{"id":409188,"date":"2026-01-09T15:42:38","date_gmt":"2026-01-09T14:42:38","guid":{"rendered":"https:\/\/www.cined.com\/?p=409188"},"modified":"2026-01-09T16:45:43","modified_gmt":"2026-01-09T15:45:43","slug":"extreme-wide-shots-for-impactful-storytelling-with-film-examples","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/extreme-wide-shots-for-impactful-storytelling-with-film-examples\/","title":{"rendered":"Planos Panor\u00e1micos Extremos para una Narrativa Impactante \u2013 Con ejemplos cinematogr\u00e1ficos"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><strong>Conoces esa sensaci\u00f3n existencial que se siente al tumbarte en el suelo y contemplar el cielo nocturno? \u00bfNo es una comprensi\u00f3n maravillosa y a la vez triste de lo enorme que es el universo y de lo peque\u00f1os e insignificantes que somos en la escala de las cosas? Una forma de crear una sensaci\u00f3n similar en una pel\u00edcula es introducir planos panor\u00e1micos extremos en el lenguaje de la c\u00e1mara. Los paisajes y vistas vastas tienen un poderoso efecto visceral en nosotros. Sin embargo, son una joya poco com\u00fan en las pel\u00edculas y series modernas. Repasemos algunos ejemplos impactantes de planos panor\u00e1micos extremos y analicemos qu\u00e9 historias ayudan a contar.<\/strong><\/p>\n\n\n\n<p>Hay diferentes maneras en que los cineastas utilizan la distancia de la c\u00e1mara para dar forma al significado, y algunas son realmente impactantes. Ya hemos hablado de los primeros planos extremos y su arte narrativo (<a href=\"https:\/\/www.cined.com\/es\/extreme-close-ups-and-their-place-in-the-visual-story-with-film-examples\/\" target=\"_blank\" rel=\"noreferrer noopener\">haz clic aqu\u00ed para leer sobre ello<\/a>). Ahora, es hora de profundizar en lo contrario. Al reducir los personajes y objetos a peque\u00f1os puntos en la pantalla, los planos panor\u00e1micos desv\u00edan nuestra atenci\u00f3n de los gestos individuales y la centran en entornos, eventos y fuerzas que escapan al control humano. \u00a1Pero no se queda ah\u00ed!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u00bfQu\u00e9 son los planos panor\u00e1micos?<\/strong><\/h2>\n\n\n\n<p>Entonces, \u00bfcu\u00e1l es la diferencia con un plano panor\u00e1mico &#8220;normal&#8221;, donde el sujeto tambi\u00e9n se muestra a tama\u00f1o completo? Todo se reduce a la escala y las relaciones. Un plano panor\u00e1mico (tambi\u00e9n llamado plano general) enmarca al sujeto como un elemento diminuto dentro de la imagen, rodeado y dominado por su entorno. El personaje puede seguir siendo visible, pero apenas.<\/p>\n\n\n\n<p>Hay un cortometraje animado hecho por estudiantes que me gusta mucho, llamado &#8220;Pakan&#8221;. Casi no tiene di\u00e1logos y representa el concepto del Viaje del H\u00e9roe de forma bastante literal. \u00bfC\u00f3mo? Principalmente mediante elecciones visuales deliberadas. Muchos de ellos son planos panor\u00e1micos:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"CGI **Award-Winning** 3D Animated Short: &quot;Pakan&quot; by Team Pakan | TheCGBros\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/3YTENyktQ9w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=3YTENyktQ9w\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/3YTENyktQ9w\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Comparen estos dos fotogramas:<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"804\" data-id=\"409115\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide.jpg\" alt=\"\" class=\"wp-image-409115\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-900x377.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-768x322.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-1536x643.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-549x230.jpg 549w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Pakan&#8221; by students of University of Applied Sciences Hagenberg, 2016 <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"804\" data-id=\"409112\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide.jpg\" alt=\"\" class=\"wp-image-409112\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-900x377.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-768x322.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-1536x643.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-549x230.jpg 549w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>El primero (plano panor\u00e1mico) se centra en el estado del protagonista. Su postura, sus movimientos y la forma en que arrastra su bolsa nos comunican su agotamiento. \u00a1Qu\u00e9 largo y agotador debi\u00f3 ser su viaje hasta este punto! En la segunda imagen (panor\u00e1mica extrema), ya no lo vemos con claridad. El personaje queda reducido a un simple punto en la parte inferior del encuadre, porque el \u00e9nfasis se desplaza de \u00e9l a la enorme tormenta de arena, un desaf\u00edo incre\u00edble que le aguarda. Impacta de forma diferente, \u00bfverdad?<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Espacio, escala y distancia en planos panor\u00e1micos extremos<\/strong><\/h2>\n\n\n\n<p>La raz\u00f3n m\u00e1s obvia para usar planos panor\u00e1micos extremos es presentar al p\u00fablico una sensaci\u00f3n de escala y distancia, o el tama\u00f1o de algo. Por ejemplo, tomemos esta escena de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt15239678\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_dune%2520p\" target=\"_blank\" rel=\"noreferrer noopener\">Dune: Part Two<\/a>\u201d, donde el protagonista Paul intenta montar el gusano de arena por primera vez y se encuentra con uno mucho m\u00e1s grande de lo esperado:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Dune: Part Two - Riding the Sandworm- (HDR - 4K - 5.1)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/sZ3mJIh0bFY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=sZ3mJIh0bFY\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/sZ3mJIh0bFY\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>\u00bfPara qu\u00e9 sirven los planos panor\u00e1micos extremos? Para enfatizar la escala del gusano, en comparaci\u00f3n con la diminuta figura del personaje de Timoth\u00e9e Chalamet. En la historia, es una prueba de supervivencia y pertenencia en un mundo al que no le importa qui\u00e9n eres. El desierto domina el encuadre y, al igual que en el ejemplo de &#8220;Pakan&#8221; mencionado anteriormente, domina el destino de Paul. Su viaje se siente largo, peligroso e inevitable.<\/p>\n\n\n\n<p>El cambio entre primeros planos emotivos de los rostros de los personajes y planos panor\u00e1micos extremos crea un contraste m\u00e1s fuerte en esta escena y asegura que su intensidad se mantenga alta.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Opresi\u00f3n y sentimiento abrumador<\/strong><\/h2>\n\n\n\n<p>Probablemente, el ejemplo cl\u00e1sico del plano panor\u00e1mico extremo provenga de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0056172\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_Lawrence%2520of%2520Arabia\" target=\"_blank\" rel=\"noreferrer noopener\">Lawrence of Arabia<\/a>\u201d, otra historia ambientada en un desierto. La narrativa visual aqu\u00ed tambi\u00e9n sigue la idea de que el mundo es m\u00e1s grande que el personaje. Al ver planos como estos, \u00bfqu\u00e9 sentimientos crees que transmite?<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Lawrence of Arabia (2\/8) Movie CLIP - Ali&#039;s Well (1962) HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/ud1zpHW3ito?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=ud1zpHW3ito\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/ud1zpHW3ito\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>La pel\u00edcula juega tanto con la distancia en el vasto y abrumador entorno del mundo des\u00e9rtico que es casi imposible verla en una pantalla peque\u00f1a.<\/p>\n\n\n\n<p>Para mostrar un ejemplo con una ubicaci\u00f3n diferente, aqu\u00ed tienen una escena de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt3397884\/?ref_=nv_sr_srsg_1_tt_6_nm_1_in_0_q_Sicario\" target=\"_blank\" rel=\"noreferrer noopener\">Sicario<\/a>\u201d. de Denis Villeneuve. Lo m\u00e1s interesante es una toma larga del minuto 05:08:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ambush By The Border | Sicario (2015)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/03Tr8OX28Vw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=03Tr8OX28Vw\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/03Tr8OX28Vw\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>El director Denis Villeneuve <a href=\"https:\/\/www.cined.com\/es\/extra-shot-for-safety-yes-or-no-various-approaches-to-coverage\/\" target=\"_blank\" rel=\"noreferrer noopener\">coment\u00f3 en una conversaci\u00f3n<\/a> que le gust\u00f3 tanto este plano general extremo que decidi\u00f3 no cubrirlo. \u00bfPor qu\u00e9? Porque el entorno oprime visiblemente al personaje de Emily Blunt, y la forma en que se mueve en \u00e9l expresa su vulnerabilidad mucho mejor que cualquier primer plano.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Aire y libertad en planos generales extremos<\/strong><\/h2>\n\n\n\n<p>En \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt9770150\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_nomadland\" target=\"_blank\" rel=\"noreferrer noopener\">Nomadland<\/a>\u201d, los planos generales extremos suelen mostrar a Fern como una diminuta figura movi\u00e9ndose por vastos paisajes. En mi opini\u00f3n, son los que m\u00e1s se acercan a la sensaci\u00f3n que describ\u00ed al principio de este texto. En comparaci\u00f3n con nuestros ejemplos anteriores, el entorno no resulta opresivo en esta pintoresca pieza. Al contrario, los planos generales extremos aqu\u00ed est\u00e1n llenos de aire y luz. Son abiertos y liberadores, pero al mismo tiempo enfatizan la soledad de la protagonista.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Nomadland - Epilogue\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/jHW1kTwmYPA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=jHW1kTwmYPA\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/jHW1kTwmYPA\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Libertad y soledad coexisten en el mismo encuadre. El mundo est\u00e1 abierto, pero no hay un lugar claro al que pertenecer. Despu\u00e9s de todo, como dicen, solo alquilamos este planeta por un tiempo. Las decisiones cinematogr\u00e1ficas de Chlo\u00e9 Zhao en esta pel\u00edcula ganadora del Oscar no son casualidad, y si quieres leer m\u00e1s sobre eso, <a href=\"https:\/\/www.cined.com\/nomadland-a-masterclass-in-naturalistic-cinematography-with-dp-joshua-james-richards\/\" target=\"_blank\" rel=\"noreferrer noopener\">haz clic aqu\u00ed<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Planos panor\u00e1micos extremos como tomas de situaci\u00f3n<\/strong><\/h2>\n\n\n\n<p>Generalmente, los planos panor\u00e1micos extremos se han usado como tomas de situaci\u00f3n, sobre todo en las comedias televisivas de las d\u00e9cadas de 1990 y 2000. \u00bfQu\u00e9 es un plano panor\u00e1mico extremo? Aqu\u00ed tienes una definici\u00f3n del <a href=\"https:\/\/www.mzed.com\/courses\/fundamentals-of-directing?tap_a=17272-420962&amp;tap_s=9284212-7cf38a\" target=\"_blank\" rel=\"noreferrer noopener\">curso &#8220;Fundamentos de la Direcci\u00f3n&#8221; en MZed<\/a>:<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"924\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots.jpg\" alt=\"\" class=\"wp-image-409097\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-300x144.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-900x433.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-768x370.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-1536x739.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-478x230.jpg 478w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Fuente de la imagen: MZed<\/figcaption><\/figure>\n\n\n\n<p>Como cineasta y educador, <a href=\"https:\/\/www.imdb.com\/name\/nm2416943\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kyle Wilamowski<\/a> a\u00f1ade que, por lo general, los planos panor\u00e1micos extremos aparecen en pantalla muy poco tiempo. Sin embargo, nos absorben r\u00e1pidamente y nos brindan mucha informaci\u00f3n y contexto sobre el escenario de la historia. A veces, un plano panor\u00e1mico muestra a un personaje entrando en el lugar. Otras veces, el lugar en s\u00ed mismo cobra importancia, como en una toma de una ciudad vista desde lejos.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>El largo viaje por delante<\/strong><\/h2>\n\n\n\n<p>S\u00ed, \u00a1el contexto es muy importante! Eso es otra cosa que un plano panor\u00e1mico extremo puede darnos. \u00bfRecuerdas la escena introductoria de Rey en <a href=\"https:\/\/www.imdb.com\/title\/tt2488496\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Star%2520Wars%253A%2520The%2520Force%2520Awakens\" target=\"_blank\" rel=\"noreferrer noopener\">Star Wars: The Force Awakens<\/a>? Tras muchos primeros planos, finalmente vislumbramos su entorno:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Rey The Scavenger - 4K Ultra HD - Star Wars: The Force Awakens\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/lVp2qJchijM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=lVp2qJchijM\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/lVp2qJchijM\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Observen de nuevo con m\u00e1s atenci\u00f3n estos dos fotogramas. \u00bfQu\u00e9 nos revelan en cuesti\u00f3n de segundos?<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"804\" data-id=\"409118\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1.jpg\" alt=\"\" class=\"wp-image-409118\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-900x377.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-768x322.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-1536x643.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-549x230.jpg 549w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Star Wars: The Force Awakens&#8221; by J.J. Abrams, 2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"799\" data-id=\"409121\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2.jpg\" alt=\"\" class=\"wp-image-409121\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-300x125.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-900x375.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-768x320.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-1536x639.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-553x230.jpg 553w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Est\u00e1 sola y es diminuta. Solo quedan las naves c\u00f3smicas destrozadas. Esta introducci\u00f3n no es casual. Rey comienza la historia como alguien que ha sido abandonada, olvidada por el mundo. Al encuadrarla de esta manera, la pel\u00edcula establece su arco argumental. El viaje que sigue no se trata solo de descubrir el poder, sino tambi\u00e9n de crecer en peso e importancia narrativa.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u00bfUtilizas planos panor\u00e1micos extremos en tus pel\u00edculas?<\/strong><\/h2>\n\n\n\n<p>Podr\u00edamos extendernos mucho m\u00e1s en este tema y descubrir cada vez m\u00e1s ejemplos impactantes de planos panor\u00e1micos extremos en el cine. Sin embargo, tengo la sensaci\u00f3n de que ya hemos mencionado los efectos m\u00e1s importantes que pueden crear en el p\u00fablico. Pueden expresar una escala majestuosa o enfatizar la insignificancia, la libertad, el destino, el aislamiento, la soledad o el desequilibrio. Al llevar la distancia al l\u00edmite, los cineastas nos permiten ver el panorama general, a veces literalmente y otras veces emocionalmente, sin una sola l\u00ednea de di\u00e1logo.<\/p>\n\n\n\n<p><strong>\u00bfY qu\u00e9 opinas de los planos generales extremos? \u00bfLos usas en tus proyectos para crear un impacto espec\u00edfico? \u00bfO es algo que rara vez incluyes en la lista de tomas? \u00a1Hablemos un poco m\u00e1s sobre ello en los comentarios!<\/strong><\/p>\n\n\n\n<p><strong>Descargo completo:\u00a0<a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=9284212-7cf38a\" target=\"_blank\" rel=\"noreferrer noopener\">MZed<\/a>\u00a0es\u00a0<a href=\"https:\/\/www.cined.com\/es\/cined-acquires-mzed\/\" target=\"_blank\" rel=\"noreferrer noopener\">propiedad de CineD<\/a>.<\/strong><\/p>\n\n\n\n<p><em>Imagen destacada<\/em>: fotogramas de las pel\u00edculas &#8220;Dune: Part Two&#8221; de Denis Villeneuve, 2024; \u201cStar Wars: The Force Awakens\u201d de J.J. Abrams, 2015; y &#8220;Nomadland&#8221; de Chlo\u00e9 Zhao, 2020.<\/p>\n<409188-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap\"><strong>Conoces esa sensaci\u00f3n existencial que se siente al tumbarte en el suelo y contemplar el cielo nocturno? \u00bfNo es una comprensi\u00f3n maravillosa y a la vez triste de lo enorme que es el universo y de lo peque\u00f1os e insignificantes que somos en la escala de las cosas? Una forma de crear una sensaci\u00f3n similar en una pel\u00edcula es introducir planos panor\u00e1micos extremos en el lenguaje de la c\u00e1mara. Los paisajes y vistas vastas tienen un poderoso efecto visceral en nosotros. Sin embargo, son una joya poco com\u00fan en las pel\u00edculas y series modernas. Repasemos algunos ejemplos impactantes de planos panor\u00e1micos extremos y analicemos qu\u00e9 historias ayudan a contar.<\/strong><\/p>\n\n\n\n<p>Hay diferentes maneras en que los cineastas utilizan la distancia de la c\u00e1mara para dar forma al significado, y algunas son realmente impactantes. Ya hemos hablado de los primeros planos extremos y su arte narrativo (<a href=\"https:\/\/www.cined.com\/es\/extreme-close-ups-and-their-place-in-the-visual-story-with-film-examples\/\" target=\"_blank\" rel=\"noreferrer noopener\">haz clic aqu\u00ed para leer sobre ello<\/a>). Ahora, es hora de profundizar en lo contrario. Al reducir los personajes y objetos a peque\u00f1os puntos en la pantalla, los planos panor\u00e1micos desv\u00edan nuestra atenci\u00f3n de los gestos individuales y la centran en entornos, eventos y fuerzas que escapan al control humano. \u00a1Pero no se queda ah\u00ed!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u00bfQu\u00e9 son los planos panor\u00e1micos?<\/strong><\/h2>\n\n\n\n<p>Entonces, \u00bfcu\u00e1l es la diferencia con un plano panor\u00e1mico &#8220;normal&#8221;, donde el sujeto tambi\u00e9n se muestra a tama\u00f1o completo? Todo se reduce a la escala y las relaciones. Un plano panor\u00e1mico (tambi\u00e9n llamado plano general) enmarca al sujeto como un elemento diminuto dentro de la imagen, rodeado y dominado por su entorno. El personaje puede seguir siendo visible, pero apenas.<\/p>\n\n\n\n<p>Hay un cortometraje animado hecho por estudiantes que me gusta mucho, llamado &#8220;Pakan&#8221;. Casi no tiene di\u00e1logos y representa el concepto del Viaje del H\u00e9roe de forma bastante literal. \u00bfC\u00f3mo? Principalmente mediante elecciones visuales deliberadas. Muchos de ellos son planos panor\u00e1micos:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"CGI **Award-Winning** 3D Animated Short: &quot;Pakan&quot; by Team Pakan | TheCGBros\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/3YTENyktQ9w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=3YTENyktQ9w\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/3YTENyktQ9w\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Comparen estos dos fotogramas:<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"804\" data-id=\"409115\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide.jpg\" alt=\"\" class=\"wp-image-409115\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-900x377.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-768x322.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-1536x643.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-wide-549x230.jpg 549w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Pakan&#8221; by students of University of Applied Sciences Hagenberg, 2016 <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"804\" data-id=\"409112\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide.jpg\" alt=\"\" class=\"wp-image-409112\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-900x377.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-768x322.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-1536x643.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-pakan-extreme_wide-549x230.jpg 549w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>El primero (plano panor\u00e1mico) se centra en el estado del protagonista. Su postura, sus movimientos y la forma en que arrastra su bolsa nos comunican su agotamiento. \u00a1Qu\u00e9 largo y agotador debi\u00f3 ser su viaje hasta este punto! En la segunda imagen (panor\u00e1mica extrema), ya no lo vemos con claridad. El personaje queda reducido a un simple punto en la parte inferior del encuadre, porque el \u00e9nfasis se desplaza de \u00e9l a la enorme tormenta de arena, un desaf\u00edo incre\u00edble que le aguarda. Impacta de forma diferente, \u00bfverdad?<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Espacio, escala y distancia en planos panor\u00e1micos extremos<\/strong><\/h2>\n\n\n\n<p>La raz\u00f3n m\u00e1s obvia para usar planos panor\u00e1micos extremos es presentar al p\u00fablico una sensaci\u00f3n de escala y distancia, o el tama\u00f1o de algo. Por ejemplo, tomemos esta escena de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt15239678\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_dune%2520p\" target=\"_blank\" rel=\"noreferrer noopener\">Dune: Part Two<\/a>\u201d, donde el protagonista Paul intenta montar el gusano de arena por primera vez y se encuentra con uno mucho m\u00e1s grande de lo esperado:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Dune: Part Two - Riding the Sandworm- (HDR - 4K - 5.1)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/sZ3mJIh0bFY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=sZ3mJIh0bFY\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/sZ3mJIh0bFY\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>\u00bfPara qu\u00e9 sirven los planos panor\u00e1micos extremos? Para enfatizar la escala del gusano, en comparaci\u00f3n con la diminuta figura del personaje de Timoth\u00e9e Chalamet. En la historia, es una prueba de supervivencia y pertenencia en un mundo al que no le importa qui\u00e9n eres. El desierto domina el encuadre y, al igual que en el ejemplo de &#8220;Pakan&#8221; mencionado anteriormente, domina el destino de Paul. Su viaje se siente largo, peligroso e inevitable.<\/p>\n\n\n\n<p>El cambio entre primeros planos emotivos de los rostros de los personajes y planos panor\u00e1micos extremos crea un contraste m\u00e1s fuerte en esta escena y asegura que su intensidad se mantenga alta.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Opresi\u00f3n y sentimiento abrumador<\/strong><\/h2>\n\n\n\n<p>Probablemente, el ejemplo cl\u00e1sico del plano panor\u00e1mico extremo provenga de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt0056172\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_Lawrence%2520of%2520Arabia\" target=\"_blank\" rel=\"noreferrer noopener\">Lawrence of Arabia<\/a>\u201d, otra historia ambientada en un desierto. La narrativa visual aqu\u00ed tambi\u00e9n sigue la idea de que el mundo es m\u00e1s grande que el personaje. Al ver planos como estos, \u00bfqu\u00e9 sentimientos crees que transmite?<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Lawrence of Arabia (2\/8) Movie CLIP - Ali&#039;s Well (1962) HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/ud1zpHW3ito?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=ud1zpHW3ito\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/ud1zpHW3ito\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>La pel\u00edcula juega tanto con la distancia en el vasto y abrumador entorno del mundo des\u00e9rtico que es casi imposible verla en una pantalla peque\u00f1a.<\/p>\n\n\n\n<p>Para mostrar un ejemplo con una ubicaci\u00f3n diferente, aqu\u00ed tienen una escena de \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt3397884\/?ref_=nv_sr_srsg_1_tt_6_nm_1_in_0_q_Sicario\" target=\"_blank\" rel=\"noreferrer noopener\">Sicario<\/a>\u201d. de Denis Villeneuve. Lo m\u00e1s interesante es una toma larga del minuto 05:08:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ambush By The Border | Sicario (2015)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/03Tr8OX28Vw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=03Tr8OX28Vw\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/03Tr8OX28Vw\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>El director Denis Villeneuve <a href=\"https:\/\/www.cined.com\/es\/extra-shot-for-safety-yes-or-no-various-approaches-to-coverage\/\" target=\"_blank\" rel=\"noreferrer noopener\">coment\u00f3 en una conversaci\u00f3n<\/a> que le gust\u00f3 tanto este plano general extremo que decidi\u00f3 no cubrirlo. \u00bfPor qu\u00e9? Porque el entorno oprime visiblemente al personaje de Emily Blunt, y la forma en que se mueve en \u00e9l expresa su vulnerabilidad mucho mejor que cualquier primer plano.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Aire y libertad en planos generales extremos<\/strong><\/h2>\n\n\n\n<p>En \u201c<a href=\"https:\/\/www.imdb.com\/title\/tt9770150\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_nomadland\" target=\"_blank\" rel=\"noreferrer noopener\">Nomadland<\/a>\u201d, los planos generales extremos suelen mostrar a Fern como una diminuta figura movi\u00e9ndose por vastos paisajes. En mi opini\u00f3n, son los que m\u00e1s se acercan a la sensaci\u00f3n que describ\u00ed al principio de este texto. En comparaci\u00f3n con nuestros ejemplos anteriores, el entorno no resulta opresivo en esta pintoresca pieza. Al contrario, los planos generales extremos aqu\u00ed est\u00e1n llenos de aire y luz. Son abiertos y liberadores, pero al mismo tiempo enfatizan la soledad de la protagonista.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Nomadland - Epilogue\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/jHW1kTwmYPA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=jHW1kTwmYPA\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/jHW1kTwmYPA\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Libertad y soledad coexisten en el mismo encuadre. El mundo est\u00e1 abierto, pero no hay un lugar claro al que pertenecer. Despu\u00e9s de todo, como dicen, solo alquilamos este planeta por un tiempo. Las decisiones cinematogr\u00e1ficas de Chlo\u00e9 Zhao en esta pel\u00edcula ganadora del Oscar no son casualidad, y si quieres leer m\u00e1s sobre eso, <a href=\"https:\/\/www.cined.com\/nomadland-a-masterclass-in-naturalistic-cinematography-with-dp-joshua-james-richards\/\" target=\"_blank\" rel=\"noreferrer noopener\">haz clic aqu\u00ed<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Planos panor\u00e1micos extremos como tomas de situaci\u00f3n<\/strong><\/h2>\n\n\n\n<p>Generalmente, los planos panor\u00e1micos extremos se han usado como tomas de situaci\u00f3n, sobre todo en las comedias televisivas de las d\u00e9cadas de 1990 y 2000. \u00bfQu\u00e9 es un plano panor\u00e1mico extremo? Aqu\u00ed tienes una definici\u00f3n del <a href=\"https:\/\/www.mzed.com\/courses\/fundamentals-of-directing?tap_a=17272-420962&amp;tap_s=9284212-7cf38a\" target=\"_blank\" rel=\"noreferrer noopener\">curso &#8220;Fundamentos de la Direcci\u00f3n&#8221; en MZed<\/a>:<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"924\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots.jpg\" alt=\"\" class=\"wp-image-409097\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-300x144.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-900x433.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-768x370.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-1536x739.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-establishing_shots-478x230.jpg 478w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Fuente de la imagen: MZed<\/figcaption><\/figure>\n\n\n\n<p>Como cineasta y educador, <a href=\"https:\/\/www.imdb.com\/name\/nm2416943\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kyle Wilamowski<\/a> a\u00f1ade que, por lo general, los planos panor\u00e1micos extremos aparecen en pantalla muy poco tiempo. Sin embargo, nos absorben r\u00e1pidamente y nos brindan mucha informaci\u00f3n y contexto sobre el escenario de la historia. A veces, un plano panor\u00e1mico muestra a un personaje entrando en el lugar. Otras veces, el lugar en s\u00ed mismo cobra importancia, como en una toma de una ciudad vista desde lejos.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>El largo viaje por delante<\/strong><\/h2>\n\n\n\n<p>S\u00ed, \u00a1el contexto es muy importante! Eso es otra cosa que un plano panor\u00e1mico extremo puede darnos. \u00bfRecuerdas la escena introductoria de Rey en <a href=\"https:\/\/www.imdb.com\/title\/tt2488496\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_Star%2520Wars%253A%2520The%2520Force%2520Awakens\" target=\"_blank\" rel=\"noreferrer noopener\">Star Wars: The Force Awakens<\/a>? Tras muchos primeros planos, finalmente vislumbramos su entorno:<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Rey The Scavenger - 4K Ultra HD - Star Wars: The Force Awakens\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/lVp2qJchijM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"description\":\"Planos Panor\\u00e1micos Extremos para una Narrativa Impactante \\u2013 Con ejemplos cinematogr\\u00e1ficos\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=lVp2qJchijM\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/lVp2qJchijM\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-09T15:42:38+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p>Observen de nuevo con m\u00e1s atenci\u00f3n estos dos fotogramas. \u00bfQu\u00e9 nos revelan en cuesti\u00f3n de segundos?<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"804\" data-id=\"409118\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1.jpg\" alt=\"\" class=\"wp-image-409118\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-300x126.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-900x377.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-768x322.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-1536x643.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-1-549x230.jpg 549w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Film stills from &#8220;Star Wars: The Force Awakens&#8221; by J.J. Abrams, 2015<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"799\" data-id=\"409121\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2.jpg\" alt=\"\" class=\"wp-image-409121\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-300x125.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-900x375.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-768x320.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-1536x639.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/extreme_wide_shots-rey-2-553x230.jpg 553w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Est\u00e1 sola y es diminuta. Solo quedan las naves c\u00f3smicas destrozadas. Esta introducci\u00f3n no es casual. Rey comienza la historia como alguien que ha sido abandonada, olvidada por el mundo. Al encuadrarla de esta manera, la pel\u00edcula establece su arco argumental. El viaje que sigue no se trata solo de descubrir el poder, sino tambi\u00e9n de crecer en peso e importancia narrativa.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u00bfUtilizas planos panor\u00e1micos extremos en tus pel\u00edculas?<\/strong><\/h2>\n\n\n\n<p>Podr\u00edamos extendernos mucho m\u00e1s en este tema y descubrir cada vez m\u00e1s ejemplos impactantes de planos panor\u00e1micos extremos en el cine. Sin embargo, tengo la sensaci\u00f3n de que ya hemos mencionado los efectos m\u00e1s importantes que pueden crear en el p\u00fablico. Pueden expresar una escala majestuosa o enfatizar la insignificancia, la libertad, el destino, el aislamiento, la soledad o el desequilibrio. Al llevar la distancia al l\u00edmite, los cineastas nos permiten ver el panorama general, a veces literalmente y otras veces emocionalmente, sin una sola l\u00ednea de di\u00e1logo.<\/p>\n\n\n\n<p><strong>\u00bfY qu\u00e9 opinas de los planos generales extremos? \u00bfLos usas en tus proyectos para crear un impacto espec\u00edfico? \u00bfO es algo que rara vez incluyes en la lista de tomas? \u00a1Hablemos un poco m\u00e1s sobre ello en los comentarios!<\/strong><\/p>\n\n\n\n<p><strong>Descargo completo:\u00a0<a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=9284212-7cf38a\" target=\"_blank\" rel=\"noreferrer noopener\">MZed<\/a>\u00a0es\u00a0<a href=\"https:\/\/www.cined.com\/es\/cined-acquires-mzed\/\" target=\"_blank\" rel=\"noreferrer noopener\">propiedad de CineD<\/a>.<\/strong><\/p>\n\n\n\n<p><em>Imagen destacada<\/em>: fotogramas de las pel\u00edculas &#8220;Dune: Part Two&#8221; de Denis Villeneuve, 2024; \u201cStar Wars: The Force Awakens\u201d de J.J. Abrams, 2015; y &#8220;Nomadland&#8221; de Chlo\u00e9 Zhao, 2020.<\/p>\n<409188-main-buylinks\/>"},"excerpt":{"rendered":"<p>Conoces esa sensaci\u00f3n existencial que se siente al tumbarte en el suelo y contemplar el cielo nocturno? \u00bfNo es una comprensi\u00f3n maravillosa y a la vez triste de lo enorme que es el universo y de lo peque\u00f1os e insignificantes que somos en la escala de las cosas? Una forma de crear una sensaci\u00f3n similar en una pel\u00edcula es introducir planos panor\u00e1micos extremos en el lenguaje de la c\u00e1mara. Los paisajes y vistas vastas tienen un poderoso efecto visceral en nosotros. Sin embargo, son una joya poco com\u00fan en las pel\u00edculas y series modernas. Repasemos algunos ejemplos impactantes de planos panor\u00e1micos extremos y analicemos qu\u00e9 historias ayudan a contar. Hay [&hellip;]<\/p>\n","protected":false},"author":33644,"featured_media":409102,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42284,"name":"C\u00f3mo se Hace","link":"https:\/\/www.cined.com\/es\/como-se-hace\/","slug":"como-se-hace"}],"tags":[79911,80048,89655,39335,97494,100454,65169,65454,70839,74356],"tag_label":[65170],"brand":[54477],"class_list":["post-409188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-como-se-hace","tag-camera-language-es","tag-visual-story-es","tag-suscripcion-mzed-pro","tag-mzed-pro-es","tag-lenguaje-de-camara","tag-extreme-wide-shots","tag-mzed-education-es","tag-mzed-pro-subscription-es","tag-educacion-mzed-2","tag-visual-storytelling-es","tag_label-mzed-education-es","brand-mzed-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v27.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Planos Panor\u00e1micos Extremos para una Narrativa Impactante \u2013 Con ejemplos cinematogr\u00e1ficos | CineD<\/title>\n<meta name=\"description\" content=\"Vast landscapes and vistas\u2026 They have a mighty effect on us. 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