{"id":352377,"date":"2024-09-03T15:03:00","date_gmt":"2024-09-03T13:03:00","guid":{"rendered":"https:\/\/www.cined.com\/?p=352377"},"modified":"2024-09-30T12:33:04","modified_gmt":"2024-09-30T10:33:04","slug":"wide-angle-close-ups-expressive-frames-and-their-emotional-impact","status":"publish","type":"post","link":"https:\/\/www.cined.com\/jp\/wide-angle-close-ups-expressive-frames-and-their-emotional-impact\/","title":{"rendered":"\u5e83\u89d2\u30af\u30ed\u30fc\u30ba\u30a2\u30c3\u30d7 – \u8868\u60c5\u8c4a\u304b\u306a\u30d5\u30ec\u30fc\u30e0\u3068\u305d\u306e\u30a8\u30e2\u30fc\u30b7\u30e7\u30ca\u30eb\u306a\u30a4\u30f3\u30d1\u30af\u30c8"},"content":{"rendered":"\n

When we show our characters up close, most likely we\u2019re interested in the emotions they express or are going through at that particular moment. But what if we portray them through a wide lens? How will it affect the overall impact of the shot? What emotions can it convey? And why do wide-angle close-ups always feel so expressive? Let\u2019s figure it out together!<\/strong><\/p><352377-inline-buylinks\/>\n\n

I was watching the latest season of FX\u2019s series \u201cThe Bear\u201d<\/a> when I noticed one thing. The creators love detail shots in general, but they often use a wider lens to frame close-ups of the protagonist Carmy, especially in the most stressful situations. I wondered: Is it a subtle tool to enhance his feelings of anxiety and make us relate to him more? Or is it just a coincidence? Or could this type of shot follow a completely different goal here? Questions upon questions.<\/p>\n\n

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