{"id":413578,"date":"2026-02-11T15:01:54","date_gmt":"2026-02-11T14:01:54","guid":{"rendered":"https:\/\/www.cined.com\/?p=413578"},"modified":"2026-02-11T17:10:27","modified_gmt":"2026-02-11T16:10:27","slug":"fujifilm-hands-on-with-gfx-eterna-55-chapter-3-project-setting-menu","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/fujifilm-hands-on-with-gfx-eterna-55-chapter-3-project-setting-menu\/","title":{"rendered":"Rese\u00f1a Pr\u00e1ctica con la GFX ETERNA 55 de FUJIFILM &#8211; Cap\u00edtulo 3: Men\u00fa de Configuraci\u00f3n de Proyecto"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">FUJIFILM ha publicado un nuevo v\u00eddeo pr\u00e1ctico de la GFX ETERNA 55, centrado en la estructura del men\u00fa de configuraci\u00f3n de proyecto de la c\u00e1mara. En este tutorial de m\u00e1s de ocho minutos, Michael de FUJIFILM Norteam\u00e9rica gu\u00eda a los espectadores a trav\u00e9s del men\u00fa de configuraci\u00f3n de proyecto de la c\u00e1mara. Si a\u00fan no lo has hecho, te invitamos a echarle un vistazo a nuestra primera rese\u00f1a de la GFX ETERNA 55<strong> <a href=\"https:\/\/www.cined.com\/es\/fujifilm-gfx-eterna-55-first-look-review-mini-documentary\/\" target=\"_blank\" rel=\"noreferrer noopener\">aqu\u00ed<\/a>.<\/strong><\/p><413578-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">Tras el video del\u00a0<a href=\"https:\/\/www.cined.com\/fujifilm-hands-on-with-gfx-eterna-55-chapter-1-camera-set-up-released\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cap\u00edtulo 1, &#8220;Configuraci\u00f3n de la C\u00e1mara&#8221;<\/a>,\u00a0y el <a href=\"https:\/\/www.cined.com\/es\/fujifilm-hands-on-with-gfx-eterna-55-chapter-2-basic-functions-released\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cap\u00edtulo 2, &#8220;Funciones B\u00e1sicas&#8221;<\/a>, este tutorial detalla las opciones de formato de imagen, resoluci\u00f3n y velocidad de fotogramas, que influyen en la calidad final del video. Con estos cap\u00edtulos, aprender\u00e1s sobre F-Log, HLG y la configuraci\u00f3n de grabaci\u00f3n de medios para obtener resultados \u00f3ptimos.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Hands-On with GFX ETERNA 55 Chapter 3 &quot;Project Setting Menu&quot; \/ FUJIFILM\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/DDgD92PWH3Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Rese\\u00f1a Pr\\u00e1ctica con la GFX ETERNA 55 de FUJIFILM - Cap\\u00edtulo 3: Men\\u00fa de Configuraci\\u00f3n de Proyecto\",\"description\":\"Rese\\u00f1a Pr\\u00e1ctica con la GFX ETERNA 55 de FUJIFILM - Cap\\u00edtulo 3: Men\\u00fa de Configuraci\\u00f3n de Proyecto\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=DDgD92PWH3Y\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/DDgD92PWH3Y\\\/mqdefault.jpg\",\"uploadDate\":\"2026-02-11T15:01:54+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">El men\u00fa de configuraci\u00f3n de PROYECTO es un punto de partida fundamental para cualquier configuraci\u00f3n de producci\u00f3n en la GFX ETERNA 55. La primera opci\u00f3n que encontrar\u00e1n los usuarios es FORMATO DE IMAGEN, que determina el \u00e1rea activa del sensor para la captura. Las opciones disponibles incluyen GF (ancho completo del sensor), Premista (un \u00e1rea ligeramente menor dise\u00f1ada espec\u00edficamente para la l\u00ednea de lentes zoom FUJINON Premista), 35mm, anam\u00f3rfico (35mm) y S\u00faper 35. Para un funcionamiento correcto, es fundamental que el formato de imagen seleccionado se adapte a la cobertura del lente.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-900x506.jpeg\" alt=\"The FUJIFILM GFX ETERNA 55 Project menu\" class=\"wp-image-413474\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Men\u00fa Proyecto de la FUJIFILM GFX ETERNA 55. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Opciones de resoluci\u00f3n y velocidad de fotogramas<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Debajo del selector de formato de imagen se encuentra el ajuste RESOLUCI\u00d3N, que se ajusta din\u00e1micamente seg\u00fan el formato de imagen seleccionado. Las opciones incluyen 4K [4:3] en open-gate para GF, junto con 16:9, 17:9, HD y resoluciones extendidas como 5.8K. El ajuste FPS DE PROYECTO determina la velocidad de fotogramas del timeline para edici\u00f3n y distribuci\u00f3n, que puede diferir de la velocidad de fotogramas de grabaci\u00f3n. Para slow-motion, por ejemplo, los usuarios pueden establecer FPS DE PROYECTO en 24 mientras graban a 48 o 60 fotogramas por segundo.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-900x506.jpeg\" alt=\"The IMAGE forma menu.\" class=\"wp-image-413478\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">El men\u00fa de formato IMAGEN. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Curvas de tono, rango din\u00e1mico y ciencia del color<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El ajuste F-Log\/HLG\/RAW controla la curva de tono y, por consiguiente, el rango din\u00e1mico capturado en los archivos grabados. Una opci\u00f3n es EMULACI\u00d3N DE PEL\u00cdCULA, que mantiene la grabaci\u00f3n en el espacio de color Rec. 709 y les permite a los usuarios seleccionar entre 20 emulaciones de pel\u00edcula FUJIFILM integradas. Estas emulaciones proporcionan un aspecto pre-gradado sin necesidad de aplicar correcci\u00f3n de color basada en log en la posproducci\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Para flujos de trabajo log, la c\u00e1mara ofrece F-Log, F-Log2 y F-Log2 C. F-Log2 y F-Log2 C comparten la misma curva de tono y rango din\u00e1mico, pero difieren en la gama de colores. F-Log2 utiliza la gama F, equivalente a Rec. 2020, mientras que F-Log2 C emplea el espacio de color F-gamut C, propiedad de FUJIFILM, que cubre aproximadamente el 80% del espacio de color te\u00f3rico ACES. FUJIFILM desarroll\u00f3 la gama F-C para ofrecer una precisi\u00f3n de color y una reproducci\u00f3n significativamente mejoradas en la posproducci\u00f3n. Tambi\u00e9n est\u00e1 disponible la opci\u00f3n HLG (log-gamma h\u00edbrido), que combina una representaci\u00f3n similar a la de Rec. 709 en sombras con una respuesta m\u00e1s logar\u00edtmica en los medios tonos y las luces altas.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-900x506.jpeg\" alt=\"The RESOLUTION menu.\" class=\"wp-image-413482\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Men\u00fa RESOLUCI\u00d3N. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Opciones de medios de grabaci\u00f3n y c\u00f3decs<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La secci\u00f3n MEDIA REC gestiona los destinos de grabaci\u00f3n. La ranura uno acepta tarjetas CFexpress Tipo B, la ranura dos admite tarjetas SD y las opciones adicionales incluyen COPIA DE SEGURIDAD, SECUENCIAL y grabaci\u00f3n en SSD. El puerto USB-C trasero de la c\u00e1mara detecta autom\u00e1ticamente las unidades de estado s\u00f3lido conectadas, aunque los usuarios deben formatear e inicializar la SSD desde la c\u00e1mara antes de usarla.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">FORMATO DE ARCHIVO ofrece dos contenedores de grabaci\u00f3n: MXF (que admite metadatos m\u00e1s completos) y MOV (ampliamente compatible con todos los sistemas de c\u00e1mara). En AJUSTES DE GRABACI\u00d3N DE MEDIOS, las opciones de c\u00f3dec incluyen H.265 4:2:2 en sus versiones ALL-Intra y Long GOP, as\u00ed como ProRes HQ, ProRes 422 y ProRes LT. Tambi\u00e9n est\u00e1 disponible una opci\u00f3n de grabaci\u00f3n proxy cuando ProRes est\u00e1 habilitado, con H.264 y ProRes Proxy como dos formatos proxy. Los archivos proxy se almacenan en una carpeta dedicada en la tarjeta CFexpress Tipo B.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-900x506.jpeg\" alt=\"The FILM SIMULATION menu.\" class=\"wp-image-413488\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Men\u00fa EMULACI\u00d3N DE PEL\u00cdCULA (Parcial). Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Ajustes de clip e identificaci\u00f3n de c\u00e1mara<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La secci\u00f3n AJUSTES DE CLIP permite asignar un ID DE C\u00c1MARA, siguiendo la convenci\u00f3n cinematogr\u00e1fica est\u00e1ndar de escribir las c\u00e1maras A, B, C, D, etc. La letra seleccionada se convierte en el primer car\u00e1cter del nombre de cada archivo grabado. El ajuste N\u00daMERO DE CARRETE comienza en 1 y aumenta secuencialmente a medida que se insertan nuevas tarjetas de memoria durante la producci\u00f3n, lo que mantiene una gesti\u00f3n de archivos organizada y rastreable durante todo el rodaje.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-900x506.jpeg\" alt=\"The MEDIA RECORDING setting menu.\" class=\"wp-image-413494\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Men\u00fa de ajustes GRABACI\u00d3N DE MEDIOS. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"header-40-page-default\">Precio y disponibilidad<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La FUJIFILM GFX ETERNA 55 ya est\u00e1 disponible para su compra por\u00a0<a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861870-REG\/fujifilm_gfx_eterna_cinema_camera.html\/BI\/7953\/KBID\/8488\/SID\/\" target=\"_blank\" rel=\"noreferrer noopener\">$16.499,95<\/a>\u00a0\/\u00a0<a href=\"https:\/\/cvp.com\/product\/fujifilm-gfx-eterna?aff_id=101&amp;tid1\" target=\"_blank\" rel=\"noreferrer noopener\">\u20ac13.285,30<\/a>. Aqu\u00ed tienes un enlace a la\u00a0<a href=\"https:\/\/www.fujifilm-x.com\/global\/products\/cameras\/gfx-eterna-55\/specifications\/\" target=\"_blank\" rel=\"noreferrer noopener\">hoja de especificaciones<\/a>\u00a0de la c\u00e1mara para quienes deseen una descripci\u00f3n t\u00e9cnica consolidada. Para obtener m\u00e1s informaci\u00f3n, consulta el\u00a0<a href=\"https:\/\/www.fujifilm-x.com\/global\/products\/cameras\/gfx-eterna-55\/\" target=\"_blank\" rel=\"noreferrer noopener\">sitio web de FUJIFILM<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Esta hoja de especificaciones cubre los elementos clave del men\u00fa de ajustes PROJECT de la FUJIFILM GFX ETERNA 55. \u00bfQu\u00e9 opinas sobre la organizaci\u00f3n del men\u00fa y las opciones de c\u00f3dec de FUJIFILM en esta c\u00e1mara? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<413578-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap wp-block-paragraph\">FUJIFILM ha publicado un nuevo v\u00eddeo pr\u00e1ctico de la GFX ETERNA 55, centrado en la estructura del men\u00fa de configuraci\u00f3n de proyecto de la c\u00e1mara. En este tutorial de m\u00e1s de ocho minutos, Michael de FUJIFILM Norteam\u00e9rica gu\u00eda a los espectadores a trav\u00e9s del men\u00fa de configuraci\u00f3n de proyecto de la c\u00e1mara. Si a\u00fan no lo has hecho, te invitamos a echarle un vistazo a nuestra primera rese\u00f1a de la GFX ETERNA 55<strong> <a href=\"https:\/\/www.cined.com\/es\/fujifilm-gfx-eterna-55-first-look-review-mini-documentary\/\" target=\"_blank\" rel=\"noreferrer noopener\">aqu\u00ed<\/a>.<\/strong><\/p><413578-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">Tras el video del\u00a0<a href=\"https:\/\/www.cined.com\/fujifilm-hands-on-with-gfx-eterna-55-chapter-1-camera-set-up-released\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cap\u00edtulo 1, &#8220;Configuraci\u00f3n de la C\u00e1mara&#8221;<\/a>,\u00a0y el <a href=\"https:\/\/www.cined.com\/es\/fujifilm-hands-on-with-gfx-eterna-55-chapter-2-basic-functions-released\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cap\u00edtulo 2, &#8220;Funciones B\u00e1sicas&#8221;<\/a>, este tutorial detalla las opciones de formato de imagen, resoluci\u00f3n y velocidad de fotogramas, que influyen en la calidad final del video. Con estos cap\u00edtulos, aprender\u00e1s sobre F-Log, HLG y la configuraci\u00f3n de grabaci\u00f3n de medios para obtener resultados \u00f3ptimos.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Hands-On with GFX ETERNA 55 Chapter 3 &quot;Project Setting Menu&quot; \/ FUJIFILM\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/DDgD92PWH3Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Rese\\u00f1a Pr\\u00e1ctica con la GFX ETERNA 55 de FUJIFILM - Cap\\u00edtulo 3: Men\\u00fa de Configuraci\\u00f3n de Proyecto\",\"description\":\"Rese\\u00f1a Pr\\u00e1ctica con la GFX ETERNA 55 de FUJIFILM - Cap\\u00edtulo 3: Men\\u00fa de Configuraci\\u00f3n de Proyecto\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=DDgD92PWH3Y\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/DDgD92PWH3Y\\\/mqdefault.jpg\",\"uploadDate\":\"2026-02-11T15:01:54+01:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">El men\u00fa de configuraci\u00f3n de PROYECTO es un punto de partida fundamental para cualquier configuraci\u00f3n de producci\u00f3n en la GFX ETERNA 55. La primera opci\u00f3n que encontrar\u00e1n los usuarios es FORMATO DE IMAGEN, que determina el \u00e1rea activa del sensor para la captura. Las opciones disponibles incluyen GF (ancho completo del sensor), Premista (un \u00e1rea ligeramente menor dise\u00f1ada espec\u00edficamente para la l\u00ednea de lentes zoom FUJINON Premista), 35mm, anam\u00f3rfico (35mm) y S\u00faper 35. Para un funcionamiento correcto, es fundamental que el formato de imagen seleccionado se adapte a la cobertura del lente.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-900x506.jpeg\" alt=\"The FUJIFILM GFX ETERNA 55 Project menu\" class=\"wp-image-413474\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-1-3.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Men\u00fa Proyecto de la FUJIFILM GFX ETERNA 55. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Opciones de resoluci\u00f3n y velocidad de fotogramas<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Debajo del selector de formato de imagen se encuentra el ajuste RESOLUCI\u00d3N, que se ajusta din\u00e1micamente seg\u00fan el formato de imagen seleccionado. Las opciones incluyen 4K [4:3] en open-gate para GF, junto con 16:9, 17:9, HD y resoluciones extendidas como 5.8K. El ajuste FPS DE PROYECTO determina la velocidad de fotogramas del timeline para edici\u00f3n y distribuci\u00f3n, que puede diferir de la velocidad de fotogramas de grabaci\u00f3n. Para slow-motion, por ejemplo, los usuarios pueden establecer FPS DE PROYECTO en 24 mientras graban a 48 o 60 fotogramas por segundo.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-900x506.jpeg\" alt=\"The IMAGE forma menu.\" class=\"wp-image-413478\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-2-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">El men\u00fa de formato IMAGEN. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Curvas de tono, rango din\u00e1mico y ciencia del color<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El ajuste F-Log\/HLG\/RAW controla la curva de tono y, por consiguiente, el rango din\u00e1mico capturado en los archivos grabados. Una opci\u00f3n es EMULACI\u00d3N DE PEL\u00cdCULA, que mantiene la grabaci\u00f3n en el espacio de color Rec. 709 y les permite a los usuarios seleccionar entre 20 emulaciones de pel\u00edcula FUJIFILM integradas. Estas emulaciones proporcionan un aspecto pre-gradado sin necesidad de aplicar correcci\u00f3n de color basada en log en la posproducci\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Para flujos de trabajo log, la c\u00e1mara ofrece F-Log, F-Log2 y F-Log2 C. F-Log2 y F-Log2 C comparten la misma curva de tono y rango din\u00e1mico, pero difieren en la gama de colores. F-Log2 utiliza la gama F, equivalente a Rec. 2020, mientras que F-Log2 C emplea el espacio de color F-gamut C, propiedad de FUJIFILM, que cubre aproximadamente el 80% del espacio de color te\u00f3rico ACES. FUJIFILM desarroll\u00f3 la gama F-C para ofrecer una precisi\u00f3n de color y una reproducci\u00f3n significativamente mejoradas en la posproducci\u00f3n. Tambi\u00e9n est\u00e1 disponible la opci\u00f3n HLG (log-gamma h\u00edbrido), que combina una representaci\u00f3n similar a la de Rec. 709 en sombras con una respuesta m\u00e1s logar\u00edtmica en los medios tonos y las luces altas.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-900x506.jpeg\" alt=\"The RESOLUTION menu.\" class=\"wp-image-413482\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-3-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Men\u00fa RESOLUCI\u00d3N. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Opciones de medios de grabaci\u00f3n y c\u00f3decs<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La secci\u00f3n MEDIA REC gestiona los destinos de grabaci\u00f3n. La ranura uno acepta tarjetas CFexpress Tipo B, la ranura dos admite tarjetas SD y las opciones adicionales incluyen COPIA DE SEGURIDAD, SECUENCIAL y grabaci\u00f3n en SSD. El puerto USB-C trasero de la c\u00e1mara detecta autom\u00e1ticamente las unidades de estado s\u00f3lido conectadas, aunque los usuarios deben formatear e inicializar la SSD desde la c\u00e1mara antes de usarla.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">FORMATO DE ARCHIVO ofrece dos contenedores de grabaci\u00f3n: MXF (que admite metadatos m\u00e1s completos) y MOV (ampliamente compatible con todos los sistemas de c\u00e1mara). En AJUSTES DE GRABACI\u00d3N DE MEDIOS, las opciones de c\u00f3dec incluyen H.265 4:2:2 en sus versiones ALL-Intra y Long GOP, as\u00ed como ProRes HQ, ProRes 422 y ProRes LT. Tambi\u00e9n est\u00e1 disponible una opci\u00f3n de grabaci\u00f3n proxy cuando ProRes est\u00e1 habilitado, con H.264 y ProRes Proxy como dos formatos proxy. Los archivos proxy se almacenan en una carpeta dedicada en la tarjeta CFexpress Tipo B.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-900x506.jpeg\" alt=\"The FILM SIMULATION menu.\" class=\"wp-image-413488\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-4-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Men\u00fa EMULACI\u00d3N DE PEL\u00cdCULA (Parcial). Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Ajustes de clip e identificaci\u00f3n de c\u00e1mara<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La secci\u00f3n AJUSTES DE CLIP permite asignar un ID DE C\u00c1MARA, siguiendo la convenci\u00f3n cinematogr\u00e1fica est\u00e1ndar de escribir las c\u00e1maras A, B, C, D, etc. La letra seleccionada se convierte en el primer car\u00e1cter del nombre de cada archivo grabado. El ajuste N\u00daMERO DE CARRETE comienza en 1 y aumenta secuencialmente a medida que se insertan nuevas tarjetas de memoria durante la producci\u00f3n, lo que mantiene una gesti\u00f3n de archivos organizada y rastreable durante todo el rodaje.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-900x506.jpeg\" alt=\"The MEDIA RECORDING setting menu.\" class=\"wp-image-413494\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/02\/Untitled-1-6.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Men\u00fa de ajustes GRABACI\u00d3N DE MEDIOS. Cr\u00e9dito: FUJIFILM<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"header-40-page-default\">Precio y disponibilidad<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La FUJIFILM GFX ETERNA 55 ya est\u00e1 disponible para su compra por\u00a0<a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861870-REG\/fujifilm_gfx_eterna_cinema_camera.html\/BI\/7953\/KBID\/8488\/SID\/\" target=\"_blank\" rel=\"noreferrer noopener\">$16.499,95<\/a>\u00a0\/\u00a0<a href=\"https:\/\/cvp.com\/product\/fujifilm-gfx-eterna?aff_id=101&amp;tid1\" target=\"_blank\" rel=\"noreferrer noopener\">\u20ac13.285,30<\/a>. Aqu\u00ed tienes un enlace a la\u00a0<a href=\"https:\/\/www.fujifilm-x.com\/global\/products\/cameras\/gfx-eterna-55\/specifications\/\" target=\"_blank\" rel=\"noreferrer noopener\">hoja de especificaciones<\/a>\u00a0de la c\u00e1mara para quienes deseen una descripci\u00f3n t\u00e9cnica consolidada. Para obtener m\u00e1s informaci\u00f3n, consulta el\u00a0<a href=\"https:\/\/www.fujifilm-x.com\/global\/products\/cameras\/gfx-eterna-55\/\" target=\"_blank\" rel=\"noreferrer noopener\">sitio web de FUJIFILM<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Esta hoja de especificaciones cubre los elementos clave del men\u00fa de ajustes PROJECT de la FUJIFILM GFX ETERNA 55. \u00bfQu\u00e9 opinas sobre la organizaci\u00f3n del men\u00fa y las opciones de c\u00f3dec de FUJIFILM en esta c\u00e1mara? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<413578-main-buylinks\/>"},"excerpt":{"rendered":"<p>FUJIFILM ha publicado un nuevo v\u00eddeo pr\u00e1ctico de la GFX ETERNA 55, centrado en la estructura del men\u00fa de configuraci\u00f3n de proyecto de la c\u00e1mara. En este tutorial de m\u00e1s de ocho minutos, Michael de FUJIFILM Norteam\u00e9rica gu\u00eda a los espectadores a trav\u00e9s del men\u00fa de configuraci\u00f3n de proyecto de la c\u00e1mara. Si a\u00fan no lo has hecho, te invitamos a echarle un vistazo a nuestra primera rese\u00f1a de la GFX ETERNA 55 aqu\u00ed. Tras el video del\u00a0Cap\u00edtulo 1, &#8220;Configuraci\u00f3n de la C\u00e1mara&#8221;,\u00a0y el Cap\u00edtulo 2, &#8220;Funciones B\u00e1sicas&#8221;, este tutorial detalla las opciones de formato de imagen, resoluci\u00f3n y velocidad de fotogramas, que influyen en la calidad final del video. [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":413527,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/www.cined.com\/es\/noticias\/camaras\/","slug":"camaras"}],"tags":[100453,24534,101958,24536,101959,24547,52059,101960,24592,52063,101961,24628,101962,26420,55864,101963,27408,81094,101964,87600,28060,95313,30776,99958,24367],"tag_label":[53275],"brand":[51472],"class_list":["post-413578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-camaras","category-noticias","tag-resena-practica-2","tag-fujifilm-es","tag-mxf-2","tag-fujifilm-gfx-es","tag-mov-2","tag-film-simulation-es","tag-cfexpress-type-b-es","tag-project-settings-2","tag-super35-es","tag-cfexpress-tipo-b","tag-f-gamut-c","tag-hlg-es","tag-camera-settings","tag-h-265-es","tag-fujinon-premista-es","tag-f-log2-c","tag-resena","tag-f-log2-es","tag-menu-de-configuracion","tag-gfx-eterna-2-es","tag-camara-de-cine","tag-fujifilm-gfx-eterna-55-es","tag-gran-formato","tag-large-format-cinema-camera","tag-prores-es","tag_label-camera-news-es","brand-fujifilm-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Rese\u00f1a Pr\u00e1ctica con la GFX ETERNA 55 de FUJIFILM - Cap\u00edtulo 3: Men\u00fa de Configuraci\u00f3n de Proyecto | CineD<\/title>\n<meta name=\"description\" content=\"A detailed walkthrough of the FUJIFILM GFX ETERNA 55 project settings menu, covering image formats, codecs, and color science.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cined.com\/es\/fujifilm-hands-on-with-gfx-eterna-55-chapter-3-project-setting-menu\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rese\u00f1a Pr\u00e1ctica con la GFX ETERNA 55 de FUJIFILM - Cap\u00edtulo 3: Men\u00fa de Configuraci\u00f3n de Proyecto | CineD\" \/>\n<meta property=\"og:description\" content=\"A detailed walkthrough of the FUJIFILM GFX ETERNA 55 project settings menu, covering image formats, codecs, and color science.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cined.com\/es\/fujifilm-hands-on-with-gfx-eterna-55-chapter-3-project-setting-menu\/\" \/>\n<meta property=\"og:site_name\" content=\"CineD\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/C5Dnews\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/johnnie.behiri\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-11T14:01:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-11T16:10:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cined.com\/content\/uploads\/2026\/02\/FUJIFILM-GFX-ETERNA-55-8-scaled.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Johnnie Behiri\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/CineDnews\" \/>\n<meta name=\"twitter:site\" content=\"@c5dnews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Johnnie Behiri\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/fujifilm-hands-on-with-gfx-eterna-55-chapter-3-project-setting-menu\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/fujifilm-hands-on-with-gfx-eterna-55-chapter-3-project-setting-menu\\\/\"},\"author\":{\"name\":\"Johnnie Behiri\",\"@id\":\"https:\\\/\\\/www.cined.com\\\/es\\\/#\\\/schema\\\/person\\\/0406aa1a18b10e5dbd5f1d414b6ec53f\"},\"headline\":\"Rese\u00f1a Pr\u00e1ctica con la GFX ETERNA 55 de FUJIFILM &#8211; 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Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1758207923000_1861870.jpg\" alt=\"GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861870-REG\/fujifilm_gfx_eterna_cinema_camera.html\/\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 16,499.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/fujifilm-gfx-eterna?aff_id=101\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 13,450.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"413578-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861870-REG\/fujifilm_gfx_eterna_cinema_camera.html\/\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 16,499.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span 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2026","feature_image_url":"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/GFX-ETERNA-55-22.jpeg","images":[{"url":"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/GFX-ETERNA-55-22-1024x550.jpeg","width":1024,"height":550,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/GFX-ETERNA-55-22-370x230.jpeg","width":370,"height":230,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/GFX-ETERNA-55-22-740x460.jpeg","width":740,"height":460,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/GFX-ETERNA-55-22-770x440.jpeg","width":770,"height":440,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/GFX-ETERNA-55-22-385x220.jpeg","width":385,"height":220,"type":"thumbnail"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/GFX-ETERNA-55-22-1300x750.jpeg","width":1300,"height":750,"type":"featured"},{"url":"https:\/\/www.cined.com\/content\/uploads\/2026\/01\/GFX-ETERNA-55-22-1600x900.jpeg","width":1600,"height":900,"type":"featured"}],"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42293,"name":"C\u00e1maras","link":"https:\/\/www.cined.com\/es\/noticias\/camaras\/","slug":"camaras"}],"custom_labels":[{"id":53750,"name":"Firmware Update","link":"https:\/\/www.cined.com\/es\/labels\/firmware-update-es\/","slug":"firmware-update-es"}],"total_comments":0,"video_url":""},{"id":411161,"title":"El Director de Fotograf\u00eda Bob Poole Habla sobre la Filmaci\u00f3n de Elefantes con la FUJINON Duvo HZK25-1000mm - Cine respetuoso con la vida silvestre","url":"https:\/\/www.cined.com\/es\/cinematographer-bob-poole-on-filming-elephants-with-fujinon-duvo-hzk25-1000mm-respectful-wildlife-filmmaking\/","author":7,"author_details":{"display_name":"Johnnie Behiri","first_name":"Johnnie","last_name":"Behiri"},"publish_date":"January, 26 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