{"id":396291,"date":"2025-09-16T10:47:32","date_gmt":"2025-09-16T08:47:32","guid":{"rendered":"https:\/\/www.cined.com\/?p=396291"},"modified":"2025-09-16T19:11:16","modified_gmt":"2025-09-16T17:11:16","slug":"blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/","title":{"rendered":"Blackmagic Design incorpora ProRes RAW a DaVinci Resolve y Pocket 4K, y extiende BRAW a la l\u00ednea FX de Sony"},"content":{"rendered":"\n

En la IBC 2025, conversamos con Craig Heffernan de Blackmagic Design sobre el tema central de este a\u00f1o para la compa\u00f1\u00eda: la llegada de ProRes RAW a DaVinci Resolve 20.2 y a algunos equipos de Blackmagic Design, mientras que la grabaci\u00f3n en Blackmagic RAW se est\u00e1 expandiendo a c\u00e1maras de otros fabricantes, comenzando con la l\u00ednea FX de Sony.<\/strong><\/p>\n\n\n\n

Los flujos de trabajo en RAW han sido un tema recurrente en la IBC, pero este a\u00f1o Blackmagic Design llev\u00f3 el tema m\u00e1s all\u00e1. Por primera vez, ProRes RAW y Blackmagic RAW se integran en el hardware y el software de Blackmagic, lo que ofrece a los cineastas mayor flexibilidad para capturar y finalizar sus proyectos.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

ProRes RAW llega a Resolve y Pocket Cinema Camera 4K<\/h2>\n\n\n\n

Craig afirm\u00f3 que, tras a\u00f1os de conversaciones t\u00e9cnicas con Apple, ProRes RAW ya est\u00e1 integrado en DaVinci Resolve 20.2<\/a>. Esta actualizaci\u00f3n no solo incorpora ProRes RAW, sino que tambi\u00e9n incorpora nuevas herramientas de edici\u00f3n, audio e inteligencia artificial, lo que la convierte en mucho m\u00e1s que una simple actualizaci\u00f3n de c\u00f3dec.<\/p>\n\n\n\n

En cuanto al hardware, la primera c\u00e1mara Blackmagic en recibir ProRes RAW es la Pocket Cinema Camera 4K<\/a>. A pesar de ser uno de los modelos m\u00e1s antiguos de la gama, su amplia base de usuarios y su sensor Bayer facilitaron la implementaci\u00f3n. Las c\u00e1maras Blackmagic m\u00e1s recientes utilizan sensores RGBW, que requieren una ingenier\u00eda m\u00e1s compleja, por lo que la Pocket 4K sirve como punto de partida. Los usuarios podr\u00e1n elegir entre Blackmagic RAW y ProRes RAW. Las opciones de resoluci\u00f3n y velocidad de fotogramas a\u00fan est\u00e1n por confirmar y pueden variar seg\u00fan la integraci\u00f3n de la c\u00e1mara de terceros. Tambi\u00e9n se prev\u00e9 la compatibilidad con la l\u00ednea Video Assist, pero solo los modelos 12G tienen la capacidad de procesamiento necesaria para procesar ProRes RAW. Las versiones anteriores no ser\u00e1n compatibles.<\/p>\n\n\n\n

Ampliaci\u00f3n de Blackmagic RAW a las c\u00e1maras Sony<\/h2>\n\n\n\n

Durante el \u00faltimo a\u00f1o, Blackmagic continu\u00f3 desarrollando la compatibilidad con Blackmagic RAW para c\u00e1maras de terceros. El trabajo inicial con la FX9 se present\u00f3 en la IBC 2024, pero el desarrollo se centr\u00f3 en la FX3, donde la integraci\u00f3n HDMI result\u00f3 ser m\u00e1s adecuada. En la feria de este a\u00f1o, se mostr\u00f3 una versi\u00f3n beta funcionando en la FX3 con Video Assist.<\/p>\n\n\n\n

La hoja de ruta ahora incluye compatibilidad con las FX3, FX3A y FX30 en octubre, seguidas por las FX6 y FX9 m\u00e1s adelante ese mismo a\u00f1o. Si bien Sony ha descontinuado la FX9, su amplia base de usuarios la convierte en una prioridad.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Colaboraci\u00f3n con Apple y aspiraciones para el iPhone<\/h2>\n\n\n\n

Estos avances destacan la estrecha colaboraci\u00f3n de Blackmagic con Apple. La colaboraci\u00f3n se extiende desde Ursa Cine Immersive para Vision Pro<\/a> hasta la aplicaci\u00f3n Blackmagic Camera para iOS<\/a>, la primera aplicaci\u00f3n de terceros que graba en formato Apple Log y ProRes RAW. Con el iPhone 17 posicionado como una herramienta de video profesional, Blackmagic ha estado proporcionando soluciones de hardware para conectividad, Genlock y grabaci\u00f3n externa<\/a>.<\/p>\n\n\n\n

De cara al futuro<\/h2>\n\n\n\n

DaVinci Resolve 20.2<\/a> ofrece m\u00e1s que la integraci\u00f3n con ProRes RAW. La actualizaci\u00f3n mejora las herramientas de edici\u00f3n, a\u00f1ade nuevas funciones de audio y ampl\u00eda la funcionalidad de inteligencia artificial que se present\u00f3 a principios de este a\u00f1o. Craig incluso se\u00f1al\u00f3 que el alcance de los cambios es tan amplio que podr\u00eda haberse lanzado como una actualizaci\u00f3n independiente. Se est\u00e1 negociando con los principales proveedores de software sobre la compatibilidad nativa con Blackmagic RAW, aunque no se han hecho compromisos firmes.<\/p>\n\n\n\n

En conjunto, estos anuncios marcan uno de los cambios de c\u00f3dec m\u00e1s importantes observados en las \u00faltimas ferias IBC, con ProRes RAW encontrando su lugar en el ecosistema de Blackmagic y extendi\u00e9ndose a c\u00e1maras de terceros.<\/p>\n\n\n\n

\u00bfTe ves trabajando m\u00e1s con ProRes RAW ahora que est\u00e1 en Resolve o seguir\u00e1s usando Blackmagic RAW? \u00a1Cu\u00e9ntanos tu opini\u00f3n en los comentarios!<\/strong><\/p>\n<396291-main-buylinks\/>","protected":false,"clean_render":"

En la IBC 2025, conversamos con Craig Heffernan de Blackmagic Design sobre el tema central de este a\u00f1o para la compa\u00f1\u00eda: la llegada de ProRes RAW a DaVinci Resolve 20.2 y a algunos equipos de Blackmagic Design, mientras que la grabaci\u00f3n en Blackmagic RAW se est\u00e1 expandiendo a c\u00e1maras de otros fabricantes, comenzando con la l\u00ednea FX de Sony.<\/strong><\/p>\n\n\n\n

Los flujos de trabajo en RAW han sido un tema recurrente en la IBC, pero este a\u00f1o Blackmagic Design llev\u00f3 el tema m\u00e1s all\u00e1. Por primera vez, ProRes RAW y Blackmagic RAW se integran en el hardware y el software de Blackmagic, lo que ofrece a los cineastas mayor flexibilidad para capturar y finalizar sus proyectos.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

ProRes RAW llega a Resolve y Pocket Cinema Camera 4K<\/h2>\n\n\n\n

Craig afirm\u00f3 que, tras a\u00f1os de conversaciones t\u00e9cnicas con Apple, ProRes RAW ya est\u00e1 integrado en DaVinci Resolve 20.2<\/a>. Esta actualizaci\u00f3n no solo incorpora ProRes RAW, sino que tambi\u00e9n incorpora nuevas herramientas de edici\u00f3n, audio e inteligencia artificial, lo que la convierte en mucho m\u00e1s que una simple actualizaci\u00f3n de c\u00f3dec.<\/p>\n\n\n\n

En cuanto al hardware, la primera c\u00e1mara Blackmagic en recibir ProRes RAW es la Pocket Cinema Camera 4K<\/a>. A pesar de ser uno de los modelos m\u00e1s antiguos de la gama, su amplia base de usuarios y su sensor Bayer facilitaron la implementaci\u00f3n. Las c\u00e1maras Blackmagic m\u00e1s recientes utilizan sensores RGBW, que requieren una ingenier\u00eda m\u00e1s compleja, por lo que la Pocket 4K sirve como punto de partida. Los usuarios podr\u00e1n elegir entre Blackmagic RAW y ProRes RAW. Las opciones de resoluci\u00f3n y velocidad de fotogramas a\u00fan est\u00e1n por confirmar y pueden variar seg\u00fan la integraci\u00f3n de la c\u00e1mara de terceros. Tambi\u00e9n se prev\u00e9 la compatibilidad con la l\u00ednea Video Assist, pero solo los modelos 12G tienen la capacidad de procesamiento necesaria para procesar ProRes RAW. Las versiones anteriores no ser\u00e1n compatibles.<\/p>\n\n\n\n

Ampliaci\u00f3n de Blackmagic RAW a las c\u00e1maras Sony<\/h2>\n\n\n\n

Durante el \u00faltimo a\u00f1o, Blackmagic continu\u00f3 desarrollando la compatibilidad con Blackmagic RAW para c\u00e1maras de terceros. El trabajo inicial con la FX9 se present\u00f3 en la IBC 2024, pero el desarrollo se centr\u00f3 en la FX3, donde la integraci\u00f3n HDMI result\u00f3 ser m\u00e1s adecuada. En la feria de este a\u00f1o, se mostr\u00f3 una versi\u00f3n beta funcionando en la FX3 con Video Assist.<\/p>\n\n\n\n

La hoja de ruta ahora incluye compatibilidad con las FX3, FX3A y FX30 en octubre, seguidas por las FX6 y FX9 m\u00e1s adelante ese mismo a\u00f1o. Si bien Sony ha descontinuado la FX9, su amplia base de usuarios la convierte en una prioridad.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Colaboraci\u00f3n con Apple y aspiraciones para el iPhone<\/h2>\n\n\n\n

Estos avances destacan la estrecha colaboraci\u00f3n de Blackmagic con Apple. La colaboraci\u00f3n se extiende desde Ursa Cine Immersive para Vision Pro<\/a> hasta la aplicaci\u00f3n Blackmagic Camera para iOS<\/a>, la primera aplicaci\u00f3n de terceros que graba en formato Apple Log y ProRes RAW. Con el iPhone 17 posicionado como una herramienta de video profesional, Blackmagic ha estado proporcionando soluciones de hardware para conectividad, Genlock y grabaci\u00f3n externa<\/a>.<\/p>\n\n\n\n

De cara al futuro<\/h2>\n\n\n\n

DaVinci Resolve 20.2<\/a> ofrece m\u00e1s que la integraci\u00f3n con ProRes RAW. La actualizaci\u00f3n mejora las herramientas de edici\u00f3n, a\u00f1ade nuevas funciones de audio y ampl\u00eda la funcionalidad de inteligencia artificial que se present\u00f3 a principios de este a\u00f1o. Craig incluso se\u00f1al\u00f3 que el alcance de los cambios es tan amplio que podr\u00eda haberse lanzado como una actualizaci\u00f3n independiente. Se est\u00e1 negociando con los principales proveedores de software sobre la compatibilidad nativa con Blackmagic RAW, aunque no se han hecho compromisos firmes.<\/p>\n\n\n\n

En conjunto, estos anuncios marcan uno de los cambios de c\u00f3dec m\u00e1s importantes observados en las \u00faltimas ferias IBC, con ProRes RAW encontrando su lugar en el ecosistema de Blackmagic y extendi\u00e9ndose a c\u00e1maras de terceros.<\/p>\n\n\n\n

\u00bfTe ves trabajando m\u00e1s con ProRes RAW ahora que est\u00e1 en Resolve o seguir\u00e1s usando Blackmagic RAW? \u00a1Cu\u00e9ntanos tu opini\u00f3n en los comentarios!<\/strong><\/p>\n<396291-main-buylinks\/>"},"excerpt":{"rendered":"

En la IBC 2025, conversamos con Craig Heffernan de Blackmagic Design sobre el tema central de este a\u00f1o para la compa\u00f1\u00eda: la llegada de ProRes RAW a DaVinci Resolve 20.2 y a algunos equipos de Blackmagic Design, mientras que la grabaci\u00f3n en Blackmagic RAW se est\u00e1 expandiendo a c\u00e1maras de otros fabricantes, comenzando con la l\u00ednea FX de Sony. Los flujos de trabajo en RAW han sido un tema recurrente en la IBC, pero este a\u00f1o Blackmagic Design llev\u00f3 el tema m\u00e1s all\u00e1. Por primera vez, ProRes RAW y Blackmagic RAW se integran en el hardware y el software de Blackmagic, lo que ofrece a los cineastas mayor flexibilidad para […]<\/p>\n","protected":false},"author":19286,"featured_media":396176,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42308,"name":"Software","link":"https:\/\/www.cined.com\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[77602,34507,77736,36661,88939,41201,93777,95695,26392,95696,26503,95697,26761,52125,95698,95699,27935,56596,28473,68169,31731],"tag_label":[53633],"brand":[51539],"class_list":["post-396291","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-noticias","category-noticias-software","tag-vision-pro-es","tag-sony-fx9-es","tag-apple-log-es","tag-braw-es","tag-post-production-tools-2-es","tag-video-assist-12g-es","tag-ibc-2025-es","tag-iphone-17-2-es","tag-blackmagic-design-es","tag-ursacine-immersive-es","tag-blackmagic-raw-es","tag-raw-workflows-es","tag-prores-raw-es","tag-sony-fx6-es","tag-codec-update-es","tag-davinci-resolve-20-2-es","tag-pocket-cinema-camera-4k-es","tag-sony-fx3-es","tag-flujo-de-trabajo","tag-posproduccion-2","tag-filmmaking-gear-es","post_format-post-format-video","tag_label-software-update-es","brand-blackmagic-design-es"],"yoast_head":"\nBlackmagic Design incorpora ProRes RAW a DaVinci Resolve y Pocket 4K, y extiende BRAW a la l\u00ednea FX de Sony | CineD<\/title>\n<meta name=\"description\" content=\"Blackmagic at IBC 2025: ProRes RAW arrives in Resolve, while Blackmagic RAW extends to Sony FX3, FX6, and FX9.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blackmagic Design incorpora ProRes RAW a DaVinci Resolve y Pocket 4K, y extiende BRAW a la l\u00ednea FX de Sony | CineD\" \/>\n<meta property=\"og:description\" content=\"Blackmagic at IBC 2025: ProRes RAW arrives in Resolve, while Blackmagic RAW extends to Sony FX3, FX6, and FX9.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-16T08:47:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-16T17:11:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alexandra Thompson\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alexandra Thompson\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/\"},\"author\":{\"name\":\"Alexandra Thompson\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#\\\/schema\\\/person\\\/f363c28ed4cf9a6329c109ce74665b44\"},\"headline\":\"Blackmagic Design incorpora ProRes RAW a DaVinci Resolve y Pocket 4K, y extiende BRAW a la l\u00ednea FX de Sony\",\"datePublished\":\"2025-09-16T08:47:32+00:00\",\"dateModified\":\"2025-09-16T17:11:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/\"},\"wordCount\":727,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.cined.com\\\/content\\\/uploads\\\/2025\\\/09\\\/ProRes-RAW-Blackmagic-RAW-1.jpg\",\"keywords\":[\"Vision Pro\",\"Sony FX9\",\"Apple LOG\",\"BRAW\",\"post-production tools\",\"Video Assist 12G\",\"IBC 2025\",\"iPhone 17\",\"blackmagic design\",\"UrsaCine Immersive\",\"Blackmagic RAW\",\"RAW workflows\",\"ProRes RAW\",\"Sony FX6\",\"codec update\",\"DaVinci Resolve 20.2\",\"Pocket Cinema Camera 4K\",\"sony FX3\",\"flujo de trabajo\",\"posproduccion\",\"filmmaking gear\"],\"articleSection\":[\"Noticias\",\"Software\"],\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/\",\"url\":\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/\",\"name\":\"Blackmagic Design incorpora ProRes RAW a DaVinci Resolve y Pocket 4K, y extiende BRAW a la l\u00ednea FX de Sony | CineD\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.cined.com\\\/content\\\/uploads\\\/2025\\\/09\\\/ProRes-RAW-Blackmagic-RAW-1.jpg\",\"datePublished\":\"2025-09-16T08:47:32+00:00\",\"dateModified\":\"2025-09-16T17:11:16+00:00\",\"description\":\"Blackmagic at IBC 2025: ProRes RAW arrives in Resolve, while Blackmagic RAW extends to Sony FX3, FX6, and FX9.\",\"inLanguage\":\"es-ES\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.cined.com\\\/content\\\/uploads\\\/2025\\\/09\\\/ProRes-RAW-Blackmagic-RAW-1.jpg\",\"contentUrl\":\"https:\\\/\\\/www.cined.com\\\/content\\\/uploads\\\/2025\\\/09\\\/ProRes-RAW-Blackmagic-RAW-1.jpg\",\"width\":1920,\"height\":1080},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/www.cined.com\\\/es\\\/\",\"name\":\"CineD\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.cined.com\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es-ES\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#organization\",\"name\":\"CineD\",\"url\":\"https:\\\/\\\/www.cined.com\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.cined.com\\\/content\\\/uploads\\\/2021\\\/01\\\/cined_logo_sm-2.jpg\",\"contentUrl\":\"https:\\\/\\\/www.cined.com\\\/content\\\/uploads\\\/2021\\\/01\\\/cined_logo_sm-2.jpg\",\"width\":1024,\"height\":1024,\"caption\":\"CineD\"},\"image\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"http:\\\/\\\/www.facebook.com\\\/C5Dnews\",\"https:\\\/\\\/x.com\\\/c5dnews\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/cinema5Dnews\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#\\\/schema\\\/person\\\/f363c28ed4cf9a6329c109ce74665b44\",\"name\":\"Alexandra Thompson\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2dc964f400b2bc2b569153f431a5bd665f9a7c1910beed1f740a7fc5dc6fe083?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2dc964f400b2bc2b569153f431a5bd665f9a7c1910beed1f740a7fc5dc6fe083?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2dc964f400b2bc2b569153f431a5bd665f9a7c1910beed1f740a7fc5dc6fe083?s=96&d=mm&r=g\",\"caption\":\"Alexandra Thompson\"},\"description\":\"A camera was put in my hands at 16, and I\u2019ve been taking photographs ever since. Before moving to Vienna, I worked as a photographer on film sets, telling stories as they unfolded behind the scenes. Since then, I\u2019ve focused on immersive theater, both as a photographer and an actor. I am the photographer for the award-winning Nesterval ensemble, documenting the energy and atmosphere of their performances. I\u2019m a teller of stories. Stories hold my interest. I\u2019ll take on any project with a story to tell.\",\"url\":\"https:\\\/\\\/www.cined.com\\\/es\\\/author\\\/alexandra-thompsongmail-com\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Blackmagic Design incorpora ProRes RAW a DaVinci Resolve y Pocket 4K, y extiende BRAW a la l\u00ednea FX de Sony | CineD","description":"Blackmagic at IBC 2025: ProRes RAW arrives in Resolve, while Blackmagic RAW extends to Sony FX3, FX6, and FX9.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/","og_locale":"es_ES","og_type":"article","og_title":"Blackmagic Design incorpora ProRes RAW a DaVinci Resolve y Pocket 4K, y extiende BRAW a la l\u00ednea FX de Sony | CineD","og_description":"Blackmagic at IBC 2025: ProRes RAW arrives in Resolve, while Blackmagic RAW extends to Sony FX3, FX6, and FX9.","og_url":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/","og_site_name":"CineD","article_publisher":"http:\/\/www.facebook.com\/C5Dnews","article_published_time":"2025-09-16T08:47:32+00:00","article_modified_time":"2025-09-16T17:11:16+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1.jpg","type":"image\/jpeg"}],"author":"Alexandra Thompson","twitter_card":"summary_large_image","twitter_creator":"@c5dnews","twitter_site":"@c5dnews","twitter_misc":{"Written by":"Alexandra Thompson","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/#article","isPartOf":{"@id":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/"},"author":{"name":"Alexandra Thompson","@id":"https:\/\/www.cined.com\/es\/#\/schema\/person\/f363c28ed4cf9a6329c109ce74665b44"},"headline":"Blackmagic Design incorpora ProRes RAW a DaVinci Resolve y Pocket 4K, y extiende BRAW a la l\u00ednea FX de Sony","datePublished":"2025-09-16T08:47:32+00:00","dateModified":"2025-09-16T17:11:16+00:00","mainEntityOfPage":{"@id":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/"},"wordCount":727,"commentCount":0,"publisher":{"@id":"https:\/\/www.cined.com\/es\/#organization"},"image":{"@id":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1.jpg","keywords":["Vision Pro","Sony FX9","Apple LOG","BRAW","post-production tools","Video Assist 12G","IBC 2025","iPhone 17","blackmagic design","UrsaCine Immersive","Blackmagic RAW","RAW workflows","ProRes RAW","Sony FX6","codec update","DaVinci Resolve 20.2","Pocket Cinema Camera 4K","sony FX3","flujo de trabajo","posproduccion","filmmaking gear"],"articleSection":["Noticias","Software"],"inLanguage":"es-ES","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/","url":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/","name":"Blackmagic Design incorpora ProRes RAW a DaVinci Resolve y Pocket 4K, y extiende BRAW a la l\u00ednea FX de Sony | CineD","isPartOf":{"@id":"https:\/\/www.cined.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/#primaryimage"},"image":{"@id":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1.jpg","datePublished":"2025-09-16T08:47:32+00:00","dateModified":"2025-09-16T17:11:16+00:00","description":"Blackmagic at IBC 2025: ProRes RAW arrives in Resolve, while Blackmagic RAW extends to Sony FX3, FX6, and FX9.","inLanguage":"es-ES","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/"]}]},{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/#primaryimage","url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1.jpg","contentUrl":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1.jpg","width":1920,"height":1080},{"@type":"WebSite","@id":"https:\/\/www.cined.com\/es\/#website","url":"https:\/\/www.cined.com\/es\/","name":"CineD","description":"","publisher":{"@id":"https:\/\/www.cined.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cined.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es-ES"},{"@type":"Organization","@id":"https:\/\/www.cined.com\/es\/#organization","name":"CineD","url":"https:\/\/www.cined.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/www.cined.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/www.cined.com\/content\/uploads\/2021\/01\/cined_logo_sm-2.jpg","contentUrl":"https:\/\/www.cined.com\/content\/uploads\/2021\/01\/cined_logo_sm-2.jpg","width":1024,"height":1024,"caption":"CineD"},"image":{"@id":"https:\/\/www.cined.com\/es\/#\/schema\/logo\/image\/"},"sameAs":["http:\/\/www.facebook.com\/C5Dnews","https:\/\/x.com\/c5dnews","https:\/\/www.youtube.com\/user\/cinema5Dnews"]},{"@type":"Person","@id":"https:\/\/www.cined.com\/es\/#\/schema\/person\/f363c28ed4cf9a6329c109ce74665b44","name":"Alexandra Thompson","image":{"@type":"ImageObject","inLanguage":"es-ES","@id":"https:\/\/secure.gravatar.com\/avatar\/2dc964f400b2bc2b569153f431a5bd665f9a7c1910beed1f740a7fc5dc6fe083?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2dc964f400b2bc2b569153f431a5bd665f9a7c1910beed1f740a7fc5dc6fe083?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2dc964f400b2bc2b569153f431a5bd665f9a7c1910beed1f740a7fc5dc6fe083?s=96&d=mm&r=g","caption":"Alexandra Thompson"},"description":"A camera was put in my hands at 16, and I\u2019ve been taking photographs ever since. Before moving to Vienna, I worked as a photographer on film sets, telling stories as they unfolded behind the scenes. Since then, I\u2019ve focused on immersive theater, both as a photographer and an actor. I am the photographer for the award-winning Nesterval ensemble, documenting the energy and atmosphere of their performances. I\u2019m a teller of stories. Stories hold my interest. I\u2019ll take on any project with a story to tell.","url":"https:\/\/www.cined.com\/es\/author\/alexandra-thompsongmail-com\/"}]}},"feature_image_url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1.jpg","images":[{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/ProRes-RAW-Blackmagic-RAW-1-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"custom_labels":[{"id":53633,"name":"Software Update","link":"https:\/\/www.cined.com\/es\/labels\/software-update-es\/","slug":"software-update-es"}],"mzed_course":{"content":null,"uuid":null},"buylinks":{"main_buylinks":{"uuid":"396291-main-buylinks","content":"<div id=\"initial-buylinks\" class=\"alternative-links\">\n\t<div class=\"affilite-banner-block\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col l3 m3 s12 center affilate-logo\">\t\t\t\t\t\n\t\t\t\t<img src=\"https:\/\/www.cined.com\/content\/themes\/cinemad\/assets\/images\/icons\/cined-logo-affilate-white.png\" alt=\"Logo\">\n\t\t\t<\/div>\n\t\t\t<div class=\"col l9 m9 s12 affilite-banner-content\">\n\t\t\t\t<h4>Apoya a CineD. Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<\/div>"},"inline_buylinks":{"uuid":null,"content":null}},"total_comments":0,"related_articles":[{"id":395674,"title":"Blackmagic Pro Dock para iPhone 17: Conectividad profesional para cineastas m\u00f3viles","url":"https:\/\/www.cined.com\/es\/blackmagic-pro-dock-for-iphone-17-announced-pro-connectivity-for-mobile-filmmakers\/","author":19286,"author_details":{"display_name":"Alexandra Thompson","first_name":"Alexandra","last_name":"Thompson"},"publish_date":"September, 13 2025","feature_image_url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/BMD-ProDock.jpg","images":[{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/BMD-ProDock-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/BMD-ProDock-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/BMD-ProDock-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/BMD-ProDock-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/BMD-ProDock-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/BMD-ProDock-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/BMD-ProDock-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42299,"name":"Accesorios","link":"https:\/\/www.cined.com\/es\/noticias\/accesorios\/","slug":"accesorios"}],"custom_labels":[{"id":65103,"name":"Accessory News","link":"https:\/\/www.cined.com\/es\/labels\/accessory-news-es\/","slug":"accessory-news-es"}],"total_comments":0,"video_url":"https:\/\/youtu.be\/jjsrc01caGQ"},{"id":396112,"title":"Lanzamiento de la c\u00e1mara Nikon ZR: A trav\u00e9s de los ojos de un cineasta de Nikon-RED","url":"https:\/\/www.cined.com\/es\/nikon-zr-camera-released-through-the-eyes-of-a-nikon-red-filmmaker\/","author":40219,"author_details":{"display_name":"Omri Keren Lapidot","first_name":"Omri","last_name":"Keren Lapidot"},"publish_date":"September, 15 2025","feature_image_url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/feature-16.jpg","images":[{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/feature-16-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/feature-16-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/feature-16-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/feature-16-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/feature-16-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/feature-16-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/feature-16-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/www.cined.com\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":[{"id":53275,"name":"Camera News","link":"https:\/\/www.cined.com\/es\/labels\/camera-news-es\/","slug":"camera-news-es"}],"total_comments":0,"video_url":"https:\/\/youtu.be\/3Odko9VK6k8"},{"id":396093,"title":"Profoto L1600D: Un LED de luz diurna de 1600 W con refrigeraci\u00f3n l\u00edquida","url":"https:\/\/www.cined.com\/es\/profoto-l1600d-introduced-a-1600w-daylight-led-with-liquid-cooling\/","author":40219,"author_details":{"display_name":"Omri Keren Lapidot","first_name":"Omri","last_name":"Keren Lapidot"},"publish_date":"September, 15 2025","feature_image_url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/Profoto-L1600D_1920x1080.jpg","images":[{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/Profoto-L1600D_1920x1080-1024x550.jpg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/Profoto-L1600D_1920x1080-370x230.jpg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/Profoto-L1600D_1920x1080-740x460.jpg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/Profoto-L1600D_1920x1080-770x440.jpg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/Profoto-L1600D_1920x1080-385x220.jpg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/Profoto-L1600D_1920x1080-1300x750.jpg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2025\/09\/Profoto-L1600D_1920x1080-1600x900.jpg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42302,"name":"Iluminaci\u00f3n","link":"https:\/\/www.cined.com\/es\/noticias\/iluminacion\/","slug":"iluminacion"}],"custom_labels":[{"id":52896,"name":"Light News","link":"https:\/\/www.cined.com\/es\/labels\/light-news-es\/","slug":"light-news-es"}],"total_comments":0,"video_url":"https:\/\/youtu.be\/IPaK_kzNEXM"}],"video_url":"https:\/\/youtu.be\/TsmYv6DynWI","url":"https:\/\/www.cined.com\/es\/blackmagic-design-brings-prores-raw-to-davinci-resolve-and-pocket-4k-extends-braw-to-sony-fx-line\/","author_details":{"display_name":"Alexandra Thompson","first_name":"Alexandra","last_name":"Thompson","avatar":"https:\/\/www.cined.com\/content\/uploads\/userphoto\/Lex.jpg"},"show_author":true,"cached":true,"likes":5,"_links":{"self":[{"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/posts\/396291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/users\/19286"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/comments?post=396291"}],"version-history":[{"count":1,"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/posts\/396291\/revisions"}],"predecessor-version":[{"id":396292,"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/posts\/396291\/revisions\/396292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/media\/396176"}],"wp:attachment":[{"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/media?parent=396291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/categories?post=396291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/tags?post=396291"},{"taxonomy":"tag_label","embeddable":true,"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/tag_label?post=396291"},{"taxonomy":"brand","embeddable":true,"href":"https:\/\/www.cined.com\/es\/wp-json\/wp\/v2\/brand?post=396291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}