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Have you ever felt a scene instantly transform by placing a cut within it? When do you decide to go for a series of rapid edits? And what about those moments where we choose to hold a shot instead of cutting away? Editing is the true grammar of cinema. A knowingly placed cut can compress time, manipulate the audience’s reaction, build unbearable tension, or redirect the emotional flow of a story. This is exactly the topic of the latest recorded webinar in our interactive series, “Storytelling Sessions,” titled “A Mighty Cut and How It Drives the Story.” It is now available to watch in the MZed library, and here is a sneak peek!
And soon we’re going to hold another “Storytelling Sessions” webinar! Everyone is welcome, and live participation is free of charge. You will find all the information, including the registration link, at the end of this article.
We launched the “Storytelling Sessions” on MZed with the aim of building a genuine, two-way dialogue with our filmmaking community. The format entails learning something new, for sure. Yet, at the same time, it is a space to connect online, break down scenes together, and unpack the psychological mechanics that turn a good script into an impactful cinematic experience. “The Mighty Cut and How It Drives the Story” was also framed this way. We didn’t go through the dense NLE software tutorials. Instead, we focused exclusively on the artistic philosophy behind the craft of filmmaking, just as the entire “Storytelling Sessions” series does.
For those of you who couldn’t attend live, we have packaged the session into a one-hour, seven-module masterclass. The recorded webinar is now available on MZed and dives deep into the emotional anatomy of editing, blending classical film theory with practical scene deconstruction.
One of the webinar’s modules is dedicated to practical tips for editors. Among them is a fascinating concept developed by the legendary sound designer and editor Walter Murch. (He is known, for example, for “Apocalypse Now” and “The Godfather” trilogy). Let’s call it “The Blink Theory.”
In his book In the Blink of an Eye, Murch suggests that humans blink as a way of separating thoughts, almost like a biological form of punctuation. You can easily test this in real life the next time you are speaking with a friend. Pay close attention to how they listen to you. According to Walter Murch, they will naturally blink at the exact moment when they fully grasp the idea you are trying to communicate.
This translates beautifully to the film editing process. When you are cutting a scene, try giving a character a split second to finish their thought and letting them blink. After that, place your “natural” cut. Alternatively, as an editor, you can train yourself to cut at the exact moment you feel the urge to blink while watching the footage. Frankly, this is the precise moment your brain has gathered the visual idea. If a shot drags on too long, the audience subconsciously starts to feel uncomfortable because the mental “thought” has begun to drag on as well. It’s a tiny psychological nuance, but a fun one to experiment with.
Other highlights from the webinar include:
The recording of “Storytelling Sessions: A Mighty Cut and How It Drives the Story” is now available as part of the MZed Pro subscription. If you were unable to attend the live webinar, this is the perfect way to catch up and explore the narrative power of the edit at your own pace. Head over here to watch the recording!
And that’s not all! I am thrilled to invite you to our third live webinar, “Breaking the Framing Rules,” which will take place online via Microsoft Teams on June 30th. Mark your calendars for 10 AM EDT / 4 PM CEST. Just like in the other “Storytelling Sessions,” we are going to actively pick apart framing conventions by looking at a diverse mix of modern and classic cinema, and examine how breaking traditional composition can enhance your visual storytelling.Attending the live webinar is completely free. To claim your virtual seat, head over here and register. Once you sign up, the direct Microsoft Teams invite will be sent to your inbox. All that’s left for you to do is show up on June 30th, ready to talk film! Looking forward to meeting you there!
How do you approach your editing? Are you already the master of the mighty cut, or is the psychology of film editing something you are just starting to experiment with? What would you like to talk about on June 30th? Drop your thoughts in the comments below — and let’s chat!
Featured image: a film still from “Whiplash” by Damien Chazelle, 2014, combined with a screenshot from our previous webinar.
Full disclosure: MZed is owned by CineD.
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Mascha Deikova is a freelance director and writer based in Salzburg, Austria. She creates concepts for and works on commercials, music videos, corporate films, and documentaries. Mascha’s huge passion lies in exploring all the varieties of cinematic and narrative techniques to tell her stories.