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Hohem unveiled the iSteady MT3 Series at CES 2026, and it immediately caught our attention. Not because it reinvents the gimbal, but because it packages features that typically require expensive add-ons, such as built-in AI tracking, wireless monitoring, and on the Pro model, a detachable remote control, into a sub-$500 package. For solo shooters and small crews tired of cobbling together phone mounts and transmission systems, this could be significant.
What’s clear from the start: The Hohem iSteady MT3 Standard and Pro gimbals take aim at DJI with built-in AI tracking and aggressive pricing. We spent several weeks with both the Standard MT3 and the MT3 Pro to find out if Hohem can deliver on its ambitious promises.
Let’s be clear upfront: these are not two variations of the same product. The Standard MT3 and MT3 Pro share core DNA – the iSteady 10.0 stabilization algorithm, the Multi 5.0 quick-release system, and integrated AI tracking – but they target fundamentally different shooters.
The Standard MT3 weighs just 770 grams and handles payloads up to 1.4 kg. This is your travel vlogging companion: light enough for all-day carry, powerful enough for an APS-C mirrorless with a kit lens or compact prime. Think Sony ZV-E10, Canon R10, or a rigged smartphone.
The MT3 Pro tips the scales at 1.07 kg but extends payload capacity to a substantial 2.5 kg. That’s full-frame mirrorless territory – a Sony A7 IV with a 24-70mm f/2.8, a Canon R5 with an RF 15-35mm, or even a rigged Blackmagic Pocket 4K. More importantly, Hohem claims a 40% increase in motor torque over previous generations, which should help maintain authority during fast pans and windy conditions.
If there’s a single feature that justifies the $120 premium of the Pro model, it’s the detachable 1.4-inch touchscreen remote. This isn’t a gimmick – it fundamentally changes how you can deploy the gimbal.
Docked magnetically to the handle, the remote displays live video from the built-in AI sensor, mode settings, and battery status. Undock it, and you’ve got wireless control from up to 10 meters away. Mount the gimbal on a jib arm, a car hood, or hand it to a grip while you operate the remote from the director’s chair. The joystick mirrors the handle’s controls, and you can trigger recording, adjust motor parameters, and initiate AI tracking by drawing a box around your subject on the touchscreen.
The key differentiator isn’t just tracking: DJI offers that with their RS Intelligent Tracking Module. It’s the wireless monitoring and remote control. To achieve similar functionality with DJI’s RS series, you’d need to add transmission hardware or tether a smartphone. Hohem bakes it in from the factory.
A caveat: the remote displays the feed from the 2-megapixel AI sensor, not your cinema camera’s output. This is sufficient for framing and tracking verification, but don’t expect to pull focus from it. Think of it as a framing tool rather than a reference monitor.
Both models integrate a 2-megapixel vision sensor and an edge AI processor directly into the gimbal’s chassis. This matters. The gimbal tracks subjects using its own “eyes” regardless of what camera you mount. Vintage manual lens? Action cam? The AI doesn’t care. It sees the world independently.
The Standard MT3 focuses on face and body tracking with an effective range of about 5 meters. For vloggers who need to stay in frame while walking and talking, this works. The gesture controls—an “OK” sign to start tracking, an open palm to stop—eliminate the “walk of shame” back to the camera to stop recording.
The MT3 Pro extends this with multimodal tracking: humans, pets (dogs and cats specifically), vehicles, and arbitrary objects you select via the touchscreen. The face recognition range expands to approximately 8 meters. More importantly, the Pro claims improved re-identification logic—if your subject walks behind a pillar and emerges on the other side, the system should re-acquire lock rather than hunting aimlessly.
In practice, we found the tracking reliable in good lighting conditions. The system struggled in low contrast scenarios and very dim environments, which is expected from a 2MP sensor. If you’re shooting a dark wedding reception, don’t expect miracles. That said, the built-in adjustable fill light (included with both models, with the Pro Kit adding a magnetic RGB unit) helps the AI maintain lock in marginal conditions.
Both gimbals feel well-constructed. The chassis combines aerospace-grade aluminum on the stress-bearing axis arms with high-impact composites elsewhere. The MT3 Pro, in particular, has a density and rigidity that inspires confidence when mounting expensive glass.
Coming from the DJI RS4 Pro, which I use regularly on shoots, the weight difference is immediately noticeable. The MT3 Pro at 1.07 kg feels remarkably light in hand compared to the RS4 Pro’s 1.45 kg (gimbal only) – and the Standard MT3 at 770 grams is lighter still. Over a full day of shooting, that difference translates directly into less arm fatigue and more usable takes. What impressed me is that Hohem hasn’t sacrificed stabilization performance for the weight savings. The footage quality and motor authority feel on par with what I’m used to from DJI’s flagship. For run-and-gun documentary work or event coverage where you’re handheld for hours, this is a tangible advantage.
The Multi 5.0 quick-release system deserves specific praise. It uses an Arca-Swiss compatible L-bracket, so you can transfer your camera between the gimbal and a tripod without swapping plates. The vertical-to-horizontal switch is genuinely quick—a few seconds with minimal rebalancing needed. For hybrid shooters delivering both 16:9 and 9:16 content, this efficiency adds up over a production day.
We noticed a Teflon coating on the sliding plates that reduces friction during balancing—a small touch, but appreciated by anyone who’s fought with sticky aluminum-on-aluminum adjustments. The leather-textured grip on both handles provides secure purchase even with sweaty hands.
The Pro model adds a NATO rail on the handle and additional 1/4″-20 mounting points (six total) for rigging external monitors, microphones, or wireless transmitters. The Standard MT3, reflecting its travel-oriented design, keeps things minimal with a single threaded mount.
Both units share a 4350 mAh built-in lithium-ion battery. Hohem rates the Standard MT3 at 17 hours and the Pro at 20 hours. These are optimistic figures – real-world runtime depends heavily on payload weight, motor stress, and ambient temperature – but even at 70% of claimed capacity, you’re looking at all-day operation without reaching for a charger. For context, the DJI RS 4 Mini claims around 13 hours.
The USB-C port supports reverse charging (5V, 2A output), effectively turning the gimbal into a power bank for your camera. Given that many compact mirrorless bodies (hello, ZV-E10) struggle to record 4K for more than an hour on internal batteries, this feature can be a shoot-saver.
The built-in, non-removable battery is a trade-off worth acknowledging. It enables a cleaner, more weather-sealed design and likely contributes to structural rigidity. But it means you can’t swap cells on a multi-day remote shoot, and when the battery degrades after a few hundred cycles, repair options may be limited. It also complicates air travel: the gimbal must fly carry-on (lithium batteries of this size can’t be checked), eating into your cabin baggage allowance.
The MT3 Pro‘s most direct competitor is the DJI RS 4 Mini. DJI offers its own RS Intelligent Tracking Module – a compact 19-gram unit that magnetically attaches to the gimbal and delivers similar gesture-controlled tracking up to 10 meters. It’s an $85 add-on (or bundled in the Combo kit), so tracking capability is available on both platforms.
The distinction comes down to integration philosophy and specs. Hohem builds tracking into the chassis; DJI sells it separately (unless you buy the combo). On raw numbers, Hohem wins on payload (2.5 kg vs. 2.0 kg) and battery life (20 hours vs. 13 hours). The MT3 Pro’s detachable remote with live monitoring has no direct DJI equivalent in this class, because you’d need to add transmission hardware to the RS 4 Mini for similar functionality.
DJI counters with ecosystem depth, including LiDAR focus modules, the Transmission system, seamless integration with DJI cameras, and the software polish that comes from market leadership. For users already invested in DJI’s ecosystem, that integration has real value. For shooters starting fresh or prioritizing out-of-the-box capability, Hohem’s turnkey approach – and remarkably competitive pricing – is compelling.
The Standard MT3 competes against gimbals like the Zhiyun Crane M 3S. Hohem’s integrated AI tracking is the key differentiator here. Zhiyun’s tracking requires the ZY Play app and a mounted smartphone, which is clunkier, more battery-draining, and one more thing to balance.
The Hohem iSteady MT3 Series represents a genuine challenge to the stabilization status quo. By integrating AI tracking directly into the hardware and, in the Pro model, including a wireless remote with live monitoring, Hohem eliminates the accessory sprawl that plagues competitive workflows.
The Standard MT3 is an excellent choice for travel vloggers and creators upgrading from smartphone gimbals. Its light weight, long battery life, and phone-free tracking make it a practical daily driver for anyone working with compact cameras.
The MT3 Pro is the more interesting proposition for CineD readers. Its 2.5 kg payload capacity opens the door to full-frame cameras with professional glass. The detachable remote transforms it from a handheld stabilizer into a capable remote head for jibs, car mounts, and high-tripod setups. And the pricing is, frankly, aggressive: at $449, the MT3 Pro undercuts comparable DJI configurations significantly while delivering features that would otherwise require stacking accessories.
Neither gimbal is perfect. The AI tracking struggles in low light (bring that fill light). The non-removable battery is a long-term durability question mark. And the Hohem Joy app, while functional, lacks the refinement of DJI’s software.
But for independent filmmakers, documentary crews, and content creators who need professional stabilization without professional budgets, the MT3 Series delivers serious capability at a price point that makes sense. Hohem isn’t just competing anymore – they’re pushing the entire category forward.
iSteady MT3 (Standard)
iSteady MT3 Pro
The units are now available for pre-order on B&H, and should start shipping in March 2026.
What do you think about the Hohem iSteady MT3 gimbals? Is it time for you to upgrade? Let us know in the comments below.
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Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and two sons in Vienna, Austria.