{"id":401599,"date":"2025-10-28T10:11:21","date_gmt":"2025-10-28T09:11:21","guid":{"rendered":"https:\/\/www.cined.com\/?p=401599"},"modified":"2025-10-28T15:53:52","modified_gmt":"2025-10-28T14:53:52","slug":"nikon-releases-rwg-log3g10-to-rec-2020-n-log-lut-for-n-raw-in-premiere-pro","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/nikon-releases-rwg-log3g10-to-rec-2020-n-log-lut-for-n-raw-in-premiere-pro\/","title":{"rendered":"Nikon Lanza el LUT de RWG\/Log3G10 a Rec.2020 N-Log para N-RAW en Premiere Pro"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>Nikon ha publicado el LUT gratuito &#8220;RWG\/Log3G10 a Rec.2020\/N-Log&#8221; para agilizar la gradaci\u00f3n de clips N-RAW grabados en modo de tono N-Log al abrirlos en Adobe Premiere Pro (Beta), que actualmente interpreta estos archivos en RED Wide Gamut con Log3G10.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si est\u00e1s editando Nikon N-RAW en Premiere Pro y deseas previsualizar o gradar en un espacio de color Nikon conocido sin crear una transformaci\u00f3n personalizada, esta utilidad es la soluci\u00f3n perfecta. Nikon afirma que el LUT est\u00e1 dise\u00f1ado para flujos de trabajo donde N-RAW en N-Log se abre con los valores primarios y gamma de RWG\/Log3G10, y no es una herramienta para convertir material de archivo RED R3D.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u00bfQu\u00e9 hace el LUT?<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El LUT convierte de RWG\/Log3G10 a Rec.2020\/N-Log, adapt\u00e1ndose al look N-Log de Nikon dentro de un contenedor Rec.2020. Adopta el comportamiento actual de Premiere Pro (Beta), donde los clips N-RAW en N-Log se tratan como RWG\/Log3G10 al importarlos; Esto mantiene la monitorizaci\u00f3n y la gradaci\u00f3n inicial consistentes con la manera en que Nikon maneja el material N-Log.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"626\" height=\"417\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/10\/img01.jpg\" alt=\"\" class=\"wp-image-401324\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/10\/img01.jpg 626w, https:\/\/www.cined.com\/content\/uploads\/2025\/10\/img01-300x200.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/10\/img01-345x230.jpg 345w\" sizes=\"auto, (max-width: 626px) 100vw, 626px\" \/><figcaption class=\"wp-element-caption\">N-RAW de Nikon en el men\u00fa de una c\u00e1mara Nikon. Cr\u00e9dito de la imagen: Captura de pantalla.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Formatos y compatibilidad<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Nikon ofrece dos variantes de .cube: una versi\u00f3n de 65 puntos (recomendada) y una alternativa de 33 puntos para sistemas que no admiten LUT de 65 puntos. Nikon incluye compatibilidad con macOS Ventura 13, Sonoma 14, Sequoia 15 y Windows 11. La compa\u00f1\u00eda menciona las pruebas realizadas con Adobe Premiere Pro (Beta) en el momento del lanzamiento y especifica que el LUT es para c\u00e1maras compatibles con grabaci\u00f3n N-RAW, como por ejemplo la nueva <a href=\"https:\/\/www.cined.com\/es\/tag\/nikon-zr-es\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nikon ZR<\/a> que acabamos de presentar en una <a href=\"https:\/\/www.cined.com\/es\/nikon-zr-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/\" target=\"_blank\" rel=\"noreferrer noopener\">prueba de laboratorio<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Notas pr\u00e1cticas para usuarios de Nikon<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Si env\u00edas los archivos en Rec.709, puedes usarlo como una transformaci\u00f3n de monitorizaci\u00f3n intermedia y luego a\u00f1adir una conversi\u00f3n posterior de Rec.2020 a Rec.709, o cambiar a una canalizaci\u00f3n dedicada de Nikon N-Log a Rec.709 m\u00e1s adelante en la gradaci\u00f3n. Si tu sistema tiene dificultades con los LUTs de 65 puntos, la variante de 33 puntos ofrece una alternativa m\u00e1s ligera, aunque con menor precisi\u00f3n, lo cual suele ser aceptable durante las ediciones sin conexi\u00f3n. Para muchos equipos peque\u00f1os de posproducci\u00f3n, el LUT gratuito representa una mejora de la calidad de vida mientras evoluciona la gesti\u00f3n de color nativa de Adobe para N-RAW en N-Log.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Disponibilidad<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El LUT de RWG\/Log3G10 a Rec.2020\/N-Log ya est\u00e1 disponible como versi\u00f3n 1.00 en el <a href=\"https:\/\/downloadcenter.nikonimglib.com\/en\/download\/sw\/274.html\" target=\"_blank\" rel=\"noreferrer noopener\">Centro de descargas de Nikon<\/a>.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>En tu pila de gradaci\u00f3n, \u00bfse mantendr\u00e1 como LUT de monitorizaci\u00f3n temporal durante la edici\u00f3n o como referencia durante toda la entrega?<\/strong><\/p>\n<401599-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap wp-block-paragraph\"><strong>Nikon ha publicado el LUT gratuito &#8220;RWG\/Log3G10 a Rec.2020\/N-Log&#8221; para agilizar la gradaci\u00f3n de clips N-RAW grabados en modo de tono N-Log al abrirlos en Adobe Premiere Pro (Beta), que actualmente interpreta estos archivos en RED Wide Gamut con Log3G10.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si est\u00e1s editando Nikon N-RAW en Premiere Pro y deseas previsualizar o gradar en un espacio de color Nikon conocido sin crear una transformaci\u00f3n personalizada, esta utilidad es la soluci\u00f3n perfecta. Nikon afirma que el LUT est\u00e1 dise\u00f1ado para flujos de trabajo donde N-RAW en N-Log se abre con los valores primarios y gamma de RWG\/Log3G10, y no es una herramienta para convertir material de archivo RED R3D.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u00bfQu\u00e9 hace el LUT?<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El LUT convierte de RWG\/Log3G10 a Rec.2020\/N-Log, adapt\u00e1ndose al look N-Log de Nikon dentro de un contenedor Rec.2020. Adopta el comportamiento actual de Premiere Pro (Beta), donde los clips N-RAW en N-Log se tratan como RWG\/Log3G10 al importarlos; Esto mantiene la monitorizaci\u00f3n y la gradaci\u00f3n inicial consistentes con la manera en que Nikon maneja el material N-Log.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"626\" height=\"417\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/10\/img01.jpg\" alt=\"\" class=\"wp-image-401324\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/10\/img01.jpg 626w, https:\/\/www.cined.com\/content\/uploads\/2025\/10\/img01-300x200.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/10\/img01-345x230.jpg 345w\" sizes=\"auto, (max-width: 626px) 100vw, 626px\" \/><figcaption class=\"wp-element-caption\">N-RAW de Nikon en el men\u00fa de una c\u00e1mara Nikon. Cr\u00e9dito de la imagen: Captura de pantalla.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Formatos y compatibilidad<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Nikon ofrece dos variantes de .cube: una versi\u00f3n de 65 puntos (recomendada) y una alternativa de 33 puntos para sistemas que no admiten LUT de 65 puntos. Nikon incluye compatibilidad con macOS Ventura 13, Sonoma 14, Sequoia 15 y Windows 11. La compa\u00f1\u00eda menciona las pruebas realizadas con Adobe Premiere Pro (Beta) en el momento del lanzamiento y especifica que el LUT es para c\u00e1maras compatibles con grabaci\u00f3n N-RAW, como por ejemplo la nueva <a href=\"https:\/\/www.cined.com\/es\/tag\/nikon-zr-es\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nikon ZR<\/a> que acabamos de presentar en una <a href=\"https:\/\/www.cined.com\/es\/nikon-zr-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/\" target=\"_blank\" rel=\"noreferrer noopener\">prueba de laboratorio<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Notas pr\u00e1cticas para usuarios de Nikon<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Si env\u00edas los archivos en Rec.709, puedes usarlo como una transformaci\u00f3n de monitorizaci\u00f3n intermedia y luego a\u00f1adir una conversi\u00f3n posterior de Rec.2020 a Rec.709, o cambiar a una canalizaci\u00f3n dedicada de Nikon N-Log a Rec.709 m\u00e1s adelante en la gradaci\u00f3n. Si tu sistema tiene dificultades con los LUTs de 65 puntos, la variante de 33 puntos ofrece una alternativa m\u00e1s ligera, aunque con menor precisi\u00f3n, lo cual suele ser aceptable durante las ediciones sin conexi\u00f3n. Para muchos equipos peque\u00f1os de posproducci\u00f3n, el LUT gratuito representa una mejora de la calidad de vida mientras evoluciona la gesti\u00f3n de color nativa de Adobe para N-RAW en N-Log.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Disponibilidad<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El LUT de RWG\/Log3G10 a Rec.2020\/N-Log ya est\u00e1 disponible como versi\u00f3n 1.00 en el <a href=\"https:\/\/downloadcenter.nikonimglib.com\/en\/download\/sw\/274.html\" target=\"_blank\" rel=\"noreferrer noopener\">Centro de descargas de Nikon<\/a>.\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>En tu pila de gradaci\u00f3n, \u00bfse mantendr\u00e1 como LUT de monitorizaci\u00f3n temporal durante la edici\u00f3n o como referencia durante toda la entrega?<\/strong><\/p>\n<401599-main-buylinks\/>"},"excerpt":{"rendered":"<p>Nikon ha publicado el LUT gratuito &#8220;RWG\/Log3G10 a Rec.2020\/N-Log&#8221; para agilizar la gradaci\u00f3n de clips N-RAW grabados en modo de tono N-Log al abrirlos en Adobe Premiere Pro (Beta), que actualmente interpreta estos archivos en RED Wide Gamut con Log3G10. Si est\u00e1s editando Nikon N-RAW en Premiere Pro y deseas previsualizar o gradar en un espacio de color Nikon conocido sin crear una transformaci\u00f3n personalizada, esta utilidad es la soluci\u00f3n perfecta. Nikon afirma que el LUT est\u00e1 dise\u00f1ado para flujos de trabajo donde N-RAW en N-Log se abre con los valores primarios y gamma de RWG\/Log3G10, y no es una herramienta para convertir material de archivo RED R3D. \u00bfQu\u00e9 hace [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":400486,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42308,"name":"Software","link":"https:\/\/www.cined.com\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[68169,26327,70879,97580,34179,37720,24900,25179,65765,25912],"tag_label":[53421],"brand":[52459,53282],"class_list":["post-401599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-noticias-software","tag-posproduccion-2","tag-adobe-premiere-pro-es","tag-color-management-es","tag-rwg-log3g10-es","tag-n-log-es","tag-rec-2020-es","tag-lut-es","tag-nikon-es","tag-n-raw-es","tag-post-production-es","tag_label-software-news-es","brand-adobe-es","brand-nikon-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Nikon Lanza el LUT de RWG\/Log3G10 a Rec.2020 N-Log para N-RAW en Premiere Pro | CineD<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cined.com\/es\/nikon-releases-rwg-log3g10-to-rec-2020-n-log-lut-for-n-raw-in-premiere-pro\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nikon Lanza el LUT de RWG\/Log3G10 a Rec.2020 N-Log para N-RAW en Premiere Pro | CineD\" \/>\n<meta property=\"og:description\" content=\"Nikon ha publicado el LUT gratuito &#8220;RWG\/Log3G10 a Rec.2020\/N-Log&#8221; para agilizar la gradaci\u00f3n de clips N-RAW grabados en modo de tono N-Log al abrirlos en Adobe Premiere Pro (Beta), que actualmente interpreta estos archivos en RED Wide Gamut con Log3G10. Si est\u00e1s editando Nikon N-RAW en Premiere Pro y deseas previsualizar o gradar en un espacio de color Nikon conocido sin crear una transformaci\u00f3n personalizada, esta utilidad es la soluci\u00f3n perfecta. Nikon afirma que el LUT est\u00e1 dise\u00f1ado para flujos de trabajo donde N-RAW en N-Log se abre con los valores primarios y gamma de RWG\/Log3G10, y no es una herramienta para convertir material de archivo RED R3D. \u00bfQu\u00e9 hace [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cined.com\/es\/nikon-releases-rwg-log3g10-to-rec-2020-n-log-lut-for-n-raw-in-premiere-pro\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/nino.leitner\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-28T09:11:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-28T14:53:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2025\/10\/TEF-Course-3-still-01.00_08_31_06.Still023.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nino Leitner\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/NinoLeitner\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nino Leitner\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" 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there.\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/www.cined.com\\\/es\\\/\",\"name\":\"CineD\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.cined.com\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es-ES\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#organization\",\"name\":\"CineD\",\"url\":\"https:\\\/\\\/www.cined.com\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-ES\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.cined.com\\\/content\\\/uploads\\\/2021\\\/01\\\/cined_logo_sm-2.jpg\",\"contentUrl\":\"https:\\\/\\\/www.cined.com\\\/content\\\/uploads\\\/2021\\\/01\\\/cined_logo_sm-2.jpg\",\"width\":1024,\"height\":1024,\"caption\":\"CineD\"},\"image\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"http:\\\/\\\/www.facebook.com\\\/C5Dnews\",\"https:\\\/\\\/x.com\\\/c5dnews\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/cinema5Dnews\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#\\\/schema\\\/person\\\/76e69ba2835f984119a3b5e74d8e020a\",\"name\":\"Nino 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