{"id":421767,"date":"2026-04-20T03:15:46","date_gmt":"2026-04-20T01:15:46","guid":{"rendered":"https:\/\/www.cined.com\/?p=421767"},"modified":"2026-04-20T18:03:39","modified_gmt":"2026-04-20T16:03:39","slug":"nisi-65-prime-16mm-t2-9-launched-a-rectilinear-ultra-wide-for-large-format-sensors","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/nisi-65-prime-16mm-t2-9-launched-a-rectilinear-ultra-wide-for-large-format-sensors\/","title":{"rendered":"Lanzan el NiSi 65 PRIME 16mm T2.9 – Un ultra gran angular rectil\u00edneo para sensores de gran formato"},"content":{"rendered":"\n

NiSi ha presentado el 65 PRIME 16mm T2.9 en la NAB 2026, el primer lente de una nueva serie dise\u00f1ada espec\u00edficamente para sensores de gran formato. Con un c\u00edrculo de imagen cercano a los 65mm, este ultra gran angular rectil\u00edneo cubre las c\u00e1maras ARRI ALEXA 265, Blackmagic URSA Cine 17K 65 y FUJIFILM GFX ETERNA 55 en campo abierto, y tiene un precio de $2.799.<\/strong><\/p>\n\n\n\n

Visitamos el stand de NiSi en la NAB 2026 para hablar con Kenji sobre el nuevo lente 65 PRIME 16mm T2.9. A medida que las c\u00e1maras con sensores m\u00e1s all\u00e1 del formato completo ganan terreno, el reto \u00f3ptico de cubrirlas con distancias focales ultra gran angular es considerable. La mayor\u00eda de los lentes gran angular dise\u00f1ados para estos c\u00edrculos de imagen m\u00e1s grandes introducen una fuerte distorsi\u00f3n de ojo de pez, un vi\u00f1eteado severo o son excesivamente lentos. El 65 Prime 16mm es la soluci\u00f3n de NiSi a este problema: un dise\u00f1o rectil\u00edneo que mantiene las l\u00edneas rectas desde el centro hasta el borde, incluso en un c\u00edrculo de imagen de casi 65mm.<\/p>\n\n\n\n

\"\"
Lente colocado en la FUJIFILM GFX ETERNA 55. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Por qu\u00e9 los \u00e1ngulos rectil\u00edneos son importantes a esta distancia focal<\/h2>\n\n\n\n

En la FUJIFILM GFX ETERNA 55, el 16mm ofrece un campo de visi\u00f3n equivalente a aproximadamente 13mm en full-frame. Montado en una ALEXA 265, este campo se reduce a 11mm. Con estos \u00e1ngulos de visi\u00f3n en sensores de este tama\u00f1o, la distorsi\u00f3n de ojo de pez es casi inevitable con los dise\u00f1os \u00f3pticos convencionales. Como explic\u00f3 Kenji, lograr una proyecci\u00f3n rectil\u00ednea con esta combinaci\u00f3n de distancia focal y tama\u00f1o del c\u00edrculo de imagen es una proeza de ingenier\u00eda extremadamente dif\u00edcil. Para trabajos arquitect\u00f3nicos, tomas de interiores o cualquier situaci\u00f3n donde la precisi\u00f3n geom\u00e9trica sea importante, esta distinci\u00f3n es significativa.<\/p>\n\n\n\n

\"\"
Distancia focal ultra gran angular. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Caracter\u00edsticas \u00f3pticas y compatibilidad con la familia de lentes<\/h2>\n\n\n\n

El 65 PRIME 16mm est\u00e1 dise\u00f1ado para igualar la est\u00e9tica de los\u00a0lentes prime Aureus de NiSi, que presentaron en la NAB del a\u00f1o pasado<\/a>. Kenji describi\u00f3 el lente como moderno, n\u00edtido y definido, especialmente en el centro, con un color y contraste que combinan bien con la\u00a0serie Athena<\/a>. Su car\u00e1cter se aprecia en los destellos puntuales y una suave y org\u00e1nica transici\u00f3n hacia los bordes, un vi\u00f1eteado sutil que atrae la atenci\u00f3n hacia el centro del encuadre sin resultar excesivo.<\/p>\n\n\n\n

Esta doble compatibilidad es pr\u00e1ctica. Los lentes prime Aureus cubren un c\u00edrculo de imagen de 46mm, lo que significa que sus distancias focales m\u00e1s amplias producir\u00e1n vi\u00f1eteo en el sensor m\u00e1s grande de la ETERNA. El 65 PRIME de 16mm cubre esa necesidad, ofreci\u00e9ndoles a los operadores de ETERNA una opci\u00f3n ultra gran angular que ampl\u00eda el rango \u00fatil de su set Aureus sin una discrepancia visible en la reproducci\u00f3n de imagen.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Filtraci\u00f3n en \u00e1ngulos extremadamente amplios<\/h2>\n\n\n\n

Como era de esperar, la compatibilidad con parasoles a esta distancia focal presenta dificultades. Con un di\u00e1metro frontal de 95mm y un campo de visi\u00f3n tan amplio, la mayor\u00eda de los parasoles introducir\u00edan vi\u00f1eteo. El lente cuenta con roscas para filtros de 90mm y es compatible con el sistema de sujeci\u00f3n Jet Mag 95 de NiSi. NiSi tambi\u00e9n ofrece su sistema Max Mag con filtros de 112mm para quienes necesiten soluciones de filtraci\u00f3n m\u00e1s grandes. No es la situaci\u00f3n ideal para configuraciones de filtraci\u00f3n complejas, pero existen opciones viables.<\/p>\n\n\n\n

El inicio de una nueva serie<\/h2>\n\n\n\n

El 16mm es el primer lente de la l\u00ednea 65 PRIME, y NiSi est\u00e1 recabando activamente opiniones en la NAB para determinar qu\u00e9 distancias focales desarrollar a continuaci\u00f3n. Cuando se le pregunt\u00f3 al respecto, Kenji se\u00f1al\u00f3 que las solicitudes m\u00e1s comunes hasta el momento han sido para lentes equivalentes a 35mm, 50mm y 85mm, el cl\u00e1sico tr\u00edo de gran angular, teleobjetivo est\u00e1ndar y teleobjetivo corto.<\/p>\n\n\n\n

\"\"
Lente 50mm T1. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

NiSi tambi\u00e9n presentar\u00e1 un lente 50mm T1 en la NAB 2026, que Kenji describi\u00f3 como un \u00absecreto bastante bien guardado\u00bb. No se compartieron m\u00e1s detalles, pero esto indica que la compa\u00f1\u00eda contin\u00faa apostando por \u00f3pticas m\u00e1s r\u00e1pidas y ambiciosas.<\/p>\n\n\n\n

Precio y disponibilidad<\/h2>\n\n\n\n

El\u00a0NiSi 65 PRIME 16mm T2.9<\/a>\u00a0ya est\u00e1 disponible con montura PL y tiene un precio de $2.799. El lente pesa 846g. Se espera que los env\u00edos comiencen a finales de abril o principios de mayo.<\/p>\n\n\n\n

\u00bfUtilizas sensores de gran formato y te cuesta encontrar lentes gran angular que cubran todo el c\u00edrculo de imagen? \u00bfTe interesa el 65 PRIME 16mm? \u00a1No dudes en contarnos en los comentarios de abajo!<\/strong><\/p>\n<421767-main-buylinks\/>","protected":false,"clean_render":"

NiSi ha presentado el 65 PRIME 16mm T2.9 en la NAB 2026, el primer lente de una nueva serie dise\u00f1ada espec\u00edficamente para sensores de gran formato. Con un c\u00edrculo de imagen cercano a los 65mm, este ultra gran angular rectil\u00edneo cubre las c\u00e1maras ARRI ALEXA 265, Blackmagic URSA Cine 17K 65 y FUJIFILM GFX ETERNA 55 en campo abierto, y tiene un precio de $2.799.<\/strong><\/p>\n\n\n\n

Visitamos el stand de NiSi en la NAB 2026 para hablar con Kenji sobre el nuevo lente 65 PRIME 16mm T2.9. A medida que las c\u00e1maras con sensores m\u00e1s all\u00e1 del formato completo ganan terreno, el reto \u00f3ptico de cubrirlas con distancias focales ultra gran angular es considerable. La mayor\u00eda de los lentes gran angular dise\u00f1ados para estos c\u00edrculos de imagen m\u00e1s grandes introducen una fuerte distorsi\u00f3n de ojo de pez, un vi\u00f1eteado severo o son excesivamente lentos. El 65 Prime 16mm es la soluci\u00f3n de NiSi a este problema: un dise\u00f1o rectil\u00edneo que mantiene las l\u00edneas rectas desde el centro hasta el borde, incluso en un c\u00edrculo de imagen de casi 65mm.<\/p>\n\n\n\n

\"\"
Lente colocado en la FUJIFILM GFX ETERNA 55. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Por qu\u00e9 los \u00e1ngulos rectil\u00edneos son importantes a esta distancia focal<\/h2>\n\n\n\n

En la FUJIFILM GFX ETERNA 55, el 16mm ofrece un campo de visi\u00f3n equivalente a aproximadamente 13mm en full-frame. Montado en una ALEXA 265, este campo se reduce a 11mm. Con estos \u00e1ngulos de visi\u00f3n en sensores de este tama\u00f1o, la distorsi\u00f3n de ojo de pez es casi inevitable con los dise\u00f1os \u00f3pticos convencionales. Como explic\u00f3 Kenji, lograr una proyecci\u00f3n rectil\u00ednea con esta combinaci\u00f3n de distancia focal y tama\u00f1o del c\u00edrculo de imagen es una proeza de ingenier\u00eda extremadamente dif\u00edcil. Para trabajos arquitect\u00f3nicos, tomas de interiores o cualquier situaci\u00f3n donde la precisi\u00f3n geom\u00e9trica sea importante, esta distinci\u00f3n es significativa.<\/p>\n\n\n\n

\"\"
Distancia focal ultra gran angular. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Caracter\u00edsticas \u00f3pticas y compatibilidad con la familia de lentes<\/h2>\n\n\n\n

El 65 PRIME 16mm est\u00e1 dise\u00f1ado para igualar la est\u00e9tica de los\u00a0lentes prime Aureus de NiSi, que presentaron en la NAB del a\u00f1o pasado<\/a>. Kenji describi\u00f3 el lente como moderno, n\u00edtido y definido, especialmente en el centro, con un color y contraste que combinan bien con la\u00a0serie Athena<\/a>. Su car\u00e1cter se aprecia en los destellos puntuales y una suave y org\u00e1nica transici\u00f3n hacia los bordes, un vi\u00f1eteado sutil que atrae la atenci\u00f3n hacia el centro del encuadre sin resultar excesivo.<\/p>\n\n\n\n

Esta doble compatibilidad es pr\u00e1ctica. Los lentes prime Aureus cubren un c\u00edrculo de imagen de 46mm, lo que significa que sus distancias focales m\u00e1s amplias producir\u00e1n vi\u00f1eteo en el sensor m\u00e1s grande de la ETERNA. El 65 PRIME de 16mm cubre esa necesidad, ofreci\u00e9ndoles a los operadores de ETERNA una opci\u00f3n ultra gran angular que ampl\u00eda el rango \u00fatil de su set Aureus sin una discrepancia visible en la reproducci\u00f3n de imagen.<\/p>\n\n\n\n

\"\"
Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

Filtraci\u00f3n en \u00e1ngulos extremadamente amplios<\/h2>\n\n\n\n

Como era de esperar, la compatibilidad con parasoles a esta distancia focal presenta dificultades. Con un di\u00e1metro frontal de 95mm y un campo de visi\u00f3n tan amplio, la mayor\u00eda de los parasoles introducir\u00edan vi\u00f1eteo. El lente cuenta con roscas para filtros de 90mm y es compatible con el sistema de sujeci\u00f3n Jet Mag 95 de NiSi. NiSi tambi\u00e9n ofrece su sistema Max Mag con filtros de 112mm para quienes necesiten soluciones de filtraci\u00f3n m\u00e1s grandes. No es la situaci\u00f3n ideal para configuraciones de filtraci\u00f3n complejas, pero existen opciones viables.<\/p>\n\n\n\n

El inicio de una nueva serie<\/h2>\n\n\n\n

El 16mm es el primer lente de la l\u00ednea 65 PRIME, y NiSi est\u00e1 recabando activamente opiniones en la NAB para determinar qu\u00e9 distancias focales desarrollar a continuaci\u00f3n. Cuando se le pregunt\u00f3 al respecto, Kenji se\u00f1al\u00f3 que las solicitudes m\u00e1s comunes hasta el momento han sido para lentes equivalentes a 35mm, 50mm y 85mm, el cl\u00e1sico tr\u00edo de gran angular, teleobjetivo est\u00e1ndar y teleobjetivo corto.<\/p>\n\n\n\n

\"\"
Lente 50mm T1. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n

NiSi tambi\u00e9n presentar\u00e1 un lente 50mm T1 en la NAB 2026, que Kenji describi\u00f3 como un \u00absecreto bastante bien guardado\u00bb. No se compartieron m\u00e1s detalles, pero esto indica que la compa\u00f1\u00eda contin\u00faa apostando por \u00f3pticas m\u00e1s r\u00e1pidas y ambiciosas.<\/p>\n\n\n\n

Precio y disponibilidad<\/h2>\n\n\n\n

El\u00a0NiSi 65 PRIME 16mm T2.9<\/a>\u00a0ya est\u00e1 disponible con montura PL y tiene un precio de $2.799. El lente pesa 846g. Se espera que los env\u00edos comiencen a finales de abril o principios de mayo.<\/p>\n\n\n\n

\u00bfUtilizas sensores de gran formato y te cuesta encontrar lentes gran angular que cubran todo el c\u00edrculo de imagen? \u00bfTe interesa el 65 PRIME 16mm? \u00a1No dudes en contarnos en los comentarios de abajo!<\/strong><\/p>\n<421767-main-buylinks\/>"},"excerpt":{"rendered":"

NiSi ha presentado el 65 PRIME 16mm T2.9 en la NAB 2026, el primer lente de una nueva serie dise\u00f1ada espec\u00edficamente para sensores de gran formato. Con un c\u00edrculo de imagen cercano a los 65mm, este ultra gran angular rectil\u00edneo cubre las c\u00e1maras ARRI ALEXA 265, Blackmagic URSA Cine 17K 65 y FUJIFILM GFX ETERNA 55 en campo abierto, y tiene un precio de $2.799. Visitamos el stand de NiSi en la NAB 2026 para hablar con Kenji sobre el nuevo lente 65 PRIME 16mm T2.9. A medida que las c\u00e1maras con sensores m\u00e1s all\u00e1 del formato completo ganan terreno, el reto \u00f3ptico de cubrirlas con distancias focales ultra gran […]<\/p>\n","protected":false},"author":19286,"featured_media":421573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42296,"name":"Lentes","link":"https:\/\/www.cined.com\/es\/noticias\/lentes\/","slug":"lentes"}],"tags":[35043,104474,41139,104475,104476,24584,24596,26630,26796,85829,26861,88722,92157,30827,95313,35025],"tag_label":[52841,104182],"brand":[55745],"class_list":["post-421767","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-noticias","category-lentes","tag-nisi-es","tag-athena-glow-tuned","tag-rectilinear-es","tag-65-prime","tag-sensor-de-gran-formato","tag-cinema-lens-es","tag-large-format-es","tag-pl-mount-es","tag-lente-ultra-gran-angular","tag-alexa-265-es","tag-lentes-de-cine","tag-aureus-es","tag-ursa-cine-17k-65-es","tag-nab-es","tag-fujifilm-gfx-eterna-55-es","tag-16mm-es","post_format-post-format-video","tag_label-lens-news-es","tag_label-nab-2026","brand-nisi-es"],"yoast_head":"\nLanzan el NiSi 65 PRIME 16mm T2.9 - 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