{"id":408872,"date":"2026-01-07T11:53:58","date_gmt":"2026-01-07T10:53:58","guid":{"rendered":"https:\/\/www.cined.com\/?p=408872"},"modified":"2026-01-07T17:56:49","modified_gmt":"2026-01-07T16:56:49","slug":"opinion-the-sony-a7-v-is-the-cinema-camera-the-fx2-should-have-been","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/opinion-the-sony-a7-v-is-the-cinema-camera-the-fx2-should-have-been\/","title":{"rendered":"Opini\u00f3n &#8211; La Sony a7 V es la C\u00e1mara de Cine que la FX2 Deber\u00eda Haber Sido"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><strong>Recientemente, Sony anunci\u00f3 su nueva h\u00edbrida de gama media, la <a href=\"https:\/\/www.cined.com\/es\/sony-a7-v-announced-33mp-partially-stacked-sensor-30fps-blackout-free-shooting-4k120p-video\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sony a7V<\/a>. Esta c\u00e1mara ofrece una potencia considerable gracias a una nueva combinaci\u00f3n de sensor y procesador que reduce significativamente la velocidad de lectura, a la vez que mejora la eficiencia de procesamiento y reduce la acumulaci\u00f3n de calor. Estas son mejoras fundamentales para la captura de movimiento, que aumentan las capacidades de la c\u00e1mara en este \u00e1mbito. Sin embargo, no estamos aqu\u00ed para hablar de la Sony a7V (puedes <a href=\"https:\/\/www.cined.com\/es\/sony-a7-v-announced-33mp-partially-stacked-sensor-30fps-blackout-free-shooting-4k120p-video\/\" target=\"_blank\" rel=\"noreferrer noopener\">leer nuestra cobertura anterior aqu\u00ed<\/a> o escuchar nuestro <a href=\"https:\/\/youtu.be\/M6nsXwLDDYw?si=3bVq53lxvaLSEDNy\" target=\"_blank\" rel=\"noreferrer noopener\">podcast Focus Check<\/a><\/strong>).<strong> En cambio, estamos aqu\u00ed para analizar qu\u00e9 c\u00e1mara Sony podr\u00eda haber pasado por alto o podr\u00eda lanzar en el futuro.<\/strong><\/p>\n\n\n\n<p>Cuando escrib\u00ed en mi <a href=\"https:\/\/www.cined.com\/es\/is-the-fx2-sonys-best-stills-body-yet\/\" target=\"_blank\" rel=\"noreferrer noopener\">art\u00edculo reciente<\/a> sobre c\u00f3mo la FX2 es el mejor cuerpo fotogr\u00e1fico de Sony, y en otras coberturas de CineD, not\u00e9 un comentario recurrente: &#8220;Sony est\u00e1 usando material viejo para modificar una c\u00e1mara vieja&#8221;. Sigo pensando que la FX2 es una c\u00e1mara digna y capaz de ofrecer excelentes resultados, pero con la llegada de la <a href=\"https:\/\/www.cined.com\/es\/sony-a7-v-announced-33mp-partially-stacked-sensor-30fps-blackout-free-shooting-4k120p-video\/\" target=\"_blank\" rel=\"noreferrer noopener\">nueva a7V<\/a>, junto con la mayor competencia de Nikon, Panasonic y Canon, su brillo se desvanece. \u00bfSony nos enga\u00f1\u00f3?<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-900x506.jpg\" alt=\"\" class=\"wp-image-383526\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Sony FX2. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p>Disfruto de las teor\u00edas conspirativas tanto como cualquiera, pero esto parece m\u00e1s bien una cuesti\u00f3n de prioridades comerciales. En lugar de profundizar demasiado en especulaciones, miremos hacia adelante y hablemos de lo que podr\u00eda venir despu\u00e9s.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sony FX2 Review: Thoughts and mini-documentary (Sample footage)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/q8f9jdRSKX4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"description\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/q8f9jdRSKX4\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/q8f9jdRSKX4\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-07T11:53:58+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">Lo que tenemos<\/h2>\n\n\n\n<p>Apoy\u00e1ndose fuertemente en las bases establecidas por la a7 IV, la Sony FX2 parec\u00eda algo anticuada al llegar. La arquitectura del sensor, el comportamiento del rolling shutter (puedes ver nuestra prueba de laboratorio <a href=\"https:\/\/www.cined.com\/sony-fx2-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/\" target=\"_blank\" rel=\"noreferrer noopener\">aqu\u00ed<\/a>), y el car\u00e1cter general de la imagen me resultaron demasiado familiares. Sony a\u00f1adi\u00f3 ergonom\u00eda orientada al cine, refrigeraci\u00f3n activa y conectividad profesional, pero el proceso de creaci\u00f3n de im\u00e1genes se mantuvo conservador. Sin embargo, la FX2 llen\u00f3 un hueco muy necesario entre la FX3 y la FX30, ofreciendo metraje sobremuestreado de alta calidad, as\u00ed como 4K recortado de la regi\u00f3n Super 35. Claramente tiene sus m\u00e9ritos, pero para algunos usuarios, llega demasiado tarde y resulta insuficiente.<\/p>\n\n\n\n<p>Si a esto le sumamos la a7V, la posici\u00f3n de la FX2 se vuelve cada vez m\u00e1s inc\u00f3moda. Ahora contamos con un sobremuestreo de 7K m\u00e1s alto, combinado con un sensor parcialmente apilado, lo que elimina eficazmente el compromiso del tiempo de lectura (\u00a1publicaremos la prueba de laboratorio muy pronto!)<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Canon EOS C50 Review &amp; Mini-Doc: Open-Gate, Anamorphic Options, and Great Value\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/YtLf_QWqj04?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"description\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/YtLf_QWqj04\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/YtLf_QWqj04\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-07T11:53:58+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 est\u00e1 sucediendo al otro lado?<\/h2>\n\n\n\n<p>Este &#8220;asunto familiar&#8221; no surge de la nada, ya que Sony no es el \u00fanico actor en el sector. Nikon ha anunciado la <a href=\"https:\/\/www.cined.com\/es\/panasonic-lumix-s1ii-review-first-impression-and-mini-documentary\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nikon ZR<\/a>, Panasonic present\u00f3 su <a href=\"https:\/\/www.cined.com\/es\/panasonic-lumix-s1ii-review-first-impression-and-mini-documentary\/\" target=\"_blank\" rel=\"noreferrer noopener\">LUMIX S1II<\/a> parcialmente apilada y Canon ha trabajado incansablemente, lanzando lo que podr\u00eda considerarse una dupla potente: la <a href=\"https:\/\/www.cined.com\/es\/canon-eos-c50-review-mini-doc-open-gate-anamorphic-options-and-great-value\/\" target=\"_blank\" rel=\"noreferrer noopener\">Canon EOS C50<\/a>, enfocada en cine, y la h\u00edbrida <a href=\"https:\/\/www.cined.com\/es\/canon-eos-r6-mark-iii-announced-a-new-beefed-up-hybrid-workhorse\/\" target=\"_blank\" rel=\"noreferrer noopener\">EOS R6 Mark III<\/a>.<\/p>\n\n\n\n<p>Puede que Sony haya llegado tarde a la fiesta de las c\u00e1maras h\u00edbridas, pero hizo una entrada contundente con la impresionante a7V. En el espacio de las c\u00e1maras de cine compactas, que para empezar no es la categor\u00eda m\u00e1s definida, la gama de Sony empieza a <a href=\"https:\/\/www.cined.com\/canon-eos-c50-vs-sony-fx3-which-camera-wins-and-does-it-matter\/\" target=\"_blank\" rel=\"noreferrer noopener\">sentirse anticuada<\/a>. Imag\u00ednense lo diferente que ser\u00eda el mercado si la FX2 se hubiera lanzado con el &#8220;motor&#8221; de la a7V, incluso si ese lanzamiento hubiera sido un poco m\u00e1s tarde.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sony a7 V Announced | Poll: Camera of the Year 2025 | ARRI Cuts 150 Jobs | CineD Focus Check - ep93\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/M6nsXwLDDYw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"description\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/M6nsXwLDDYw?si=d1OqbEXrBrMRBYno\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/M6nsXwLDDYw\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-07T11:53:58+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 pudo haber sido?<\/h2>\n\n\n\n<p>La especulaci\u00f3n del tipo &#8220;\u00bfQu\u00e9 hubiera pasado si&#8230;?&#8221; rara vez es productiva, pero al menos puede ser entretenida. Como la mayor\u00eda de nosotros no podemos participar en las reuniones donde se toman estas decisiones, solo podemos especular. Me parece bastante similar a los aficionados al f\u00fatbol gritando a sus televisores o en un estadio lleno. El hecho de que no tengan influencia real no le resta nada a la diversi\u00f3n.<\/p>\n\n\n\n<p>As\u00ed que juguemos a este juego. Si Sony hubiera lanzado una versi\u00f3n mejorada de la FX2 en lugar de la c\u00e1mara supuestamente &#8220;renovada&#8221;, ahora podr\u00edamos estar viendo a Canon como el que lleg\u00f3 tarde con la EOS C50. Eso habr\u00eda cambiado parte de la din\u00e1mica del mercado, aunque es dif\u00edcil predecir cu\u00e1nto impacto habr\u00eda tenido en las ventas reales.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Canon EOS C50, Nikon ZR, RED V-RAPTOR XE, FUJIFILM ETERNA GFX 55, iPhone 17 Pro | Focus Check Ep81\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/Bx4SBNEohLQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"description\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/Bx4SBNEohLQ\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/Bx4SBNEohLQ\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-07T11:53:58+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Sony ha demostrado ser un competidor fuerte, entrando en un mercado dominado durante mucho tiempo por Canon y Nikon y captando r\u00e1pidamente una cuota de mercado sustancial. Tras ese impulso inicial, la compa\u00f1\u00eda ha entrado en una fase de ganar terreno, y luego perderlo. Si especulamos, cabe preguntarse qu\u00e9 ocurrir\u00e1 si Sony anuncia una sucesora de la Sony FX3 en el futuro. Imaginen las especificaciones de la a7V en un cuerpo cuadrado, gris y pensado para cine. Incluso si dicha c\u00e1mara llega m\u00e1s tarde de lo esperado, podr\u00eda generar una gran presi\u00f3n para Canon, y quiz\u00e1s a\u00fan m\u00e1s para Nikon. Este juego est\u00e1 lejos de terminar.<\/p>\n\n\n\n<p><strong>\u00bfEres cineasta de Sony y est\u00e1s considerando adquirir un sistema nuevo? \u00bfCu\u00e1nto tiempo esperar\u00e1s antes de &#8220;perder la esperanza&#8221; por una FX3 nueva y mejorada? \u00bfOptar\u00e1s por la h\u00edbrida a7V para trabajos de cine serios? Cu\u00e9ntanos en los comentarios.<\/strong><\/p>\n<408872-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap\"><strong>Recientemente, Sony anunci\u00f3 su nueva h\u00edbrida de gama media, la <a href=\"https:\/\/www.cined.com\/es\/sony-a7-v-announced-33mp-partially-stacked-sensor-30fps-blackout-free-shooting-4k120p-video\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sony a7V<\/a>. Esta c\u00e1mara ofrece una potencia considerable gracias a una nueva combinaci\u00f3n de sensor y procesador que reduce significativamente la velocidad de lectura, a la vez que mejora la eficiencia de procesamiento y reduce la acumulaci\u00f3n de calor. Estas son mejoras fundamentales para la captura de movimiento, que aumentan las capacidades de la c\u00e1mara en este \u00e1mbito. Sin embargo, no estamos aqu\u00ed para hablar de la Sony a7V (puedes <a href=\"https:\/\/www.cined.com\/es\/sony-a7-v-announced-33mp-partially-stacked-sensor-30fps-blackout-free-shooting-4k120p-video\/\" target=\"_blank\" rel=\"noreferrer noopener\">leer nuestra cobertura anterior aqu\u00ed<\/a> o escuchar nuestro <a href=\"https:\/\/youtu.be\/M6nsXwLDDYw?si=3bVq53lxvaLSEDNy\" target=\"_blank\" rel=\"noreferrer noopener\">podcast Focus Check<\/a><\/strong>).<strong> En cambio, estamos aqu\u00ed para analizar qu\u00e9 c\u00e1mara Sony podr\u00eda haber pasado por alto o podr\u00eda lanzar en el futuro.<\/strong><\/p>\n\n\n\n<p>Cuando escrib\u00ed en mi <a href=\"https:\/\/www.cined.com\/es\/is-the-fx2-sonys-best-stills-body-yet\/\" target=\"_blank\" rel=\"noreferrer noopener\">art\u00edculo reciente<\/a> sobre c\u00f3mo la FX2 es el mejor cuerpo fotogr\u00e1fico de Sony, y en otras coberturas de CineD, not\u00e9 un comentario recurrente: &#8220;Sony est\u00e1 usando material viejo para modificar una c\u00e1mara vieja&#8221;. Sigo pensando que la FX2 es una c\u00e1mara digna y capaz de ofrecer excelentes resultados, pero con la llegada de la <a href=\"https:\/\/www.cined.com\/es\/sony-a7-v-announced-33mp-partially-stacked-sensor-30fps-blackout-free-shooting-4k120p-video\/\" target=\"_blank\" rel=\"noreferrer noopener\">nueva a7V<\/a>, junto con la mayor competencia de Nikon, Panasonic y Canon, su brillo se desvanece. \u00bfSony nos enga\u00f1\u00f3?<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-900x506.jpg\" alt=\"\" class=\"wp-image-383526\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2025\/05\/Sony-FX2-camera.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Sony FX2. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p>Disfruto de las teor\u00edas conspirativas tanto como cualquiera, pero esto parece m\u00e1s bien una cuesti\u00f3n de prioridades comerciales. En lugar de profundizar demasiado en especulaciones, miremos hacia adelante y hablemos de lo que podr\u00eda venir despu\u00e9s.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sony FX2 Review: Thoughts and mini-documentary (Sample footage)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/q8f9jdRSKX4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"description\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/q8f9jdRSKX4\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/q8f9jdRSKX4\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-07T11:53:58+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">Lo que tenemos<\/h2>\n\n\n\n<p>Apoy\u00e1ndose fuertemente en las bases establecidas por la a7 IV, la Sony FX2 parec\u00eda algo anticuada al llegar. La arquitectura del sensor, el comportamiento del rolling shutter (puedes ver nuestra prueba de laboratorio <a href=\"https:\/\/www.cined.com\/sony-fx2-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/\" target=\"_blank\" rel=\"noreferrer noopener\">aqu\u00ed<\/a>), y el car\u00e1cter general de la imagen me resultaron demasiado familiares. Sony a\u00f1adi\u00f3 ergonom\u00eda orientada al cine, refrigeraci\u00f3n activa y conectividad profesional, pero el proceso de creaci\u00f3n de im\u00e1genes se mantuvo conservador. Sin embargo, la FX2 llen\u00f3 un hueco muy necesario entre la FX3 y la FX30, ofreciendo metraje sobremuestreado de alta calidad, as\u00ed como 4K recortado de la regi\u00f3n Super 35. Claramente tiene sus m\u00e9ritos, pero para algunos usuarios, llega demasiado tarde y resulta insuficiente.<\/p>\n\n\n\n<p>Si a esto le sumamos la a7V, la posici\u00f3n de la FX2 se vuelve cada vez m\u00e1s inc\u00f3moda. Ahora contamos con un sobremuestreo de 7K m\u00e1s alto, combinado con un sensor parcialmente apilado, lo que elimina eficazmente el compromiso del tiempo de lectura (\u00a1publicaremos la prueba de laboratorio muy pronto!)<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Canon EOS C50 Review &amp; Mini-Doc: Open-Gate, Anamorphic Options, and Great Value\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/YtLf_QWqj04?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"description\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/YtLf_QWqj04\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/YtLf_QWqj04\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-07T11:53:58+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 est\u00e1 sucediendo al otro lado?<\/h2>\n\n\n\n<p>Este &#8220;asunto familiar&#8221; no surge de la nada, ya que Sony no es el \u00fanico actor en el sector. Nikon ha anunciado la <a href=\"https:\/\/www.cined.com\/es\/panasonic-lumix-s1ii-review-first-impression-and-mini-documentary\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nikon ZR<\/a>, Panasonic present\u00f3 su <a href=\"https:\/\/www.cined.com\/es\/panasonic-lumix-s1ii-review-first-impression-and-mini-documentary\/\" target=\"_blank\" rel=\"noreferrer noopener\">LUMIX S1II<\/a> parcialmente apilada y Canon ha trabajado incansablemente, lanzando lo que podr\u00eda considerarse una dupla potente: la <a href=\"https:\/\/www.cined.com\/es\/canon-eos-c50-review-mini-doc-open-gate-anamorphic-options-and-great-value\/\" target=\"_blank\" rel=\"noreferrer noopener\">Canon EOS C50<\/a>, enfocada en cine, y la h\u00edbrida <a href=\"https:\/\/www.cined.com\/es\/canon-eos-r6-mark-iii-announced-a-new-beefed-up-hybrid-workhorse\/\" target=\"_blank\" rel=\"noreferrer noopener\">EOS R6 Mark III<\/a>.<\/p>\n\n\n\n<p>Puede que Sony haya llegado tarde a la fiesta de las c\u00e1maras h\u00edbridas, pero hizo una entrada contundente con la impresionante a7V. En el espacio de las c\u00e1maras de cine compactas, que para empezar no es la categor\u00eda m\u00e1s definida, la gama de Sony empieza a <a href=\"https:\/\/www.cined.com\/canon-eos-c50-vs-sony-fx3-which-camera-wins-and-does-it-matter\/\" target=\"_blank\" rel=\"noreferrer noopener\">sentirse anticuada<\/a>. Imag\u00ednense lo diferente que ser\u00eda el mercado si la FX2 se hubiera lanzado con el &#8220;motor&#8221; de la a7V, incluso si ese lanzamiento hubiera sido un poco m\u00e1s tarde.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sony a7 V Announced | Poll: Camera of the Year 2025 | ARRI Cuts 150 Jobs | CineD Focus Check - ep93\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/M6nsXwLDDYw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"description\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/M6nsXwLDDYw?si=d1OqbEXrBrMRBYno\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/M6nsXwLDDYw\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-07T11:53:58+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">\u00bfQu\u00e9 pudo haber sido?<\/h2>\n\n\n\n<p>La especulaci\u00f3n del tipo &#8220;\u00bfQu\u00e9 hubiera pasado si&#8230;?&#8221; rara vez es productiva, pero al menos puede ser entretenida. Como la mayor\u00eda de nosotros no podemos participar en las reuniones donde se toman estas decisiones, solo podemos especular. Me parece bastante similar a los aficionados al f\u00fatbol gritando a sus televisores o en un estadio lleno. El hecho de que no tengan influencia real no le resta nada a la diversi\u00f3n.<\/p>\n\n\n\n<p>As\u00ed que juguemos a este juego. Si Sony hubiera lanzado una versi\u00f3n mejorada de la FX2 en lugar de la c\u00e1mara supuestamente &#8220;renovada&#8221;, ahora podr\u00edamos estar viendo a Canon como el que lleg\u00f3 tarde con la EOS C50. Eso habr\u00eda cambiado parte de la din\u00e1mica del mercado, aunque es dif\u00edcil predecir cu\u00e1nto impacto habr\u00eda tenido en las ventas reales.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Canon EOS C50, Nikon ZR, RED V-RAPTOR XE, FUJIFILM ETERNA GFX 55, iPhone 17 Pro | Focus Check Ep81\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/Bx4SBNEohLQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"description\":\"Opini\\u00f3n - La Sony a7 V es la C\\u00e1mara de Cine que la FX2 Deber\\u00eda Haber Sido\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/Bx4SBNEohLQ\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/Bx4SBNEohLQ\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-07T11:53:58+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Sony ha demostrado ser un competidor fuerte, entrando en un mercado dominado durante mucho tiempo por Canon y Nikon y captando r\u00e1pidamente una cuota de mercado sustancial. Tras ese impulso inicial, la compa\u00f1\u00eda ha entrado en una fase de ganar terreno, y luego perderlo. Si especulamos, cabe preguntarse qu\u00e9 ocurrir\u00e1 si Sony anuncia una sucesora de la Sony FX3 en el futuro. Imaginen las especificaciones de la a7V en un cuerpo cuadrado, gris y pensado para cine. Incluso si dicha c\u00e1mara llega m\u00e1s tarde de lo esperado, podr\u00eda generar una gran presi\u00f3n para Canon, y quiz\u00e1s a\u00fan m\u00e1s para Nikon. Este juego est\u00e1 lejos de terminar.<\/p>\n\n\n\n<p><strong>\u00bfEres cineasta de Sony y est\u00e1s considerando adquirir un sistema nuevo? \u00bfCu\u00e1nto tiempo esperar\u00e1s antes de &#8220;perder la esperanza&#8221; por una FX3 nueva y mejorada? \u00bfOptar\u00e1s por la h\u00edbrida a7V para trabajos de cine serios? Cu\u00e9ntanos en los comentarios.<\/strong><\/p>\n<408872-main-buylinks\/>"},"excerpt":{"rendered":"<p>Recientemente, Sony anunci\u00f3 su nueva h\u00edbrida de gama media, la Sony a7V. Esta c\u00e1mara ofrece una potencia considerable gracias a una nueva combinaci\u00f3n de sensor y procesador que reduce significativamente la velocidad de lectura, a la vez que mejora la eficiencia de procesamiento y reduce la acumulaci\u00f3n de calor. Estas son mejoras fundamentales para la captura de movimiento, que aumentan las capacidades de la c\u00e1mara en este \u00e1mbito. Sin embargo, no estamos aqu\u00ed para hablar de la Sony a7V (puedes leer nuestra cobertura anterior aqu\u00ed o escuchar nuestro podcast Focus Check). En cambio, estamos aqu\u00ed para analizar qu\u00e9 c\u00e1mara Sony podr\u00eda haber pasado por alto o podr\u00eda lanzar en el [&hellip;]<\/p>\n","protected":false},"author":40219,"featured_media":407987,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42293,"name":"C\u00e1maras","link":"https:\/\/www.cined.com\/es\/noticias\/camaras\/","slug":"camaras"},{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"}],"tags":[91191,99046,99968,28060,100276,100277,100278,100279,52124,100280,52694,100281,52696],"tag_label":[54642],"brand":[51341],"class_list":["post-408872","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-camaras","tag-sony-fx2-es","tag-sony-a7v","tag-portkeys-on-camera-monitors","tag-camara-de-cine","tag-fx2-vs-a7v","tag-a7v-video-performance","tag-mirrorless-video-cameras","tag-sony-hybrid-cameras","tag-sony-cinema-line-es","tag-sony-fx3-successor","tag-camaras-mirrorless-es","tag-opinion","tag-camara-hibrida-es","tag_label-opinion-es","brand-sony-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v27.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Opini\u00f3n - La Sony a7 V es la C\u00e1mara de Cine que la FX2 Deber\u00eda Haber Sido | CineD<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cined.com\/es\/opinion-the-sony-a7-v-is-the-cinema-camera-the-fx2-should-have-been\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Opini\u00f3n - La Sony a7 V es la C\u00e1mara de Cine que la FX2 Deber\u00eda Haber Sido | CineD\" \/>\n<meta property=\"og:description\" content=\"Recientemente, Sony anunci\u00f3 su nueva h\u00edbrida de gama media, la Sony a7V. Esta c\u00e1mara ofrece una potencia considerable gracias a una nueva combinaci\u00f3n de sensor y procesador que reduce significativamente la velocidad de lectura, a la vez que mejora la eficiencia de procesamiento y reduce la acumulaci\u00f3n de calor. Estas son mejoras fundamentales para la captura de movimiento, que aumentan las capacidades de la c\u00e1mara en este \u00e1mbito. Sin embargo, no estamos aqu\u00ed para hablar de la Sony a7V (puedes leer nuestra cobertura anterior aqu\u00ed o escuchar nuestro podcast Focus Check). En cambio, estamos aqu\u00ed para analizar qu\u00e9 c\u00e1mara Sony podr\u00eda haber pasado por alto o podr\u00eda lanzar en el [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cined.com\/es\/opinion-the-sony-a7-v-is-the-cinema-camera-the-fx2-should-have-been\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-07T10:53:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-07T16:56:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2025\/12\/FX2a7V-copy.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Omri Keren Lapidot\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Omri Keren Lapidot\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.cined.com\/es\/opinion-the-sony-a7-v-is-the-cinema-camera-the-fx2-should-have-been\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.cined.com\/es\/opinion-the-sony-a7-v-is-the-cinema-camera-the-fx2-should-have-been\/\"},\"author\":{\"name\":\"Omri Keren Lapidot\",\"@id\":\"https:\/\/www.cined.com\/es\/#\/schema\/person\/0dd15d7bdd1fe3f02ae030d1e54d990a\"},\"headline\":\"Opini\u00f3n &#8211; 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