{"id":370357,"date":"2025-02-03T00:03:00","date_gmt":"2025-02-02T23:03:00","guid":{"rendered":"https:\/\/www.cined.com\/?p=370357"},"modified":"2025-02-21T04:42:39","modified_gmt":"2025-02-21T03:42:39","slug":"tips-for-writing-good-dialogue-dos-and-donts-for-screenwriters","status":"publish","type":"post","link":"https:\/\/www.cined.com\/jp\/tips-for-writing-good-dialogue-dos-and-donts-for-screenwriters\/","title":{"rendered":"\u826f\u3044\u53f0\u8a5e\u3092\u66f8\u304f\u30b3\u30c4 &#8211; \u811a\u672c\u5bb6\u306e\u305f\u3081\u306e\u300c\u3084\u308b\u3079\u304d\u3053\u3068\u300d\u3068\u300c\u3084\u3063\u3066\u306f\u3044\u3051\u306a\u3044\u3053\u3068"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><strong>Say your story structure is finished. It\u2019s time to flesh it out with details and\u2013yes!\u2013dialogue. Oh dialogue, the stumbling point for so many writers! What\u2019s the best way to approach you? Below, we gather theoretical tips on writing good dialogue and take a closer look at iconic film scenes, which unveils an insight or two into creating impactful conversations.<\/strong><\/p><370357-inline-buylinks\/>\n\n<p>Of course, screenwriting is a creative discipline, as is filmmaking. That\u2019s why there are no (and can\u2019t be!) strict rules or set-in-stone guidelines on how to construct your dialogue scenes. In fact, every writer has their own style (think of David Lynch, for example, rest his soul). However, there are recommendations and tips that can support you along this challenging journey. In other words, some do\u2019s and don\u2019ts for writing good dialogue.<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>What is good dialogue?<\/strong><\/h2>\n\n<p>But first, let\u2019s define \u201cgood.\u201d As you know, \u201cgood\u201d is relative and only reflects how much we like something. Here, we use this adjective to define effective, impactful, and strong dialogue. Legendary author, cinema school lecturer, and story consultant Robert McKee describes dialogue as \u201ca symphony of words.\u201d In his handbook \u201cDialogue: The Art of Verbal Action for Page, Stage, and Screen,\u201d he reminds us that it is not a mere conversation copied 1:1 from real life. Several characteristics make a dialogue in your script effective:<\/p>\n\n<ul class=\"wp-block-list\">\n<li><strong>Rhythm<\/strong>. Good dialogue has proper pacing: it\u2019s crisp and engaging, it attacks and defends, and it has breaks and points of acceleration. In this regard, dialogue is just like action.<\/li>\n\n\n\n<li><strong>Natural flow<\/strong>. The way the character talks should feel authentic, spontaneous, and appropriate to this specific personality, setting, tone, and situation.<\/li>\n\n\n\n<li><strong>Subtext<\/strong>. An impactful dialogue has a subtext (aka unspoken message). Something that your characters express through words that are beyond the literal meaning. Can you recall the nerve-wracking coin flip scene from <a href=\"https:\/\/www.imdb.com\/title\/tt0477348\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_no%2520country\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cNo Country for Old Men,\u201d<\/a> that takes place at a gas station? Let\u2019s rewatch it together, keeping in mind the idea of subtext:<\/li>\n<\/ul>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Coin Toss | No Country for Old Men | Max\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/ZY0DG8rUnCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=ZY0DG8rUnCA&amp;ab_channel=Max\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/ZY0DG8rUnCA\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<p>It\u2019s not really about buying gas, or the weather in Dallas, or flipping the coin (at least from a certain point \u2013 not anymore). These are simple topics, so why do they make our hair stand on end? Because of the meaning hidden underneath. The main villain, Anton Chigurh, threatens the station&#8217;s owner, and the tension gradually grows until it is released. That brings us to another important characteristic of good dialogue.<\/p><370357-mzed-course\/>\n\n<p>Remember the golden rule from the screenwriting guru Syd Field: every scene in your script must have a purpose? It can certainly be applied to dialogue, too. Or, as Robert McKee puts it in his book:<\/p>\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>All talk responds to a need, engages a purpose, and performs an action. No matter how seemingly vague and airy a speech may be, no character ever talks to anyone, even to himself, for no reason, to do nothing.<\/p>\n<\/blockquote>\n\n<h2 class=\"wp-block-heading\"><strong>Defining the purpose<\/strong><\/h2>\n\n<p>&#8220;But Mascha,&#8221; <strong>\u2013<\/strong> you may argue <strong>\u2013<\/strong> &#8220;Wouldn\u2019t it be too intense if dialogue always had to push the story forward?&#8221; Well, it doesn\u2019t have to be. Good dialogue can serve multiple functions. The main ones are:<\/p>\n\n<ul class=\"wp-block-list\">\n<li>Pushing the narrative forward, giving us clues or hooks, and leading up to something one line after another<\/li>\n\n\n\n<li>Deepening the audience\u2019s understanding of the character, their inner and\/or outer world<\/li>\n\n\n\n<li>Revealing something about the relationships between the characters<\/li>\n\n\n\n<li>The combination of two or all three of the above<\/li>\n<\/ul>\n\n<p><a href=\"https:\/\/www.bbc.co.uk\/iplayer\/episodes\/b018ttws\/sherlock\" target=\"_blank\" rel=\"noreferrer noopener\">The BBC\u2019s series \u201cSherlock\u201d<\/a> features tons of well-written dialogue. Right off the bat, we\u2019re hooked by the engaging conversations between the characters, especially when we first get to meet Mr. Holmes himself:<\/p>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sherlock and John&#039;s First Meeting | A Study In Pink | Sherlock | BBC\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/VaT7IYQgyqo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=VaT7IYQgyqo&amp;ab_channel=Sherlock\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/VaT7IYQgyqo\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<p>Of course, most viewers are familiar with the classical work by Sir Arthur Conan Doyle, myself included. Yet this version of Sherlock, brilliantly portrayed by Benedict Cumberbatch, surprises us all the same. From his very first dialogue beats (first with Molly, then \u2013 with Dr. Watson), we get to know Sherlock as painfully direct, almost rude, quick-witted, asocial, and absolutely genius. All this information comes across through the dialogue because there hasn\u2019t been much action or story revealed yet. The lines follow the purpose of letting us meet this character properly from the get-go.<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>Omit needless parts<\/strong><\/h2>\n\n<p>One quote always comes to mind when I set out to write something. It\u2019s from the classic book \u201cThe Elements of Style\u201d by William Strunk Jr. and E. B. White, which even Stephen King\u2013master of suspenseful stories\u2013recommends to aspiring authors. It goes like this: \u201cOmit needless words.\u201d<\/p>\n\n<p>While this advice is invaluable for any type of writing, especially creative work, I\u2019d take it a step further for dialogue: \u201cOmit needless parts.\u201d Let me show you why. For that, please click through the subsequent screenshots and read the dialogue lines typed on them.<\/p>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-10 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370235\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1.jpg\" alt=\"\" class=\"wp-image-370235\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Images source: Seth Worley \/ MZed<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370238\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2.jpg\" alt=\"\" class=\"wp-image-370238\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370241\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3.jpg\" alt=\"\" class=\"wp-image-370241\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370244\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4.jpg\" alt=\"\" class=\"wp-image-370244\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370247\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5.jpg\" alt=\"\" class=\"wp-image-370247\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370250\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6.jpg\" alt=\"\" class=\"wp-image-370250\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370253\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7.jpg\" alt=\"\" class=\"wp-image-370253\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n<p>This is <a href=\"https:\/\/sethworley.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Seth Worley<\/a>, a seasoned writer and director known for his viral short films on YouTube (like <a href=\"https:\/\/www.youtube.com\/watch?v=50F5Lhea8Lw&amp;ab_channel=FilmRiot\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Real Gone,&#8221;<\/a> for example). In the <a href=\"https:\/\/www.mzed.com\/courses\/writing-201?tap_a=17272-420962&amp;tap_s=7375703-5f5d3a\" target=\"_blank\" rel=\"noreferrer noopener\">MZed course \u201cWriting 201,\u201d<\/a> he dedicates a brief but concise lesson to writing good dialogue and starts by demonstrating an obviously bad example.<\/p>\n\n<p>Why is it terrible? Because it includes a lot of meaningless noise. As Seth Worley explains, there is no rule that forces you to start the scene at the beginning of the conversation. Your viewers don\u2019t need to know how characters bump into each other (unless it is important for the story). Not to mention, most of us are already sick of small talk in real life. Why should we listen to it in movies? So cut it. Get to the point straight away. Don\u2019t set it up, don\u2019t ease into it, just leap right in. Omit needless parts. Omit needless parts. Omit needless parts.<\/p>\n\n<p>Here, we return to Robert McKee\u2019s advice: Remember, characters do not speak unless there is a reason. Thus, as you re-read a written dialogue, ask yourself: Is what your characters say actually worth saying? Do they say it because they need to or because you\u2013the writer\u2013need them to?<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>A few words on exposition<\/strong><\/h2>\n\n<p>If your answer to the second question is \u201cI need them to,\u201d then sorry, but you\u2019re probably stuck in exposition.<\/p>\n\n<p>Expositional dialogue means two or more characters exchanging information crucial to the narrative. They do it because the writer needs to give the audience some context, explain the conflict, or clear story misunderstandings that may arise. And\u2013I apologize for being harsh and judgmental\u2013it\u2019s a bad, evil path. Don\u2019t do it, please.<\/p>\n\n<p>First, it always feels unnatural, both to the poor actors who have to perform those overloaded lines and to the audience (because the audience is not dumb &#8211; never underestimate them). Second, telling something instead of showing it is a so much weaker way of storytelling. Consider this scene from <a href=\"https:\/\/www.imdb.com\/title\/tt0121765\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_%25E2%2580%259CStar%2520Wars%2520Episode%2520II%253A%2520Attac\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cStar Wars: Episode II &#8211; Attack of the Clones\u201d<\/a> as an example:<\/p>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Star Wars Episode II: &quot;Anakin confesses to Padme&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/vAfRwljztuM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=vAfRwljztuM&amp;ab_channel=SoulRequiem\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/vAfRwljztuM\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<p>I\u2019ve been a huge fan of the \u201cStar Wars\u201d Universe since childhood, but this was difficult to watch. It feels cringe. Have you ever been in a romantic conversation where someone had to name and explain their emotions this way? You\u2019ll find a lot of poorly done exposition in \u201cStar Wars,\u201d which is understandable. The epic space opera has complicated world-building and storylines. Sure, we still love it. But if you can avoid writing dialogue like this, please do.<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>Adding contrast is good for dialogue<\/strong><\/h2>\n\n<p><a href=\"https:\/\/www.mzed.com\/courses\/writing-201?tap_a=17272-420962&amp;tap_s=7375703-5f5d3a\" target=\"_blank\" rel=\"noreferrer noopener\">In his course<\/a>, Seth Worley highlights another technique that can help one write good dialogue. Namely: add contrast. We love the unexpected. We enjoy scenes where dark characters discuss light-hearted things and vice versa. That\u2019s why we are so entertained by Quentin Tarantino\u2019s dialogue scenes, where heroes basically talk about burgers before killing people.<\/p>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Pulp Fiction | &#039;Big Kahuna Burger&#039; (HD) - Samuel L. Jackson, John Travolta | MIRAMAX\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/Mnb_3ibUp38?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=Mnb_3ibUp38&amp;ab_channel=Miramax\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/Mnb_3ibUp38\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<p>Why is dialogue in <a href=\"https:\/\/www.imdb.com\/title\/tt0110912\/?ref_=nv_sr_srsg_0_tt_4_nm_4_in_0_q_pullp\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cPulp Fiction\u201d<\/a> so impactful? Contrast and subtext. Throughout the entire movie, Tarantino\u2019s characters talk about hamburgers, coffee, tomatoes, foot massage, oral sex, and the Bible. In short, about anything except for what\u2019s really going on. And yet, we know that through these lines, they threaten people, apologize, flirt, reveal their feelings, and open up. That\u2019s the mastery of well-written dialogue.<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>Conflict<\/strong><strong> makes good dialogue<\/strong><\/h2>\n\n<p>Something else that adds spice (and purpose, rhythm, and subtext along the way) to any on-screen conversation is conflict. There is a quote by the renowned director David Fincher that frequently pops up on social media (unfortunately, I couldn\u2019t discover where exactly it comes from, but I love it anyway):<\/p>\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>The thing I always say to any writer that I\u2019m working with is: just make sure that in any argument, everyone is right. I want every single person arguing a righteous side of the argument. That makes interesting drama.<\/p>\n<cite>David Fincher<\/cite><\/blockquote>\n\n<p>So true! Once you create a conflict where everyone believes they\u2019re right while standing on opposite sides, it brings the motion into the scene. You don\u2019t even have to put guns in their hands. Here\u2019s a great rich-in-conflict dialogue from Fincher\u2019s <a href=\"https:\/\/www.imdb.com\/title\/tt1285016\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_the%2520soc\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cThe Social Network:\u201d<\/a><\/p>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Social Network (2010) - You&#039;re Breaking Up With Me? Scene (1\/10) | Movieclips\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/VlSkPA60ujQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=VlSkPA60ujQ&amp;ab_channel=Movieclips\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/VlSkPA60ujQ\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<h2 class=\"wp-block-heading\"><strong>A tip on making your dialogue sound natural<\/strong><\/h2>\n\n<p>Last but not least, a key characteristic of good dialogue is its natural flow. People talk differently, so every line and manner of speaking should be unique to a concrete character. The way someone phrases their thoughts can tell a lot about them. For instance, if a character uses prison slang, the director, actors, and viewers will quickly visualize their backstory, create a theory, or take an interest in it.<\/p>\n\n<p>A wonderful tip to achieve natural flow in dialogue is to carry your pocket recorder around (a smartphone would also suffice), record different conversations, transcribe them, and analyze how people talk. Sometimes, you will even find hidden treasure in these transcripts: a crisp phrase, a curious comparison, or a strong set expression you never heard of. The most difficult thing afterward is to let your lines sound natural while keeping them economical and to the point. Hard, I know. But also \u2013 incredibly rewarding!<\/p>\n\n<p><strong>What about you? Do you have any personal tips on writing good dialogue? Or can you share a favorite example of a great dialogue scene? Let\u2019s exchange our experience further in the comments below!<\/strong><\/p>\n\n<p><strong><em>Feature image:<\/em><\/strong>\u00a0a film still from \u201cPulp Fiction\u201d by Quentin Tarantino, 1994.<\/p>\n\n<p><strong>Full disclosure:\u00a0<a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=7375703-5f5d3a\" target=\"_blank\" rel=\"noreferrer noopener\">MZed<\/a>\u00a0is\u00a0<a href=\"https:\/\/www.cined.com\/cined-acquires-mzed\/\" target=\"_blank\" rel=\"noreferrer noopener\">owned by CineD<\/a><\/strong>.<\/p>\n\n<p><a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=7375703-5f5d3a\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Join MZed Pro now and start watching today!<\/strong><\/a><\/p>\n\n<p><strong>Additional sources:<\/strong><\/p>\n\n<ul class=\"wp-block-list\">\n<li>\u201cDialogue: The Art of Verbal Action for Page, Stage, and Screen\u201d by Robert McKee, 2016;<\/li>\n\n\n\n<li>\u201cScreenplay: The Foundations of Screenwriting\u201d Syd Field, revised edition, 2005;<\/li>\n\n\n\n<li>\u201cThe Elements of Style\u201d by William Strunk Jr. and E. B. White, fourth edition, 2003.<\/li>\n<\/ul>\n<370357-main-buylinks\/>","protected":false,"clean_render":"<p class=\"has-drop-cap\"><strong>Say your story structure is finished. It\u2019s time to flesh it out with details and\u2013yes!\u2013dialogue. Oh dialogue, the stumbling point for so many writers! What\u2019s the best way to approach you? Below, we gather theoretical tips on writing good dialogue and take a closer look at iconic film scenes, which unveils an insight or two into creating impactful conversations.<\/strong><\/p><370357-inline-buylinks\/>\n\n<p>Of course, screenwriting is a creative discipline, as is filmmaking. That\u2019s why there are no (and can\u2019t be!) strict rules or set-in-stone guidelines on how to construct your dialogue scenes. In fact, every writer has their own style (think of David Lynch, for example, rest his soul). However, there are recommendations and tips that can support you along this challenging journey. In other words, some do\u2019s and don\u2019ts for writing good dialogue.<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>What is good dialogue?<\/strong><\/h2>\n\n<p>But first, let\u2019s define \u201cgood.\u201d As you know, \u201cgood\u201d is relative and only reflects how much we like something. Here, we use this adjective to define effective, impactful, and strong dialogue. Legendary author, cinema school lecturer, and story consultant Robert McKee describes dialogue as \u201ca symphony of words.\u201d In his handbook \u201cDialogue: The Art of Verbal Action for Page, Stage, and Screen,\u201d he reminds us that it is not a mere conversation copied 1:1 from real life. Several characteristics make a dialogue in your script effective:<\/p>\n\n<ul class=\"wp-block-list\">\n<li><strong>Rhythm<\/strong>. Good dialogue has proper pacing: it\u2019s crisp and engaging, it attacks and defends, and it has breaks and points of acceleration. In this regard, dialogue is just like action.<\/li>\n\n\n\n<li><strong>Natural flow<\/strong>. The way the character talks should feel authentic, spontaneous, and appropriate to this specific personality, setting, tone, and situation.<\/li>\n\n\n\n<li><strong>Subtext<\/strong>. An impactful dialogue has a subtext (aka unspoken message). Something that your characters express through words that are beyond the literal meaning. Can you recall the nerve-wracking coin flip scene from <a href=\"https:\/\/www.imdb.com\/title\/tt0477348\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_no%2520country\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cNo Country for Old Men,\u201d<\/a> that takes place at a gas station? Let\u2019s rewatch it together, keeping in mind the idea of subtext:<\/li>\n<\/ul>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Coin Toss | No Country for Old Men | Max\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/ZY0DG8rUnCA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=ZY0DG8rUnCA&amp;ab_channel=Max\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/ZY0DG8rUnCA\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<p>It\u2019s not really about buying gas, or the weather in Dallas, or flipping the coin (at least from a certain point \u2013 not anymore). These are simple topics, so why do they make our hair stand on end? Because of the meaning hidden underneath. The main villain, Anton Chigurh, threatens the station&#8217;s owner, and the tension gradually grows until it is released. That brings us to another important characteristic of good dialogue.<\/p><370357-mzed-course\/>\n\n<p>Remember the golden rule from the screenwriting guru Syd Field: every scene in your script must have a purpose? It can certainly be applied to dialogue, too. Or, as Robert McKee puts it in his book:<\/p>\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>All talk responds to a need, engages a purpose, and performs an action. No matter how seemingly vague and airy a speech may be, no character ever talks to anyone, even to himself, for no reason, to do nothing.<\/p>\n<\/blockquote>\n\n<h2 class=\"wp-block-heading\"><strong>Defining the purpose<\/strong><\/h2>\n\n<p>&#8220;But Mascha,&#8221; <strong>\u2013<\/strong> you may argue <strong>\u2013<\/strong> &#8220;Wouldn\u2019t it be too intense if dialogue always had to push the story forward?&#8221; Well, it doesn\u2019t have to be. Good dialogue can serve multiple functions. The main ones are:<\/p>\n\n<ul class=\"wp-block-list\">\n<li>Pushing the narrative forward, giving us clues or hooks, and leading up to something one line after another<\/li>\n\n\n\n<li>Deepening the audience\u2019s understanding of the character, their inner and\/or outer world<\/li>\n\n\n\n<li>Revealing something about the relationships between the characters<\/li>\n\n\n\n<li>The combination of two or all three of the above<\/li>\n<\/ul>\n\n<p><a href=\"https:\/\/www.bbc.co.uk\/iplayer\/episodes\/b018ttws\/sherlock\" target=\"_blank\" rel=\"noreferrer noopener\">The BBC\u2019s series \u201cSherlock\u201d<\/a> features tons of well-written dialogue. Right off the bat, we\u2019re hooked by the engaging conversations between the characters, especially when we first get to meet Mr. Holmes himself:<\/p>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sherlock and John&#039;s First Meeting | A Study In Pink | Sherlock | BBC\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/VaT7IYQgyqo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=VaT7IYQgyqo&amp;ab_channel=Sherlock\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/VaT7IYQgyqo\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<p>Of course, most viewers are familiar with the classical work by Sir Arthur Conan Doyle, myself included. Yet this version of Sherlock, brilliantly portrayed by Benedict Cumberbatch, surprises us all the same. From his very first dialogue beats (first with Molly, then \u2013 with Dr. Watson), we get to know Sherlock as painfully direct, almost rude, quick-witted, asocial, and absolutely genius. All this information comes across through the dialogue because there hasn\u2019t been much action or story revealed yet. The lines follow the purpose of letting us meet this character properly from the get-go.<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>Omit needless parts<\/strong><\/h2>\n\n<p>One quote always comes to mind when I set out to write something. It\u2019s from the classic book \u201cThe Elements of Style\u201d by William Strunk Jr. and E. B. White, which even Stephen King\u2013master of suspenseful stories\u2013recommends to aspiring authors. It goes like this: \u201cOmit needless words.\u201d<\/p>\n\n<p>While this advice is invaluable for any type of writing, especially creative work, I\u2019d take it a step further for dialogue: \u201cOmit needless parts.\u201d Let me show you why. For that, please click through the subsequent screenshots and read the dialogue lines typed on them.<\/p>\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-10 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370235\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1.jpg\" alt=\"\" class=\"wp-image-370235\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example1-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Images source: Seth Worley \/ MZed<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370238\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2.jpg\" alt=\"\" class=\"wp-image-370238\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example2-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370241\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3.jpg\" alt=\"\" class=\"wp-image-370241\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example3-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370244\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4.jpg\" alt=\"\" class=\"wp-image-370244\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example4-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370247\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5.jpg\" alt=\"\" class=\"wp-image-370247\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example5-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370250\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6.jpg\" alt=\"\" class=\"wp-image-370250\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example6-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1083\" data-id=\"370253\" src=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7.jpg\" alt=\"\" class=\"wp-image-370253\" srcset=\"https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7.jpg 1920w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-300x169.jpg 300w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-900x508.jpg 900w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-768x433.jpg 768w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-1536x866.jpg 1536w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-460x259.jpg 460w, https:\/\/www.cined.com\/content\/uploads\/2025\/01\/good_dialogues-bad_example7-408x230.jpg 408w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/figure>\n\n<p>This is <a href=\"https:\/\/sethworley.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Seth Worley<\/a>, a seasoned writer and director known for his viral short films on YouTube (like <a href=\"https:\/\/www.youtube.com\/watch?v=50F5Lhea8Lw&amp;ab_channel=FilmRiot\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Real Gone,&#8221;<\/a> for example). In the <a href=\"https:\/\/www.mzed.com\/courses\/writing-201?tap_a=17272-420962&amp;tap_s=7375703-5f5d3a\" target=\"_blank\" rel=\"noreferrer noopener\">MZed course \u201cWriting 201,\u201d<\/a> he dedicates a brief but concise lesson to writing good dialogue and starts by demonstrating an obviously bad example.<\/p>\n\n<p>Why is it terrible? Because it includes a lot of meaningless noise. As Seth Worley explains, there is no rule that forces you to start the scene at the beginning of the conversation. Your viewers don\u2019t need to know how characters bump into each other (unless it is important for the story). Not to mention, most of us are already sick of small talk in real life. Why should we listen to it in movies? So cut it. Get to the point straight away. Don\u2019t set it up, don\u2019t ease into it, just leap right in. Omit needless parts. Omit needless parts. Omit needless parts.<\/p>\n\n<p>Here, we return to Robert McKee\u2019s advice: Remember, characters do not speak unless there is a reason. Thus, as you re-read a written dialogue, ask yourself: Is what your characters say actually worth saying? Do they say it because they need to or because you\u2013the writer\u2013need them to?<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>A few words on exposition<\/strong><\/h2>\n\n<p>If your answer to the second question is \u201cI need them to,\u201d then sorry, but you\u2019re probably stuck in exposition.<\/p>\n\n<p>Expositional dialogue means two or more characters exchanging information crucial to the narrative. They do it because the writer needs to give the audience some context, explain the conflict, or clear story misunderstandings that may arise. And\u2013I apologize for being harsh and judgmental\u2013it\u2019s a bad, evil path. Don\u2019t do it, please.<\/p>\n\n<p>First, it always feels unnatural, both to the poor actors who have to perform those overloaded lines and to the audience (because the audience is not dumb &#8211; never underestimate them). Second, telling something instead of showing it is a so much weaker way of storytelling. Consider this scene from <a href=\"https:\/\/www.imdb.com\/title\/tt0121765\/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_%25E2%2580%259CStar%2520Wars%2520Episode%2520II%253A%2520Attac\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cStar Wars: Episode II &#8211; Attack of the Clones\u201d<\/a> as an example:<\/p>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Star Wars Episode II: &quot;Anakin confesses to Padme&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/vAfRwljztuM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=vAfRwljztuM&amp;ab_channel=SoulRequiem\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/vAfRwljztuM\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<p>I\u2019ve been a huge fan of the \u201cStar Wars\u201d Universe since childhood, but this was difficult to watch. It feels cringe. Have you ever been in a romantic conversation where someone had to name and explain their emotions this way? You\u2019ll find a lot of poorly done exposition in \u201cStar Wars,\u201d which is understandable. The epic space opera has complicated world-building and storylines. Sure, we still love it. But if you can avoid writing dialogue like this, please do.<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>Adding contrast is good for dialogue<\/strong><\/h2>\n\n<p><a href=\"https:\/\/www.mzed.com\/courses\/writing-201?tap_a=17272-420962&amp;tap_s=7375703-5f5d3a\" target=\"_blank\" rel=\"noreferrer noopener\">In his course<\/a>, Seth Worley highlights another technique that can help one write good dialogue. Namely: add contrast. We love the unexpected. We enjoy scenes where dark characters discuss light-hearted things and vice versa. That\u2019s why we are so entertained by Quentin Tarantino\u2019s dialogue scenes, where heroes basically talk about burgers before killing people.<\/p>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Pulp Fiction | &#039;Big Kahuna Burger&#039; (HD) - Samuel L. Jackson, John Travolta | MIRAMAX\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/Mnb_3ibUp38?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=Mnb_3ibUp38&amp;ab_channel=Miramax\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/Mnb_3ibUp38\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<p>Why is dialogue in <a href=\"https:\/\/www.imdb.com\/title\/tt0110912\/?ref_=nv_sr_srsg_0_tt_4_nm_4_in_0_q_pullp\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cPulp Fiction\u201d<\/a> so impactful? Contrast and subtext. Throughout the entire movie, Tarantino\u2019s characters talk about hamburgers, coffee, tomatoes, foot massage, oral sex, and the Bible. In short, about anything except for what\u2019s really going on. And yet, we know that through these lines, they threaten people, apologize, flirt, reveal their feelings, and open up. That\u2019s the mastery of well-written dialogue.<\/p>\n\n<h2 class=\"wp-block-heading\"><strong>Conflict<\/strong><strong> makes good dialogue<\/strong><\/h2>\n\n<p>Something else that adds spice (and purpose, rhythm, and subtext along the way) to any on-screen conversation is conflict. There is a quote by the renowned director David Fincher that frequently pops up on social media (unfortunately, I couldn\u2019t discover where exactly it comes from, but I love it anyway):<\/p>\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>The thing I always say to any writer that I\u2019m working with is: just make sure that in any argument, everyone is right. I want every single person arguing a righteous side of the argument. That makes interesting drama.<\/p>\n<cite>David Fincher<\/cite><\/blockquote>\n\n<p>So true! Once you create a conflict where everyone believes they\u2019re right while standing on opposite sides, it brings the motion into the scene. You don\u2019t even have to put guns in their hands. Here\u2019s a great rich-in-conflict dialogue from Fincher\u2019s <a href=\"https:\/\/www.imdb.com\/title\/tt1285016\/?ref_=nv_sr_srsg_0_tt_7_nm_1_in_0_q_the%2520soc\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cThe Social Network:\u201d<\/a><\/p>\n<!-- wp:embed\/video -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Social Network (2010) - You&#039;re Breaking Up With Me? Scene (1\/10) | Movieclips\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/VlSkPA60ujQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"VideoObject\",\"name\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"description\":\"\\u826f\\u3044\\u53f0\\u8a5e\\u3092\\u66f8\\u304f\\u30b3\\u30c4 - \\u811a\\u672c\\u5bb6\\u306e\\u305f\\u3081\\u306e\\u300c\\u3084\\u308b\\u3079\\u304d\\u3053\\u3068\\u300d\\u3068\\u300c\\u3084\\u3063\\u3066\\u306f\\u3044\\u3051\\u306a\\u3044\\u3053\\u3068\",\"contentUrl\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=VlSkPA60ujQ&amp;ab_channel=Movieclips\",\"thumbnailUrl\":\"https:\\\/\\\/img.youtube.com\\\/vi\\\/VlSkPA60ujQ\\\/mqdefault.jpg\",\"uploadDate\":\"2025-02-03T00:03:00+01:00\"}<\/script><!-- \/wp:embed\/video -->\n<h2 class=\"wp-block-heading\"><strong>A tip on making your dialogue sound natural<\/strong><\/h2>\n\n<p>Last but not least, a key characteristic of good dialogue is its natural flow. People talk differently, so every line and manner of speaking should be unique to a concrete character. The way someone phrases their thoughts can tell a lot about them. For instance, if a character uses prison slang, the director, actors, and viewers will quickly visualize their backstory, create a theory, or take an interest in it.<\/p>\n\n<p>A wonderful tip to achieve natural flow in dialogue is to carry your pocket recorder around (a smartphone would also suffice), record different conversations, transcribe them, and analyze how people talk. Sometimes, you will even find hidden treasure in these transcripts: a crisp phrase, a curious comparison, or a strong set expression you never heard of. The most difficult thing afterward is to let your lines sound natural while keeping them economical and to the point. Hard, I know. But also \u2013 incredibly rewarding!<\/p>\n\n<p><strong>What about you? Do you have any personal tips on writing good dialogue? Or can you share a favorite example of a great dialogue scene? Let\u2019s exchange our experience further in the comments below!<\/strong><\/p>\n\n<p><strong><em>Feature image:<\/em><\/strong>\u00a0a film still from \u201cPulp Fiction\u201d by Quentin Tarantino, 1994.<\/p>\n\n<p><strong>Full disclosure:\u00a0<a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=7375703-5f5d3a\" target=\"_blank\" rel=\"noreferrer noopener\">MZed<\/a>\u00a0is\u00a0<a href=\"https:\/\/www.cined.com\/cined-acquires-mzed\/\" target=\"_blank\" rel=\"noreferrer noopener\">owned by CineD<\/a><\/strong>.<\/p>\n\n<p><a href=\"https:\/\/www.mzed.com?tap_a=17272-420962&amp;tap_s=7375703-5f5d3a\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Join MZed Pro now and start watching today!<\/strong><\/a><\/p>\n\n<p><strong>Additional sources:<\/strong><\/p>\n\n<ul class=\"wp-block-list\">\n<li>\u201cDialogue: The Art of Verbal Action for Page, Stage, and Screen\u201d by Robert McKee, 2016;<\/li>\n\n\n\n<li>\u201cScreenplay: The Foundations of Screenwriting\u201d Syd Field, revised edition, 2005;<\/li>\n\n\n\n<li>\u201cThe Elements of Style\u201d by William Strunk Jr. and E. B. White, fourth edition, 2003.<\/li>\n<\/ul>\n<370357-main-buylinks\/>"},"excerpt":{"rendered":"<p>Say your story structure is finished. It\u2019s time to flesh it out with details and\u2013yes!\u2013dialogue. Oh dialogue, the stumbling point for so many writers! What\u2019s the best way to approach you? Below, we gather theoretical tips on writing good dialogue and take a closer look at iconic film scenes, which unveils an insight or two into creating impactful conversations. Of course, screenwriting is a creative discipline, as is filmmaking. That\u2019s why there are no (and can\u2019t be!) strict rules or set-in-stone guidelines on how to construct your dialogue scenes. In fact, every writer has their own style (think of David Lynch, for example, rest his soul). However, there are recommendations [&hellip;]<\/p>\n","protected":false},"author":33644,"featured_media":370257,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[{"id":42283,"name":"How To","link":"https:\/\/www.cined.com\/jp\/how-to-jp\/","slug":"how-to-jp"}],"tags":[86983,86984,86991,86992,43722,61801,63062,65777,86464],"tag_label":[69486],"brand":[61803],"class_list":["post-370357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-how-to-jp","tag-writing-201-jp","tag-writing-course-jp","tag-86991","tag-86992","tag--jp","tag-mzed-education-jp","tag-screenwriting-jp","tag-mzed-pro-membership-jp","tag-screenwriting-tips-jp","tag_label-mzed","brand-mzed-jp"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.10 (Yoast SEO v23.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u826f\u3044\u53f0\u8a5e\u3092\u66f8\u304f\u30b3\u30c4 - 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