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ASUS has introduced new macOS-focused features for its ProArt displays aimed at improving color-critical workflows for photography and video professionals using MacBook, Mac mini, and Mac Studio systems. Key updates include support for ASUS DisplayWidget Center on macOS, enabling software-based monitor control and MacBook keyboard brightness adjustment, as well as a new M Model P3 color mode designed to align ProArt displays with MacBook screens for consistent color reproduction. Combined with factory calibration achieving up to Delta E <1 accuracy, wide DCI-P3 color gamut coverage, hardware calibration support, and single-cable USB-C/Thunderbolt connectivity with power delivery, the updates focus on tighter system integration, reliable color management, and streamlined professional workspaces.
With the latest releases, the ProArt series of monitors from ASUS has been a reasonable choice for many creatives, including photographers and filmmakers. If you are in the market for a new monitor, make sure to check our recent review of the ASUS ProArt PA32QCV display. Now, ASUS has announced tighter macOS integration features with its ProArt series monitors. Let’s take a quick look at what this means.
ASUS has announced a set of firmware updates and software enhancements for its ProArt display lineup, aimed at improving integration with macOS-based systems. The updates introduce native support for ASUS DisplayWidget Center on macOS, new color synchronization options designed for Apple devices, and expanded workflow features for users working with MacBook, Mac mini, and Mac Studio systems.
ProArt displays are positioned for color-critical applications such as photography, video production, graphic design, and post-production. The newly introduced features focus on streamlining display control, improving color consistency between Mac devices and external monitors, and simplifying connectivity in professional setups.
ProArt monitors are offered in a range of high-resolution configurations with high pixel density, supporting detailed image review and timeline-based video workflows. ASUS specifies up to Delta E <1 color accuracy and coverage of up to 99% of the DCI-P3 color gamut. Each display is factory calibrated and Calman Verified, indicating that the unit meets predefined color accuracy thresholds before shipment.
For Mac users working with high-resolution cameras or Appleβs ProMotion-capable devices, select ProArt models also support variable refresh rates up to 240Hz. This allows smoother visual output and synchronized playback when paired with compatible Apple hardware.
A key addition is the ASUS DisplayWidget Center software for macOS. This application allows users to adjust monitor settings directly from the operating system rather than relying on physical on-screen display (OSD) buttons. Common parameters such as brightness, contrast, and color temperature can be adjusted through a graphical interface.
With DisplayWidget Center installed, MacBook shortcut keys can also be used to control the brightness of compatible ProArt displays. This brings external monitor behavior closer to that of Appleβs built-in displays and can reduce interruptions during editing or grading sessions. For users working across multiple applications or switching between mobile and desktop setups, this tighter integration can simplify day-to-day adjustments.
Another update is the introduction of the M Model P3 color setting. This mode is designed to align the color output of ProArt displays with the P3 color space used by modern MacBook displays. The goal is to reduce visual discrepancies when working across a Macβs internal screen and an external ProArt monitor.
For photographers and video professionals, consistency between displays is critical when making exposure, color, and contrast decisions. By matching the appearance of both screens more closely, the M Model P3 setting helps users evaluate images and footage without constantly compensating for display differences.
Beyond factory calibration, ASUS provides ProArt Calibration software that supports both SDR and HDR workflows on macOS. Hardware calibration writes color profiles directly to the monitorβs internal scaler rather than relying solely on the host computer, helping maintain consistency across different systems.
The software supports ICC profile generation for ProArt displays as well as a range of other monitors and MacBook screens. Scheduled recalibration is supported, and the system is compatible with commonly used calibration devices from manufacturers such as X-Rite, Calibrite, Datacolor, Klein, and Colorimetry Research.
For studios managing multiple displays, ProArt Color Center offers centralized oversight of calibration status. Administrators can track when displays were last calibrated, review recommended recalibration dates, and schedule calibration tasks across different locations and configurations. Integration with third-party calibration solutions such as Calman and Light Illusion ColourSpace CMS further extends compatibility with established professional workflows.
ProArt displays are designed to function as connectivity hubs within a Mac-based workstation. USB-C and Thunderbolt 4 support allow for video signal transmission, high-speed data transfer, and up to 96W power delivery over a single cable. This can reduce cable clutter while providing sufficient power for MacBooks and peripherals.
Additional connectivity options include HDMI and DisplayPort, with daisy-chain support on compatible models. Built-in USB hub functionality allows peripherals connected to the display to be shared across devices. Auto KVM functionality enables users to control two connected systems using a single keyboard and mouse, which can be useful in hybrid Mac and PC environments.
The physical design of ProArt displays emphasizes long-session usability. Ergonomic stands provide height, tilt, and swivel adjustments, while a quick-release mechanism supports VESA mounting without tools. TΓV Rheinland-certified Flicker-Free and Low Blue Light technologies are included to help reduce eye strain during extended editing or grading sessions. Blue light reduction levels can be adjusted directly through the displayβs menu system.
Naturally, the ASUS ProArt series of displays ranges in price depending on the resolution, size, and features. For reference, the ASUS ProArt PA32QCV 32″ 6K monitor, which we reviewed, currently sells for $1,299.
You can download the ASUS DisplayWidget Center software from the ASUS website.
Which monitor do you use for your post-production work? What do you think about the new ProArt macOS tighter integration? Let us know your thoughts in the comments section underneath the article.
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Jakub Han is a freelance filmmaker based in Vienna. He is interested in new tech and trends in filmmaking and passionate about action sports and short documentaries. Jakub has over 10 years of experience with camera work and post-production.