{"id":437357,"date":"2026-08-31T13:23:51","date_gmt":"2026-08-31T11:23:51","guid":{"rendered":"https:\/\/www.cined.com\/?p=437357"},"modified":"2026-08-31T18:42:03","modified_gmt":"2026-08-31T16:42:03","slug":"phantom-luts-for-nikon-zr-released-arri-alexa-emulation-for-red-log3g10","status":"publish","type":"post","link":"https:\/\/www.cined.com\/es\/phantom-luts-for-nikon-zr-released-arri-alexa-emulation-for-red-log3g10\/","title":{"rendered":"Lanzan los LUTs Phantom para la Nikon ZR – Emulaci\u00f3n ARRI Alexa para RED Log3G10"},"content":{"rendered":"\n

Joel Famularo ha lanzado sus esperados LUTs Phantom para la Nikon ZR, incorporando la emulaci\u00f3n ARRI Alexa, caracter\u00edstica de sus packs, a la c\u00e1mara compacta de cine de Nikon. Esta primera versi\u00f3n solo cubre metraje RED Log3G10, pero prometieron incorporar compatibilidad con N-Log mediante una actualizaci\u00f3n gratuita. Ofrecen once estilos visuales, divididos entre un pack ARRI y un conjunto de emulaciones de pel\u00edcula cl\u00e1sica. Si has estado gradando tus archivos R3D NE con la conversi\u00f3n est\u00e1ndar, vale la pena echarle un vistazo a este pack.<\/strong><\/p>\n\n\n\n

La Nikon ZR, la primera c\u00e1mara surgida de la fusi\u00f3n de Nikon y RED<\/a>, graba internamente el c\u00f3dec RAW R3D NE de RED en el espacio de color REDWideGamutRGB\/Log3G10, junto con N-RAW y ProRes RAW. Johnnie trabaj\u00f3 extensamente con material R3D NE en nuestra rese\u00f1a y minidocumental de la Nikon ZR<\/a>, y Gunther compar\u00f3 las tres variantes RAW en la prueba de laboratorio de CineD<\/a>. Seg\u00fan Joel, la demanda de un paquete para la ZR ha sido alta, y dado que la mayor\u00eda de los usuarios con los que habl\u00f3 graban principalmente en RED RAW, los LUT Log3G10 se lanzaron primero; la compatibilidad con N-RAW (N-Log) est\u00e1 en desarrollo y llegar\u00e1 a los clientes de la primera generaci\u00f3n como una actualizaci\u00f3n gratuita una vez que est\u00e9 completa.<\/p>\n\n\n\n

\"\"
El director de fotograf\u00eda Joel Famularo. Cr\u00e9dito: Lydia Phelan<\/figcaption><\/figure>\n\n\n\n

Construido en base a una ARRI Alexa Mini<\/h2>\n\n\n\n

Joel coment\u00f3 que su proceso de desarrollo se bas\u00f3 en la grabaci\u00f3n simult\u00e1nea de metraje de prueba con exposici\u00f3n ajustada con su propia ARRI Alexa Mini y la Nikon ZR durante varios d\u00edas, abarcando luz solar directa, sombra, cielos nublados, luz natural en interiores, iluminaci\u00f3n mixta y configuraciones de estudio controladas, siempre con cartas de colores X-Rite ColorChecker Classic y ColorChecker SG en el encuadre. En total, afirma haber capturado aproximadamente 80 escenas, cada una grabada con dos paradas de exposici\u00f3n por debajo de la normal, la exposici\u00f3n correcta y dos paradas por encima.<\/p>\n\n\n\n

A partir de esos datos, cre\u00f3 una emulaci\u00f3n que reproduce no solo la respuesta crom\u00e1tica general de la Alexa, sino tambi\u00e9n su comportamiento de tono no lineal, su manejo sustractivo de la saturaci\u00f3n en relaci\u00f3n con la luminancia y su atenuaci\u00f3n de altas luces y sombras. Estas son, por supuesto, las afirmaciones del creador; las im\u00e1genes comparativas publicadas ofrecen una primera impresi\u00f3n, pero tu propio material ser\u00e1 el que realmente nos permita juzgar su funcionamiento.<\/p>\n\n\n\n

\"\"
LUTs Phantom para Nikon ZR. Cr\u00e9dito: Phantom LUTs<\/figcaption><\/figure>\n\n\n\n

\u00bfQu\u00e9 incluyen los dos paquetes?<\/h2>\n\n\n\n

El paquete ARRI Look 5 se basa en el LUT Phantom Neutral, la emulaci\u00f3n de Joel de la conversi\u00f3n Rec.709 de Alexa, con especial atenci\u00f3n a la reproducci\u00f3n del tono de piel, y se complementa con cuatro variaciones creativas: Tungsten a\u00f1ade un c\u00e1lido tono dorado para sujetos iluminados con luz de tungsteno; Ice Blue tiende a los tonos fr\u00edos con azules intensos; Jamaica opta por tonos verdes y dorados; y Utopia se describe como la m\u00e1s cinematogr\u00e1fica del conjunto, con rojos profundos.<\/p>\n\n\n\n

\"\"
Phantom LUTs para Nikon ZR. Cr\u00e9dito: Phantom LUTs<\/figcaption><\/figure>\n\n\n\n

El paquete Film Look 6 busca la nostalgia fotoqu\u00edmica. Vision y su versi\u00f3n m\u00e1s estilizada, Vision Teal, se basan en Kodak Vision 5274, la pel\u00edcula utilizada en Matrix y Gladiator. Eastman y la modernizada Eastman RM se basan en Kodak Eastman 5247, utilizada en Apocalypse Now y Alien. Eterna emula la pel\u00edcula Eterna 8563 de FUJIFILM, y Bleach modela el proceso de blanqueo indirecto basado en la FUJIFILM Super F 8552 para lograr un look granulado y desaturado.<\/p>\n\n\n\n

Cada paquete incluye 65 LUTs de alta resoluci\u00f3n para gradaci\u00f3n, 33 versiones para monitorizaci\u00f3n, un pre-LUT de amplio rango din\u00e1mico y un PDF ReadMe con ajustes recomendados. Los 33 archivos son especialmente relevantes en esta c\u00e1mara, ya que dado que el firmware 1.10 de ZR aument\u00f3 el n\u00famero de LUTs importables de 10 a 50<\/a>, las versiones de monitorizaci\u00f3n se pueden cargar directamente en la c\u00e1mara para previsualizar en el set durante la grabaci\u00f3n en R3D NE. En cuanto a la edici\u00f3n, los LUTs se cargan en cualquier software compatible con archivos .cube, como DaVinci Resolve, Premiere Pro y Final Cut Pro.<\/p>\n\n\n\n

Precios<\/h2>\n\n\n\n

El paquete ARRI Look 5 y el paquete Film Look 6 cuestan $49 cada uno, mientras que el paquete completo con los once LUTs tiene un precio de $79. Los clientes habituales pueden aprovechar el nuevo sistema de descuentos por fidelidad de Joel, que reduce los precios con cada paquete comprado. Los lectores de CineD obtienen un 15% de descuento con el c\u00f3digo CINED15<\/a>. Todos los paquetes ya est\u00e1n disponibles en la p\u00e1gina web de Phantom LUTs<\/a>.<\/p>\n\n\n\n

\u00bfEst\u00e1s grabando con R3D NE en la Nikon ZR? \u00bfContar con un punto de partida al estilo Alexa influir\u00eda en tu gradaci\u00f3n? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<437357-main-buylinks\/>","protected":false,"clean_render":"

Joel Famularo ha lanzado sus esperados LUTs Phantom para la Nikon ZR, incorporando la emulaci\u00f3n ARRI Alexa, caracter\u00edstica de sus packs, a la c\u00e1mara compacta de cine de Nikon. Esta primera versi\u00f3n solo cubre metraje RED Log3G10, pero prometieron incorporar compatibilidad con N-Log mediante una actualizaci\u00f3n gratuita. Ofrecen once estilos visuales, divididos entre un pack ARRI y un conjunto de emulaciones de pel\u00edcula cl\u00e1sica. Si has estado gradando tus archivos R3D NE con la conversi\u00f3n est\u00e1ndar, vale la pena echarle un vistazo a este pack.<\/strong><\/p>\n\n\n\n

La Nikon ZR, la primera c\u00e1mara surgida de la fusi\u00f3n de Nikon y RED<\/a>, graba internamente el c\u00f3dec RAW R3D NE de RED en el espacio de color REDWideGamutRGB\/Log3G10, junto con N-RAW y ProRes RAW. Johnnie trabaj\u00f3 extensamente con material R3D NE en nuestra rese\u00f1a y minidocumental de la Nikon ZR<\/a>, y Gunther compar\u00f3 las tres variantes RAW en la prueba de laboratorio de CineD<\/a>. Seg\u00fan Joel, la demanda de un paquete para la ZR ha sido alta, y dado que la mayor\u00eda de los usuarios con los que habl\u00f3 graban principalmente en RED RAW, los LUT Log3G10 se lanzaron primero; la compatibilidad con N-RAW (N-Log) est\u00e1 en desarrollo y llegar\u00e1 a los clientes de la primera generaci\u00f3n como una actualizaci\u00f3n gratuita una vez que est\u00e9 completa.<\/p>\n\n\n\n

\"\"
El director de fotograf\u00eda Joel Famularo. Cr\u00e9dito: Lydia Phelan<\/figcaption><\/figure>\n\n\n\n

Construido en base a una ARRI Alexa Mini<\/h2>\n\n\n\n

Joel coment\u00f3 que su proceso de desarrollo se bas\u00f3 en la grabaci\u00f3n simult\u00e1nea de metraje de prueba con exposici\u00f3n ajustada con su propia ARRI Alexa Mini y la Nikon ZR durante varios d\u00edas, abarcando luz solar directa, sombra, cielos nublados, luz natural en interiores, iluminaci\u00f3n mixta y configuraciones de estudio controladas, siempre con cartas de colores X-Rite ColorChecker Classic y ColorChecker SG en el encuadre. En total, afirma haber capturado aproximadamente 80 escenas, cada una grabada con dos paradas de exposici\u00f3n por debajo de la normal, la exposici\u00f3n correcta y dos paradas por encima.<\/p>\n\n\n\n

A partir de esos datos, cre\u00f3 una emulaci\u00f3n que reproduce no solo la respuesta crom\u00e1tica general de la Alexa, sino tambi\u00e9n su comportamiento de tono no lineal, su manejo sustractivo de la saturaci\u00f3n en relaci\u00f3n con la luminancia y su atenuaci\u00f3n de altas luces y sombras. Estas son, por supuesto, las afirmaciones del creador; las im\u00e1genes comparativas publicadas ofrecen una primera impresi\u00f3n, pero tu propio material ser\u00e1 el que realmente nos permita juzgar su funcionamiento.<\/p>\n\n\n\n

\"\"
LUTs Phantom para Nikon ZR. Cr\u00e9dito: Phantom LUTs<\/figcaption><\/figure>\n\n\n\n

\u00bfQu\u00e9 incluyen los dos paquetes?<\/h2>\n\n\n\n

El paquete ARRI Look 5 se basa en el LUT Phantom Neutral, la emulaci\u00f3n de Joel de la conversi\u00f3n Rec.709 de Alexa, con especial atenci\u00f3n a la reproducci\u00f3n del tono de piel, y se complementa con cuatro variaciones creativas: Tungsten a\u00f1ade un c\u00e1lido tono dorado para sujetos iluminados con luz de tungsteno; Ice Blue tiende a los tonos fr\u00edos con azules intensos; Jamaica opta por tonos verdes y dorados; y Utopia se describe como la m\u00e1s cinematogr\u00e1fica del conjunto, con rojos profundos.<\/p>\n\n\n\n

\"\"
Phantom LUTs para Nikon ZR. Cr\u00e9dito: Phantom LUTs<\/figcaption><\/figure>\n\n\n\n

El paquete Film Look 6 busca la nostalgia fotoqu\u00edmica. Vision y su versi\u00f3n m\u00e1s estilizada, Vision Teal, se basan en Kodak Vision 5274, la pel\u00edcula utilizada en Matrix y Gladiator. Eastman y la modernizada Eastman RM se basan en Kodak Eastman 5247, utilizada en Apocalypse Now y Alien. Eterna emula la pel\u00edcula Eterna 8563 de FUJIFILM, y Bleach modela el proceso de blanqueo indirecto basado en la FUJIFILM Super F 8552 para lograr un look granulado y desaturado.<\/p>\n\n\n\n

Cada paquete incluye 65 LUTs de alta resoluci\u00f3n para gradaci\u00f3n, 33 versiones para monitorizaci\u00f3n, un pre-LUT de amplio rango din\u00e1mico y un PDF ReadMe con ajustes recomendados. Los 33 archivos son especialmente relevantes en esta c\u00e1mara, ya que dado que el firmware 1.10 de ZR aument\u00f3 el n\u00famero de LUTs importables de 10 a 50<\/a>, las versiones de monitorizaci\u00f3n se pueden cargar directamente en la c\u00e1mara para previsualizar en el set durante la grabaci\u00f3n en R3D NE. En cuanto a la edici\u00f3n, los LUTs se cargan en cualquier software compatible con archivos .cube, como DaVinci Resolve, Premiere Pro y Final Cut Pro.<\/p>\n\n\n\n

Precios<\/h2>\n\n\n\n

El paquete ARRI Look 5 y el paquete Film Look 6 cuestan $49 cada uno, mientras que el paquete completo con los once LUTs tiene un precio de $79. Los clientes habituales pueden aprovechar el nuevo sistema de descuentos por fidelidad de Joel, que reduce los precios con cada paquete comprado. Los lectores de CineD obtienen un 15% de descuento con el c\u00f3digo CINED15<\/a>. Todos los paquetes ya est\u00e1n disponibles en la p\u00e1gina web de Phantom LUTs<\/a>.<\/p>\n\n\n\n

\u00bfEst\u00e1s grabando con R3D NE en la Nikon ZR? \u00bfContar con un punto de partida al estilo Alexa influir\u00eda en tu gradaci\u00f3n? \u00a1Cu\u00e9ntanos en los comentarios!<\/strong><\/p>\n<437357-main-buylinks\/>"},"excerpt":{"rendered":"

Joel Famularo ha lanzado sus esperados LUTs Phantom para la Nikon ZR, incorporando la emulaci\u00f3n ARRI Alexa, caracter\u00edstica de sus packs, a la c\u00e1mara compacta de cine de Nikon. Esta primera versi\u00f3n solo cubre metraje RED Log3G10, pero prometieron incorporar compatibilidad con N-Log mediante una actualizaci\u00f3n gratuita. Ofrecen once estilos visuales, divididos entre un pack ARRI y un conjunto de emulaciones de pel\u00edcula cl\u00e1sica. Si has estado gradando tus archivos R3D NE con la conversi\u00f3n est\u00e1ndar, vale la pena echarle un vistazo a este pack. La Nikon ZR, la primera c\u00e1mara surgida de la fusi\u00f3n de Nikon y RED, graba internamente el c\u00f3dec RAW R3D NE de RED en el […]<\/p>\n","protected":false},"author":7,"featured_media":437248,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42290,"name":"Noticias","link":"https:\/\/www.cined.com\/es\/noticias\/","slug":"noticias"},{"id":42308,"name":"Software","link":"https:\/\/www.cined.com\/es\/noticias\/noticias-software\/","slug":"noticias-software"}],"tags":[95638,24515,97385,25191,110643,25912,110729,110730,34179,110731,38162,53934],"tag_label":[53685],"brand":[110732],"class_list":["post-437357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","category-noticias-software","tag-nikon-zr-es","tag-color-grading-es","tag-r3d-ne-es","tag-gradacion-de-color","tag-harry-kemp","tag-post-production-es","tag-joel-famularo","tag-red-log3g10","tag-n-log-es","tag-arri-alexa-emulation","tag-luts-es","tag-posproduccion","tag_label-color-grading-es","brand-phantom-luts"],"yoast_head":"\nLanzan los LUTs Phantom para la Nikon ZR - 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Compra con nuestros socios.<\/h4>\n\t\t\t\t<h2>Apoya a CineD. 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