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Venus Optics has released a new version of their ultra-wide 12mm lens designed for mirrorless cameras: the Laowa 12mm f/2.8 Lite Zero-D FF. It’s smaller and lighter than the original, supports autofocus on select mounts, has a standard 72mm front filter thread, and keeps the signature near-zero distortion design. With its 122° angle of view, it could be an interesting and creative option for filmmakers and still photographers working in tight spaces, as well as for architecture and real estate photography. Let’s have a look.
Last month, Laowa introduced two 8-15mm fisheye lenses (one for filmmakers and the other for photographers and content creators) that are unusual because their optics offer both a circular and a rectangular image. With the introduction of Laowa’s new “Lite” 12mm, the company continues with their “Zero-D” (zero distortion) optical design, which corrects the barrel distortion typically seen in ultra-wide lenses. Straight lines remain straight, even at the edges of the frame, which is something that can make a real difference when shooting architecture, interiors, or any other subject where distortion would throw off the framing.
The Laowa 12mm f/2.8 Lite Zero-D FF is available in both autofocus and manual focus versions, and the aperture design varies depending on the mount. The autofocus version, currently limited to Sony E and Nikon Z, comes with a 5-blade aperture that produces distinctive 10-point sunstars when stopped down. Manual focus versions are available for all four mounts – Sony E, Nikon Z, Canon RF, and Leica L – with a 14-blade aperture for smoother, rounder bokeh. Canon RF and Leica L users also have the option of a 5-blade manual version for those who prefer pronounced sunstars. This subtle difference will offer filmmakers and still shooters some flexibility depending on whether they prioritize starburst effects or a gentler fall-off in the background.
The Laowa 12mm f/2.8 Lite Zero-D FF is available for pre-order now and is priced at $699. For more information, please see the Laowa website.
How can you see yourself using this kind of lens? Is it something you would find useful in your kit? Let us know in the comments!
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A camera was put in my hands at 16, and I’ve been taking photographs ever since. Before moving to Vienna, I worked as a photographer on film sets, telling stories as they unfolded behind the scenes. Since then, I’ve focused on immersive theater, both as a photographer and an actor. I am the photographer for the award-winning Nesterval ensemble, documenting the energy and atmosphere of their performances. I’m a teller of stories. Stories hold my interest. I’ll take on any project with a story to tell.