NEW PODCAST: IBC 2026 & Best-of-Show Winners | iPhone 18 Pro Gets a Variable Aperture β Focus Check ep134 βποΈ WATCH/LISTEN Now
Watch/Listen Now IBC 2026 & iPhone 18 ProποΈNEW PODCAST
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
In our latest episode of cinema5D essentials, Li-Lian and Johnnie discuss what to look for when choosing a portable LEDΒ light and how to get more out of it. For this episode, we used Blind Spot Gear’s new Tile Light as a “representative”Β of the portable light family.
Of course we took the opportunity to take a closer look at this new TileΒ Light and came up with a solid conclusion. I hopeΒ you will take a moment to look at our new cinema5D essentialsΒ episode and find out what it is.
We also tested the Blind Spot Gear Tile LightΒ in our test lab with the Asensetek Lighting Passport. This smart spectrometer allows us to measure several key aspects about the light quality coming from LED fixtures.
Blind Spot Gear Tile Light LED – Average of half and maximum light output.
Blind Spot Gear Tile Light LED – Measured with CTO Gel
What we see is that the CRI holds up well in daylight configuration,Β with a value of about 93. You can see the exact values for each color in the chart above. This means that the lights have a mostly accurate light spectrum according to todayβs standards, and will look not very far offΒ to actual sunlight on camera, which is especially valuable when recording skin tones and white surfaces. Unfortunately with the CTO (correction to orange) gel attached, it is a different story and the light is not very accurate, both in terms of color temperature, as well as actual color quality.
In our opinion, the following attributesΒ shouldΒ be considered when choosing a portable light:
WhichΒ small portable lights is yourΒ favorite one, thatΒ needs to be mentioned here? Let us know inΒ the comment sectio nbelow.
Enjoy the new episode and don’t forget to support our new initiative by subscribing to ourΒ YouTube channel.
Music for thisΒ episode was kindly provided byΒ Art List.
Δ
Stay current with regular CineD updates about news, reviews, how-toβs and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-toβs and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Johnnie Behiri is a documentary filmmaker with more than three decades behind the camera: he learned the craft in daily television news gathering, filmed for Japan's public broadcaster NHK, and spent eight years shooting and editing for BBC News. He joined cinema5D in 2011 and has co-owned and co-run CineD and MZed ever since. Johnnie writes many of CineD's camera reviews, co-hosts our weekly Focus Check podcast, and heads CineD's manufacturer relationships and product development.