NEW PODCAST: IBC 2026 & Best-of-Show Winners | iPhone 18 Pro Gets a Variable Aperture β Focus Check ep134 βποΈ WATCH/LISTEN Now
Watch/Listen Now IBC 2026 & iPhone 18 ProποΈNEW PODCAST
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
Atomos has released a major update for the Shinobi II, introducing new features, including Touch to Focus on selected cameras, camera control for FUJIFILM and Nikon cameras, as well as ARRI False Color and EL ZONE colorized exposure modes. Let’s take a closer look.
Shinobi II is a slim, lightweight, high-bright, 5-inch 1500nit HDR monitor. Earlier this year, upon its launch, it controlled cameras from Canon, Panasonic, and Sony over USB-C and Z CAM E2 models through a separate serial cable. With the new 11.02.00 firmware update, Atomos is adding support for more hybrid mirrorless cameras from FUJIFILM and Nikon.
Also added is the ability to set the camera’s focus point directly via the touchscreen interface of the Shinobi II. Compatible cameras with the Touch to Focus feature are from Canon (EOS R6 Mark II), FUJIFILM (GFX100 II & X-S20), Nikon (Z 9), Panasonic (LUMIX S5 II & S5 II X), and Sony (A7 IV, A7S III & ZV-E10 II).
For photographers using this device, the new firmware adds a dedicated Shutter Release button that replaces the Video record trigger when you want to use your camera in Photo mode. This allows photo capture to be triggered directly from the Shinobi II, which is particularly useful when shooting multiple exposures for HDR bracketing or focus stacking.
The new update brings features like ARRI False Color and EL ZONE colorized exposure modes from the Ninja and Shogun monitor recorders to the Shinobi II.Β
For the latest product information and free firmware update, please head to Atomos’s web page here.
Do you have the Atomos Shinobi II? Do you like working with it, and what are you mainly using it for, monitoring or recording? Please share your thoughts in the comment section below.
Δ
Stay current with regular CineD updates about news, reviews, how-toβs and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-toβs and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Johnnie Behiri is a documentary filmmaker with more than three decades behind the camera: he learned the craft in daily television news gathering, filmed for Japan's public broadcaster NHK, and spent eight years shooting and editing for BBC News. He joined cinema5D in 2011 and has co-owned and co-run CineD and MZed ever since. Johnnie writes many of CineD's camera reviews, co-hosts our weekly Focus Check podcast, and heads CineD's manufacturer relationships and product development.