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i-cuff has released an updated version of their HD and Pro eyecup, adding a more breathable fabric and a washable, waterproof design for better comfort and durability in demanding environments. Built for camera operators, DPs, and production crews who spend long days behind the viewfinder, the new models should make those hours just a little easier.
CineD has covered many tools designed to make life easier on set, from camera accessories like Wooden Camera systems to portable motion control robots. Now, eyecups don’t usually make headlines, but the right design can mean the difference between a clean shot and a constant fight with fog, glare, or simple discomfort, so I think they’re worth a closer look.
Created by Emmy Award-winning DP Ira “I” Raider, the i-cuff addresses common eyecup problems found in many traditional round eyecups – light leaks, fogging, and general discomfort. The i-cuff Pro fits viewfinders with a circumference of up to 24.1 cm (9.5 in), while the HD model extends to 26.7 cm (10.5 in). Each model attaches via a Velcro strap for a custom, secure fit. Where your skin (or your eyeglasses) meets the eyecup, you’ll find Ultrasuede HP chamois for comfort during long takes, breathable for less heat and moisture, waterproof to withstand the elements, and they are easy to clean.
The i-cuff HD and Pro are made for operators who need a reliable, comfortable interface with their camera, regardless of location or conditions. The company says they’re built for durability, and have become somewhat of a quiet standard on sets from big studio productions to small documentary teams working in remote locations.
The updated versions of both i-cuff Pro and HD are available now for $49.99. For more information or to purchase an i-cuff, visit their website. Want to know if the i-cuff works on your camera? You can contact them here!
Do you use an i-cuff eyecup or another brand to help with viewfinder comfort on long shoots? Share your experiences in the comments below.
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A camera was put in my hands at 16, and I’ve been taking photographs ever since. Before moving to Vienna, I worked as a photographer on film sets, telling stories as they unfolded behind the scenes. Since then, I’ve focused on immersive theater, both as a photographer and an actor. I am the photographer for the award-winning Nesterval ensemble, documenting the energy and atmosphere of their performances. I’m a teller of stories. Stories hold my interest. I’ll take on any project with a story to tell.