{"id":409873,"date":"2026-01-14T12:51:35","date_gmt":"2026-01-14T11:51:35","guid":{"rendered":"https:\/\/www.cined.com\/?p=409873"},"modified":"2026-01-14T17:55:37","modified_gmt":"2026-01-14T16:55:37","slug":"tilta-nucleus-m-ii-powers-beast-games-season-2-400-cameras-high-rf-environment-prototype-variable-nd","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/tilta-nucleus-m-ii-powers-beast-games-season-2-400-cameras-high-rf-environment-prototype-variable-nd\/","title":{"rendered":"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\u00f3nico Tilta y Nucleus-M II &#8211; M\u00e1s de 400 c\u00e1maras, entorno de alta RF"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><strong>La segunda temporada de Beast Games de Amazon Prime representa la mayor producci\u00f3n de reality de la historia de la televisi\u00f3n, con m\u00e1s de 400 c\u00e1maras, incluyendo 35 ARRI Alexa 35 operadas por un equipo de m\u00e1s de 100 profesionales. Esta producci\u00f3n de alto presupuesto, presentada por Mr. Beast y con un premio de 5 millones de d\u00f3lares, se bas\u00f3 en gran medida en los sistemas de control de lentes inal\u00e1mbricos Tilta Nucleus-M II y las matte boxes Tilta Mirage Pro equipadas con prototipos de sistemas electr\u00f3nicos de ND variable para mantener un enfoque y un control de exposici\u00f3n consistentes en un entorno saturado con 140 canales de transmisi\u00f3n de audio y video. Analicemos la colaboraci\u00f3n de Tilta con Beast Games.<\/strong><\/p><409873-inline-buylinks\/>\n\n\n\n<p>Al filmar un reality en vivo a esta escala, no hay segundas tomas. Cada fotograma capturado en el set es una documentaci\u00f3n crucial de los concursantes que compiten por uno de los premios m\u00e1s grandes de la historia de la televisi\u00f3n. El director de fotograf\u00eda Russell Leggett y su departamento de c\u00e1maras se enfrentaron al reto t\u00e9cnico de mantener la comunicaci\u00f3n inal\u00e1mbrica y un control preciso de la c\u00e1mara en una aut\u00e9ntica pesadilla de radiofrecuencia.<\/p>\n\n\n\n<p>El entorno de producci\u00f3n presentaba obst\u00e1culos \u00fanicos que pon\u00edan a prueba incluso los equipos cinematogr\u00e1ficos m\u00e1s robustos. Con cientos de transmisores inal\u00e1mbricos operando simult\u00e1neamente, los sistemas inal\u00e1mbricos est\u00e1ndar experimentan con frecuencia degradaci\u00f3n de la se\u00f1al, cortes de se\u00f1al e interferencias que pueden afectar a las producciones en momentos cr\u00edticos.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Tilta on Set: Beast Games Season 2 Production Breakdown\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/uNGMGNANSMc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\\u00f3nico Tilta y Nucleus-M II - M\\u00e1s de 400 c\\u00e1maras, entorno de alta RF\",\"description\":\"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\\u00f3nico Tilta y Nucleus-M II - M\\u00e1s de 400 c\\u00e1maras, entorno de alta RF\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=uNGMGNANSMc\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/uNGMGNANSMc\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-14T12:51:35+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">Fiabilidad inal\u00e1mbrica en un espectro de RF saturado<\/h2>\n\n\n\n<p>El funcionamiento de 140 canales de transmisi\u00f3n de audio y v\u00eddeo crea un entorno electromagn\u00e9tico hostil para los sistemas inal\u00e1mbricos de control de lentes. Los sistemas de enfoque tradicionales suelen tener dificultades cuando varios dispositivos compiten por un ancho de banda de RF limitado, lo que resulta en comandos retrasados o p\u00e9rdida total de la se\u00f1al en momentos cr\u00edticos.<\/p>\n\n\n\n<p>Seg\u00fan el director de fotograf\u00eda Russell Leggett, el <a href=\"https:\/\/tilta.com\/shop\/nucleus-m-ii-wireless-lens-control-system\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nucleus-M II<\/a> mantuvo un rendimiento constante durante toda la producci\u00f3n a pesar del intenso tr\u00e1fico de RF. El departamento de c\u00e1maras no experiment\u00f3 cortes de se\u00f1al durante las operaciones de enfoque y zoom, lo que Leggett describi\u00f3 como un logro t\u00e9cnico significativo dada la densidad inal\u00e1mbrica de la producci\u00f3n. Para un entorno de realidad virtual donde los momentos no se pueden recrear, esta fiabilidad result\u00f3 esencial para capturar las secuencias m\u00e1s dram\u00e1ticas de la competencia.<\/p>\n\n\n\n<p>El Nucleus-M II opera en un rango de frecuencia dise\u00f1ado para minimizar las interferencias en entornos inal\u00e1mbricos congestionados, utilizando tecnolog\u00eda de espectro ensanchado por salto de frecuencia para mantener la estabilidad de la conexi\u00f3n. En el entorno de producci\u00f3n de Beast Games, esto se tradujo en un control ininterrumpido del lente en docenas de sistemas de c\u00e1maras que operan en simult\u00e1neo.<\/p>\n\n\n\n<p>En caso de que te lo hayas perdido, ya <a href=\"https:\/\/www.cined.com\/es\/tilta-nucleus-m-ii-review-a-wireless-follow-focus-that-punches-well-above-its-price\/\" target=\"_blank\" rel=\"noreferrer noopener\">hemos analizado el Nucleus-M II<\/a> &#8211; y puedes ver el video de la rese\u00f1a a continuaci\u00f3n.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Tilta Nucleus-M II Review \u2013 A Wireless Follow Focus That Punches Above Its Price\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/m4-YYPWq_Yg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\\u00f3nico Tilta y Nucleus-M II - M\\u00e1s de 400 c\\u00e1maras, entorno de alta RF\",\"description\":\"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\\u00f3nico Tilta y Nucleus-M II - M\\u00e1s de 400 c\\u00e1maras, entorno de alta RF\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=m4-YYPWq_Yg\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/m4-YYPWq_Yg\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-14T12:51:35+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">Integraci\u00f3n de prototipo de filtro ND variable electr\u00f3nico<\/h2>\n\n\n\n<p>La producci\u00f3n de contenido improvisado exige ajustes t\u00e9cnicos instant\u00e1neos sin interrumpir la cobertura. El enorme set de Beast Games presentaba condiciones de iluminaci\u00f3n en constante cambio a medida que los concursantes se mov\u00edan entre las \u00e1reas de desaf\u00edo, lo que requer\u00eda una r\u00e1pida compensaci\u00f3n de la exposici\u00f3n que los sistemas tradicionales de filtro ND no pueden soportar.<\/p>\n\n\n\n<p>La producci\u00f3n implement\u00f3 matte boxes <a href=\"https:\/\/tilta.com\/shop\/tilta-mirage-pro-matte-box\/\" target=\"_blank\" rel=\"noreferrer noopener\">Tilta Mirage Pro<\/a> equipadas con prototipos de sistemas electr\u00f3nicos de ND variable (END) para resolver este cuello de botella en el flujo de trabajo; Esta configuraci\u00f3n les permiti\u00f3 a los operadores ajustar la densidad neutra de forma remota sin acceder f\u00edsicamente a la matte box, eliminando as\u00ed los retrasos en el ajuste de la exposici\u00f3n que podr\u00edan provocar la p\u00e9rdida de momentos cr\u00edticos.<\/p>\n\n\n\n<p>La capacidad de controlar electr\u00f3nicamente la densidad result\u00f3 muy valiosa durante secuencias de alta acci\u00f3n, donde los operadores deb\u00edan seguir a los concursantes que se mov\u00edan de zonas con poca iluminaci\u00f3n a zonas de alto riesgo. En lugar de perder la cobertura al cambiar los filtros, los operadores de c\u00e1mara mantuvieron la grabaci\u00f3n continua mientras ajustaban la exposici\u00f3n en tiempo real mediante el sistema de control Nucleus-M II.<\/p>\n\n\n\n<p>Si bien Tilta no ha anunciado la disponibilidad comercial del sistema electr\u00f3nico de densidad neutra (ND), su implementaci\u00f3n en Beast Games sugiere que la tecnolog\u00eda est\u00e1 lista para la producci\u00f3n en entornos de rodaje de alto riesgo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"577\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-900x577.jpg\" alt=\"\" class=\"wp-image-409093\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-900x577.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-300x192.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-768x492.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-1536x984.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-2048x1312.jpg 2048w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-359x230.jpg 359w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Tilta Mirage Pro con prototipo de ND variable electr\u00f3nico utilizado en la segunda temporada de Beast Games. Cr\u00e9dito de la imagen: Tilta<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Dise\u00f1o centrado en el operador bajo presi\u00f3n<\/h2>\n\n\n\n<p>El operador de c\u00e1mara Jake Stephenson y sus colegas destacaron caracter\u00edsticas espec\u00edficas del Nucleus-M II que resultaron valiosas durante el extenso programa de producci\u00f3n. El interruptor de zoom sensible a la presi\u00f3n del sistema proporcion\u00f3 un control preciso para ajustes din\u00e1micos de encuadre, lo que les permiti\u00f3 a los operadores recomponer las tomas con fluidez mientras segu\u00edan a los concursantes en movimiento.<\/p>\n\n\n\n<p>Gracias a los componentes intercambiables de la unidad de mano, los operadores pudieron personalizar sus equipos seg\u00fan sus preferencias y estilo de grabaci\u00f3n. Este enfoque modular le permiti\u00f3 al departamento de c\u00e1maras optimizar cada unidad para diferentes posiciones de grabaci\u00f3n en todo el recinto, desde la cobertura de tomas en tiempo real con c\u00e1mara en mano hasta c\u00e1maras de observaci\u00f3n fijas.<\/p>\n\n\n\n<p>El dise\u00f1o actualizado de la rueda de enfoque proporcion\u00f3 la resistencia t\u00e1ctil y la retroalimentaci\u00f3n t\u00e1ctil necesaria para asegurar el enfoque en los lentes de cine montados en las c\u00e1maras ARRI Alexa 35. Para los operadores que trabajan con poca profundidad de campo y distancias focales m\u00e1s largas, esta respuesta t\u00e1ctil result\u00f3 esencial para mantener el enfoque en los concursantes durante movimientos impredecibles.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"577\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-900x577.jpg\" alt=\"\" class=\"wp-image-409124\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-900x577.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-300x192.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-768x492.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-1536x984.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-2048x1312.jpg 2048w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-359x230.jpg 359w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Las producciones de Mr. Beast siempre se han caracterizado por su gran escala; Beast Games Temporada 2 la eleva a\u00fan m\u00e1s. Cr\u00e9dito de la imagen: Tilta<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Especificaciones de la escala de producci\u00f3n<\/h2>\n\n\n\n<p>El departamento de c\u00e1mara de Beast Games Temporada 2 implement\u00f3 35 c\u00e1maras ARRI Alexa 35 como formato de captura principal, lo que representa una inversi\u00f3n sustancial en tecnolog\u00eda cinematogr\u00e1fica de vanguardia para un formato de competencia de telerrealidad. Este recuento de c\u00e1maras excluye los cientos de c\u00e1maras POV adicionales, controles remotos y plataformas especiales ubicadas por todo el recinto.<\/p>\n\n\n\n<p>El equipo super\u00f3 los 100 profesionales del departamento de c\u00e1mara, coordinando la cobertura en m\u00faltiples \u00e1reas de desaf\u00edo simult\u00e1neas. Esta escala de operaci\u00f3n requiere equipos que puedan reconfigurarse r\u00e1pidamente, ser de f\u00e1cil mantenimiento y ser operados de manera confiable por diferentes miembros del equipo durante largas jornadas de rodaje.<\/p>\n\n\n\n<p>Los sistemas Nucleus-M II se combinaron con <a href=\"https:\/\/tilta.com\/shop\/tiltaing-lightweight-shoulder-rig-black\/\" target=\"_blank\" rel=\"noreferrer noopener\">plataformas de hombro livianas Tilta<\/a> (tambi\u00e9n <a href=\"https:\/\/tilta.com\/shop\/15mm-dovetail-shoulder-mount-system-tt0506-a15\/\" target=\"_blank\" rel=\"noreferrer noopener\">esta<\/a>) for para trabajar con la c\u00e1mara en mano, creando un ecosistema integrado que logr\u00f3 satisfacer los exigentes requisitos de captura continua de la producci\u00f3n, manteniendo al mismo tiempo los est\u00e1ndares de calidad de imagen esperados de equipos de estreno en cines.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"747\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-900x747.jpg\" alt=\"\" class=\"wp-image-409128\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-900x747.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-300x249.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-768x637.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-1536x1274.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-2048x1699.jpg 2048w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-277x230.jpg 277w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Las plataformas de hombro livianas Tilta que se utilizaron en la segunda temporada de Beast Games. Cr\u00e9dito de la imagen: Tilta.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Estrategia de accesibilidad en el desarrollo profesional<\/h2>\n\n\n\n<p>Yang Shao, director ejecutivo de Tilta Norteam\u00e9rica, consider\u00f3 la colaboraci\u00f3n con Beast Games como una validaci\u00f3n de la filosof\u00eda de desarrollo de productos de Tilta. La compa\u00f1\u00eda busca crear equipos lo suficientemente confiables para producciones cinematogr\u00e1ficas de alta gama, manteniendo precios accesibles para cineastas independientes y peque\u00f1as productoras.<\/p>\n\n\n\n<p>El <a href=\"https:\/\/tilta.com\/shop\/nucleus-m-ii-wireless-lens-control-system\/\" target=\"_blank\" rel=\"noreferrer noopener\">sistema Nucleus-M II tiene un precio inicial de $899.00<\/a> para la configuraci\u00f3n b\u00e1sica de control de lentes inal\u00e1mbrico, mientras que los kits completos alcanzan los $1.499,00. Este precio representa una reducci\u00f3n significativa en comparaci\u00f3n con los sistemas de control de lentes de cine tradicionales de fabricantes consolidados, aunque a\u00fan queda por demostrar si el sistema ofrece la durabilidad y la infraestructura de soporte de alternativas de mayor precio mediante un uso prolongado en el campo.<\/p>\n\n\n\n<p>La <a href=\"https:\/\/tilta.com\/shop\/tilta-mirage-pro-matte-box\/\" target=\"_blank\" rel=\"noreferrer noopener\">matte box Mirage Pro tiene un precio de entre $549.00 y $849.00<\/a>, seg\u00fan la configuraci\u00f3n, lo que la posiciona como una opci\u00f3n de gama media en el mercado de matte boxes profesionales. A\u00fan no hay informaci\u00f3n oficial sobre el precio ni la disponibilidad del sistema electr\u00f3nico de densidad neutra (ND).<\/p>\n\n\n\n<p><strong>\u00bfHas utilizado sistemas Tilta Nucleus-M II en producciones multic\u00e1mara a gran escala? \u00bfQu\u00e9 diferencia al sistema RF del control de lentes inal\u00e1mbrico tradicional en entornos con alta interferencia? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<409873-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap\"><strong>La segunda temporada de Beast Games de Amazon Prime representa la mayor producci\u00f3n de reality de la historia de la televisi\u00f3n, con m\u00e1s de 400 c\u00e1maras, incluyendo 35 ARRI Alexa 35 operadas por un equipo de m\u00e1s de 100 profesionales. Esta producci\u00f3n de alto presupuesto, presentada por Mr. Beast y con un premio de 5 millones de d\u00f3lares, se bas\u00f3 en gran medida en los sistemas de control de lentes inal\u00e1mbricos Tilta Nucleus-M II y las matte boxes Tilta Mirage Pro equipadas con prototipos de sistemas electr\u00f3nicos de ND variable para mantener un enfoque y un control de exposici\u00f3n consistentes en un entorno saturado con 140 canales de transmisi\u00f3n de audio y video. Analicemos la colaboraci\u00f3n de Tilta con Beast Games.<\/strong><\/p><409873-inline-buylinks\/>\n\n\n\n<p>Al filmar un reality en vivo a esta escala, no hay segundas tomas. Cada fotograma capturado en el set es una documentaci\u00f3n crucial de los concursantes que compiten por uno de los premios m\u00e1s grandes de la historia de la televisi\u00f3n. El director de fotograf\u00eda Russell Leggett y su departamento de c\u00e1maras se enfrentaron al reto t\u00e9cnico de mantener la comunicaci\u00f3n inal\u00e1mbrica y un control preciso de la c\u00e1mara en una aut\u00e9ntica pesadilla de radiofrecuencia.<\/p>\n\n\n\n<p>El entorno de producci\u00f3n presentaba obst\u00e1culos \u00fanicos que pon\u00edan a prueba incluso los equipos cinematogr\u00e1ficos m\u00e1s robustos. Con cientos de transmisores inal\u00e1mbricos operando simult\u00e1neamente, los sistemas inal\u00e1mbricos est\u00e1ndar experimentan con frecuencia degradaci\u00f3n de la se\u00f1al, cortes de se\u00f1al e interferencias que pueden afectar a las producciones en momentos cr\u00edticos.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Tilta on Set: Beast Games Season 2 Production Breakdown\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/uNGMGNANSMc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\\u00f3nico Tilta y Nucleus-M II - M\\u00e1s de 400 c\\u00e1maras, entorno de alta RF\",\"description\":\"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\\u00f3nico Tilta y Nucleus-M II - M\\u00e1s de 400 c\\u00e1maras, entorno de alta RF\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=uNGMGNANSMc\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/uNGMGNANSMc\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-14T12:51:35+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">Fiabilidad inal\u00e1mbrica en un espectro de RF saturado<\/h2>\n\n\n\n<p>El funcionamiento de 140 canales de transmisi\u00f3n de audio y v\u00eddeo crea un entorno electromagn\u00e9tico hostil para los sistemas inal\u00e1mbricos de control de lentes. Los sistemas de enfoque tradicionales suelen tener dificultades cuando varios dispositivos compiten por un ancho de banda de RF limitado, lo que resulta en comandos retrasados o p\u00e9rdida total de la se\u00f1al en momentos cr\u00edticos.<\/p>\n\n\n\n<p>Seg\u00fan el director de fotograf\u00eda Russell Leggett, el <a href=\"https:\/\/tilta.com\/shop\/nucleus-m-ii-wireless-lens-control-system\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nucleus-M II<\/a> mantuvo un rendimiento constante durante toda la producci\u00f3n a pesar del intenso tr\u00e1fico de RF. El departamento de c\u00e1maras no experiment\u00f3 cortes de se\u00f1al durante las operaciones de enfoque y zoom, lo que Leggett describi\u00f3 como un logro t\u00e9cnico significativo dada la densidad inal\u00e1mbrica de la producci\u00f3n. Para un entorno de realidad virtual donde los momentos no se pueden recrear, esta fiabilidad result\u00f3 esencial para capturar las secuencias m\u00e1s dram\u00e1ticas de la competencia.<\/p>\n\n\n\n<p>El Nucleus-M II opera en un rango de frecuencia dise\u00f1ado para minimizar las interferencias en entornos inal\u00e1mbricos congestionados, utilizando tecnolog\u00eda de espectro ensanchado por salto de frecuencia para mantener la estabilidad de la conexi\u00f3n. En el entorno de producci\u00f3n de Beast Games, esto se tradujo en un control ininterrumpido del lente en docenas de sistemas de c\u00e1maras que operan en simult\u00e1neo.<\/p>\n\n\n\n<p>En caso de que te lo hayas perdido, ya <a href=\"https:\/\/www.cined.com\/es\/tilta-nucleus-m-ii-review-a-wireless-follow-focus-that-punches-well-above-its-price\/\" target=\"_blank\" rel=\"noreferrer noopener\">hemos analizado el Nucleus-M II<\/a> &#8211; y puedes ver el video de la rese\u00f1a a continuaci\u00f3n.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Tilta Nucleus-M II Review \u2013 A Wireless Follow Focus That Punches Above Its Price\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/m4-YYPWq_Yg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\\u00f3nico Tilta y Nucleus-M II - M\\u00e1s de 400 c\\u00e1maras, entorno de alta RF\",\"description\":\"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\\u00f3nico Tilta y Nucleus-M II - M\\u00e1s de 400 c\\u00e1maras, entorno de alta RF\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=m4-YYPWq_Yg\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/m4-YYPWq_Yg\\\/mqdefault.jpg\",\"uploadDate\":\"2026-01-14T12:51:35+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">Integraci\u00f3n de prototipo de filtro ND variable electr\u00f3nico<\/h2>\n\n\n\n<p>La producci\u00f3n de contenido improvisado exige ajustes t\u00e9cnicos instant\u00e1neos sin interrumpir la cobertura. El enorme set de Beast Games presentaba condiciones de iluminaci\u00f3n en constante cambio a medida que los concursantes se mov\u00edan entre las \u00e1reas de desaf\u00edo, lo que requer\u00eda una r\u00e1pida compensaci\u00f3n de la exposici\u00f3n que los sistemas tradicionales de filtro ND no pueden soportar.<\/p>\n\n\n\n<p>La producci\u00f3n implement\u00f3 matte boxes <a href=\"https:\/\/tilta.com\/shop\/tilta-mirage-pro-matte-box\/\" target=\"_blank\" rel=\"noreferrer noopener\">Tilta Mirage Pro<\/a> equipadas con prototipos de sistemas electr\u00f3nicos de ND variable (END) para resolver este cuello de botella en el flujo de trabajo; Esta configuraci\u00f3n les permiti\u00f3 a los operadores ajustar la densidad neutra de forma remota sin acceder f\u00edsicamente a la matte box, eliminando as\u00ed los retrasos en el ajuste de la exposici\u00f3n que podr\u00edan provocar la p\u00e9rdida de momentos cr\u00edticos.<\/p>\n\n\n\n<p>La capacidad de controlar electr\u00f3nicamente la densidad result\u00f3 muy valiosa durante secuencias de alta acci\u00f3n, donde los operadores deb\u00edan seguir a los concursantes que se mov\u00edan de zonas con poca iluminaci\u00f3n a zonas de alto riesgo. En lugar de perder la cobertura al cambiar los filtros, los operadores de c\u00e1mara mantuvieron la grabaci\u00f3n continua mientras ajustaban la exposici\u00f3n en tiempo real mediante el sistema de control Nucleus-M II.<\/p>\n\n\n\n<p>Si bien Tilta no ha anunciado la disponibilidad comercial del sistema electr\u00f3nico de densidad neutra (ND), su implementaci\u00f3n en Beast Games sugiere que la tecnolog\u00eda est\u00e1 lista para la producci\u00f3n en entornos de rodaje de alto riesgo.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"577\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-900x577.jpg\" alt=\"\" class=\"wp-image-409093\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-900x577.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-300x192.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-768x492.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-1536x984.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-2048x1312.jpg 2048w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/mirage-pro-beast-games-359x230.jpg 359w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Tilta Mirage Pro con prototipo de ND variable electr\u00f3nico utilizado en la segunda temporada de Beast Games. Cr\u00e9dito de la imagen: Tilta<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Dise\u00f1o centrado en el operador bajo presi\u00f3n<\/h2>\n\n\n\n<p>El operador de c\u00e1mara Jake Stephenson y sus colegas destacaron caracter\u00edsticas espec\u00edficas del Nucleus-M II que resultaron valiosas durante el extenso programa de producci\u00f3n. El interruptor de zoom sensible a la presi\u00f3n del sistema proporcion\u00f3 un control preciso para ajustes din\u00e1micos de encuadre, lo que les permiti\u00f3 a los operadores recomponer las tomas con fluidez mientras segu\u00edan a los concursantes en movimiento.<\/p>\n\n\n\n<p>Gracias a los componentes intercambiables de la unidad de mano, los operadores pudieron personalizar sus equipos seg\u00fan sus preferencias y estilo de grabaci\u00f3n. Este enfoque modular le permiti\u00f3 al departamento de c\u00e1maras optimizar cada unidad para diferentes posiciones de grabaci\u00f3n en todo el recinto, desde la cobertura de tomas en tiempo real con c\u00e1mara en mano hasta c\u00e1maras de observaci\u00f3n fijas.<\/p>\n\n\n\n<p>El dise\u00f1o actualizado de la rueda de enfoque proporcion\u00f3 la resistencia t\u00e1ctil y la retroalimentaci\u00f3n t\u00e1ctil necesaria para asegurar el enfoque en los lentes de cine montados en las c\u00e1maras ARRI Alexa 35. Para los operadores que trabajan con poca profundidad de campo y distancias focales m\u00e1s largas, esta respuesta t\u00e1ctil result\u00f3 esencial para mantener el enfoque en los concursantes durante movimientos impredecibles.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"577\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-900x577.jpg\" alt=\"\" class=\"wp-image-409124\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-900x577.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-300x192.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-768x492.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-1536x984.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-2048x1312.jpg 2048w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/beast-games-camera-op-359x230.jpg 359w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Las producciones de Mr. Beast siempre se han caracterizado por su gran escala; Beast Games Temporada 2 la eleva a\u00fan m\u00e1s. Cr\u00e9dito de la imagen: Tilta<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Especificaciones de la escala de producci\u00f3n<\/h2>\n\n\n\n<p>El departamento de c\u00e1mara de Beast Games Temporada 2 implement\u00f3 35 c\u00e1maras ARRI Alexa 35 como formato de captura principal, lo que representa una inversi\u00f3n sustancial en tecnolog\u00eda cinematogr\u00e1fica de vanguardia para un formato de competencia de telerrealidad. Este recuento de c\u00e1maras excluye los cientos de c\u00e1maras POV adicionales, controles remotos y plataformas especiales ubicadas por todo el recinto.<\/p>\n\n\n\n<p>El equipo super\u00f3 los 100 profesionales del departamento de c\u00e1mara, coordinando la cobertura en m\u00faltiples \u00e1reas de desaf\u00edo simult\u00e1neas. Esta escala de operaci\u00f3n requiere equipos que puedan reconfigurarse r\u00e1pidamente, ser de f\u00e1cil mantenimiento y ser operados de manera confiable por diferentes miembros del equipo durante largas jornadas de rodaje.<\/p>\n\n\n\n<p>Los sistemas Nucleus-M II se combinaron con <a href=\"https:\/\/tilta.com\/shop\/tiltaing-lightweight-shoulder-rig-black\/\" target=\"_blank\" rel=\"noreferrer noopener\">plataformas de hombro livianas Tilta<\/a> (tambi\u00e9n <a href=\"https:\/\/tilta.com\/shop\/15mm-dovetail-shoulder-mount-system-tt0506-a15\/\" target=\"_blank\" rel=\"noreferrer noopener\">esta<\/a>) for para trabajar con la c\u00e1mara en mano, creando un ecosistema integrado que logr\u00f3 satisfacer los exigentes requisitos de captura continua de la producci\u00f3n, manteniendo al mismo tiempo los est\u00e1ndares de calidad de imagen esperados de equipos de estreno en cines.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"747\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-900x747.jpg\" alt=\"\" class=\"wp-image-409128\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-900x747.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-300x249.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-768x637.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-1536x1274.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-2048x1699.jpg 2048w, https:\/\/www.cined.com\/content\/uploads\/2026\/01\/tilta-beast-games-camera-op-2-277x230.jpg 277w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Las plataformas de hombro livianas Tilta que se utilizaron en la segunda temporada de Beast Games. Cr\u00e9dito de la imagen: Tilta.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Estrategia de accesibilidad en el desarrollo profesional<\/h2>\n\n\n\n<p>Yang Shao, director ejecutivo de Tilta Norteam\u00e9rica, consider\u00f3 la colaboraci\u00f3n con Beast Games como una validaci\u00f3n de la filosof\u00eda de desarrollo de productos de Tilta. La compa\u00f1\u00eda busca crear equipos lo suficientemente confiables para producciones cinematogr\u00e1ficas de alta gama, manteniendo precios accesibles para cineastas independientes y peque\u00f1as productoras.<\/p>\n\n\n\n<p>El <a href=\"https:\/\/tilta.com\/shop\/nucleus-m-ii-wireless-lens-control-system\/\" target=\"_blank\" rel=\"noreferrer noopener\">sistema Nucleus-M II tiene un precio inicial de $899.00<\/a> para la configuraci\u00f3n b\u00e1sica de control de lentes inal\u00e1mbrico, mientras que los kits completos alcanzan los $1.499,00. Este precio representa una reducci\u00f3n significativa en comparaci\u00f3n con los sistemas de control de lentes de cine tradicionales de fabricantes consolidados, aunque a\u00fan queda por demostrar si el sistema ofrece la durabilidad y la infraestructura de soporte de alternativas de mayor precio mediante un uso prolongado en el campo.<\/p>\n\n\n\n<p>La <a href=\"https:\/\/tilta.com\/shop\/tilta-mirage-pro-matte-box\/\" target=\"_blank\" rel=\"noreferrer noopener\">matte box Mirage Pro tiene un precio de entre $549.00 y $849.00<\/a>, seg\u00fan la configuraci\u00f3n, lo que la posiciona como una opci\u00f3n de gama media en el mercado de matte boxes profesionales. A\u00fan no hay informaci\u00f3n oficial sobre el precio ni la disponibilidad del sistema electr\u00f3nico de densidad neutra (ND).<\/p>\n\n\n\n<p><strong>\u00bfHas utilizado sistemas Tilta Nucleus-M II en producciones multic\u00e1mara a gran escala? \u00bfQu\u00e9 diferencia al sistema RF del control de lentes inal\u00e1mbrico tradicional en entornos con alta interferencia? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<409873-main-buylinks\/>"},"excerpt":{"rendered":"<p>La segunda temporada de Beast Games de Amazon Prime representa la mayor producci\u00f3n de reality de la historia de la televisi\u00f3n, con m\u00e1s de 400 c\u00e1maras, incluyendo 35 ARRI Alexa 35 operadas por un equipo de m\u00e1s de 100 profesionales. Esta producci\u00f3n de alto presupuesto, presentada por Mr. Beast y con un premio de 5 millones de d\u00f3lares, se bas\u00f3 en gran medida en los sistemas de control de lentes inal\u00e1mbricos Tilta Nucleus-M II y las matte boxes Tilta Mirage Pro equipadas con prototipos de sistemas electr\u00f3nicos de ND variable para mantener un enfoque y un control de exposici\u00f3n consistentes en un entorno saturado con 140 canales de transmisi\u00f3n de [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":409092,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42280,"name":"Industria","link":"https:\/\/www.cined.com\/es\/noticias\/industria\/","slug":"industria"}],"tags":[100683,100684,57731,100685,66239,100686,26631,66757,100687,88114,100688,29903,88692,35793,88695,100680,100681,100682],"tag_label":[57296,56267],"brand":[52834],"class_list":["post-409873","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industria","category-noticias","tag-amazon-prime-video","tag-russell-leggett","tag-filtro-nd-variable","tag-rf-interference","tag-arri-alexa-35-es","tag-mirage-pro","tag-tilta-es","tag-tilta-lightweight-shoulder-rig-es","tag-produccion-multi-camara","tag-electronic-variable-nd-es","tag-control-inalambrico-de-lente","tag-caja-mate","tag-nucleus-m-ii-es","tag-matte-box-es","tag-wireless-lens-control-es","tag-beast-games","tag-reality-production","tag-multi-camera-production","tag_label-behind-the-scenes-es","tag_label-sponsored-educational-es","brand-tilta-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v27.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\u00f3nico Tilta y Nucleus-M II - M\u00e1s de 400 c\u00e1maras, entorno de alta RF | CineD<\/title>\n<meta name=\"description\" content=\"Tilta Nucleus-M II and Mirage Pro power 400-camera Beast Games Season 2 production with reliable RF performance and prototype electronic ND.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cined.com\/es\/tilta-nucleus-m-ii-powers-beast-games-season-2-400-cameras-high-rf-environment-prototype-variable-nd\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Segunda Temporada de Beast Games Utiliza el Prototipo de ND Electr\u00f3nico Tilta y Nucleus-M II - M\u00e1s de 400 c\u00e1maras, entorno de alta RF | CineD\" \/>\n<meta property=\"og:description\" content=\"Tilta Nucleus-M II and Mirage Pro power 400-camera Beast Games Season 2 production with reliable RF performance and prototype electronic ND.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cined.com\/es\/tilta-nucleus-m-ii-powers-beast-games-season-2-400-cameras-high-rf-environment-prototype-variable-nd\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/nino.leitner\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-14T11:51:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-14T16:55:37+00:00\" \/>\n<meta property=\"og:image\" 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link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Mirage Pro Matte Box VND Kit<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1741020184000_1878713.jpg\" alt=\"Mirage Pro Matte Box VND Kit\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1878713-REG\/tilta_mb_t17_a_mirage_pro_matte_vnd.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 849.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/tilta-mirage-pro-matte-box-vnd-kit-mb-t17-a?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 824.35<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>Lightweight Shoulder Rig (Black)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1696951227000_1721353.jpg\" alt=\"Lightweight Shoulder Rig (Black)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1721353-REG\/tilta_ta_lsr_b_lightweight_shoulder_rig_black.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 288.15<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/tilta-ta-lsr-b-tiltaing-shoulder-rig?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 277.17<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"409873-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>Nucleus-M II Ultimate Kit<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1889729-REG\/tilta_wlc_t06_nucleus_m_ii_ultimate.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 1,499.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/tilta-nucleus-m-ii-wireless-lens-control-system?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 1,300.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":408539,"title":"Lanzan el Armaz\u00f3n Tilta para la Nikon ZR - Dise\u00f1o modular y mango ergon\u00f3mico","url":"https:\/\/www.cined.com\/es\/tilta-camera-cage-for-nikon-zr-announced-modular-design-ergonomic-handle\/","author":7,"author_details":{"display_name":"Johnnie Behiri","first_name":"Johnnie","last_name":"Behiri"},"publish_date":"December, 29 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