{"id":427093,"date":"2026-05-28T12:31:42","date_gmt":"2026-05-28T10:31:42","guid":{"rendered":"https:\/\/www.cined.com\/?p=427093"},"modified":"2026-05-28T18:32:45","modified_gmt":"2026-05-28T16:32:45","slug":"davinci-resolve-21-public-beta-4-released-canon-raw-highlight-fix-fusion-motion-path-keyframing-and-refined-ai-cinefocus","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/davinci-resolve-21-public-beta-4-released-canon-raw-highlight-fix-fusion-motion-path-keyframing-and-refined-ai-cinefocus\/","title":{"rendered":"Lanzan DaVinci Resolve 21 Beta P\u00fablica 4 &#8211; Correcci\u00f3n de luces altas en Canon RAW, fotogramas clave con Fusion Motion Path y CineFocus con IA mejorada"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>Blackmagic Design ha lanzado la versi\u00f3n beta p\u00fablica 4 de DaVinci Resolve 21, una actualizaci\u00f3n espec\u00edfica que optimiza el comportamiento en lugar de a\u00f1adir funciones nuevas. Esta versi\u00f3n mejora el comportamiento de Resolve FX en im\u00e1genes fijas, corrige la renderizaci\u00f3n de luces altas para archivos Canon CR2 y CR3, e incorpora las rutas de movimiento y los modificadores de Fusion al editor de fotogramas clave en las p\u00e1ginas de Edici\u00f3n y Corte. Los usuarios de Studio tambi\u00e9n obtienen un CineFocus con IA mejorada y herramientas de belleza con IA optimizadas, mientras que todos los usuarios obtendr\u00e1n compatibilidad con el espacio de color nativo de Insta360 y una gesti\u00f3n de decodificaci\u00f3n DNG ampliada.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esta es la cuarta beta p\u00fablica de Resolve 21, la versi\u00f3n que Blackmagic Design desarroll\u00f3 en torno a la nueva p\u00e1gina de Fotograf\u00eda y una importante ampliaci\u00f3n de su set de herramientas de IA. En caso de que te hayas perdido el lanzamiento original, cubrimos la\u00a0<a href=\"https:\/\/www.cined.com\/davinci-resolve-21-announced-new-photo-page-eight-new-ai-tools-tethered-camera-controls-and-more\/\" target=\"_blank\" rel=\"noreferrer noopener\">lista completa de funciones cuando se anunci\u00f3 Resolve 21<\/a>, y m\u00e1s tarde pudimos\u00a0<a href=\"https:\/\/www.cined.com\/davinci-resolve-21-hands-on-at-nab-2026-photo-page-intellisearch-and-cinefocus-in-action\/\">probarlo en el stand de Blackmagic Design en la NAB 2026<\/a>,\u00a0donde vimos la p\u00e1gina de Fotos, IntelliSearch y CineFocus funcionando en la feria. La Beta 4 se centra menos en nuevas capacidades y m\u00e1s en que las ambiciosas incorporaciones de este ciclo se mantengan en el uso diario.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">El ritmo de actualizaciones ha sido constante desde su lanzamiento. La primera beta, publicada junto con el anuncio de la NAB, incluy\u00f3 las novedades principales: la p\u00e1gina de Fotos, las nuevas herramientas de IA (incluido CineFocus), el set de herramientas Krokodove para Fusion y las pistas de carpetas Fairlight. La Beta 2 le sigui\u00f3 con herramientas de recorte de fotos m\u00e1s intuitivas, IntelliSearch m\u00e1s r\u00e1pido y preciso, decodificaci\u00f3n mejorada de RAF y NEF de 12 bits, y renderizado foveado para flujos de trabajo de Apple Vision Pro. La Beta 3 se centr\u00f3 en la colaboraci\u00f3n y la compatibilidad con formatos, a\u00f1adiendo mejores flujos de trabajo MultiMaster, captura en directo desde la Sony Alpha 7 V, decodificaci\u00f3n de Panasonic Lumix RW2, nuevas API de scripting y una sincronizaci\u00f3n hasta tres veces m\u00e1s r\u00e1pida con Blackmagic Cloud. La Beta 4 contin\u00faa con este patr\u00f3n de perfeccionamiento gradual.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"DaVinci Resolve 21 Hands-On at NAB 2026: Photo Page, IntelliSearch, and CineFocus in Action\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/4GAIxHmkPU0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Lanzan DaVinci Resolve 21 Beta P\\u00fablica 4 - Correcci\\u00f3n de luces altas en Canon RAW, fotogramas clave con Fusion Motion Path y CineFocus con IA mejorada\",\"description\":\"Lanzan DaVinci Resolve 21 Beta P\\u00fablica 4 - Correcci\\u00f3n de luces altas en Canon RAW, fotogramas clave con Fusion Motion Path y CineFocus con IA mejorada\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=4GAIxHmkPU0\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/4GAIxHmkPU0\\\/mqdefault.jpg\",\"uploadDate\":\"2026-05-28T12:31:42+02:00\"}<\/script><!-- \/wp:embed\/video --><\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Los efectos de Resolve se comportan de forma m\u00e1s fiable en im\u00e1genes fijas<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La mayor parte del trabajo realizado en esta beta con las fotos es correctivo. Ahora, los efectos de Resolve se mantienen alineados al transformar una imagen fija, de modo que al redimensionar o reposicionar una foto con un efecto aplicado, las superposiciones y los controles en pantalla permanecen en su lugar. Esto es importante porque los controles desalineados en la p\u00e1gina de Fotos dificultaban los ajustes precisos, y la soluci\u00f3n permite realizar ajustes finos sin perder los puntos de referencia. Blackmagic Design tambi\u00e9n ha mejorado el manejo de la transparencia para los efectos en im\u00e1genes fijas, ha hecho que los efectos favoritos se conserven entre aperturas de la aplicaci\u00f3n y ha corregido el comportamiento de la herramienta de deformaci\u00f3n en fotos para que el redimensionamiento y la manipulaci\u00f3n de im\u00e1genes se realicen con mayor precisi\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"548\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-900x548.jpg\" alt=\"\" class=\"wp-image-427037\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-900x548.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-300x183.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-768x468.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-1536x935.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-460x280.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-378x230.jpg 378w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec.jpg 2000w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">DaVinci Resolve 21 introduce herramientas y formatos de fotograf\u00eda familiares. Cr\u00e9dito de la imagen: Blackmagic Design<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Las luces altas de Canon CR2 y CR3 vuelven a verse bien<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La actualizaci\u00f3n introduce una representaci\u00f3n m\u00e1s precisa de las luces altas en las im\u00e1genes Canon CR2 y CR3. Anteriormente, las \u00e1reas brillantes de estos archivos pod\u00edan aparecer m\u00e1s oscuras de lo esperado, lo que supone un problema real al gradar o componer y depender de que los datos RAW se comporten de forma consistente. Con la Beta 4, las luces altas conservan una apariencia m\u00e1s natural, eliminando un punto de fricci\u00f3n para quienes integran fotograf\u00edas de Canon en el flujo de trabajo de la p\u00e1gina de Fotos.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Las trayectorias de movimiento de Fusion llegan al editor de fotogramas clave<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En las p\u00e1ginas de Edici\u00f3n y Corte, el editor de fotogramas clave ahora admite trayectorias de movimiento de Fusion y otros modificadores. En la pr\u00e1ctica, esto significa que las curvas de animaci\u00f3n, las trayectorias de movimiento y los par\u00e1metros vinculados de los t\u00edtulos, efectos y macros de Fusion se pueden ajustar directamente junto con los fotogramas clave en el timeline. Los editores ya no tienen que acceder a la p\u00e1gina de Fusion para refinar un gr\u00e1fico animado o un efecto de Fusion, lo que deber\u00eda agilizar la iteraci\u00f3n de trabajos de movimiento complejos y facilitar su sincronizaci\u00f3n con el corte.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">AI CineFocus y herramientas de belleza, optimizadas para usuarios de Studio<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Para los usuarios de DaVinci Resolve Studio, AI CineFocus se ha mejorado para producir una profundidad de campo reducida m\u00e1s convincente. Los modos Mejor y M\u00e1s R\u00e1pido ahora manejan el desenfoque sutil con mayor precisi\u00f3n, y Blackmagic Design ha reducido el brillo en los bordes, el efecto escalonado y los halos para que los sujetos en primer plano se separen de forma m\u00e1s natural del fondo. Esta separaci\u00f3n es precisamente donde la profundidad de campo sint\u00e9tica suele fallar, por lo que las mejoras resultan m\u00e1s \u00fatiles al simular el enfoque del lente en entrevistas, primeros planos o material de archivo donde no es posible volver a grabar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"476\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-900x476.jpg\" alt=\"\" class=\"wp-image-427041\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-900x476.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-300x159.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-768x406.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-435x230.jpg 435w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305.jpg 990w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">AI CineFocus en DaVinci Resolve 21. Cr\u00e9dito de la imagen: Blackmagic Design<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Las herramientas de belleza con IA tambi\u00e9n se han optimizado. La herramienta de eliminaci\u00f3n de imperfecciones ahora permite una mayor precisi\u00f3n en el \u00e1rea facial, concentrando las correcciones s\u00f3lo donde son necesarias, y la herramienta de refinamiento facial ofrece una mejor compatibilidad con los flujos de trabajo de capas alfa; Esto \u00faltimo facilita el aislamiento y el seguimiento autom\u00e1tico de los ajustes faciales, reduciendo el enmascaramiento manual para tomas de belleza, moda o entrevistas.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Espacio de color Insta360 y manejo de decodificaci\u00f3n DNG<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Para completar la actualizaci\u00f3n, la Beta 4 a\u00f1ade compatibilidad con el espacio de color nativo de Insta360, lo cual resulta \u00fatil a medida que m\u00e1s producciones integran material de 360\u00b0 y de c\u00e1maras de acci\u00f3n en secuencias de tiempo mixto. La actualizaci\u00f3n tambi\u00e9n mejora la decodificaci\u00f3n DNG, a\u00f1adiendo compatibilidad con tablas de aspecto de valores de color y perfiles para una reproducci\u00f3n de imagen m\u00e1s consistente en todos los formatos que admite Resolve.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La versi\u00f3n DaVinci Resolve 21 Beta P\u00fablica 4 se puede descargar gratis para las ediciones gratuita y Studio, y ya est\u00e1 disponible directamente en\u00a0<a href=\"https:\/\/www.blackmagicdesign.com\/products\/davinciresolve\">Blackmagic Design<\/a>\u00a0a trav\u00e9s de\u00a0<a href=\"http:\/\/bmd.link\/WjEotc\">este enlace<\/a>. Como ocurre siempre con el software beta, conviene hacer una copia de seguridad de los proyectos actuales antes de actualizar y probar el nuevo comportamiento en copias en lugar de en trabajos activos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00bfEstas correcciones son las que estabas esperando, o todav\u00eda hay alg\u00fan aspecto que crees que podr\u00eda mejorar en tu flujo de trabajo con Resolve 21? \u00a1Cu\u00e9ntanos tu opini\u00f3n en los comentarios?<\/strong><\/p>\n<427093-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap wp-block-paragraph\"><strong>Blackmagic Design ha lanzado la versi\u00f3n beta p\u00fablica 4 de DaVinci Resolve 21, una actualizaci\u00f3n espec\u00edfica que optimiza el comportamiento en lugar de a\u00f1adir funciones nuevas. Esta versi\u00f3n mejora el comportamiento de Resolve FX en im\u00e1genes fijas, corrige la renderizaci\u00f3n de luces altas para archivos Canon CR2 y CR3, e incorpora las rutas de movimiento y los modificadores de Fusion al editor de fotogramas clave en las p\u00e1ginas de Edici\u00f3n y Corte. Los usuarios de Studio tambi\u00e9n obtienen un CineFocus con IA mejorada y herramientas de belleza con IA optimizadas, mientras que todos los usuarios obtendr\u00e1n compatibilidad con el espacio de color nativo de Insta360 y una gesti\u00f3n de decodificaci\u00f3n DNG ampliada.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esta es la cuarta beta p\u00fablica de Resolve 21, la versi\u00f3n que Blackmagic Design desarroll\u00f3 en torno a la nueva p\u00e1gina de Fotograf\u00eda y una importante ampliaci\u00f3n de su set de herramientas de IA. En caso de que te hayas perdido el lanzamiento original, cubrimos la\u00a0<a href=\"https:\/\/www.cined.com\/davinci-resolve-21-announced-new-photo-page-eight-new-ai-tools-tethered-camera-controls-and-more\/\" target=\"_blank\" rel=\"noreferrer noopener\">lista completa de funciones cuando se anunci\u00f3 Resolve 21<\/a>, y m\u00e1s tarde pudimos\u00a0<a href=\"https:\/\/www.cined.com\/davinci-resolve-21-hands-on-at-nab-2026-photo-page-intellisearch-and-cinefocus-in-action\/\">probarlo en el stand de Blackmagic Design en la NAB 2026<\/a>,\u00a0donde vimos la p\u00e1gina de Fotos, IntelliSearch y CineFocus funcionando en la feria. La Beta 4 se centra menos en nuevas capacidades y m\u00e1s en que las ambiciosas incorporaciones de este ciclo se mantengan en el uso diario.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">El ritmo de actualizaciones ha sido constante desde su lanzamiento. La primera beta, publicada junto con el anuncio de la NAB, incluy\u00f3 las novedades principales: la p\u00e1gina de Fotos, las nuevas herramientas de IA (incluido CineFocus), el set de herramientas Krokodove para Fusion y las pistas de carpetas Fairlight. La Beta 2 le sigui\u00f3 con herramientas de recorte de fotos m\u00e1s intuitivas, IntelliSearch m\u00e1s r\u00e1pido y preciso, decodificaci\u00f3n mejorada de RAF y NEF de 12 bits, y renderizado foveado para flujos de trabajo de Apple Vision Pro. La Beta 3 se centr\u00f3 en la colaboraci\u00f3n y la compatibilidad con formatos, a\u00f1adiendo mejores flujos de trabajo MultiMaster, captura en directo desde la Sony Alpha 7 V, decodificaci\u00f3n de Panasonic Lumix RW2, nuevas API de scripting y una sincronizaci\u00f3n hasta tres veces m\u00e1s r\u00e1pida con Blackmagic Cloud. La Beta 4 contin\u00faa con este patr\u00f3n de perfeccionamiento gradual.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"DaVinci Resolve 21 Hands-On at NAB 2026: Photo Page, IntelliSearch, and CineFocus in Action\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/4GAIxHmkPU0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Lanzan DaVinci Resolve 21 Beta P\\u00fablica 4 - Correcci\\u00f3n de luces altas en Canon RAW, fotogramas clave con Fusion Motion Path y CineFocus con IA mejorada\",\"description\":\"Lanzan DaVinci Resolve 21 Beta P\\u00fablica 4 - Correcci\\u00f3n de luces altas en Canon RAW, fotogramas clave con Fusion Motion Path y CineFocus con IA mejorada\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=4GAIxHmkPU0\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/4GAIxHmkPU0\\\/mqdefault.jpg\",\"uploadDate\":\"2026-05-28T12:31:42+02:00\"}<\/script><!-- \/wp:embed\/video --><\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\">Los efectos de Resolve se comportan de forma m\u00e1s fiable en im\u00e1genes fijas<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La mayor parte del trabajo realizado en esta beta con las fotos es correctivo. Ahora, los efectos de Resolve se mantienen alineados al transformar una imagen fija, de modo que al redimensionar o reposicionar una foto con un efecto aplicado, las superposiciones y los controles en pantalla permanecen en su lugar. Esto es importante porque los controles desalineados en la p\u00e1gina de Fotos dificultaban los ajustes precisos, y la soluci\u00f3n permite realizar ajustes finos sin perder los puntos de referencia. Blackmagic Design tambi\u00e9n ha mejorado el manejo de la transparencia para los efectos en im\u00e1genes fijas, ha hecho que los efectos favoritos se conserven entre aperturas de la aplicaci\u00f3n y ha corregido el comportamiento de la herramienta de deformaci\u00f3n en fotos para que el redimensionamiento y la manipulaci\u00f3n de im\u00e1genes se realicen con mayor precisi\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"548\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-900x548.jpg\" alt=\"\" class=\"wp-image-427037\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-900x548.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-300x183.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-768x468.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-1536x935.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-460x280.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec-378x230.jpg 378w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/7aac7802bdbc2281ed9bf8aa89e597ec.jpg 2000w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">DaVinci Resolve 21 introduce herramientas y formatos de fotograf\u00eda familiares. Cr\u00e9dito de la imagen: Blackmagic Design<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Las luces altas de Canon CR2 y CR3 vuelven a verse bien<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La actualizaci\u00f3n introduce una representaci\u00f3n m\u00e1s precisa de las luces altas en las im\u00e1genes Canon CR2 y CR3. Anteriormente, las \u00e1reas brillantes de estos archivos pod\u00edan aparecer m\u00e1s oscuras de lo esperado, lo que supone un problema real al gradar o componer y depender de que los datos RAW se comporten de forma consistente. Con la Beta 4, las luces altas conservan una apariencia m\u00e1s natural, eliminando un punto de fricci\u00f3n para quienes integran fotograf\u00edas de Canon en el flujo de trabajo de la p\u00e1gina de Fotos.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Las trayectorias de movimiento de Fusion llegan al editor de fotogramas clave<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En las p\u00e1ginas de Edici\u00f3n y Corte, el editor de fotogramas clave ahora admite trayectorias de movimiento de Fusion y otros modificadores. En la pr\u00e1ctica, esto significa que las curvas de animaci\u00f3n, las trayectorias de movimiento y los par\u00e1metros vinculados de los t\u00edtulos, efectos y macros de Fusion se pueden ajustar directamente junto con los fotogramas clave en el timeline. Los editores ya no tienen que acceder a la p\u00e1gina de Fusion para refinar un gr\u00e1fico animado o un efecto de Fusion, lo que deber\u00eda agilizar la iteraci\u00f3n de trabajos de movimiento complejos y facilitar su sincronizaci\u00f3n con el corte.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">AI CineFocus y herramientas de belleza, optimizadas para usuarios de Studio<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Para los usuarios de DaVinci Resolve Studio, AI CineFocus se ha mejorado para producir una profundidad de campo reducida m\u00e1s convincente. Los modos Mejor y M\u00e1s R\u00e1pido ahora manejan el desenfoque sutil con mayor precisi\u00f3n, y Blackmagic Design ha reducido el brillo en los bordes, el efecto escalonado y los halos para que los sujetos en primer plano se separen de forma m\u00e1s natural del fondo. Esta separaci\u00f3n es precisamente donde la profundidad de campo sint\u00e9tica suele fallar, por lo que las mejoras resultan m\u00e1s \u00fatiles al simular el enfoque del lente en entrevistas, primeros planos o material de archivo donde no es posible volver a grabar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"476\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-900x476.jpg\" alt=\"\" class=\"wp-image-427041\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-900x476.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-300x159.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-768x406.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305-435x230.jpg 435w, https:\/\/www.cined.com\/content\/uploads\/2026\/05\/35d30f83fe783b1f8745ce155fd22305.jpg 990w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">AI CineFocus en DaVinci Resolve 21. Cr\u00e9dito de la imagen: Blackmagic Design<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Las herramientas de belleza con IA tambi\u00e9n se han optimizado. La herramienta de eliminaci\u00f3n de imperfecciones ahora permite una mayor precisi\u00f3n en el \u00e1rea facial, concentrando las correcciones s\u00f3lo donde son necesarias, y la herramienta de refinamiento facial ofrece una mejor compatibilidad con los flujos de trabajo de capas alfa; Esto \u00faltimo facilita el aislamiento y el seguimiento autom\u00e1tico de los ajustes faciales, reduciendo el enmascaramiento manual para tomas de belleza, moda o entrevistas.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Espacio de color Insta360 y manejo de decodificaci\u00f3n DNG<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Para completar la actualizaci\u00f3n, la Beta 4 a\u00f1ade compatibilidad con el espacio de color nativo de Insta360, lo cual resulta \u00fatil a medida que m\u00e1s producciones integran material de 360\u00b0 y de c\u00e1maras de acci\u00f3n en secuencias de tiempo mixto. La actualizaci\u00f3n tambi\u00e9n mejora la decodificaci\u00f3n DNG, a\u00f1adiendo compatibilidad con tablas de aspecto de valores de color y perfiles para una reproducci\u00f3n de imagen m\u00e1s consistente en todos los formatos que admite Resolve.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La versi\u00f3n DaVinci Resolve 21 Beta P\u00fablica 4 se puede descargar gratis para las ediciones gratuita y Studio, y ya est\u00e1 disponible directamente en\u00a0<a href=\"https:\/\/www.blackmagicdesign.com\/products\/davinciresolve\">Blackmagic Design<\/a>\u00a0a trav\u00e9s de\u00a0<a href=\"http:\/\/bmd.link\/WjEotc\">este enlace<\/a>. Como ocurre siempre con el software beta, conviene hacer una copia de seguridad de los proyectos actuales antes de actualizar y probar el nuevo comportamiento en copias en lugar de en trabajos activos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00bfEstas correcciones son las que estabas esperando, o todav\u00eda hay alg\u00fan aspecto que crees que podr\u00eda mejorar en tu flujo de trabajo con Resolve 21? \u00a1Cu\u00e9ntanos tu opini\u00f3n en los comentarios?<\/strong><\/p>\n<427093-main-buylinks\/>"},"excerpt":{"rendered":"<p>Blackmagic Design ha lanzado la versi\u00f3n beta p\u00fablica 4 de DaVinci Resolve 21, una actualizaci\u00f3n espec\u00edfica que optimiza el comportamiento en lugar de a\u00f1adir funciones nuevas. Esta versi\u00f3n mejora el comportamiento de Resolve FX en im\u00e1genes fijas, corrige la renderizaci\u00f3n de luces altas para archivos Canon CR2 y CR3, e incorpora las rutas de movimiento y los modificadores de Fusion al editor de fotogramas clave en las p\u00e1ginas de Edici\u00f3n y Corte. Los usuarios de Studio tambi\u00e9n obtienen un CineFocus con IA mejorada y herramientas de belleza con IA optimizadas, mientras que todos los usuarios obtendr\u00e1n compatibilidad con el espacio de color nativo de Insta360 y una gesti\u00f3n de decodificaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":427035,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42308,"name":"Software","link":"https:\/\/www.cined.com\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[26392,95098,106783,27747,106785,28502,106859,24433,31995,106860,24515,106861,24820,106862,24824,106863,25191,25912,53934,25981,78698],"tag_label":[53633],"brand":[51539],"class_list":["post-427093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-noticias-software","tag-blackmagic-design-es","tag-canon-raw-2-es","tag-kit-de-seis-lentes","tag-edicion-de-video","tag-lpl-mount-lenses-2","tag-dng-es","tag-ai-cinefocus","tag-davinci-resolve-es","tag-editing-software-es","tag-davinci-resolve-21-public-beta-4-2","tag-color-grading-es","tag-keyframe-editor-2","tag-fusion-es","tag-photo-page","tag-video-editing-es","tag-davinci-resolve-21-2","tag-gradacion-de-color","tag-post-production-es","tag-posproduccion","tag-insta360-es","tag-montura-lpl","tag_label-software-update-es","brand-blackmagic-design-es"],"yoast_head":"<!-- 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