u00e1mara y el lente juntos. Quer\u00eda producir una pieza que nos hiciera sentir bien, ya que todos merecemos un breve respiro de este mundo acelerado. As\u00ed que rel\u00e1jense, disfruten y, como siempre, \u00a1sus comentarios y cr\u00edticas son bienvenidos!<\/p>\n\n\n\n

\"Katsuo-ji
Templo Katsuo-ji (tomado del timeline). Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

Lugar de rodaje: Templo Katsuo-ji<\/h2>\n\n\n\n

Pasar el verano en Jap\u00f3n abre un sinf\u00edn de posibilidades para capturar hermosas vistas y sonidos (\u00a1cigarra\/semi\/\u30bb\u30df, tenemos una cuenta abierta! :)). En esta ocasi\u00f3n, me dirig\u00ed al Templo Katsuo-ji<\/a>, ubicado en las afueras del norte de Osaka. Este templo budista es famoso por sus miles de mu\u00f1ecos Daruma, que representan la buena fortuna y los deseos cumplidos, lo que le ha valido la reputaci\u00f3n de ser el “templo de la suerte del ganador”. Cuenta la leyenda que Bodhidharma medit\u00f3 tanto tiempo que sus extremidades se atrofiaron, de ah\u00ed la forma redondeada de los mu\u00f1ecos y su capacidad de volver a la posici\u00f3n vertical despu\u00e9s de ser derribados. Ahora, piensen en un mejor lugar para filmar, meditar y obtener suerte, todo a la vez\u2026<\/p>\n\n\n\n

\"Hot,
Un d\u00eda caluroso y soleado en el templo con la Sony FX2. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

Sony FX2<\/h2>\n\n\n\n

Ya he hablado de la Sony FX2 y he llegado a una conclusi\u00f3n firme. Para m\u00ed, esta es actualmente la c\u00e1mara compacta m\u00e1s deseable de la l\u00ednea FX de Sony, simplemente por su visor electr\u00f3nico integrado. S\u00ed, soy plenamente consciente de lo que se dice de ella, y s\u00ed, me gustar\u00eda que pudiera grabar a 50\/60p en full-frame (junto a 120p en 4K), pero en cuanto a usabilidad, especialmente al disparar en un d\u00eda soleado, esta c\u00e1mara es la ganadora. Si es t\u00e9cnicamente posible, espero que Sony considere “actualizarla” con un nuevo firmware, o mejor a\u00fan, que lance un nuevo modelo compacto de FX que tenga las funciones que le faltan y visor electr\u00f3nico integrado.<\/p><389445-mzed-course\/>\n\n\n\n

Tambi\u00e9n a\u00f1ad\u00ed a mi lista de deseos pedirle a Sony que se tome la grabaci\u00f3n anam\u00f3rfica m\u00e1s en serio, permitiendo que su l\u00ednea de c\u00e1maras compactas FX ofrezca m\u00e1s de lo que es posible actualmente (me gustar\u00eda ver la descompresi\u00f3n anam\u00f3rfica con alg\u00fan tipo de estabilizaci\u00f3n).<\/p>\n\n\n\n

En este d\u00eda de rodaje en particular, la c\u00e1mara soport\u00f3 temperaturas de 34\u00b0C (93.2\u00b0F) sin problemas, aunque no film\u00e9 tomas muy largas.<\/p>\n\n\n\n

\"Daruma
Mu\u00f1ecos Daruma en el templo Katsuo-ji (De la cronolog\u00eda). Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

Lente anam\u00f3rfico full-frame BLAZAR Mantis 35mm 1.33x T2.0<\/h2>\n\n\n\n

BLAZER, como empresa, ha estado arrasando. Por ejemplo, conozco a MUCHA gente que est\u00e1 muy contenta con su l\u00ednea de lentes Remus 1.5x. Al parecer, la relaci\u00f3n precio-calidad es pr\u00e1cticamente inigualable. Mi experiencia personal con sus lentes se limita a probar los anam\u00f3rficos APEX APS-C con enfoque autom\u00e1tico (rese\u00f1a aqu\u00ed<\/a>) y ahora el Mantis de 35mm. Debo decir que estoy impresionado (una vez m\u00e1s).<\/p>\n\n\n\n

BLAZAR no ten\u00eda listo el Sony con montura E, as\u00ed que nos enviaron la versi\u00f3n PL, lo cual no supone un problema si se cuenta con el adaptador de montura PL\/E. Como alternativa, el usuario puede intercambiar la montura PL\/E nativa con cualquier otra montura sin restricciones. Para esta ocasi\u00f3n de grabaci\u00f3n, us\u00e9 el adaptador SIRUI y funcion\u00f3 a la perfecci\u00f3n. Como esta no es una rese\u00f1a t\u00e9cnica del lente, sino m\u00e1s bien una impresi\u00f3n de mi experiencia con \u00e9l, puedo decir que fue realmente agradable. Su tama\u00f1o es compacto. El lente pesa solo 790g (0.74lbs) y, a diferencia de los lentes de su categor\u00eda de otros fabricantes, la rosca del filtro es de 77mm, lo que facilita mucho el trabajo con un filtro ND variable. Para un lente de este tipo, la distancia focal cercana tambi\u00e9n es adecuada (0.48m\/1.57 pies). Por cierto, usar la Sony FX2 con su funci\u00f3n ISO dual nativa (800\/4000) result\u00f3 ser excelente incluso en situaciones de poca luz, manteniendo la imagen n\u00edtida, ya que el lente se puede abrir a T2.0.<\/p>\n\n\n\n

Adem\u00e1s de su robustez, si me preguntan qu\u00e9 es lo que m\u00e1s me gusta de este lente, es su capacidad para trabajar en exteriores con la apertura m\u00e1xima a T2.0. Quiz\u00e1s al compararlo con una tabla de resoluciones, el lente resulte suave, pero en realidad el centro se ve n\u00edtido, produciendo im\u00e1genes muy bonitas. Hablando de eso, durante la filmaci\u00f3n no buscaba reflejos de luz (\u00e1mbar), ya que soy un adicto al efecto bokeh.<\/p>\n\n\n\n

\"BLAZAR
Lente anam\u00f3rfico full-frame BLAZAR Mantis 1.33 T.2. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

\u00bfLook 2x en un lente 1.33x?<\/h2>\n\n\n\n

BLAZAR promete un look anam\u00f3rfico 2x al trabajar con lentes 1.33x. \u00bfCumpli\u00f3 con esta promesa? Bueno, sabiendo que cada uno tiene su opini\u00f3n, les dejo a ustedes decidir qu\u00e9 prefieren, pero personalmente creo que el look de la imagen es tan agradable que no dudar\u00eda en usarla en producciones m\u00e1s exigentes (en cuanto a est\u00e9tica).<\/p>\n\n\n\n

\"Sony
Sony FX2, adaptador SIRUI PL\/E y lente anam\u00f3rfico BLAZAR Mantis de 35mm. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

Reflexiones finales<\/h2>\n\n\n\n

En momentos en que estamos tan ocupados intentando mantenernos al d\u00eda con los cambios de la industria (\u00bfalguien sabe de IA?), los aranceles y otras locuras globales, mi remedio es salir a filmar. Sigo disfrutando mucho de la posibilidad de crear una peque\u00f1a historia visual con el m\u00ednimo equipo posible. Dame un tr\u00edpode peque\u00f1o, un mini slider, una c\u00e1mara y preferiblemente un lente anam\u00f3rfico, y estoy tan satisfecho que olvido el momento. Editar el breve fragmento anterior tambi\u00e9n fue un placer, y si tienen alguna duda sobre la correcci\u00f3n de color, utilic\u00e9 fylm ai<\/a> para ayudarme. M\u00fasica cortes\u00eda de epidemicsound.com<\/a>.<\/p>\n\n\n\n

Sus comentarios, opiniones y cualquier otra cosa son bienvenidos en la secci\u00f3n de comentarios a continuaci\u00f3n.<\/strong><\/p>\n<389445-main-buylinks\/>","protected":false,"clean_render":"

Recientemente, recibimos el nuevo lente anam\u00f3rfico full-frame BLAZAR Mantis 1.33x de 35mm para probarlo, y quer\u00edamos combinarlo con la nueva Sony FX2, a\u00fan no lanzada. Ya hemos analizado<\/a> la nueva Sony, pero con el BLAZER APEX 1.33x, un lente APS-C con enfoque autom\u00e1tico. Para completar nuestras pruebas, le pedimos a Sony Jap\u00f3n que nos enviara la FX2 de nuevo para ponerla a prueba.<\/strong><\/p><389445-inline-buylinks\/>\n\n\n\n

Esta no es una rese\u00f1a t\u00e9cnica del lente BLAZAR Mantis. El video y la descripci\u00f3n anteriores son m\u00e1s bien una experiencia pr\u00e1ctica, que da la impresi\u00f3n de trabajar con la c\u00e1mara y el lente juntos. Quer\u00eda producir una pieza que nos hiciera sentir bien, ya que todos merecemos un breve respiro de este mundo acelerado. As\u00ed que rel\u00e1jense, disfruten y, como siempre, \u00a1sus comentarios y cr\u00edticas son bienvenidos!<\/p>\n\n\n\n

\"Katsuo-ji
Templo Katsuo-ji (tomado del timeline). Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

Lugar de rodaje: Templo Katsuo-ji<\/h2>\n\n\n\n

Pasar el verano en Jap\u00f3n abre un sinf\u00edn de posibilidades para capturar hermosas vistas y sonidos (\u00a1cigarra\/semi\/\u30bb\u30df, tenemos una cuenta abierta! :)). En esta ocasi\u00f3n, me dirig\u00ed al Templo Katsuo-ji<\/a>, ubicado en las afueras del norte de Osaka. Este templo budista es famoso por sus miles de mu\u00f1ecos Daruma, que representan la buena fortuna y los deseos cumplidos, lo que le ha valido la reputaci\u00f3n de ser el “templo de la suerte del ganador”. Cuenta la leyenda que Bodhidharma medit\u00f3 tanto tiempo que sus extremidades se atrofiaron, de ah\u00ed la forma redondeada de los mu\u00f1ecos y su capacidad de volver a la posici\u00f3n vertical despu\u00e9s de ser derribados. Ahora, piensen en un mejor lugar para filmar, meditar y obtener suerte, todo a la vez\u2026<\/p>\n\n\n\n

\"Hot,
Un d\u00eda caluroso y soleado en el templo con la Sony FX2. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

Sony FX2<\/h2>\n\n\n\n

Ya he hablado de la Sony FX2 y he llegado a una conclusi\u00f3n firme. Para m\u00ed, esta es actualmente la c\u00e1mara compacta m\u00e1s deseable de la l\u00ednea FX de Sony, simplemente por su visor electr\u00f3nico integrado. S\u00ed, soy plenamente consciente de lo que se dice de ella, y s\u00ed, me gustar\u00eda que pudiera grabar a 50\/60p en full-frame (junto a 120p en 4K), pero en cuanto a usabilidad, especialmente al disparar en un d\u00eda soleado, esta c\u00e1mara es la ganadora. Si es t\u00e9cnicamente posible, espero que Sony considere “actualizarla” con un nuevo firmware, o mejor a\u00fan, que lance un nuevo modelo compacto de FX que tenga las funciones que le faltan y visor electr\u00f3nico integrado.<\/p><389445-mzed-course\/>\n\n\n\n

Tambi\u00e9n a\u00f1ad\u00ed a mi lista de deseos pedirle a Sony que se tome la grabaci\u00f3n anam\u00f3rfica m\u00e1s en serio, permitiendo que su l\u00ednea de c\u00e1maras compactas FX ofrezca m\u00e1s de lo que es posible actualmente (me gustar\u00eda ver la descompresi\u00f3n anam\u00f3rfica con alg\u00fan tipo de estabilizaci\u00f3n).<\/p>\n\n\n\n

En este d\u00eda de rodaje en particular, la c\u00e1mara soport\u00f3 temperaturas de 34\u00b0C (93.2\u00b0F) sin problemas, aunque no film\u00e9 tomas muy largas.<\/p>\n\n\n\n

\"Daruma
Mu\u00f1ecos Daruma en el templo Katsuo-ji (De la cronolog\u00eda). Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

Lente anam\u00f3rfico full-frame BLAZAR Mantis 35mm 1.33x T2.0<\/h2>\n\n\n\n

BLAZER, como empresa, ha estado arrasando. Por ejemplo, conozco a MUCHA gente que est\u00e1 muy contenta con su l\u00ednea de lentes Remus 1.5x. Al parecer, la relaci\u00f3n precio-calidad es pr\u00e1cticamente inigualable. Mi experiencia personal con sus lentes se limita a probar los anam\u00f3rficos APEX APS-C con enfoque autom\u00e1tico (rese\u00f1a aqu\u00ed<\/a>) y ahora el Mantis de 35mm. Debo decir que estoy impresionado (una vez m\u00e1s).<\/p>\n\n\n\n

BLAZAR no ten\u00eda listo el Sony con montura E, as\u00ed que nos enviaron la versi\u00f3n PL, lo cual no supone un problema si se cuenta con el adaptador de montura PL\/E. Como alternativa, el usuario puede intercambiar la montura PL\/E nativa con cualquier otra montura sin restricciones. Para esta ocasi\u00f3n de grabaci\u00f3n, us\u00e9 el adaptador SIRUI y funcion\u00f3 a la perfecci\u00f3n. Como esta no es una rese\u00f1a t\u00e9cnica del lente, sino m\u00e1s bien una impresi\u00f3n de mi experiencia con \u00e9l, puedo decir que fue realmente agradable. Su tama\u00f1o es compacto. El lente pesa solo 790g (0.74lbs) y, a diferencia de los lentes de su categor\u00eda de otros fabricantes, la rosca del filtro es de 77mm, lo que facilita mucho el trabajo con un filtro ND variable. Para un lente de este tipo, la distancia focal cercana tambi\u00e9n es adecuada (0.48m\/1.57 pies). Por cierto, usar la Sony FX2 con su funci\u00f3n ISO dual nativa (800\/4000) result\u00f3 ser excelente incluso en situaciones de poca luz, manteniendo la imagen n\u00edtida, ya que el lente se puede abrir a T2.0.<\/p>\n\n\n\n

Adem\u00e1s de su robustez, si me preguntan qu\u00e9 es lo que m\u00e1s me gusta de este lente, es su capacidad para trabajar en exteriores con la apertura m\u00e1xima a T2.0. Quiz\u00e1s al compararlo con una tabla de resoluciones, el lente resulte suave, pero en realidad el centro se ve n\u00edtido, produciendo im\u00e1genes muy bonitas. Hablando de eso, durante la filmaci\u00f3n no buscaba reflejos de luz (\u00e1mbar), ya que soy un adicto al efecto bokeh.<\/p>\n\n\n\n

\"BLAZAR
Lente anam\u00f3rfico full-frame BLAZAR Mantis 1.33 T.2. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

\u00bfLook 2x en un lente 1.33x?<\/h2>\n\n\n\n

BLAZAR promete un look anam\u00f3rfico 2x al trabajar con lentes 1.33x. \u00bfCumpli\u00f3 con esta promesa? Bueno, sabiendo que cada uno tiene su opini\u00f3n, les dejo a ustedes decidir qu\u00e9 prefieren, pero personalmente creo que el look de la imagen es tan agradable que no dudar\u00eda en usarla en producciones m\u00e1s exigentes (en cuanto a est\u00e9tica).<\/p>\n\n\n\n

\"Sony
Sony FX2, adaptador SIRUI PL\/E y lente anam\u00f3rfico BLAZAR Mantis de 35mm. Cr\u00e9dito: CineD<\/figcaption><\/figure>\n\n\n\n

Reflexiones finales<\/h2>\n\n\n\n

En momentos en que estamos tan ocupados intentando mantenernos al d\u00eda con los cambios de la industria (\u00bfalguien sabe de IA?), los aranceles y otras locuras globales, mi remedio es salir a filmar. Sigo disfrutando mucho de la posibilidad de crear una peque\u00f1a historia visual con el m\u00ednimo equipo posible. Dame un tr\u00edpode peque\u00f1o, un mini slider, una c\u00e1mara y preferiblemente un lente anam\u00f3rfico, y estoy tan satisfecho que olvido el momento. Editar el breve fragmento anterior tambi\u00e9n fue un placer, y si tienen alguna duda sobre la correcci\u00f3n de color, utilic\u00e9 fylm ai<\/a> para ayudarme. M\u00fasica cortes\u00eda de epidemicsound.com<\/a>.<\/p>\n\n\n\n

Sus comentarios, opiniones y cualquier otra cosa son bienvenidos en la secci\u00f3n de comentarios a continuaci\u00f3n.<\/strong><\/p>\n<389445-main-buylinks\/>"},"excerpt":{"rendered":"

Recientemente, recibimos el nuevo lente anam\u00f3rfico full-frame BLAZAR Mantis 1.33x de 35mm para probarlo, y quer\u00edamos combinarlo con la nueva Sony FX2, a\u00fan no lanzada. Ya hemos analizado la nueva Sony, pero con el BLAZER APEX 1.33x, un lente APS-C con enfoque autom\u00e1tico. Para completar nuestras pruebas, le pedimos a Sony Jap\u00f3n que nos enviara la FX2 de nuevo para ponerla a prueba. Esta no es una rese\u00f1a t\u00e9cnica del lente BLAZAR Mantis. El video y la descripci\u00f3n anteriores son m\u00e1s bien una experiencia pr\u00e1ctica, que da la impresi\u00f3n de trabajar con la c\u00e1mara y el lente juntos. Quer\u00eda producir una pieza que nos hiciera sentir bien, ya que todos […]<\/p>\n","protected":false},"author":7,"featured_media":389333,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42314,"name":"Rese\u00f1as","link":"https:\/\/www.cined.com\/es\/resenas\/","slug":"resenas"},{"id":42317,"name":"C\u00e1maras","link":"https:\/\/www.cined.com\/es\/resenas\/resenas-camaras-es\/","slug":"resenas-camaras-es"},{"id":42320,"name":"Lentes","link":"https:\/\/www.cined.com\/es\/resenas\/resenas-lentes-es\/","slug":"resenas-lentes-es"}],"tags":[66039,93217,26882,93228,70933,93218,93229,93219,34705,93230,80447,93220,93231,85073,93221,93232,88864,93222,91190,93223,91191,24280,93224,91192,24837,93225,56015,93215,24838,93226,93216,25139,93227],"tag_label":[53353,56016],"brand":[79899,51341],"class_list":["post-389445","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-resenas","category-resenas-camaras-es","category-resenas-lentes-es","tag-lente-anamorfico-2","tag-sony-fx2-test-es","tag-anamorfico","tag-mantis-35mm-sample-footage-es","tag-resena-de-lentes","tag-katsuoji-es","tag-katsuo-ji-es","tag-sony-fx2-test-footage-es","tag-1-33x-es","tag-mantis-35mm-review-es","tag-blazar-es","tag-katsuoji-temple-es","tag-anamorphic-lens-review-es","tag-35mm-anamorphic-lens-es","tag-mantis-anamorphic-es","tag-blazar-mantis-35mm-review-es","tag-blazar-mantis-es","tag-katsuoji-temple-osaka-es","tag-sony-fx2-review-es","tag-blazar-mantis-anamorphic-lens-es","tag-sony-fx2-es","tag-sony-es","tag-mantis-35mm-es","tag-fx2-es","tag-anamorphic-es","tag-mantis-35mm-t2-1-33x-es","tag-lens-review-es","tag-sony-fx2-footage-es","tag-anamorphic-lens-es","tag-mantis-35mm-t20-1-33x-full-frame-anamorphic-lens-es","tag-blazar-mantis-35mm-lens-review-es","tag-anamorphic-lenses-es","tag-mantis-es","post_format-post-format-video","tag_label-camera-review-es","tag_label-lens-review-es","brand-blazar-es","brand-sony-es"],"yoast_head":"\nC\u00e1mara Sony FX2 y Lente Anam\u00f3rfico BLAZAR Mantis 1.33x de 35mm - \u00a1Mu\u00f1ecos Daruma! | CineD<\/title>\n<meta name=\"description\" content=\"Sony FX2 and BLAZAR Mantis 1.33x 35mm anamorphic lens goes Daruma Dolls. We paired the BLAZAR Mantis 1.33x anamorphic lens with the Sony FX2.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cined.com\/es\/sony-fx2-camera-and-blazar-mantis-1-33x-35mm-anamorphic-lens-goes-daruma-dolls\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C\u00e1mara Sony FX2 y Lente Anam\u00f3rfico BLAZAR Mantis 1.33x de 35mm - \u00a1Mu\u00f1ecos Daruma! | CineD\" \/>\n<meta property=\"og:description\" content=\"Sony FX2 and BLAZAR Mantis 1.33x 35mm anamorphic lens goes Daruma Dolls. 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We paired the BLAZAR Mantis 1.33x anamorphic lens with the Sony FX2.","inLanguage":"es-ES","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cined.com\/es\/sony-fx2-camera-and-blazar-mantis-1-33x-35mm-anamorphic-lens-goes-daruma-dolls\/"]}]},{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/www.cined.com\/es\/sony-fx2-camera-and-blazar-mantis-1-33x-35mm-anamorphic-lens-goes-daruma-dolls\/#primaryimage","url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1.jpeg","contentUrl":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1.jpeg","width":1920,"height":1080,"caption":"Sony FX2 Mantis 35mm anamorphic lens"},{"@type":"WebSite","@id":"https:\/\/www.cined.com\/es\/#website","url":"https:\/\/www.cined.com\/es\/","name":"CineD","description":"","publisher":{"@id":"https:\/\/www.cined.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cined.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es-ES"},{"@type":"Organization","@id":"https:\/\/www.cined.com\/es\/#organization","name":"CineD","url":"https:\/\/www.cined.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/www.cined.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/www.cined.com\/content\/uploads\/2021\/01\/cined_logo_sm-2.jpg","contentUrl":"https:\/\/www.cined.com\/content\/uploads\/2021\/01\/cined_logo_sm-2.jpg","width":1024,"height":1024,"caption":"CineD"},"image":{"@id":"https:\/\/www.cined.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/www.facebook.com\/C5Dnews","https:\/\/x.com\/c5dnews","https:\/\/www.youtube.com\/user\/cinema5Dnews"]},{"@type":"Person","@id":"https:\/\/www.cined.com\/es\/#\/schema\/person\/0406aa1a18b10e5dbd5f1d414b6ec53f","name":"Johnnie Behiri","image":{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/secure.gravatar.com\/avatar\/0de6b3b1b4acc6b3de5f4c8417175caf508561daee89300453c88b99f6693982?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0de6b3b1b4acc6b3de5f4c8417175caf508561daee89300453c88b99f6693982?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0de6b3b1b4acc6b3de5f4c8417175caf508561daee89300453c88b99f6693982?s=96&d=mm&r=g","caption":"Johnnie Behiri"},"description":"Johnnie Behiri is a documentary filmmaker with more than three decades behind the camera: he learned the craft in daily television news gathering, filmed for Japan's public broadcaster NHK, and spent eight years shooting and editing for BBC News. He joined cinema5D in 2011 and has co-owned and co-run CineD and MZed ever since. Johnnie writes many of CineD's camera reviews, co-hosts our weekly Focus Check podcast, and heads CineD's manufacturer relationships and product development.","sameAs":["http:\/\/www.cined.com","https:\/\/www.facebook.com\/johnnie.behiri","https:\/\/www.instagram.com\/cinednews\/","https:\/\/x.com\/https:\/\/twitter.com\/CineDnews","https:\/\/www.youtube.com\/CineD"],"url":"https:\/\/www.cined.com\/es\/author\/johnnie\/"}]}},"feature_image_url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1.jpeg","images":[{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1-1024x550.jpeg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1-370x230.jpeg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1-740x460.jpeg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1-770x440.jpeg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1-385x220.jpeg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1-1300x750.jpeg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/Untitled-1-1600x900.jpeg","width":1600,"height":900,"type":"featured"}],"custom_labels":[{"id":53353,"name":"Camera Review","link":"https:\/\/www.cined.com\/es\/labels\/camera-review-es\/","slug":"camera-review-es"},{"id":56016,"name":"Lens Review","link":"https:\/\/www.cined.com\/es\/labels\/lens-review-es\/","slug":"lens-review-es"}],"mzed_course":{"content":"<div class=\"recommended-course-card mzed-box-center\"><div class=\"recommended-course-card--inner\"><div class=\"recommended-course-breadcrumb\"><span class=\"crumb\">Curso relacionado<\/span><\/div><h2 class=\"card-heading\">The Art of Visual Storytelling<\/h2><div class=\"recommended-course-card-content\"><div class=\"card-item course-thumbnail card-item-left\"><figure><a href=\"https:\/\/www.mzed.com\/courses\/art-of-visual-storytelling?tap_a=17272-420962&tap_s=3897887-d89a01\" target=\"_blank\"><img src=\"https:\/\/www.cined.com\/content\/uploads\/2023\/06\/c20477ca77eff10d11b320849dead20c.jpg\" alt=\"The Art of Visual Storytelling\"><\/a><\/figure><div class=\"card-left-items\"><a class=\"tapfilliate-link\" href=\"https:\/\/www.mzed.com\/courses\/art-of-visual-storytelling?tap_a=17272-420962&tap_s=3897887-d89a01\" target=\"_blank\">Ver ahora<\/a><div class=\"logos\"><figure class=\"mzed-logo\"><img src=\"https:\/\/www.cined.com\/content\/plugins\/cined-mzed-courses\/assets\/images\/logo\/mzed-logo.svg\"><\/figure><figure class=\"by-cined-logo\"><img src=\"https:\/\/www.cined.com\/content\/plugins\/cined-mzed-courses\/assets\/images\/logo\/by-cined-color.svg\"><\/figure><\/div><\/div><\/div><div class=\"card-item course-content\">Visual storytelling cuts to the heart of the filmmaker, combining all elements of the craft to engage the viewer. Over four and a half hours, Alex Buono will teach you advanced techniques to help you improve your filmmaking results.<\/div><\/div><\/div><\/div>","uuid":"389445-mzed-course"},"buylinks":{"main_buylinks":{"uuid":"389445-main-buylinks","content":"<div id=\"initial-buylinks\" class=\"alternative-links\">\n\t<div class=\"affilite-banner-block\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col l3 m3 s12 center affilate-logo\">\t\t\t\t\t\n\t\t\t\t<img src=\"https:\/\/www.cined.com\/content\/themes\/cinemad\/assets\/images\/icons\/cined-logo-affilate-white.png\" alt=\"Logo\">\n\t\t\t<\/div>\n\t\t\t<div class=\"col l9 m9 s12 affilite-banner-content\">\n\t\t\t\t<h4>Apoya a CineD. Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>MANTIS 35mm T2.0 1.33x Anamorphic Lens (ARRI PL)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1747712834000_1891359.jpg\" alt=\"MANTIS 35mm T2.0 1.33x Anamorphic Lens (ARRI PL)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1891359-REG\/blazar_lens_mantis_35mm_t2_0_1_33x.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 999.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/blazer-mantis-35mm-t2.0-1.33x-lens-pl-mount?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 923.21<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>FX2 Digital Cinema Camera<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1748442642000_1899230.jpg\" alt=\"FX2 Digital Cinema Camera\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1899230-REG\/sony_fx2_digital_cinema_camera.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 2,698.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sony-ilme-fx2b-full-frame-cinema-camera?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 2,372.07<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Blazar Mantis 35\/50\/75mm Lens Bundle - E<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cdn.cvp.com\/images\/products\/orginalsize\/29-05-20251748527100mt-355075-e-a-small.jpg\" alt=\"Blazar Mantis 35\/50\/75mm Lens Bundle - E\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/blazer-mantis-35-50-75mm-lens-bundle-e-mount?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 2,394.39<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Jupiter PL-E Adapter for PL Mount Lenses to Sony E Cameras<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1654116631000_1708656.jpg\" alt=\"Jupiter PL-E Adapter for PL Mount Lenses to Sony E Cameras\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1708656-REG\/sirui_pl_e_adapter.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 143.04<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/sirui-sir-780422-pl-e-adapter?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 133.21<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>512GB AV Pro MK2 UHS-II SDXC Memory Card<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1662604514000_1717559.jpg\" alt=\"512GB AV Pro MK2 UHS-II SDXC Memory Card\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1717559-REG\/angelbird_avp512sdmk2v90_512gb_av_pro_mk.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 549.99<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"389445-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>MANTIS 35mm T2.0 1.33x Anamorphic Lens (ARRI PL)<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1891359-REG\/blazar_lens_mantis_35mm_t2_0_1_33x.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 999.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/blazer-mantis-35mm-t2.0-1.33x-lens-pl-mount?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 923.21<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":389228,"title":"Anuncian la Sony PXW-Z300 - Videoc\u00e1mara 4K 3-CMOS de 1\/2\u201d con zoom de 17x, funciones de IA y autenticaci\u00f3n de contenido pionera en el mundo","url":"https:\/\/www.cined.com\/es\/sony-pxw-z300-announced-1-2-inch-4k-3-cmos-camcorder-with-17x-zoom-ai-features-and-world-first-content-authentication\/","author":8,"author_details":{"display_name":"Nino Leitner","first_name":"Nino","last_name":"Leitner"},"publish_date":"July, 22 2025","feature_image_url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineD_13.jpg","images":[{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineD_13-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineD_13-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineD_13-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineD_13-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineD_13-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineD_13-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineD_13-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/www.cined.com\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":[{"id":53275,"name":"Camera News","link":"https:\/\/www.cined.com\/es\/labels\/camera-news-es\/","slug":"camera-news-es"}],"total_comments":0,"video_url":""},{"id":388931,"title":"Armaz\u00f3n CineBack de Camera Foundry con Sistema de Liberaci\u00f3n R\u00e1pida","url":"https:\/\/www.cined.com\/es\/camera-foundry-cineback-cage-with-quick-release-option-introduced\/","author":7,"author_details":{"display_name":"Johnnie Behiri","first_name":"Johnnie","last_name":"Behiri"},"publish_date":"July, 18 2025","feature_image_url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineBack-with-quick-release.jpeg","images":[{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineBack-with-quick-release-1024x550.jpeg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineBack-with-quick-release-370x230.jpeg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineBack-with-quick-release-740x460.jpeg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineBack-with-quick-release-770x440.jpeg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineBack-with-quick-release-385x220.jpeg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineBack-with-quick-release-1300x750.jpeg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/07\/CineBack-with-quick-release-1600x900.jpeg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42299,"name":"Accesorios","link":"https:\/\/www.cined.com\/es\/noticias\/accesorios\/","slug":"accesorios"},{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"}],"custom_labels":[{"id":65103,"name":"Accessory 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