{"id":398332,"date":"2025-09-29T14:12:58","date_gmt":"2025-09-29T12:12:58","guid":{"rendered":"https:\/\/www.cined.com\/?p=398332"},"modified":"2025-09-29T18:26:15","modified_gmt":"2025-09-29T16:26:15","slug":"american-society-of-cinematographers-unveils-asc-todd-ao-lenses","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/american-society-of-cinematographers-unveils-asc-todd-ao-lenses\/","title":{"rendered":"La Sociedad Americana de Cinemat\u00f3grafos presenta los lentes ASC Todd-AO"},"content":{"rendered":"\n

La ASC ha revivido una pieza de la historia del cine con la presentaci\u00f3n de los lentes ASC Todd-AO, un conjunto de lentes prime vintage meticulosamente restaurados, dise\u00f1ados originalmente para el revolucionario sistema de pantalla ancha Todd-AO de la d\u00e9cada de 1950. Redescubiertos en la sede de la Sociedad en Hollywood, estos lentes han sido redise\u00f1ados para los flujos de trabajo actuales de gran formato, conservando la singularidad \u00f3ptica de su \u00e9poca.<\/strong><\/p>\n\n\n\n

El descubrimiento de estos lentes no solo celebra el legado de la ASC<\/a>, sino que tambi\u00e9n conecta generaciones de cineastas. Bajo el liderazgo de Shelly Johnson, miembro de la ASC (quien fue presidenta de la ASC<\/a> antes de que Mandy Walker fuera elegida presidenta<\/a> a principios de este a\u00f1o), y en colaboraci\u00f3n con Zero Optik, la restauraci\u00f3n garantiza que la artesan\u00eda del cine de mediados de siglo siga inspirando las producciones modernas.<\/p>\n\n\n\n

Dise\u00f1ado para la historia del formato panor\u00e1mico, reinventado para la actualidad<\/strong><\/h2>\n\n\n\n

El formato original Todd-AO<\/a>, desarrollado en la d\u00e9cada de 1950 por el productor Mike Todd y la American Optical Company, supuso un gran avance en la cinematograf\u00eda de formato panor\u00e1mico. Concebido como una alternativa monoc\u00e1mara al Cinerama, el formato priorizaba la alta resoluci\u00f3n y las im\u00e1genes inmersivas. Los objetivos creados para \u00e9l se convirtieron en parte de este salto tecnol\u00f3gico.<\/p>\n\n\n\n

\"\"
Objetivo ASC Todd-AO. Foto de Ryan Rosenblum. Imagen cortes\u00eda de Keslow Camera, Inc.<\/figcaption><\/figure>\n\n\n\n

Ahora, con los objetivos ASC Todd-AO, esa historia ha revivido. El conjunto restaurado incluye nueve objetivos fijos que van desde 18 mm hasta 135 mm. Cada objetivo cuenta con capacidades \u00fanicas de paso T y enfoque cercano, destacando el ultra gran angular de 18 mm T5.3 (enfoque cercano: 35 mm) y el vers\u00e1til 60 mm T2.1 (enfoque cercano: 50 mm).<\/p>\n\n\n\n

Para adaptarse a los flujos de trabajo contempor\u00e1neos, los objetivos se han reubicado con un enfoque uniforme y una ubicaci\u00f3n del engranaje de iris, lo que simplifica el intercambio de objetivos en el set. Todos, excepto el de 18 mm, comparten un di\u00e1metro frontal de 95 mm, mientras que el de 18 mm utiliza uno de 114 mm. Las monturas intercambiables (PV, PL y LPL) permiten una f\u00e1cil integraci\u00f3n en los sistemas de c\u00e1maras modernos.<\/p>\n\n\n\n

\u00d3ptica cl\u00e1sica con matices contempor\u00e1neos<\/strong><\/h2>\n\n\n\n

El director de fotograf\u00eda Greig Fraser, ASC, ACS<\/a>, fue uno de los primeros en probar el equipo renovado. Destac\u00f3 la naturalidad de los objetivos y la forma en que reproducen los tonos de piel. “Estos objetivos resultaron ser muy bellos y sutiles”, se\u00f1al\u00f3. Trabajamos para crear un elemento de resoluci\u00f3n y nitidez sin llegar a ser \u201cn\u00edtido\u201d, logrando una sensaci\u00f3n tridimensional.<\/p>\n\n\n\n

Este equilibrio entre el car\u00e1cter vintage y la ingenier\u00eda moderna es lo que distingue a la colecci\u00f3n. Seg\u00fan la presidenta de la ASC, Mandy Walker, el proyecto subraya la doble misi\u00f3n de la Sociedad: honrar su pasado y, al mismo tiempo, impulsar las posibilidades creativas. “Al restaurar las lentes Todd-AO, hacemos m\u00e1s que simplemente honrar la historia cinematogr\u00e1fica”, explic\u00f3. “Estamos empoderando a los cineastas para que exploren nuevas fronteras creativas con el alma de la \u00f3ptica cl\u00e1sica\u201d.<\/p>\n\n\n\n

\"\"
Lente Todd A-O de la ASC. Foto de Ryan Rosenblum. Imagen cortes\u00eda de Keslow Camera, Inc.<\/figcaption><\/figure>\n\n\n\n

Acceso a trav\u00e9s de casas de alquiler<\/strong><\/h2>\n\n\n\n

Las lentes Todd-AO de la ASC circular\u00e1n en consignaci\u00f3n a trav\u00e9s de casas de alquiler seleccionadas, comenzando por Keslow Camera<\/a>, donde ya est\u00e1n disponibles. La ASC espera que el conjunto inspire a una nueva generaci\u00f3n de cineastas a experimentar con \u00f3pticas que transmitan historia y personalidad.<\/p>\n\n\n\n

La reintroducci\u00f3n de estos objetivos resalta el papel de la ASC no solo como gremio profesional, sino tambi\u00e9n como custodio de las herramientas y tradiciones cinematogr\u00e1ficas. Al reincorporar los objetivos fijos Todd-AO a la producci\u00f3n, la Sociedad nos recuerda que la cinematograf\u00eda se trata tanto de preservar el arte como de innovar.<\/p>\n\n\n\n

\u00bfLlevar\u00edas un juego de objetivos panor\u00e1micos de los a\u00f1os 50 a tu pr\u00f3xima filmaci\u00f3n de gran formato?<\/strong><\/p>\n<398332-main-buylinks\/>","protected":false,"clean_render":"

La ASC ha revivido una pieza de la historia del cine con la presentaci\u00f3n de los lentes ASC Todd-AO, un conjunto de lentes prime vintage meticulosamente restaurados, dise\u00f1ados originalmente para el revolucionario sistema de pantalla ancha Todd-AO de la d\u00e9cada de 1950. Redescubiertos en la sede de la Sociedad en Hollywood, estos lentes han sido redise\u00f1ados para los flujos de trabajo actuales de gran formato, conservando la singularidad \u00f3ptica de su \u00e9poca.<\/strong><\/p>\n\n\n\n

El descubrimiento de estos lentes no solo celebra el legado de la ASC<\/a>, sino que tambi\u00e9n conecta generaciones de cineastas. Bajo el liderazgo de Shelly Johnson, miembro de la ASC (quien fue presidenta de la ASC<\/a> antes de que Mandy Walker fuera elegida presidenta<\/a> a principios de este a\u00f1o), y en colaboraci\u00f3n con Zero Optik, la restauraci\u00f3n garantiza que la artesan\u00eda del cine de mediados de siglo siga inspirando las producciones modernas.<\/p>\n\n\n\n

Dise\u00f1ado para la historia del formato panor\u00e1mico, reinventado para la actualidad<\/strong><\/h2>\n\n\n\n

El formato original Todd-AO<\/a>, desarrollado en la d\u00e9cada de 1950 por el productor Mike Todd y la American Optical Company, supuso un gran avance en la cinematograf\u00eda de formato panor\u00e1mico. Concebido como una alternativa monoc\u00e1mara al Cinerama, el formato priorizaba la alta resoluci\u00f3n y las im\u00e1genes inmersivas. Los objetivos creados para \u00e9l se convirtieron en parte de este salto tecnol\u00f3gico.<\/p>\n\n\n\n

\"\"
Objetivo ASC Todd-AO. Foto de Ryan Rosenblum. Imagen cortes\u00eda de Keslow Camera, Inc.<\/figcaption><\/figure>\n\n\n\n

Ahora, con los objetivos ASC Todd-AO, esa historia ha revivido. El conjunto restaurado incluye nueve objetivos fijos que van desde 18 mm hasta 135 mm. Cada objetivo cuenta con capacidades \u00fanicas de paso T y enfoque cercano, destacando el ultra gran angular de 18 mm T5.3 (enfoque cercano: 35 mm) y el vers\u00e1til 60 mm T2.1 (enfoque cercano: 50 mm).<\/p>\n\n\n\n

Para adaptarse a los flujos de trabajo contempor\u00e1neos, los objetivos se han reubicado con un enfoque uniforme y una ubicaci\u00f3n del engranaje de iris, lo que simplifica el intercambio de objetivos en el set. Todos, excepto el de 18 mm, comparten un di\u00e1metro frontal de 95 mm, mientras que el de 18 mm utiliza uno de 114 mm. Las monturas intercambiables (PV, PL y LPL) permiten una f\u00e1cil integraci\u00f3n en los sistemas de c\u00e1maras modernos.<\/p>\n\n\n\n

\u00d3ptica cl\u00e1sica con matices contempor\u00e1neos<\/strong><\/h2>\n\n\n\n

El director de fotograf\u00eda Greig Fraser, ASC, ACS<\/a>, fue uno de los primeros en probar el equipo renovado. Destac\u00f3 la naturalidad de los objetivos y la forma en que reproducen los tonos de piel. “Estos objetivos resultaron ser muy bellos y sutiles”, se\u00f1al\u00f3. Trabajamos para crear un elemento de resoluci\u00f3n y nitidez sin llegar a ser \u201cn\u00edtido\u201d, logrando una sensaci\u00f3n tridimensional.<\/p>\n\n\n\n

Este equilibrio entre el car\u00e1cter vintage y la ingenier\u00eda moderna es lo que distingue a la colecci\u00f3n. Seg\u00fan la presidenta de la ASC, Mandy Walker, el proyecto subraya la doble misi\u00f3n de la Sociedad: honrar su pasado y, al mismo tiempo, impulsar las posibilidades creativas. “Al restaurar las lentes Todd-AO, hacemos m\u00e1s que simplemente honrar la historia cinematogr\u00e1fica”, explic\u00f3. “Estamos empoderando a los cineastas para que exploren nuevas fronteras creativas con el alma de la \u00f3ptica cl\u00e1sica\u201d.<\/p>\n\n\n\n

\"\"
Lente Todd A-O de la ASC. Foto de Ryan Rosenblum. Imagen cortes\u00eda de Keslow Camera, Inc.<\/figcaption><\/figure>\n\n\n\n

Acceso a trav\u00e9s de casas de alquiler<\/strong><\/h2>\n\n\n\n

Las lentes Todd-AO de la ASC circular\u00e1n en consignaci\u00f3n a trav\u00e9s de casas de alquiler seleccionadas, comenzando por Keslow Camera<\/a>, donde ya est\u00e1n disponibles. La ASC espera que el conjunto inspire a una nueva generaci\u00f3n de cineastas a experimentar con \u00f3pticas que transmitan historia y personalidad.<\/p>\n\n\n\n

La reintroducci\u00f3n de estos objetivos resalta el papel de la ASC no solo como gremio profesional, sino tambi\u00e9n como custodio de las herramientas y tradiciones cinematogr\u00e1ficas. Al reincorporar los objetivos fijos Todd-AO a la producci\u00f3n, la Sociedad nos recuerda que la cinematograf\u00eda se trata tanto de preservar el arte como de innovar.<\/p>\n\n\n\n

\u00bfLlevar\u00edas un juego de objetivos panor\u00e1micos de los a\u00f1os 50 a tu pr\u00f3xima filmaci\u00f3n de gran formato?<\/strong><\/p>\n<398332-main-buylinks\/>"},"excerpt":{"rendered":"

La ASC ha revivido una pieza de la historia del cine con la presentaci\u00f3n de los lentes ASC Todd-AO, un conjunto de lentes prime vintage meticulosamente restaurados, dise\u00f1ados originalmente para el revolucionario sistema de pantalla ancha Todd-AO de la d\u00e9cada de 1950. Redescubiertos en la sede de la Sociedad en Hollywood, estos lentes han sido redise\u00f1ados para los flujos de trabajo actuales de gran formato, conservando la singularidad \u00f3ptica de su \u00e9poca. El descubrimiento de estos lentes no solo celebra el legado de la ASC, sino que tambi\u00e9n conecta generaciones de cineastas. Bajo el liderazgo de Shelly Johnson, miembro de la ASC (quien fue presidenta de la ASC antes de […]<\/p>\n","protected":false},"author":8,"featured_media":398226,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/www.cined.com\/es\/noticias\/lentes\/","slug":"lentes"}],"tags":[96424,96425,96426,96427,96428,79871,96429,91100,96430,96420,24960,96421,24961,96422,25073,96423],"tag_label":[52841],"brand":[68918],"class_list":["post-398332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-lentes","tag-todd-ao-es","tag-todd-ao-format-es","tag-vintage-cinema-lenses-es","tag-lens-restoration-es","tag-greig-fraser-es","tag-zero-optik-es","tag-sociedad-americana-de-cinematografos","tag-mandy-walker-es","tag-lentes-asc-todd-ao","tag-keslow-camera-es","tag-american-society-of-cinematographers-es","tag-todd-ao-widescreen-es","tag-asc-es","tag-asc-todd-ao-lenses-es","tag-cinematografia","tag-large-format-cinematography-2-es","tag_label-lens-news-es","brand-asc-es"],"yoast_head":"\nLa Sociedad Americana de Cinemat\u00f3grafos presenta los lentes ASC Todd-AO | CineD<\/title>\n<meta name=\"description\" content=\"The ASC unveils restored Todd-AO lenses, vintage primes reimagined for modern large-format cinematography.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cined.com\/es\/american-society-of-cinematographers-unveils-asc-todd-ao-lenses\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Sociedad Americana de Cinemat\u00f3grafos presenta los lentes ASC Todd-AO | CineD\" \/>\n<meta property=\"og:description\" content=\"The ASC unveils restored Todd-AO lenses, vintage primes reimagined for modern large-format cinematography.\" \/>\n<meta property=\"og:url\" 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