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The same memory shortage that has already pushed up camera card and SSD prices has now reached one of the biggest names in consumer electronics. Apple raised prices on MacBooks, iPads, the HomePod, and Apple TV on June 25, 2026, citing memory and storage chip costs it says it can no longer absorb. For filmmakers buying editing machines and post-production storage, the message is blunt: the AI datacenter buildout is now setting the price of the gear you work on.
The trigger is the same DRAM and NAND flash squeeze that CineD has been tracking since late 2025, when camera card manufacturers first warned us about NAND scarcity. Memory makers such as Micron have prioritized orders from AI chipmakers like Nvidia, which has helped them post record profits while leaving device makers scrambling for whatever supply remains. Apple, whose supply chain relationships are the envy of the industry, framed the situation in unusually direct language, saying it has never seen a component price increase this large arrive this quickly, and that it had shielded customers for as long as it could before reaching a point where it had to start raising prices.
The increases land across Apple’s Mac and iPad lines but pointedly spare the iPhone, the company’s largest revenue source. The MacBook Neo, Apple’s lowest-priced laptop aimed at winning share from affordable Windows and Chromebook machines, jumps from $599 to $699 just months after its March launch. The MacBook Air with 512GB of storage rises from $1,099 to $1,299, while the MacBook Pro with 1TB of storage climbs from $1,699 to $1,999. The iPad Air with 128GB moves from $599 to $749. Apple also raised prices on both versions of the HomePod and on the Apple TV set-top box. Several of the affected configurations represent hikes of close to 20 percent.
The Neo increase is the one with competitive consequences. At $699, Apple’s entry laptop loses the $100 advantage it held over the $699 Dell XPS 13 that Dell unveiled specifically to challenge it, and the Neo is now more expensive than some Chromebooks from Lenovo and Asus. Apple shares fell nearly 5 percent on the news, while Dell dropped more than 8 percent, a sign that analysts expect the pain to land harder on rivals with thinner supplier leverage than Apple’s.
The root cause is a structural imbalance between AI infrastructure demand and consumer supply. Prices for dynamic random access memory, used in virtually every modern device, rose as much as 98 percent in the first quarter of 2026, according to industry tracker TrendForce, and are projected to climb another 58 to 63 percent in the current quarter. The surge, which some analysts have nicknamed “RAMageddon,” is being driven by AI data center construction, with companies like Nvidia signing long-term capacity deals with memory makers. Micron alone said it has locked in $22 billion in such long-term commitments.
This is not a temporary blip. Ben Bajarin, CEO of consulting firm Creative Strategies, described the memory environment as structurally tough for the foreseeable future. The downstream effects are already showing up in unit sales forecasts: research firm IDC estimates the smartphone market will see its biggest-ever annual decline of nearly 14 percent this year, with the PC market falling 11.3 percent. Apple CEO Tim Cook had flagged the trajectory on the company’s late-April analyst call, warning of significantly higher memory costs and telling investors that the impact on the business would grow beyond the June quarter. Analysts now widely expect an iPhone price increase to follow in the coming months.
Apple was not alone for long. Shortly after the Apple announcement, Microsoft-owned Xbox said it would significantly raise console prices for the second time in under a year, blaming the same components crisis. The basic console rises by $100 to $499, while the higher-memory configuration goes up by $150 to $749, with new prices taking effect in August. Because Xbox already raised prices in October by between $20 and $70, a new console will now cost roughly 30 to 40 percent more than it did a year ago.
Xbox went further than Apple in one respect, warning that while memory and storage costs have already more than doubled, the company expects them to double again by 2027, language that leaves the door open to additional increases. The console and PC gaming hardware segment has been hit broadly: Valve recently said its original price target for the Steam Machine was no longer viable, launching it instead at $1,049 in the US and £879 in the UK.
For working filmmakers, this is the consumer-hardware confirmation of a trend that started in our own corner of the industry. CineD has already covered Sony suspending nearly all of its memory card sales in response to the flash shortage, and Angelbird’s Roman Rabitsch told us that the price increases are unlike anything he has seen in 15 years in the business, with no relief expected until 2028 or 2029 at the earliest. The same NAND and DRAM that go into CFexpress cards, external recorders, and DIT systems also fill the SSDs and RAM pools inside the editing and color grading machines we all rely on.
The practical takeaway is that the cost of a post-production build, a high-capacity card kit, or a new editing laptop is no longer driven primarily by the imaging market’s own dynamics. It is being set by an AI infrastructure boom competing for the same silicon. That sits on top of the tariff-driven increases the industry was already absorbing, including Sony’s earlier US camera and lens hikes of up to 35 percent. Rabitsch’s advice from earlier this year holds up well here: buy memory when you actually need it, not because it happens to be cheap today, and not in panic because you fear it will never be cheap again.
Pricing and availability reflect updated figures on Apple’s website as of June 25, 2026, with the new MacBook, iPad, HomePod, and Apple TV prices already live. Xbox’s new console pricing takes effect in August 2026. Both companies have indicated further increases are possible if memory costs continue to climb.
Are rising memory costs already reshaping how you spec your next editing machine or card kit? Don’t hesitate to let us know in the comments below!
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Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and two sons in Vienna, Austria.