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The KIPON BAVEYES LPL>LPL 1.65x Rear Anamorphic Adapter has been announced, allowing for ARRI Signature Prime Lenses to stretch vertically by 1.65x when used with the ARRI ALEXA LF. This gives a cinematic, 2.35:1 widescreen experience. Let’s take a closer look!
For several years, KIPON has been a global developer of adapters and lenses for the film, video, and photography industries. Designs are done in Germany, while manufacturing takes place in China. The KIPON COLIBRI T2.5 Full-Frame Cinema Lenses come in a set of 5 primes that cost less than $10,000 with multiple mount options.
Meanwhile, the ARRI Signature Prime Lenses are part of the company’s pinnacle glass line. They include a wide range of primes along with zooms. They were designed to work with large-format cameras, including ARRI’s own ALEXA LF. These fast lenses are known for their buttery smooth bokeh and warm skin tones.
When used with ARRI’s Signature Prime Lenses and a large format camera such as the ALEXA LF, the KIPON BAVEYES LPL> LPL 1.65x Rear Anamorphic Adapter stretches the image vertically by 1.65x. The resulting footage is a widescreen and cinematic look. The ALEXA LF features a 1.43:1 aspect ratio but extends to 2.35:1 when the KIPON BAVEYES LPL> LPL 1.65x Rear Anamorphic Adapter is used.
Additionally, the adapter has an overall balanced image with a sharp central focus and gradual falloff toward the edges. There is a purposeful and slight distortion, which helps to emulate the overall anamorphic look.
Features include:
The KIPON BAVEYES LPL>LPL 1.65x Rear Anamorphic Adapter retails for $8,500 and is available now. That price may seem high, but the ARRI Signature Prime Lenses each start at just over $27,000 and go up from there. If you’re running a rental house or using these specific lenses and want a 2.35:1 widescreen aspect ratio, this adapter is most likely a must-have. Learn more at KIPON’s website.
Are you using ARRI Signature Prime Lenses? Would the KIPON BAVEYES LPL>LPL adapter help your projects with a 2.35:1 widescreen cinematic look? Let us know in the comments below!
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Heath has been an independent filmmaker, video director, producer, and editor for over 25 years, and has been writing and lecturing about film and video technology since 2003. In addition to producing and directing several feature and short films, corporate videos, commercials, and more, he has taught filmmaking, video editing, and cinematography. His two most recent short films, 'Nobody's Tomorrow' and 'Hellevator,' were written by comic book legend David Michelinie. Heath enjoys running and triathlons in his free time, and finished a full IRONMAN in 2019.