{"id":436982,"date":"2026-08-27T08:53:58","date_gmt":"2026-08-27T06:53:58","guid":{"rendered":"https:\/\/www.cined.com\/?p=436982"},"modified":"2026-08-27T18:15:25","modified_gmt":"2026-08-27T16:15:25","slug":"7artisans-af-10mm-f2-5-max-released-autofocus-full-frame-fisheye-for-449","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/7artisans-af-10mm-f2-5-max-released-autofocus-full-frame-fisheye-for-449\/","title":{"rendered":"Lanzan el 7Artisans AF 10mm F2.5 MAX &#8211; Ojo de pez full-frame con autoenfoque por $449"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>Los lentes ojo de pez casi siempre tienen enfoque manual, bajo la l\u00f3gica suposici\u00f3n de que a 10mm en full-frame queda muy poco margen de error. 7Artisans ha decidido que esta l\u00f3gica ya no es v\u00e1lida y ha lanzado un ojo de pez full-frame con autoenfoque y un \u00e1ngulo de visi\u00f3n de 185\u00b0 que enfoca hasta 0.15m. Ya est\u00e1 disponible para monturas Sony E, Nikon Z y L por $449, lo que lo sit\u00faa en una posici\u00f3n peculiar entre \u00f3ptica novedosa y herramienta de trabajo.<\/strong><\/p><436982-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">El AF 10mm F2.5 MAX cubre full-frame con un \u00e1ngulo de visi\u00f3n de 185\u00b0 y un rango de apertura de F2.5 a F16 con nueve hojas. Su f\u00f3rmula \u00f3ptica consta de 11 elementos en 8 grupos, incluyendo dos elementos de dispersi\u00f3n extrabaja y un elemento asf\u00e9rico, y la distancia m\u00ednima de enfoque es de 0.15m (5.9\u201d). El lente es totalmente met\u00e1lico, mide 76 x 94mm (3 x 3.7\u201d) e incorpora un anillo de apertura con clic, dos botones de funci\u00f3n personalizables y un puerto USB-C para actualizaciones de firmware. No cuenta con estabilizaci\u00f3n de imagen. El peso es en donde las fuentes difieren ligeramente: 7Artisans indica que pesa 510g en su publicidad, mientras que la ficha t\u00e9cnica de B&amp;H especifica 504g (1.1lbs). En cualquier caso, es liviano para un ultra gran angular full-frame.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"\ud83d\udce2 7Artisans AF 10mm F2.5 MAX. Now available in E \/ Z \/ L\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/FXIxGU2UFHk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Lanzan el 7Artisans AF 10mm F2.5 MAX - Ojo de pez full-frame con autoenfoque por $449\",\"description\":\"Lanzan el 7Artisans AF 10mm F2.5 MAX - Ojo de pez full-frame con autoenfoque por $449\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=FXIxGU2UFHk\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/FXIxGU2UFHk\\\/mqdefault.jpg\",\"uploadDate\":\"2026-08-27T08:53:58+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">El autoenfoque en un ojo de pez es m\u00e1s extra\u00f1o de lo que parece<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En teor\u00eda, incorporar un motor de enfoque a un ojo de pez de 10mm parece la soluci\u00f3n a un problema inexistente. Si se cierra el diafragma de un lente tan angular a F5.6, la distancia hiperfocal se reduce a menos de un metro, raz\u00f3n por la cual la categor\u00eda de ojos de pez ha mantenido un enfoque casi manual durante d\u00e9cadas. Nuestra cobertura del <a href=\"https:\/\/www.cined.com\/7artisans-4mm-f-2-8-aps-c-circular-fisheye-lens-released\/\" target=\"_blank\" rel=\"noreferrer noopener\">ojo de pez circular 7Artisans de 4mm f\/2.8<\/a> y los <a href=\"https:\/\/www.cined.com\/es\/laowa-8-15mm-fisheye-full-frame-lenses-introduced-circular-and-rectangular-fisheye-in-one-lens\/\" target=\"_blank\" rel=\"noreferrer noopener\">zooms ojo de pez Laowa de 8-15mm<\/a> lo demuestra: las \u00f3pticas ojo de pez especializadas vienen con anillos de enfoque y escalas de distancia, no con motores.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-900x506.jpeg\" alt=\"\" class=\"wp-image-436534\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Fotograf\u00eda tomada con el 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: Fish<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La distancia m\u00ednima de enfoque de 0.15m es lo que cambia el c\u00e1lculo. A esa distancia, con la m\u00e1xima apertura (F2.5), la profundidad de campo es tan reducida que el enfoque cobra verdadera importancia, y la exagerada representaci\u00f3n de lo cercano grande y lo lejano peque\u00f1o del ojo de pez significa que un sujeto a 15cm del elemento frontal domina el encuadre, mientras que el fondo se curva detr\u00e1s de \u00e9l. Esa es la toma para la que se dise\u00f1\u00f3 este lente, y tambi\u00e9n es el \u00fanico escenario en el que un ojo de pez puede fallar. 7Artisans posiciona el autoenfoque para deportes de acci\u00f3n, videoblogs y seguimiento de sujetos en movimiento, lo que describe con precisi\u00f3n d\u00f3nde el motor justifica su complejidad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Para v\u00eddeo en concreto, la ventaja reside menos en la precisi\u00f3n que en no tener que tocar el lente. Un ojo de pez de 185\u00b0 no deja espacio para colocarse junto a la c\u00e1mara y enfocar manualmente, ya que uno mismo aparecer\u00eda en la toma. El enfoque autom\u00e1tico resulta, sin duda, m\u00e1s \u00fatil aqu\u00ed que en un gran angular convencional, simplemente porque el operador no tiene d\u00f3nde esconderse.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-900x506.jpeg\" alt=\"\" class=\"wp-image-436507\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Fotograf\u00eda tomada con el 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: LA<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Todo est\u00e1 realmente dentro del encuadre<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Esa cifra de 185\u00b0 es la m\u00e1s importante y la mayor limitaci\u00f3n pr\u00e1ctica. Un campo de visi\u00f3n superior a 180\u00b0 significa que el lente capta la imagen ligeramente m\u00e1s all\u00e1 del plano de su elemento frontal. Todo lo que est\u00e9 al alcance de la mano aparece en la foto, incluyendo las patas del tr\u00edpode, el soporte de luz que cre\u00edas a salvo a un lado y, por lo general, tus propios pies. La puesta en escena, la iluminaci\u00f3n y el montaje deben planificarse teniendo en cuenta un lente que, en la pr\u00e1ctica, apunta hacia atr\u00e1s en los bordes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El elemento frontal abultado tambi\u00e9n impide el uso de filtros frontales. La hoja de especificaciones de B&amp;H no incluye rosca para filtros, y no hay forma pr\u00e1ctica de colocar un parasol delante de un elemento con tanta curvatura, lo que significa que no se puede usar un filtro ND frontal ni un polarizador. En exteriores luminosos, el control de la exposici\u00f3n depende completamente del filtro ND interno (si la c\u00e1mara lo tiene), de la apertura o del \u00e1ngulo de obturaci\u00f3n, y ninguna de estas opciones es libre cuando se intenta mantener un \u00e1ngulo de obturaci\u00f3n de 180\u00b0. Quienes planeen grabar exteriores a plena luz del d\u00eda deber\u00edan definir su estrategia de filtros ND antes de realizar el pedido, en lugar de hacerlo el mismo d\u00eda.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7Artisans ofrece actualizaciones de firmware y perfiles de correcci\u00f3n de lente en sus p\u00e1ginas de soporte, lo cual es m\u00e1s importante para un ojo de pez que para la mayor\u00eda de las \u00f3pticas. Muchos fot\u00f3grafos compran lentes como este para corregir la distorsi\u00f3n en postproducci\u00f3n y terminan con un encuadre rectil\u00edneo muy amplio, y tener perfiles proporcionados por el fabricante facilita considerablemente este proceso. La desventaja es la habitual, y es que corregir 185\u00b0 de curvatura reduce la resoluci\u00f3n en los bordes y estira notablemente el detalle en las esquinas.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-900x506.jpeg\" alt=\"\" class=\"wp-image-436511\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: 7Artisans<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">El anillo de apertura tiene clics, y eso es importante<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">7Artisans especifica que el anillo de apertura tiene clics en lugar de estar sin clics, un detalle que probablemente confunda a los vide\u00f3grafos. Un anillo con clics es la opci\u00f3n ideal para fotograf\u00eda, donde los topes permiten realizar cambios de apertura r\u00e1pidos y repetibles al tacto. En v\u00eddeo, esto significa que no se puede ajustar la exposici\u00f3n suavemente durante la toma, y cualquier ajuste durante la grabaci\u00f3n se registrar\u00e1 como un cambio de brillo visible, acompa\u00f1ado de un clic audible en la pista de referencia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En la pr\u00e1ctica, se ajusta la apertura antes de la toma y se controla la exposici\u00f3n en otro lugar, lo cual es viable, pero conviene saberlo de antemano. Junto con la ausencia de filtro frontal, esto limita las opciones para manejar los cambios de luz. Este tipo de decisi\u00f3n revela que se trata de un lente dise\u00f1ado para fot\u00f3grafos, con capacidad de v\u00eddeo a\u00f1adida posteriormente en lugar de integrada desde el principio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El puerto USB-C es una mejora de ingenier\u00eda muy bien recibida. Las actualizaciones de firmware se env\u00edan directamente al lente sin necesidad de una base o adaptador adicional, lo cual, para un lente con autoenfoque de terceros, no es una ventaja insignificante. La compatibilidad del autoenfoque con los nuevos cuerpos de c\u00e1mara es el \u00e1rea donde los fabricantes independientes suelen necesitar lanzar correcciones.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-900x506.jpeg\" alt=\"\" class=\"wp-image-436515\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Fotograf\u00eda tomada con el 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: LA<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Funciones de la \u00f3ptica<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Los dos elementos ED y el elemento asf\u00e9rico controlan la aberraci\u00f3n crom\u00e1tica y el coma, lo cual es lo habitual en un ultra gran angular de este tipo. 7Artisans no ha publicado datos de rendimiento medidos, por lo que sus afirmaciones sobre la calidad \u00f3ptica siguen siendo solo eso, afirmaciones, y el rendimiento en los bordes es donde los ultra gran angular econ\u00f3micos suelen mostrar sus limitaciones.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-900x506.jpeg\" alt=\"\" class=\"wp-image-436787\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Especificaciones del 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: 7Artisans<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La apertura m\u00e1xima de F2.5 es un tercio de parada m\u00e1s luminosa que la del <a href=\"https:\/\/www.cined.com\/es\/laowa-10mm-f-2-8-zero-d-ff-released-laowas-first-autofocus-lens\/\" target=\"_blank\" rel=\"noreferrer noopener\">Laowa 10mm F2.8 Zero-D FF<\/a>, la alternativa rectil\u00ednea con esta distancia focal, una diferencia que nadie notar\u00e1 de forma aislada. Lo que hace es mantener el lente en un rango donde la astrofotograf\u00eda y el trabajo nocturno con luz natural siguen siendo viables. El comportamiento del coma a m\u00e1xima apertura determinar\u00e1 si es realmente \u00fatil para fotografiar estrellas, y ninguna hoja de especificaciones responde a esa pregunta.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-900x506.jpeg\" alt=\"\" class=\"wp-image-436530\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Fotograf\u00eda tomada con el 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: 7Artisans<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">El diafragma de nueve hojas produce destellos de 18 puntos en fuentes de luz puntuales, una peculiaridad de n\u00famero impar de hojas que resulta adecuada para exteriores nocturnos y fotograf\u00eda arquitect\u00f3nica. Que esto se considere una ventaja depende de la opini\u00f3n que tengas sobre los destellos solares, que en un encuadre de 185\u00b0 aparecer\u00e1n en abundancia. 7Artisans tambi\u00e9n ofrece perfiles de correcci\u00f3n de lente en sus p\u00e1ginas de soporte, lo cual es m\u00e1s importante aqu\u00ed que para la mayor\u00eda de las \u00f3pticas, ya que muchos vide\u00f3grafos compran lentes como este espec\u00edficamente para corregir la distorsi\u00f3n en la postproducci\u00f3n y terminan con un encuadre rectil\u00edneo muy amplio. La desventaja es la habitual: corregir 185\u00b0 de curvatura reduce la resoluci\u00f3n en los bordes y estira notablemente el detalle en las esquinas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las monturas Sony E, Nikon Z y L cubren la mayor parte del mercado de c\u00e1maras h\u00edbridas full-frame, aunque la ausencia de Canon RF es notable dado que otros lentes de 7Artisans, como el <a href=\"https:\/\/www.cined.com\/7artisans-thor-pl-mount-adapter-kit-for-e-l-rf-and-z-mount-cameras-launched\/\" target=\"_blank\" rel=\"noreferrer noopener\">kit adaptador de montura Thor PL<\/a> y los <a href=\"https:\/\/www.cined.com\/7artisans-dream-series-announced-mf-35mm-50mm-75mm-t1-5-full-frame-cine-lens-for-e-l-z-rf-mounts\/\" target=\"_blank\" rel=\"noreferrer noopener\">lentes prime de cine de la serie DREAM<\/a>, son compatibles con ella. La pol\u00edtica de licencias de Canon para sistemas de enfoque autom\u00e1tico de terceros sigue siendo la explicaci\u00f3n m\u00e1s probable.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-900x506.jpeg\" alt=\"\" class=\"wp-image-436519\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: 7Artisans<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Precio y disponibilidad<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El AF 10mm F2.5 MAX cuesta <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992593-REG\/7artisans_af10f25b_e_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"noreferrer noopener\">$449<\/a> y ya est\u00e1 disponible para Sony E, con versiones para <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992595-REG\/7artisans_af10f25b_z_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nikon Z<\/a> y <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992594-REG\/7artisans_af10f25b_l_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"noreferrer noopener\">L-Mount<\/a> al mismo precio. Incluye parasol, tapa trasera y un a\u00f1o de garant\u00eda del fabricante.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este precio merece una reflexi\u00f3n. Est\u00e1 muy por debajo del AF 135mm F1.8 de $689, el lente tope de gama de 7Artisans para full-frame con autoenfoque, y c\u00f3modamente por debajo del zoom ojo de pez Laowa 8-15mm f\/2.8 de $699. Cuesta $193 d\u00f3lares m\u00e1s que el ojo de pez manual MF 10mm f\/2.8 de 7Artisans, que se vende por $256 y ofrece un campo de visi\u00f3n de 178\u00b0 sin motor. El autoenfoque, los 7\u00b0 adicionales y los aproximadamente 100g de peso ahorrado son las ventajas de esta diferencia, y si compensa o no depende totalmente de la frecuencia con la que uses un ojo de pez.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00bfUn ojo de pez con autoenfoque de 185\u00b0 es un lente en torno al cual planificar\u00edas tus fotograf\u00edas, o uno que solo usar\u00edas un par de veces al a\u00f1o? \u00a1Cu\u00e9ntanos tu opini\u00f3n en los comentarios!<\/strong><\/p>\n<436982-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap wp-block-paragraph\"><strong>Los lentes ojo de pez casi siempre tienen enfoque manual, bajo la l\u00f3gica suposici\u00f3n de que a 10mm en full-frame queda muy poco margen de error. 7Artisans ha decidido que esta l\u00f3gica ya no es v\u00e1lida y ha lanzado un ojo de pez full-frame con autoenfoque y un \u00e1ngulo de visi\u00f3n de 185\u00b0 que enfoca hasta 0.15m. Ya est\u00e1 disponible para monturas Sony E, Nikon Z y L por $449, lo que lo sit\u00faa en una posici\u00f3n peculiar entre \u00f3ptica novedosa y herramienta de trabajo.<\/strong><\/p><436982-inline-buylinks\/>\n\n\n\n<p class=\"wp-block-paragraph\">El AF 10mm F2.5 MAX cubre full-frame con un \u00e1ngulo de visi\u00f3n de 185\u00b0 y un rango de apertura de F2.5 a F16 con nueve hojas. Su f\u00f3rmula \u00f3ptica consta de 11 elementos en 8 grupos, incluyendo dos elementos de dispersi\u00f3n extrabaja y un elemento asf\u00e9rico, y la distancia m\u00ednima de enfoque es de 0.15m (5.9\u201d). El lente es totalmente met\u00e1lico, mide 76 x 94mm (3 x 3.7\u201d) e incorpora un anillo de apertura con clic, dos botones de funci\u00f3n personalizables y un puerto USB-C para actualizaciones de firmware. No cuenta con estabilizaci\u00f3n de imagen. El peso es en donde las fuentes difieren ligeramente: 7Artisans indica que pesa 510g en su publicidad, mientras que la ficha t\u00e9cnica de B&amp;H especifica 504g (1.1lbs). En cualquier caso, es liviano para un ultra gran angular full-frame.<\/p>\n\n\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"\ud83d\udce2 7Artisans AF 10mm F2.5 MAX. Now available in E \/ Z \/ L\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/FXIxGU2UFHk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"Lanzan el 7Artisans AF 10mm F2.5 MAX - Ojo de pez full-frame con autoenfoque por $449\",\"description\":\"Lanzan el 7Artisans AF 10mm F2.5 MAX - Ojo de pez full-frame con autoenfoque por $449\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=FXIxGU2UFHk\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/FXIxGU2UFHk\\\/mqdefault.jpg\",\"uploadDate\":\"2026-08-27T08:53:58+02:00\"}<\/script><!-- \/wp:embed\/video -->\n\n\n<h2 class=\"wp-block-heading\">El autoenfoque en un ojo de pez es m\u00e1s extra\u00f1o de lo que parece<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En teor\u00eda, incorporar un motor de enfoque a un ojo de pez de 10mm parece la soluci\u00f3n a un problema inexistente. Si se cierra el diafragma de un lente tan angular a F5.6, la distancia hiperfocal se reduce a menos de un metro, raz\u00f3n por la cual la categor\u00eda de ojos de pez ha mantenido un enfoque casi manual durante d\u00e9cadas. Nuestra cobertura del <a href=\"https:\/\/www.cined.com\/7artisans-4mm-f-2-8-aps-c-circular-fisheye-lens-released\/\" target=\"_blank\" rel=\"noreferrer noopener\">ojo de pez circular 7Artisans de 4mm f\/2.8<\/a> y los <a href=\"https:\/\/www.cined.com\/es\/laowa-8-15mm-fisheye-full-frame-lenses-introduced-circular-and-rectangular-fisheye-in-one-lens\/\" target=\"_blank\" rel=\"noreferrer noopener\">zooms ojo de pez Laowa de 8-15mm<\/a> lo demuestra: las \u00f3pticas ojo de pez especializadas vienen con anillos de enfoque y escalas de distancia, no con motores.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-900x506.jpeg\" alt=\"\" class=\"wp-image-436534\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-7.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Fotograf\u00eda tomada con el 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: Fish<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La distancia m\u00ednima de enfoque de 0.15m es lo que cambia el c\u00e1lculo. A esa distancia, con la m\u00e1xima apertura (F2.5), la profundidad de campo es tan reducida que el enfoque cobra verdadera importancia, y la exagerada representaci\u00f3n de lo cercano grande y lo lejano peque\u00f1o del ojo de pez significa que un sujeto a 15cm del elemento frontal domina el encuadre, mientras que el fondo se curva detr\u00e1s de \u00e9l. Esa es la toma para la que se dise\u00f1\u00f3 este lente, y tambi\u00e9n es el \u00fanico escenario en el que un ojo de pez puede fallar. 7Artisans posiciona el autoenfoque para deportes de acci\u00f3n, videoblogs y seguimiento de sujetos en movimiento, lo que describe con precisi\u00f3n d\u00f3nde el motor justifica su complejidad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Para v\u00eddeo en concreto, la ventaja reside menos en la precisi\u00f3n que en no tener que tocar el lente. Un ojo de pez de 185\u00b0 no deja espacio para colocarse junto a la c\u00e1mara y enfocar manualmente, ya que uno mismo aparecer\u00eda en la toma. El enfoque autom\u00e1tico resulta, sin duda, m\u00e1s \u00fatil aqu\u00ed que en un gran angular convencional, simplemente porque el operador no tiene d\u00f3nde esconderse.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-900x506.jpeg\" alt=\"\" class=\"wp-image-436507\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-5.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Fotograf\u00eda tomada con el 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: LA<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Todo est\u00e1 realmente dentro del encuadre<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Esa cifra de 185\u00b0 es la m\u00e1s importante y la mayor limitaci\u00f3n pr\u00e1ctica. Un campo de visi\u00f3n superior a 180\u00b0 significa que el lente capta la imagen ligeramente m\u00e1s all\u00e1 del plano de su elemento frontal. Todo lo que est\u00e9 al alcance de la mano aparece en la foto, incluyendo las patas del tr\u00edpode, el soporte de luz que cre\u00edas a salvo a un lado y, por lo general, tus propios pies. La puesta en escena, la iluminaci\u00f3n y el montaje deben planificarse teniendo en cuenta un lente que, en la pr\u00e1ctica, apunta hacia atr\u00e1s en los bordes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El elemento frontal abultado tambi\u00e9n impide el uso de filtros frontales. La hoja de especificaciones de B&amp;H no incluye rosca para filtros, y no hay forma pr\u00e1ctica de colocar un parasol delante de un elemento con tanta curvatura, lo que significa que no se puede usar un filtro ND frontal ni un polarizador. En exteriores luminosos, el control de la exposici\u00f3n depende completamente del filtro ND interno (si la c\u00e1mara lo tiene), de la apertura o del \u00e1ngulo de obturaci\u00f3n, y ninguna de estas opciones es libre cuando se intenta mantener un \u00e1ngulo de obturaci\u00f3n de 180\u00b0. Quienes planeen grabar exteriores a plena luz del d\u00eda deber\u00edan definir su estrategia de filtros ND antes de realizar el pedido, en lugar de hacerlo el mismo d\u00eda.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7Artisans ofrece actualizaciones de firmware y perfiles de correcci\u00f3n de lente en sus p\u00e1ginas de soporte, lo cual es m\u00e1s importante para un ojo de pez que para la mayor\u00eda de las \u00f3pticas. Muchos fot\u00f3grafos compran lentes como este para corregir la distorsi\u00f3n en postproducci\u00f3n y terminan con un encuadre rectil\u00edneo muy amplio, y tener perfiles proporcionados por el fabricante facilita considerablemente este proceso. La desventaja es la habitual, y es que corregir 185\u00b0 de curvatura reduce la resoluci\u00f3n en los bordes y estira notablemente el detalle en las esquinas.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-900x506.jpeg\" alt=\"\" class=\"wp-image-436511\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-3.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: 7Artisans<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">El anillo de apertura tiene clics, y eso es importante<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">7Artisans especifica que el anillo de apertura tiene clics en lugar de estar sin clics, un detalle que probablemente confunda a los vide\u00f3grafos. Un anillo con clics es la opci\u00f3n ideal para fotograf\u00eda, donde los topes permiten realizar cambios de apertura r\u00e1pidos y repetibles al tacto. En v\u00eddeo, esto significa que no se puede ajustar la exposici\u00f3n suavemente durante la toma, y cualquier ajuste durante la grabaci\u00f3n se registrar\u00e1 como un cambio de brillo visible, acompa\u00f1ado de un clic audible en la pista de referencia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En la pr\u00e1ctica, se ajusta la apertura antes de la toma y se controla la exposici\u00f3n en otro lugar, lo cual es viable, pero conviene saberlo de antemano. Junto con la ausencia de filtro frontal, esto limita las opciones para manejar los cambios de luz. Este tipo de decisi\u00f3n revela que se trata de un lente dise\u00f1ado para fot\u00f3grafos, con capacidad de v\u00eddeo a\u00f1adida posteriormente en lugar de integrada desde el principio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El puerto USB-C es una mejora de ingenier\u00eda muy bien recibida. Las actualizaciones de firmware se env\u00edan directamente al lente sin necesidad de una base o adaptador adicional, lo cual, para un lente con autoenfoque de terceros, no es una ventaja insignificante. La compatibilidad del autoenfoque con los nuevos cuerpos de c\u00e1mara es el \u00e1rea donde los fabricantes independientes suelen necesitar lanzar correcciones.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-900x506.jpeg\" alt=\"\" class=\"wp-image-436515\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-6.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Fotograf\u00eda tomada con el 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: LA<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Funciones de la \u00f3ptica<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Los dos elementos ED y el elemento asf\u00e9rico controlan la aberraci\u00f3n crom\u00e1tica y el coma, lo cual es lo habitual en un ultra gran angular de este tipo. 7Artisans no ha publicado datos de rendimiento medidos, por lo que sus afirmaciones sobre la calidad \u00f3ptica siguen siendo solo eso, afirmaciones, y el rendimiento en los bordes es donde los ultra gran angular econ\u00f3micos suelen mostrar sus limitaciones.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-900x506.jpeg\" alt=\"\" class=\"wp-image-436787\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-specs.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Especificaciones del 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: 7Artisans<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La apertura m\u00e1xima de F2.5 es un tercio de parada m\u00e1s luminosa que la del <a href=\"https:\/\/www.cined.com\/es\/laowa-10mm-f-2-8-zero-d-ff-released-laowas-first-autofocus-lens\/\" target=\"_blank\" rel=\"noreferrer noopener\">Laowa 10mm F2.8 Zero-D FF<\/a>, la alternativa rectil\u00ednea con esta distancia focal, una diferencia que nadie notar\u00e1 de forma aislada. Lo que hace es mantener el lente en un rango donde la astrofotograf\u00eda y el trabajo nocturno con luz natural siguen siendo viables. El comportamiento del coma a m\u00e1xima apertura determinar\u00e1 si es realmente \u00fatil para fotografiar estrellas, y ninguna hoja de especificaciones responde a esa pregunta.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-900x506.jpeg\" alt=\"\" class=\"wp-image-436530\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-F2.5-MAX.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Fotograf\u00eda tomada con el 7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: 7Artisans<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">El diafragma de nueve hojas produce destellos de 18 puntos en fuentes de luz puntuales, una peculiaridad de n\u00famero impar de hojas que resulta adecuada para exteriores nocturnos y fotograf\u00eda arquitect\u00f3nica. Que esto se considere una ventaja depende de la opini\u00f3n que tengas sobre los destellos solares, que en un encuadre de 185\u00b0 aparecer\u00e1n en abundancia. 7Artisans tambi\u00e9n ofrece perfiles de correcci\u00f3n de lente en sus p\u00e1ginas de soporte, lo cual es m\u00e1s importante aqu\u00ed que para la mayor\u00eda de las \u00f3pticas, ya que muchos vide\u00f3grafos compran lentes como este espec\u00edficamente para corregir la distorsi\u00f3n en la postproducci\u00f3n y terminan con un encuadre rectil\u00edneo muy amplio. La desventaja es la habitual: corregir 185\u00b0 de curvatura reduce la resoluci\u00f3n en los bordes y estira notablemente el detalle en las esquinas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las monturas Sony E, Nikon Z y L cubren la mayor parte del mercado de c\u00e1maras h\u00edbridas full-frame, aunque la ausencia de Canon RF es notable dado que otros lentes de 7Artisans, como el <a href=\"https:\/\/www.cined.com\/7artisans-thor-pl-mount-adapter-kit-for-e-l-rf-and-z-mount-cameras-launched\/\" target=\"_blank\" rel=\"noreferrer noopener\">kit adaptador de montura Thor PL<\/a> y los <a href=\"https:\/\/www.cined.com\/7artisans-dream-series-announced-mf-35mm-50mm-75mm-t1-5-full-frame-cine-lens-for-e-l-z-rf-mounts\/\" target=\"_blank\" rel=\"noreferrer noopener\">lentes prime de cine de la serie DREAM<\/a>, son compatibles con ella. La pol\u00edtica de licencias de Canon para sistemas de enfoque autom\u00e1tico de terceros sigue siendo la explicaci\u00f3n m\u00e1s probable.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-900x506.jpeg\" alt=\"\" class=\"wp-image-436519\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-900x506.jpeg 900w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-300x169.jpeg 300w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-768x432.jpeg 768w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-1536x864.jpeg 1536w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-340x190.jpeg 340w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-460x259.jpeg 460w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-409x230.jpeg 409w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1-1600x900.jpeg 1600w, https:\/\/www.cined.com\/content\/uploads\/2026\/08\/7Artisans-AF-10mm-1.jpeg 1920w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">7Artisans AF 10mm F2.5 MAX. Cr\u00e9dito: 7Artisans<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Precio y disponibilidad<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El AF 10mm F2.5 MAX cuesta <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992593-REG\/7artisans_af10f25b_e_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"noreferrer noopener\">$449<\/a> y ya est\u00e1 disponible para Sony E, con versiones para <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992595-REG\/7artisans_af10f25b_z_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nikon Z<\/a> y <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992594-REG\/7artisans_af10f25b_l_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"noreferrer noopener\">L-Mount<\/a> al mismo precio. Incluye parasol, tapa trasera y un a\u00f1o de garant\u00eda del fabricante.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este precio merece una reflexi\u00f3n. Est\u00e1 muy por debajo del AF 135mm F1.8 de $689, el lente tope de gama de 7Artisans para full-frame con autoenfoque, y c\u00f3modamente por debajo del zoom ojo de pez Laowa 8-15mm f\/2.8 de $699. Cuesta $193 d\u00f3lares m\u00e1s que el ojo de pez manual MF 10mm f\/2.8 de 7Artisans, que se vende por $256 y ofrece un campo de visi\u00f3n de 178\u00b0 sin motor. El autoenfoque, los 7\u00b0 adicionales y los aproximadamente 100g de peso ahorrado son las ventajas de esta diferencia, y si compensa o no depende totalmente de la frecuencia con la que uses un ojo de pez.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00bfUn ojo de pez con autoenfoque de 185\u00b0 es un lente en torno al cual planificar\u00edas tus fotograf\u00edas, o uno que solo usar\u00edas un par de veces al a\u00f1o? \u00a1Cu\u00e9ntanos tu opini\u00f3n en los comentarios!<\/strong><\/p>\n<436982-main-buylinks\/>"},"excerpt":{"rendered":"<p>Los lentes ojo de pez casi siempre tienen enfoque manual, bajo la l\u00f3gica suposici\u00f3n de que a 10mm en full-frame queda muy poco margen de error. 7Artisans ha decidido que esta l\u00f3gica ya no es v\u00e1lida y ha lanzado un ojo de pez full-frame con autoenfoque y un \u00e1ngulo de visi\u00f3n de 185\u00b0 que enfoca hasta 0.15m. Ya est\u00e1 disponible para monturas Sony E, Nikon Z y L por $449, lo que lo sit\u00faa en una posici\u00f3n peculiar entre \u00f3ptica novedosa y herramienta de trabajo. El AF 10mm F2.5 MAX cubre full-frame con un \u00e1ngulo de visi\u00f3n de 185\u00b0 y un rango de apertura de F2.5 a F16 con nueve [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":436782,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42296,"name":"Lentes","link":"https:\/\/www.cined.com\/es\/noticias\/lentes\/","slug":"lentes"},{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"}],"tags":[26052,26788,53502,26796,26944,59085,60109,29995,65337,36130,91807,37317,110648,42267,110649,110650,24560,110651],"tag_label":[52841],"brand":[53507],"class_list":["post-436982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-lentes","tag-nikon-z-es","tag-gimbal-lens-es","tag-7artisans-es","tag-lente-ultra-gran-angular","tag-l-mount-es","tag-lente-ojo-de-pez","tag-autofocus-lens-es","tag-lente-full-frame","tag-full-frame-lens-2-es","tag-fisheye-lens-es","tag-lens-announcement-es","tag-ultra-wide-lens-es","tag-7artisans-af-10mm-f2-5-2","tag-montura-l-mount","tag-185-degree-lens-2","tag-vlogging-lens","tag-sony-e-es","tag-autoenfoque","tag_label-lens-news-es","brand-7artisans-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v28.6) - 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. Compra con nuestros socios.<\/h2>\n\t\t\t\t<span class=\"sub-content\">Nuestras rese\u00f1as siempre son imparciales.<\/span>\n\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t<a href=\"https:\/\/www.cined.com\/es\/nuestros-principios\/\" class=\"affiliates-button\">Conoce m\u00e1s sobre nuestros principios<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>10mm f\/2.5 AF MAX Fisheye Lens (L-Mount)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1787772057000_1992594.jpg\" alt=\"10mm f\/2.5 AF MAX Fisheye Lens (L-Mount)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992594-REG\/7artisans_af10f25b_l_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 449.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>10mm f\/2.5 AF MAX Fisheye Lens (Sony E)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1785443142000_1992593.jpg\" alt=\"10mm f\/2.5 AF MAX Fisheye Lens (Sony E)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992593-REG\/7artisans_af10f25b_e_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 449.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><div class=\"alternative-links-inner link-initial\"><div class=\"row\"><div class=\"col l9 m12 s12 offset-l3\"><header>10mm f\/2.5 AF MAX Fisheye Lens (Nikon Z)<\/header><\/div><\/div><div class=\"row\"><div class=\"col l3 m12 s12 alternative-links-thumb\"><img src=\"https:\/\/static.bhphoto.com\/images\/images345x345\/1787772057000_1992595.jpg\" alt=\"10mm f\/2.5 AF MAX Fisheye Lens (Nikon Z)\"><\/div><div class=\"col l8 m12 s12 alternative-link-data offset-l1\"><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992595-REG\/7artisans_af10f25b_z_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 449.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div><\/div><\/div>"},"inline_buylinks":{"uuid":"436982-inline-buylinks","content":"<div class=\"alternative-links alternative-links-minimal\"><div class=\"alternative-links-inner\"><div class=\"link-product-name\"><strong>10mm f\/2.5 AF MAX Fisheye Lens (L-Mount)<\/strong><\/div><div class=\"row\"><div class=\"col s3 link-logo\"><span class=\"bh-logo\"><\/span><\/div><div class=\"col s2 link-flag no-padding\"><span class=\"link-flags link-flag-usa\"><\/span><\/div><div class=\"col s7 link-price no-padding\"><a class=\"btn\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1992594-REG\/7artisans_af10f25b_l_10mm_f_2_5_af_max.html\/BI\/7953\/KBID\/8488\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">$ 449.00<i class=\"material-icons dp48\">arrow_forward<\/i><\/a><\/div><\/div><div class=\"row vat-notice-minimal\"><div class=\"col l8 s7 link-price vat-notice center-align\"><strong>all prices excluding sales tax\/VAT<\/strong><\/div><\/div><\/div><\/div>"}},"total_comments":0,"related_articles":[{"id":392096,"title":"El 7Artisans 65mm T2.9 Macro se Incorpora a la Serie INFINTE - Apertura 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