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Panasonic just reported its highest first-quarter operating profit since 1985: ¥182.5 billion (around $1.2 billion; all dollar conversions in this article are at roughly ¥158 to the US dollar), more than double last year’s figure, and the company now expects its first record annual profit in 42 years. The engine behind this is not cameras but AI data centers, which Panasonic supplies with backup batteries, capacitors, and circuit board materials. LUMIX, meanwhile, is not mentioned once in the entire report, and the business unit it belongs to was the only one that shrank.
This earnings season has been unusually revealing for our industry. Canon’s cameras are printing money again, Sony raised its outlook on the strength of its image sensor business, Nikon cut its camera forecast on weak China demand and rising memory costs, and CIPA’s first-half shipment data showed a market trading unit growth for higher prices. Panasonic’s results for April through June 2026, published July 30 on its investor relations site, add a very different chapter to that story: a camera maker whose spectacular quarter has almost nothing to do with imaging, and whose imaging business is quietly feeling the same memory-price squeeze as everyone else.
The headline numbers are remarkable by any standard. Group sales rose 6.4% year over year to ¥2,018.9 billion (around $12.8 billion), and operating profit jumped 110% to ¥182.5 billion (around $1.2 billion), surpassing a record that had stood since 1985. Net profit climbed to ¥135.2 billion (around $860 million). On the back of this, Panasonic raised its full-year forecast to ¥7,800 billion (around $49 billion) in sales and ¥590 billion (around $3.7 billion) in operating profit, which would beat the company’s all-time annual record of ¥575.7 billion set back in fiscal 1984.
According to Panasonic, the driver is demand from AI infrastructure and everything adjacent to it. Every AI data center being built needs backup power, and Panasonic’s energy storage systems for data centers posted quarterly sales of ¥113.0 billion (around $720 million), 1.9 times the prior year, with a full-year target of ¥550 billion (around $3.5 billion). The Industry segment’s AI-related products, conductive polymer capacitors and multilayer circuit board materials that end up on AI server boards, grew 1.4 times to ¥74.9 billion (around $470 million), and even Panasonic’s machines that mount components onto circuit boards are selling faster because AI server makers need them. The company describes demand exceeding expectations across the board, and some industry participants are calling the current environment a supercycle.
If you go looking for cameras in Panasonic’s report, you will need patience. The LUMIX business is not a segment, not a sub-segment, and not even a disclosed business line. The Imaging Solution Business Division sits inside a unit called AVC, together with televisions and communication networks, which in turn belongs to the Smart Life segment alongside refrigerators, washing machines, and hairdryers. Panasonic discloses no camera-specific sales, units, or profit figures, so how LUMIX itself is actually performing remains invisible from the outside.
What the numbers do show is not flattering for the neighborhood LUMIX lives in. Smart Life was the only Panasonic segment whose sales declined this quarter, down to ¥311.1 billion (around $2.0 billion), an 8% drop excluding currency effects. Within that, the AVC unit fell from ¥84.8 billion to ¥73.1 billion (around $540 million to $460 million), a decline of almost 14%, which Panasonic attributes to lower AVC sales in Europe and weak demand in China. Segment profit still improved slightly, to ¥12.2 billion (around $77 million), but the report credits rationalization and restructuring for that, not product momentum. In plain terms: the corner of Panasonic that contains cameras is being managed for efficiency while the rest of the company chases the AI boom.
There is a striking irony buried in these results. The AI data-center buildout that is generating Panasonic’s record profits is the same force behind the global memory shortage that has been raising prices across our industry, from Sony’s suspended memory card sales to the price increases at FUJIFILM, Canon, and Nikon. Panasonic is on both sides of that trade: it profits from selling into AI servers while paying more for the memory chips inside its own consumer products.
The report is explicit about this. Rising raw material costs, with memory named alongside copper and resin, cost the group ¥42.0 billion (around $270 million) in the quarter, and Panasonic now expects a full-year raw material headwind of ¥191.0 billion (around $1.2 billion), up sharply from the ¥120.0 billion it forecast in May. Price hikes in memory are specifically listed as a profit drag on the AVC unit, the very place cameras live, as well as on the PC business. Panasonic even warns that memory supply disruptions could dampen demand in its aircraft and PC-related businesses. For anyone following our coverage of the memory crisis, this is further confirmation that camera manufacturers are now absorbing these costs from the inside of the product, not just at the memory card counter.
None of this says anything negative about LUMIX products themselves; if anything, the product side has rarely looked stronger. The LUMIX S1II was our overall Camera of the Year 2025, the affordable LUMIX L10 went straight into backorder after launch, and in our CP+ interview with LUMIX leadership earlier this year, the team spoke openly about growth opportunities, cinema-oriented cameras, and its commitment to multiple mounts.
But financial reports reveal priorities, and this one is unambiguous about where Panasonic’s capital and attention are flowing. A camera division that is invisible in the group’s disclosures, housed in its only shrinking segment, and exposed to rising memory costs will have to keep earning its place with hits like the S1II. The good news is that a parent company posting record profits has no financial pressure to cut anything; the open question is how much of that AI windfall, if any, will ever find its way back into camera development.
Panasonic is having its best run in four decades, and cameras are watching from the cheap seats. Do record group profits make you more or less confident about the future of LUMIX? Don’t hesitate to let us know in the comments below!
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Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and two sons in Vienna, Austria.