{"id":434116,"date":"2026-07-30T15:01:00","date_gmt":"2026-07-30T13:01:00","guid":{"rendered":"https:\/\/www.cined.com\/?p=434116"},"modified":"2026-07-30T18:37:16","modified_gmt":"2026-07-30T16:37:16","slug":"dji-osmo-pocket-4p-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/dji-osmo-pocket-4p-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/","title":{"rendered":"Prueba de Laboratorio de la DJI Osmo Pocket 4P &#8211; Efecto Rolling Shutter, rango din\u00e1mico y latitud de exposici\u00f3n"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>La nueva c\u00e1mara con gimbal DJI Osmo Pocket 4P viene con una promesa audaz: \u00a117 paradas de rango din\u00e1mico en la c\u00e1mara gran angular! No pudimos resistirnos a comprobarlo con nuestra Prueba de Laboratorio CineD. Y sucedi\u00f3 lo incre\u00edble. \u00bfQuieres saber m\u00e1s? Continua leyendo\u2026<\/strong><\/p><434116-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">\u00daltimamente, con las pruebas de laboratorio suele ocurrir m\u00e1s o menos lo mismo. Llega una nueva c\u00e1mara, el fabricante anuncia cifras muy altas para el rango din\u00e1mico y en el laboratorio obtenemos entre 11.5 y 12.5 paradas con una relaci\u00f3n se\u00f1al\/ruido de dos, y entre 7 y 9 paradas de latitud de exposici\u00f3n. Suena un poco aburrido, \u00bfverdad?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Puedes leer nuestro art\u00edculo <a href=\"https:\/\/www.cined.com\/dji-osmo-pocket-4p-released-dual-lens-design-1-inch-sensor-and-10-bit-d-log-2-recording\/\" target=\"_blank\" rel=\"noreferrer noopener\">aqu\u00ed<\/a> sobre el lanzamiento y las especificaciones de la DJI Osmo Pocket 4P.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Adem\u00e1s, acabamos de publicar nuestra <a href=\"https:\/\/www.cined.com\/es\/insta360-luna-ultra-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/\" target=\"_blank\" rel=\"noreferrer noopener\">Prueba de Laboratorio de la Insta360 Luna Ultra<\/a>. Si te la perdiste, puedes <a href=\"https:\/\/www.cined.com\/es\/insta360-luna-ultra-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/\" target=\"_blank\" rel=\"noreferrer noopener\">consultarla aqu\u00ed<\/a>.<\/em><\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"DJI Osmo Pocket 4P Almost Beats ALEXA 35, But Insta360 Luna Ultra Fails Lab Test - Focus Check ep127\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/UA0QxCD8HVg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Prueba de Laboratorio de la DJI Osmo Pocket 4P - Efecto Rolling Shutter, rango din\\u00e1mico y latitud de exposici\\u00f3n\",\"description\":\"Prueba de Laboratorio de la DJI Osmo Pocket 4P - Efecto Rolling Shutter, rango din\\u00e1mico y latitud de exposici\\u00f3n\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/UA0QxCD8HVg\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/UA0QxCD8HVg\\\/mqdefault.jpg\",\"uploadDate\":\"2026-07-30T15:01:00+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Con la llegada de la tecnolog\u00eda de doble ganancia, que combina un ISO alto y uno bajo en una sola exposici\u00f3n, las cosas empezaron a cambiar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vimos esta tecnolog\u00eda desde el principio en c\u00e1maras de cine de \u00faltima generaci\u00f3n como la l\u00ednea ARRI Alexa, que se encuentran en lo m\u00e1s alto de nuestras listas de las mejores. M\u00e1s recientemente, esta tecnolog\u00eda tambi\u00e9n ha llegado a c\u00e1maras de consumidor como la Canon C70, la LUMIX S1II y la GH6\/7, y ahora tambi\u00e9n a la Sony A7R IV; en consecuencia, la brecha entre las c\u00e1maras de cine de alta gama y las de consumidor se ha reducido.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hay otra nueva tecnolog\u00eda en el sensor de la Osmo Pocket 4P en la c\u00e1mara gran angular, llamada LOFIC (condensador de integraci\u00f3n de desbordamiento lateral). Esta tecnolog\u00eda proporciona importantes reservas en las luces altas, y esto fue confirmado por nuestras pruebas que encontrar\u00e1n a continuaci\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-900x506.jpg\" alt=\"\" class=\"wp-image-432502\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">La DJI OSMO Pocket 4P en nuestro estudio CineD. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">A pesar de la interesante tecnolog\u00eda del sensor nuevo, dudamos en utilizar nuestros procedimientos de prueba est\u00e1ndar, ya que la c\u00e1mara de 20mm de ancho tiene que acercarse mucho a la carta Xyla21 para la prueba de rango din\u00e1mico, lo que provoca reflejos de las zonas m\u00e1s brillantes de la carta que afectan a las zonas m\u00e1s oscuras; esto dista mucho de ser \u00f3ptimo. Por lo tanto, movimos bastante la c\u00e1mara (rompiendo la simetr\u00eda) y utilizamos banderas improvisadas hasta que esta parte qued\u00f3 bien. Lo mismo ocurri\u00f3 con la prueba de latitud. Las im\u00e1genes est\u00e1n bastante distorsionadas debido a la proximidad al sujeto.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Una vez m\u00e1s, mi querido colega Florian Milz fue de gran ayuda para determinar todas las modificaciones necesarias y tambi\u00e9n colabor\u00f3 en la grabaci\u00f3n y el an\u00e1lisis de esta prueba.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por suerte, la DJI Osmo Pocket 4P no realiza adaptaciones computacionales dependientes de la escena (como los iPhone 17\/17 Pro, lo que impide una prueba de laboratorio adecuada), por lo que el modo manual es verdaderamente manual y no hay cambios en nada m\u00e1s. \u00a1Estamos listos para empezar!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De ahora en adelante, siempre ver\u00e1s dos resultados: uno para la c\u00e1mara gran angular LOFIC F2.0 con sensor de 1&#8243; y equivalente a 20mm, y otro para la c\u00e1mara teleobjetivo medio F1.8 con sensor de 60mm y equivalente a 1.28&#8243;.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rolling shutter de la DJI Osmo Pocket 4P<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Como de costumbre, usamos nuestra luz estrobosc\u00f3pica de 300Hz para revelar los pares de barras blancas y negras en la imagen.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-900x506.jpg\" alt=\"\" class=\"wp-image-432498\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La c\u00e1mara gran angular (en D-Log2) registra un tiempo de respuesta de <strong>11ms<\/strong>, s\u00f3lido pero no excepcional (cuanto menor, mejor), incluso en el modo de 60 fotogramas por segundo. La c\u00e1mara teleobjetivo medio (en D-Log) es un poco m\u00e1s r\u00e1pida y muestra <strong>9.4ms<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A partir de estos resultados, se hace evidente por qu\u00e9 las velocidades de fotogramas m\u00e1s altas solo est\u00e1n disponibles con un submuestreo de sensor diferente en el modo &#8220;normal&#8221; (por ejemplo, 4K a 200fps requerir\u00eda 5ms de rolling shutter).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rango din\u00e1mico de la Osmo Pocket 4P<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Comencemos con la c\u00e1mara gran angular de 20mm, que incorpora la nueva tecnolog\u00eda LOFIC y un nuevo modo D-Log2 de 10 bits para adaptarse al aumento del rango din\u00e1mico, con un ISO nativo de 1600. El teleobjetivo medio es un sensor est\u00e1ndar que cuenta con el perfil D-Log est\u00e1ndar y un ISO nativo de 400.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En caso de que no sepas c\u00f3mo probamos el rango din\u00e1mico, te recomendamos <a href=\"https:\/\/www.cined.com\/es\/the-cinema5d-camera-lab-is-back-dynamic-range-tests\/\">consultar primero esta p\u00e1gina<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Una captura de nuestra carta Xyla21 en 4K a 25p y 10 bits con D-Log2 a ISO 1600 revela la siguiente forma de onda:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"703\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-900x703.jpeg\" alt=\"\" class=\"wp-image-432492\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-900x703.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-300x234.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-768x600.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-1536x1200.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-294x230.jpeg 294w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600.jpeg 1948w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Gr\u00e1fico de la forma de onda para la DJI OSMO Pocket 4P con gran angular de 20mm, D-Log2 e ISO 1600. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Podemos identificar 16 paradas de rango din\u00e1mico por encima del nivel de ruido, con una tenue parada 17.\u00ba oculta dentro de este. Se aprecian algunos reflejos que no pudimos evitar por completo, ya que el nivel de ruido en el lado izquierdo es ligeramente elevado. Pero la vida se trata de encontrar el equilibrio, \u00bfverdad?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">IMATEST revela lo siguiente:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1091\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-900x1091.jpeg\" alt=\"\" class=\"wp-image-432489\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-900x1091.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-300x364.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-768x931.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-190x230.jpeg 190w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600.jpeg 1120w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Resultado de Imatest para la c\u00e1mara gran angular de 20mm, D-Log2 a ISO 1600. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Obtuvimos 16 paradas con una relaci\u00f3n se\u00f1al\/ruido (SNR) de 2 y 17.2 paradas con una SNR de 1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Esto es realmente asombroso: \u00a1el mejor resultado que hemos visto desde que probamos c\u00e1maras!<\/strong> En el gr\u00e1fico del &#8220;espectro de ruido&#8221; en la parte inferior derecha, se observan amplitudes muy altas en las frecuencias altas, lo que b\u00e1sicamente significa que se trata de una imagen 4K muy detallada con poca reducci\u00f3n de ruido interna.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esto supera los resultados que obtuvimos con la l\u00edder actual en rango din\u00e1mico, la ARRI Alexa 35 (y la diferencia de precio entre ambas es de 100 veces). \u00a1Todo esto con un sensor de 1\u201d!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ahora, la prueba definitiva ser\u00e1 la latitud de exposici\u00f3n a continuaci\u00f3n. Veamos qu\u00e9 resultados obtenemos y cu\u00e1les son las diferencias con la Alexa 35.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pero antes, vamos a echarle un vistazo a la c\u00e1mara teleobjetivo medio de 60mm a ISO 400 y, de nuevo, a D-Log de 10 bits:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"703\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-900x703.jpeg\" alt=\"\" class=\"wp-image-432505\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-900x703.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-300x234.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-768x600.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-1536x1200.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-294x230.jpeg 294w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400.jpeg 1948w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Gr\u00e1fico de forma de onda para la DJI OSMO Pocket 4P 60mm teleobjetivo medio D-Log ISO 400. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a1Ah! Aqu\u00ed estamos de nuevo con las habituales 12 paradas por encima del nivel de ruido.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1091\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-900x1091.jpeg\" alt=\"\" class=\"wp-image-432495\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-900x1091.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-300x364.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-768x931.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-190x230.jpeg 190w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400.jpeg 1120w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Resultado de Imatest para la c\u00e1mara gran angular de 60mm, D-Log a ISO 400. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">IMATEST revela <strong>11.6<\/strong> \/ <strong>12.9<\/strong> paradas con una relaci\u00f3n se\u00f1al\/ruido de 2\/1. \u00a1Es un resultado bastante bueno para un sensor de 1.28\u201d!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Latitud de exposici\u00f3n de la DJI OSMO Pocket 4P<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Como se mencion\u00f3 en art\u00edculos anteriores, la latitud es la capacidad de una c\u00e1mara para conservar el detalle y el color cuando est\u00e1 sobreexpuesta o subexpuesta y luego se ajusta a una exposici\u00f3n base. Esta prueba es muy reveladora, ya que lleva al l\u00edmite el procesamiento de imagen de cualquier c\u00e1mara, no solo en las luces, sino principalmente en las sombras.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nuestra exposici\u00f3n base de estudio se eligi\u00f3 (arbitrariamente) con un valor de luminancia (sin correcci\u00f3n) de alrededor del 60% en la frente del sujeto en el monitor de forma de onda; en este caso, mi querido colega Nino.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-900x506.jpg\" alt=\"\" class=\"wp-image-432508\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Como ya se mencion\u00f3, tuvimos que acercarnos mucho a Nino, lo que provoc\u00f3 una distorsi\u00f3n significativa. Con el teleobjetivo medio, la imagen vuelve a la normalidad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ahora, comenzamos a sobreexponer. Desafortunadamente, con nuestra luz de estudio m\u00e1s potente, no pudimos acercarnos lo suficiente al canal rojo en la frente de Nino; por lo tanto, aqu\u00ed est\u00e1 la imagen sobreexpuesta en 4 paradas, regresadas a la exposici\u00f3n base:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-900x506.jpg\" alt=\"\" class=\"wp-image-432511\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">DJI OSMO Pocket 4P con 4 paradas de sobreexposici\u00f3n, regresadas a la exposici\u00f3n base.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"631\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-900x631.png\" alt=\"\" class=\"wp-image-432518\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-900x631.png 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-300x210.png 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-768x539.png 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-328x230.png 328w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over.png 944w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Forma de onda RGB (sin correcci\u00f3n) con 4 paradas de sobreexposici\u00f3n: \u00a1a\u00fan hay margen de m\u00e1s de 1 parada en las luces!<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Al observar la forma de onda RGB de las mediciones de Xyla21, vemos que a\u00fan hay algo m\u00e1s de una parada de margen en el canal rojo. Por lo tanto, podemos sobreexponer m\u00e1s de 5 paradas respecto a la exposici\u00f3n base sin que se sature la frente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En este punto, comenzamos a subexponer duplicando la velocidad de obturaci\u00f3n hasta alcanzar 1\/6400, y luego usamos filtros NISI IRND con densidades de 0.3, 0.6, 0.9 y 1.2 (ya que la apertura de los lentes es fija).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pasemos directamente a una subexposici\u00f3n de 4 paradas, regresadas a la exposici\u00f3n base:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432521\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Hay muy poco ruido; la imagen ni siquiera requiere reducci\u00f3n de ruido. \u00a1Tenemos m\u00e1s de 9 paradas de exposici\u00f3n! Un valor que era de \u00faltima generaci\u00f3n el a\u00f1o pasado con la Canon R1 o la Sony A9III, y tambi\u00e9n con la gama de c\u00e1maras RED. A mediados de 2026, la Lumix S1II, con su sistema de doble ganancia, ya ofrec\u00eda 10 paradas de latitud de exposici\u00f3n, al igual que la ARRI ALEXA Mini LF.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Veamos ahora qu\u00e9 ocurre con m\u00e1s de 10 paradas de latitud de exposici\u00f3n:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432524\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La imagen sigue vi\u00e9ndose bastante bien, pero se aprecia un tono marr\u00f3n y otro detalle: parece haber un vi\u00f1eteado considerable en el lente de 20mm, que se corrige internamente, ya que hasta ahora no era visible. Sin embargo, al analizar las sombras, la correcci\u00f3n ya no parece estar activa y el vi\u00f1eteado es muy evidente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adem\u00e1s, al eliminar el ruido con 5 paradas de subexposici\u00f3n, se aprecian las limitaciones de los 10 bits y aparece posterizaci\u00f3n. La imagen est\u00e1 al l\u00edmite de ser utilizable (esto es m\u00e1s evidente en la imagen en movimiento):<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432545\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Pasemos a una subexposici\u00f3n de 6 paradas, regresadas a la exposici\u00f3n base:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-900x506.jpeg\" alt=\"\" class=\"wp-image-432533\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">El vi\u00f1eteado se vuelve muy pronunciado, al igual que el ruido. \u00a1Tenemos m\u00e1s de 11 paradas de latitud de exposici\u00f3n! Veamos si la reducci\u00f3n de ruido puede salvar la imagen:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432536\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Pues no. La imagen en movimiento revela grandes manchas de ruido crom\u00e1tico que se extienden por toda la imagen, y los colores se distorsionan bastante, por ejemplo, en la sombra del rostro de Nino. De todos modos, no se aprecian otros artefactos como l\u00edneas horizontales o verticales, que s\u00ed afectan negativamente a los resultados de latitud de exposici\u00f3n de otras c\u00e1maras.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A pesar de la buena puntuaci\u00f3n de IMATEST de la DJI Osmo Pocket 4P, se evidencian las limitaciones de un c\u00f3dec comprimido de 10 bits. Pero, en perspectiva, una s\u00f3lida latitud de exposici\u00f3n de 10 paradas, con cierto margen hasta los 11, es un resultado excelente para una c\u00e1mara tan peque\u00f1a, \u00a1algo inaudito hasta ahora!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La l\u00edder en latitud de exposici\u00f3n sigue siendo la ARRI Alexa 35, que obtuvo 12 paradas de latitud de exposici\u00f3n utilizando ARRIRAW de 13 bits. Al menos, una c\u00e1mara de cine de alta gama es capaz de superar a este nuevo sensor ;-).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ahora, observando la combinaci\u00f3n de teleobjetivo medio de 60mm y sensor, podemos sobreexponer 3 paradas respecto a la exposici\u00f3n base antes de que el canal rojo empiece a saturarse en la frente de Nino:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-900x506.jpg\" alt=\"\" class=\"wp-image-432567\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Desde aqu\u00ed, subexponemos 4 paradas por debajo de la base, aumentamos la exposici\u00f3n y obtenemos la siguiente imagen:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432570\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Todav\u00eda se ve bien, aunque empieza a aparecer ruido. Estamos a 7 paradas de latitud de exposici\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pasemos a 5 paradas de subexposici\u00f3n, regresadas a la exposici\u00f3n base:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432576\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Esto definitivamente requiere reducci\u00f3n de ruido:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432573\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Aplicando la reducci\u00f3n de ruido, todav\u00eda se ve aceptable; no hay artefactos como l\u00edneas horizontales y los colores se mantienen bastante bien. Estamos en 8 paradas de latitud de exposici\u00f3n y el ruido en s\u00ed se ve bastante natural.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pasando a 6 paradas de subexposici\u00f3n, regresadas a la exposici\u00f3n base, podemos ver que la imagen se fragmenta:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432582\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La reducci\u00f3n de ruido no puede salvar esta imagen:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432579\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">En la imagen en movimiento, hay grandes manchas de ruido crom\u00e1tico flotando en la imagen, e incluso el algoritmo de reducci\u00f3n de ruido Ultra de IA de DaVinci. No se puede recuperar esto sin perder todos los detalles. Fin del juego.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por lo tanto, la c\u00e1mara teleobjetivo media logra alcanzar 8 paradas de latitud de exposici\u00f3n, \u00a1un resultado excelente para un sensor tan peque\u00f1o! Estamos en 2026 y hay c\u00e1maras full-frame para consumidores que apenas alcanzan este resultado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Resumen<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La DJI Osmo Pocket 4P nos sorprendi\u00f3 en muchos aspectos. Ya desde la forma de onda de nuestra carta Xyla21, ver 16 paradas por encima del nivel de ruido para la c\u00e1mara gran angular fue una novedad para nosotros. La puntuaci\u00f3n de IMATEST lo confirm\u00f3. Sin embargo, la prueba de latitud puso las cosas en perspectiva: un s\u00f3lido resultado de 10 paradas de latitud de exposici\u00f3n, con margen para llegar a una 11, es magn\u00edfico; Ir m\u00e1s all\u00e1 no es posible debido a las limitaciones del c\u00f3dec de 10 bits, ya que comienza a producirse posterizaci\u00f3n. Existe una raz\u00f3n por la que ARRIRAW pas\u00f3 a una profundidad de bits de 13 bits con la Alexa 35 (que alcanz\u00f3 un nivel de rango din\u00e1mico similar): precisamente para evitar que esto sucediera. Y la Alexa 35 obtuvo 12 paradas de latitud de exposici\u00f3n en consecuencia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pero el simple hecho de que estemos comparando un dispositivo de menos de $1.000 con la Alexa 35 habla por s\u00ed solo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La c\u00e1mara de 60mm tampoco decepciona, mostrando resultados muy actuales con 8 paradas de latitud de exposici\u00f3n y 11.6 paradas de rango din\u00e1mico con una relaci\u00f3n se\u00f1al\/ruido de 2.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfTodo esto con valores de rolling shutter entre 9.4ms (60mm) y 11ms (20mm)? \u00a1Wow, qu\u00e9 maravilla!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Y pensando m\u00e1s all\u00e1, imag\u00ednense una c\u00e1mara compacta con montura Micro Cuatro Tercios que albergue este nuevo sensor LOFIC de 1\u201d con RAW interno, combinado con todas las opciones de aumento de velocidad disponibles\u2026 \u00bfno es similar a la Blackmagic Pocket Cinema original?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00bfHas grabado con la serie DJI OSMO Pocket o con la nueva 4P? \u00a1Cu\u00e9ntanos tu experiencia en la secci\u00f3n de comentarios!<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<434116-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap wp-block-paragraph\"><strong>La nueva c\u00e1mara con gimbal DJI Osmo Pocket 4P viene con una promesa audaz: \u00a117 paradas de rango din\u00e1mico en la c\u00e1mara gran angular! No pudimos resistirnos a comprobarlo con nuestra Prueba de Laboratorio CineD. Y sucedi\u00f3 lo incre\u00edble. \u00bfQuieres saber m\u00e1s? Continua leyendo\u2026<\/strong><\/p><434116-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">\u00daltimamente, con las pruebas de laboratorio suele ocurrir m\u00e1s o menos lo mismo. Llega una nueva c\u00e1mara, el fabricante anuncia cifras muy altas para el rango din\u00e1mico y en el laboratorio obtenemos entre 11.5 y 12.5 paradas con una relaci\u00f3n se\u00f1al\/ruido de dos, y entre 7 y 9 paradas de latitud de exposici\u00f3n. Suena un poco aburrido, \u00bfverdad?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Puedes leer nuestro art\u00edculo <a href=\"https:\/\/www.cined.com\/dji-osmo-pocket-4p-released-dual-lens-design-1-inch-sensor-and-10-bit-d-log-2-recording\/\" target=\"_blank\" rel=\"noreferrer noopener\">aqu\u00ed<\/a> sobre el lanzamiento y las especificaciones de la DJI Osmo Pocket 4P.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Adem\u00e1s, acabamos de publicar nuestra <a href=\"https:\/\/www.cined.com\/es\/insta360-luna-ultra-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/\" target=\"_blank\" rel=\"noreferrer noopener\">Prueba de Laboratorio de la Insta360 Luna Ultra<\/a>. Si te la perdiste, puedes <a href=\"https:\/\/www.cined.com\/es\/insta360-luna-ultra-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/\" target=\"_blank\" rel=\"noreferrer noopener\">consultarla aqu\u00ed<\/a>.<\/em><\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"DJI Osmo Pocket 4P Almost Beats ALEXA 35, But Insta360 Luna Ultra Fails Lab Test - Focus Check ep127\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/UA0QxCD8HVg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Prueba de Laboratorio de la DJI Osmo Pocket 4P - Efecto Rolling Shutter, rango din\\u00e1mico y latitud de exposici\\u00f3n\",\"description\":\"Prueba de Laboratorio de la DJI Osmo Pocket 4P - Efecto Rolling Shutter, rango din\\u00e1mico y latitud de exposici\\u00f3n\",\"contentUrl\":\"https:\\\/\\\/youtu.be\\\/UA0QxCD8HVg\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/UA0QxCD8HVg\\\/mqdefault.jpg\",\"uploadDate\":\"2026-07-30T15:01:00+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<p class=\"wp-block-paragraph\">Con la llegada de la tecnolog\u00eda de doble ganancia, que combina un ISO alto y uno bajo en una sola exposici\u00f3n, las cosas empezaron a cambiar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vimos esta tecnolog\u00eda desde el principio en c\u00e1maras de cine de \u00faltima generaci\u00f3n como la l\u00ednea ARRI Alexa, que se encuentran en lo m\u00e1s alto de nuestras listas de las mejores. M\u00e1s recientemente, esta tecnolog\u00eda tambi\u00e9n ha llegado a c\u00e1maras de consumidor como la Canon C70, la LUMIX S1II y la GH6\/7, y ahora tambi\u00e9n a la Sony A7R IV; en consecuencia, la brecha entre las c\u00e1maras de cine de alta gama y las de consumidor se ha reducido.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hay otra nueva tecnolog\u00eda en el sensor de la Osmo Pocket 4P en la c\u00e1mara gran angular, llamada LOFIC (condensador de integraci\u00f3n de desbordamiento lateral). Esta tecnolog\u00eda proporciona importantes reservas en las luces altas, y esto fue confirmado por nuestras pruebas que encontrar\u00e1n a continuaci\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-900x506.jpg\" alt=\"\" class=\"wp-image-432502\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-in-the-lab_1.33.1.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">La DJI OSMO Pocket 4P en nuestro estudio CineD. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">A pesar de la interesante tecnolog\u00eda del sensor nuevo, dudamos en utilizar nuestros procedimientos de prueba est\u00e1ndar, ya que la c\u00e1mara de 20mm de ancho tiene que acercarse mucho a la carta Xyla21 para la prueba de rango din\u00e1mico, lo que provoca reflejos de las zonas m\u00e1s brillantes de la carta que afectan a las zonas m\u00e1s oscuras; esto dista mucho de ser \u00f3ptimo. Por lo tanto, movimos bastante la c\u00e1mara (rompiendo la simetr\u00eda) y utilizamos banderas improvisadas hasta que esta parte qued\u00f3 bien. Lo mismo ocurri\u00f3 con la prueba de latitud. Las im\u00e1genes est\u00e1n bastante distorsionadas debido a la proximidad al sujeto.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Una vez m\u00e1s, mi querido colega Florian Milz fue de gran ayuda para determinar todas las modificaciones necesarias y tambi\u00e9n colabor\u00f3 en la grabaci\u00f3n y el an\u00e1lisis de esta prueba.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por suerte, la DJI Osmo Pocket 4P no realiza adaptaciones computacionales dependientes de la escena (como los iPhone 17\/17 Pro, lo que impide una prueba de laboratorio adecuada), por lo que el modo manual es verdaderamente manual y no hay cambios en nada m\u00e1s. \u00a1Estamos listos para empezar!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De ahora en adelante, siempre ver\u00e1s dos resultados: uno para la c\u00e1mara gran angular LOFIC F2.0 con sensor de 1&#8243; y equivalente a 20mm, y otro para la c\u00e1mara teleobjetivo medio F1.8 con sensor de 60mm y equivalente a 1.28&#8243;.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rolling shutter de la DJI Osmo Pocket 4P<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Como de costumbre, usamos nuestra luz estrobosc\u00f3pica de 300Hz para revelar los pares de barras blancas y negras en la imagen.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-900x506.jpg\" alt=\"\" class=\"wp-image-432498\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/DJI-4P-WIDE-4K-25p.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La c\u00e1mara gran angular (en D-Log2) registra un tiempo de respuesta de <strong>11ms<\/strong>, s\u00f3lido pero no excepcional (cuanto menor, mejor), incluso en el modo de 60 fotogramas por segundo. La c\u00e1mara teleobjetivo medio (en D-Log) es un poco m\u00e1s r\u00e1pida y muestra <strong>9.4ms<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A partir de estos resultados, se hace evidente por qu\u00e9 las velocidades de fotogramas m\u00e1s altas solo est\u00e1n disponibles con un submuestreo de sensor diferente en el modo &#8220;normal&#8221; (por ejemplo, 4K a 200fps requerir\u00eda 5ms de rolling shutter).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Rango din\u00e1mico de la Osmo Pocket 4P<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Comencemos con la c\u00e1mara gran angular de 20mm, que incorpora la nueva tecnolog\u00eda LOFIC y un nuevo modo D-Log2 de 10 bits para adaptarse al aumento del rango din\u00e1mico, con un ISO nativo de 1600. El teleobjetivo medio es un sensor est\u00e1ndar que cuenta con el perfil D-Log est\u00e1ndar y un ISO nativo de 400.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En caso de que no sepas c\u00f3mo probamos el rango din\u00e1mico, te recomendamos <a href=\"https:\/\/www.cined.com\/es\/the-cinema5d-camera-lab-is-back-dynamic-range-tests\/\">consultar primero esta p\u00e1gina<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Una captura de nuestra carta Xyla21 en 4K a 25p y 10 bits con D-Log2 a ISO 1600 revela la siguiente forma de onda:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"703\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-900x703.jpeg\" alt=\"\" class=\"wp-image-432492\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-900x703.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-300x234.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-768x600.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-1536x1200.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-294x230.jpeg 294w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600.jpeg 1948w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Gr\u00e1fico de la forma de onda para la DJI OSMO Pocket 4P con gran angular de 20mm, D-Log2 e ISO 1600. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Podemos identificar 16 paradas de rango din\u00e1mico por encima del nivel de ruido, con una tenue parada 17.\u00ba oculta dentro de este. Se aprecian algunos reflejos que no pudimos evitar por completo, ya que el nivel de ruido en el lado izquierdo es ligeramente elevado. Pero la vida se trata de encontrar el equilibrio, \u00bfverdad?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">IMATEST revela lo siguiente:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1091\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-900x1091.jpeg\" alt=\"\" class=\"wp-image-432489\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-900x1091.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-300x364.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-768x931.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600-190x230.jpeg 190w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-WIDE-4K-25p-D-Log-2-ISO1600.jpeg 1120w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Resultado de Imatest para la c\u00e1mara gran angular de 20mm, D-Log2 a ISO 1600. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Obtuvimos 16 paradas con una relaci\u00f3n se\u00f1al\/ruido (SNR) de 2 y 17.2 paradas con una SNR de 1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Esto es realmente asombroso: \u00a1el mejor resultado que hemos visto desde que probamos c\u00e1maras!<\/strong> En el gr\u00e1fico del &#8220;espectro de ruido&#8221; en la parte inferior derecha, se observan amplitudes muy altas en las frecuencias altas, lo que b\u00e1sicamente significa que se trata de una imagen 4K muy detallada con poca reducci\u00f3n de ruido interna.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esto supera los resultados que obtuvimos con la l\u00edder actual en rango din\u00e1mico, la ARRI Alexa 35 (y la diferencia de precio entre ambas es de 100 veces). \u00a1Todo esto con un sensor de 1\u201d!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ahora, la prueba definitiva ser\u00e1 la latitud de exposici\u00f3n a continuaci\u00f3n. Veamos qu\u00e9 resultados obtenemos y cu\u00e1les son las diferencias con la Alexa 35.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pero antes, vamos a echarle un vistazo a la c\u00e1mara teleobjetivo medio de 60mm a ISO 400 y, de nuevo, a D-Log de 10 bits:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"703\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-900x703.jpeg\" alt=\"\" class=\"wp-image-432505\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-900x703.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-300x234.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-768x600.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-1536x1200.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-294x230.jpeg 294w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/WAVEFORM-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400.jpeg 1948w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Gr\u00e1fico de forma de onda para la DJI OSMO Pocket 4P 60mm teleobjetivo medio D-Log ISO 400. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a1Ah! Aqu\u00ed estamos de nuevo con las habituales 12 paradas por encima del nivel de ruido.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"1091\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-900x1091.jpeg\" alt=\"\" class=\"wp-image-432495\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-900x1091.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-300x364.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-768x931.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400-190x230.jpeg 190w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/IMATEST-DJI-4P-MID-TELE-4K-25p-D-Log-ISO400.jpeg 1120w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Resultado de Imatest para la c\u00e1mara gran angular de 60mm, D-Log a ISO 400. Cr\u00e9dito de la imagen: CineD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">IMATEST revela <strong>11.6<\/strong> \/ <strong>12.9<\/strong> paradas con una relaci\u00f3n se\u00f1al\/ruido de 2\/1. \u00a1Es un resultado bastante bueno para un sensor de 1.28\u201d!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Latitud de exposici\u00f3n de la DJI OSMO Pocket 4P<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Como se mencion\u00f3 en art\u00edculos anteriores, la latitud es la capacidad de una c\u00e1mara para conservar el detalle y el color cuando est\u00e1 sobreexpuesta o subexpuesta y luego se ajusta a una exposici\u00f3n base. Esta prueba es muy reveladora, ya que lleva al l\u00edmite el procesamiento de imagen de cualquier c\u00e1mara, no solo en las luces, sino principalmente en las sombras.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nuestra exposici\u00f3n base de estudio se eligi\u00f3 (arbitrariamente) con un valor de luminancia (sin correcci\u00f3n) de alrededor del 60% en la frente del sujeto en el monitor de forma de onda; en este caso, mi querido colega Nino.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-900x506.jpg\" alt=\"\" class=\"wp-image-432508\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-base_1.6.1.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Como ya se mencion\u00f3, tuvimos que acercarnos mucho a Nino, lo que provoc\u00f3 una distorsi\u00f3n significativa. Con el teleobjetivo medio, la imagen vuelve a la normalidad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ahora, comenzamos a sobreexponer. Desafortunadamente, con nuestra luz de estudio m\u00e1s potente, no pudimos acercarnos lo suficiente al canal rojo en la frente de Nino; por lo tanto, aqu\u00ed est\u00e1 la imagen sobreexpuesta en 4 paradas, regresadas a la exposici\u00f3n base:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-900x506.jpg\" alt=\"\" class=\"wp-image-432511\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-over_1.2.1.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">DJI OSMO Pocket 4P con 4 paradas de sobreexposici\u00f3n, regresadas a la exposici\u00f3n base.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"631\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-900x631.png\" alt=\"\" class=\"wp-image-432518\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-900x631.png 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-300x210.png 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-768x539.png 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over-328x230.png 328w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/RGB-waveform-4-over.png 944w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Forma de onda RGB (sin correcci\u00f3n) con 4 paradas de sobreexposici\u00f3n: \u00a1a\u00fan hay margen de m\u00e1s de 1 parada en las luces!<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Al observar la forma de onda RGB de las mediciones de Xyla21, vemos que a\u00fan hay algo m\u00e1s de una parada de margen en el canal rojo. Por lo tanto, podemos sobreexponer m\u00e1s de 5 paradas respecto a la exposici\u00f3n base sin que se sature la frente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En este punto, comenzamos a subexponer duplicando la velocidad de obturaci\u00f3n hasta alcanzar 1\/6400, y luego usamos filtros NISI IRND con densidades de 0.3, 0.6, 0.9 y 1.2 (ya que la apertura de los lentes es fija).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pasemos directamente a una subexposici\u00f3n de 4 paradas, regresadas a la exposici\u00f3n base:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432521\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-4-under_1.10.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Hay muy poco ruido; la imagen ni siquiera requiere reducci\u00f3n de ruido. \u00a1Tenemos m\u00e1s de 9 paradas de exposici\u00f3n! Un valor que era de \u00faltima generaci\u00f3n el a\u00f1o pasado con la Canon R1 o la Sony A9III, y tambi\u00e9n con la gama de c\u00e1maras RED. A mediados de 2026, la Lumix S1II, con su sistema de doble ganancia, ya ofrec\u00eda 10 paradas de latitud de exposici\u00f3n, al igual que la ARRI ALEXA Mini LF.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Veamos ahora qu\u00e9 ocurre con m\u00e1s de 10 paradas de latitud de exposici\u00f3n:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432524\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under_1.12.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La imagen sigue vi\u00e9ndose bastante bien, pero se aprecia un tono marr\u00f3n y otro detalle: parece haber un vi\u00f1eteado considerable en el lente de 20mm, que se corrige internamente, ya que hasta ahora no era visible. Sin embargo, al analizar las sombras, la correcci\u00f3n ya no parece estar activa y el vi\u00f1eteado es muy evidente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adem\u00e1s, al eliminar el ruido con 5 paradas de subexposici\u00f3n, se aprecian las limitaciones de los 10 bits y aparece posterizaci\u00f3n. La imagen est\u00e1 al l\u00edmite de ser utilizable (esto es m\u00e1s evidente en la imagen en movimiento):<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432545\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-5-under-NR_1.16.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Pasemos a una subexposici\u00f3n de 6 paradas, regresadas a la exposici\u00f3n base:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-900x506.jpeg\" alt=\"\" class=\"wp-image-432533\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under_1.12.3-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">El vi\u00f1eteado se vuelve muy pronunciado, al igual que el ruido. \u00a1Tenemos m\u00e1s de 11 paradas de latitud de exposici\u00f3n! Veamos si la reducci\u00f3n de ruido puede salvar la imagen:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432536\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/Wide-DJI-Pocket-4P-6-under-NR_1.15.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Pues no. La imagen en movimiento revela grandes manchas de ruido crom\u00e1tico que se extienden por toda la imagen, y los colores se distorsionan bastante, por ejemplo, en la sombra del rostro de Nino. De todos modos, no se aprecian otros artefactos como l\u00edneas horizontales o verticales, que s\u00ed afectan negativamente a los resultados de latitud de exposici\u00f3n de otras c\u00e1maras.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A pesar de la buena puntuaci\u00f3n de IMATEST de la DJI Osmo Pocket 4P, se evidencian las limitaciones de un c\u00f3dec comprimido de 10 bits. Pero, en perspectiva, una s\u00f3lida latitud de exposici\u00f3n de 10 paradas, con cierto margen hasta los 11, es un resultado excelente para una c\u00e1mara tan peque\u00f1a, \u00a1algo inaudito hasta ahora!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La l\u00edder en latitud de exposici\u00f3n sigue siendo la ARRI Alexa 35, que obtuvo 12 paradas de latitud de exposici\u00f3n utilizando ARRIRAW de 13 bits. Al menos, una c\u00e1mara de cine de alta gama es capaz de superar a este nuevo sensor ;-).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ahora, observando la combinaci\u00f3n de teleobjetivo medio de 60mm y sensor, podemos sobreexponer 3 paradas respecto a la exposici\u00f3n base antes de que el canal rojo empiece a saturarse en la frente de Nino:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-900x506.jpg\" alt=\"\" class=\"wp-image-432567\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-900x506.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-768x432.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-1536x864.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-340x190.jpg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-409x230.jpg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1-1600x900.jpg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-3-over_1.19.1.jpg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Desde aqu\u00ed, subexponemos 4 paradas por debajo de la base, aumentamos la exposici\u00f3n y obtenemos la siguiente imagen:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432570\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-4-under_1.26.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Todav\u00eda se ve bien, aunque empieza a aparecer ruido. Estamos a 7 paradas de latitud de exposici\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pasemos a 5 paradas de subexposici\u00f3n, regresadas a la exposici\u00f3n base:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432576\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under_1.27.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Esto definitivamente requiere reducci\u00f3n de ruido:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432573\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-5-under-NR_1.30.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Aplicando la reducci\u00f3n de ruido, todav\u00eda se ve aceptable; no hay artefactos como l\u00edneas horizontales y los colores se mantienen bastante bien. Estamos en 8 paradas de latitud de exposici\u00f3n y el ruido en s\u00ed se ve bastante natural.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pasando a 6 paradas de subexposici\u00f3n, regresadas a la exposici\u00f3n base, podemos ver que la imagen se fragmenta:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432582\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under_1.28.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La reducci\u00f3n de ruido no puede salvar esta imagen:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-900x506.jpeg\" alt=\"\" class=\"wp-image-432579\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/07\/MT-DJI-Pocket-4P-6-under-NR_1.31.1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">En la imagen en movimiento, hay grandes manchas de ruido crom\u00e1tico flotando en la imagen, e incluso el algoritmo de reducci\u00f3n de ruido Ultra de IA de DaVinci. No se puede recuperar esto sin perder todos los detalles. Fin del juego.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por lo tanto, la c\u00e1mara teleobjetivo media logra alcanzar 8 paradas de latitud de exposici\u00f3n, \u00a1un resultado excelente para un sensor tan peque\u00f1o! Estamos en 2026 y hay c\u00e1maras full-frame para consumidores que apenas alcanzan este resultado.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Resumen<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La DJI Osmo Pocket 4P nos sorprendi\u00f3 en muchos aspectos. Ya desde la forma de onda de nuestra carta Xyla21, ver 16 paradas por encima del nivel de ruido para la c\u00e1mara gran angular fue una novedad para nosotros. La puntuaci\u00f3n de IMATEST lo confirm\u00f3. Sin embargo, la prueba de latitud puso las cosas en perspectiva: un s\u00f3lido resultado de 10 paradas de latitud de exposici\u00f3n, con margen para llegar a una 11, es magn\u00edfico; Ir m\u00e1s all\u00e1 no es posible debido a las limitaciones del c\u00f3dec de 10 bits, ya que comienza a producirse posterizaci\u00f3n. Existe una raz\u00f3n por la que ARRIRAW pas\u00f3 a una profundidad de bits de 13 bits con la Alexa 35 (que alcanz\u00f3 un nivel de rango din\u00e1mico similar): precisamente para evitar que esto sucediera. Y la Alexa 35 obtuvo 12 paradas de latitud de exposici\u00f3n en consecuencia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pero el simple hecho de que estemos comparando un dispositivo de menos de $1.000 con la Alexa 35 habla por s\u00ed solo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La c\u00e1mara de 60mm tampoco decepciona, mostrando resultados muy actuales con 8 paradas de latitud de exposici\u00f3n y 11.6 paradas de rango din\u00e1mico con una relaci\u00f3n se\u00f1al\/ruido de 2.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfTodo esto con valores de rolling shutter entre 9.4ms (60mm) y 11ms (20mm)? \u00a1Wow, qu\u00e9 maravilla!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Y pensando m\u00e1s all\u00e1, imag\u00ednense una c\u00e1mara compacta con montura Micro Cuatro Tercios que albergue este nuevo sensor LOFIC de 1\u201d con RAW interno, combinado con todas las opciones de aumento de velocidad disponibles\u2026 \u00bfno es similar a la Blackmagic Pocket Cinema original?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00bfHas grabado con la serie DJI OSMO Pocket o con la nueva 4P? \u00a1Cu\u00e9ntanos tu experiencia en la secci\u00f3n de comentarios!<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<434116-main-buylinks\/>"},"excerpt":{"rendered":"<p>La nueva c\u00e1mara con gimbal DJI Osmo Pocket 4P viene con una promesa audaz: \u00a117 paradas de rango din\u00e1mico en la c\u00e1mara gran angular! No pudimos resistirnos a comprobarlo con nuestra Prueba de Laboratorio CineD. Y sucedi\u00f3 lo incre\u00edble. \u00bfQuieres saber m\u00e1s? Continua leyendo\u2026 \u00daltimamente, con las pruebas de laboratorio suele ocurrir m\u00e1s o menos lo mismo. Llega una nueva c\u00e1mara, el fabricante anuncia cifras muy altas para el rango din\u00e1mico y en el laboratorio obtenemos entre 11.5 y 12.5 paradas con una relaci\u00f3n se\u00f1al\/ruido de dos, y entre 7 y 9 paradas de latitud de exposici\u00f3n. Suena un poco aburrido, \u00bfverdad? Puedes leer nuestro art\u00edculo aqu\u00ed sobre el lanzamiento [&hellip;]<\/p>\n","protected":false},"author":8845,"featured_media":434014,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42287,"name":"Pruebas de Laboratorio","link":"https:\/\/www.cined.com\/es\/pruebas-de-laboratorio\/","slug":"pruebas-de-laboratorio"}],"tags":[38269,109554,109555,109556,109557,66514,109558,77370,27551,105966,27552,108892,27554,109551,33638,109552,34229,109553],"tag_label":[53001],"brand":[51608],"class_list":["post-434116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pruebas-de-laboratorio","tag-20mm-es","tag-osmo-lab-test","tag-1-lofic-sensor","tag-dji-lab-test","tag-pocket-4p-lab-test","tag-rango-dinamico-2","tag-dji-osmo-pocket-4-pro","tag-latitud-de-exposicion","tag-dynamic-range-es","tag-osmo-pocket-4p","tag-lab-test-es","tag-dji-osmo-pocket-4p","tag-sensor-test-es","tag-pocket-4p-latitude","tag-rolling-shutter-es","tag-pocket-4p-dynamic-range","tag-prueba-de-laboratorio","tag-pocket-4p-rolling-shutter","tag_label-lab-test-es","brand-dji-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v28.8) - 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>DJI Osmo Pocket 4P Standard Combo<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cdn.cvp.com\/images\/products\/orginalsize\/27-07-20261785164121cp.os.00000658_1.jpg\" alt=\"DJI Osmo Pocket 4P Standard Combo\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/dji-osmo-pocket-4p-standard-combo?aff_id=101&tid1=gunther\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 503.36<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>DJI Osmo Pocket 4P Vlog Combo<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cdn.cvp.com\/images\/products\/orginalsize\/14-08-20261786711481f8b9ed8634407bce91a0f6aee009c600_origin.jpg\" alt=\"DJI Osmo Pocket 4P Vlog Combo\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/dji-osmo-pocket-4p-vlog-combo?aff_id=101&tid1=gunther\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 598.27<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>DJI Osmo Pocket 4 Creator Combo<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cdn.cvp.com\/images\/products\/orginalsize\/16-04-20261776341060cp.os.00000544-10.jpg\" alt=\"DJI Osmo Pocket 4 Creator Combo\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/dji-osmo-pocket-4-creator-combo?aff_id=101&tid1=gunther\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 533.27<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>DJI Osmo Pocket 4P Magnetic ND Filter Set<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cdn.cvp.com\/images\/products\/orginalsize\/28-07-20261785229691cp.os.00000663_1.jpg\" alt=\"DJI Osmo Pocket 4P Magnetic ND Filter Set\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/dji-osmo-pocket-4p-magnetic-nd-filter-set?aff_id=101&tid1=gunther\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 37.92<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>DJI Osmo Pocket 4P Wide-Angle Lens<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cdn.cvp.com\/images\/products\/orginalsize\/28-07-20261785233213cp.os.00000665_1.jpg\" alt=\"DJI Osmo Pocket 4P Wide-Angle Lens\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/dji-osmo-pocket-4p-wide-angle-lens?aff_id=101&tid1=gunther\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 37.89<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>DJI Osmo Pocket 4P Black Mist Filter<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/cdn.cvp.com\/images\/products\/orginalsize\/28-07-20261785232435cp.os.00000664_1.jpg\" alt=\"DJI Osmo Pocket 4P Black Mist Filter\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/dji-osmo-pocket-4p-black-mist-filter?aff_id=101&tid1=gunther\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 37.85<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"434116-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>DJI Osmo Pocket 4P Standard Combo<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"cvp-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-eu\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/cvp.com\/product\/dji-osmo-pocket-4p-standard-combo?aff_id=101&tid1=gunther\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">\u20ac 503.36<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":434113,"title":"Prueba de Laboratorio de la Insta360 Luna Ultra - Efecto Rolling Shutter, rango din\u00e1mico y latitud de exposici\u00f3n","url":"https:\/\/www.cined.com\/es\/insta360-luna-ultra-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude\/","author":8845,"author_details":{"display_name":"Gunther Machu","first_name":"Gunther","last_name":"Machu"},"publish_date":"July, 30 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