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A newly discovered workaround lets iPhone 17 Pro and Pro Max owners capture ProRes RAW HQ in Open Gate directly to internal storage, bypassing Appleβs external-SSD requirement. The method is simple, but it carries serious caveats around storage, heat, and reliability, and it is almost certainly unintended behavior. So iPhone 17 Pro internal ProRes RAW recording is possible – let’s dive in how.
Photographer and YouTuber Jason Vong demonstrated that Appleβs latest iPhones can, in specific circumstances, record ProRes RAW HQ Open Gate internally. Appleβs documentation says ProRes RAW must be recorded to an external drive, yet Vong shows footage writing to the phoneβs internal storage with settings preserved after a brief setup step.Β Β
Connect an external SSD, open Final Cut Camera (version 2.0 was just released, read up on it here), choose ProRes RAW HQ in Open Gate, then minimize the app. Detach the SSD, reopen Final Cut Camera, and start recording. The phone continues capturing with the previously selected settings, writing files internally.
ProRes RAW HQ Open Gate is data-hungry. In Vongβs tests, nearly 300 GB of footage accumulated in a single day using Final Cut Camera. Even with up to 2 TB iPhone configurations, that amount of data can create workflow bottlenecks and increase the risk of running out of space mid-shoot. Thermal behavior remains unclear, since sustained high-rate writes typically generate heat and the phone is not explicitly designed for this internal-recording mode.
Appleβs technical specs call for external recording for certain ProRes modes, including ProRes RAW. The fact that this internal-recording pathway exists strongly suggests a software oversight that could be closed in a future update. Filmmakers should not plan productions around this behavior.
We don’t know exactly why ProRes RAW internal recording is not possible on iPhone 17 Pro as ProRes 422 HQ has similar data rates but that has been possible to record internally since iPhone 15 Pro. The reason might be thermal considerations, assuming that ProRes RAW encoding requires more “horsepower” from the processor.
If you are experimenting, the trick can be a convenient way to grab Open Gate ProRes RAW clips without an SSD dangling from the phone. For paid work, proceed with caution. Stick to Appleβs documented external-drive workflow until there is official support or clarification that addresses stability, heat, and data-rate constraints.
This is an intriguing discovery that shows how far mobile workflows have come, but would you trust an undocumented workaround on a real-world shoot?
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Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and two sons in Vienna, Austria.