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At IBC 2025 in Amsterdam, Avid will show new AI-driven updates across Media Composer, Pro Tools, and MediaCentral, along with expanded APIs and partner integrations that bring automation directly into editorial workflows.
The new features address common bottlenecks in production, from transcription and translation to media management and newsroom scheduling. Rather than introducing separate AI products, Avid is embedding automation into the tools already familiar to editors, audio engineers, and broadcasters.
Avid Media Composer, Pro Tools, and MediaCentral now integrate built-in speech-to-text and translation. These functions enhance ScriptSync and PhraseFind in Media Composer and extend into multilingual audio and video workflows. Pro Tools users also gain automation capabilities with Soundflow and the new Pro Tools Scripting SDK, making it possible to reduce repetitive manual tasks in session management and editing.
Avid NEXIS introduces expanded APIs that streamline storage administration and enable media handling automation across third-party environments. Meanwhile, the DNx 4.0 codec supports customizable bitrates and HDR-ready formats, and includes automation for transcoding, proxy generation, and delivery tasks.
In broadcast applications, MediaCentralβs Rules Engine and Schedule Engine are now fully integrated. This allows newsroom teams to automate both content processing and scheduling, aiming to reduce the manual steps involved in delivering timely stories.
Avid is also expanding its ecosystem of more than 600 partners. At upcoming IBC 2025 in Amsterdam (Sept 12-15), the company is presenting Media Composer Panel SDK integrations and MediaCentral apps that allow AI tools from third parties to run directly inside editorial timelines. Demonstrations at booth 7.A11 include:
With AI becoming a central theme across the industry (and any industry currently, really), Avidβs updates show a strategy of building automation into trusted platforms rather than reshaping workflows entirely. By combining its own transcription, translation, and automation features with an open approach to partner integrations, Avid is presenting a vision of AI that speeds up routine processes while keeping creative control with the user.
In one of our latest MZed courses, The Efficient Filmmaker – Subtitles Mastery, we’re doing a deep dive into subtitling and captioning using AI-aided workflows in DaVinci, Premiere and Avid. So if you want to learn on how to make subtitles and translations efficiently in your NLE of choice, don’t miss this course.
If you are an editor, what’s your take: Will the integration of AI into established tools make editors and broadcasters more likely to embrace automation as part of their workflow? Let us know in the comments.
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Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and two sons in Vienna, Austria.