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Leica is well known for its luxurious gear, lenses, cameras, and accessories, and the new Leica Noctilux-M 35mm f/1.2 ASPH carries this legacy with pride. The new lens, the fastest 35mm lens ever produced by Leica, is an impressive unit. But with an almost $10K price tag and solid competition, will this lens be more than a piece of optical jewelry? A thing of beauty purchased by the 1% mostly to show the brand name? Let’s dive in.
The Leica Noctilux-M 35mm f/1.2 ASPH is a surprisingly compact, moderately wide, super-fast f/1.2 lens. As with most ultra-fast lenses, and like its rare Noctilux brethren, this lens carries a price premium over its f/1.4 siblings, and the price is indeed one of the most prominent traits of this lens. For this price, you will get the absolute pinnacle of German craftsmanship and optics, culminating in an exquisite piece, capable of beautiful rendering and, not unimportantly, looking beautiful on your camera. As an M-mount lens, this one is also highly adaptable, though I doubt many non-Leica purists will opt for this one, as the market offers some interesting alternatives.
As with every Leica M lens, the Leica Noctilux-M 35mm f/1.2 ASPH features mechanical rangefinder coupling, ready to work on any M-mount camera ever made. But this lens also incorporates a rather rare feature for rangefinder lenses – a close focus option. You see, Leica rangefinders are limited to a minimum focus distance of 0.7m. This limit affects most M-mount lenses. A good example can be found in Voigtlander’s line, where M-mount lenses only go as close as 0.7m, while their optically identical Sony E-Mount, Nikon Z-mount, etc., can focus closer. As Leica recently launched its first rangfinderless M-mount camera (the Leica M EV 1), this move makes perfect sense.
The Leica Noctilux-M 35mm f/1.2 ASPH is a fully manual lens with an obviously all-metal construction. It weighsΒ 416g (0.9 lb), keeping it relatively compact for such an ultra-fast 35mm prime. The lens features aΒ 49mm front filter threadΒ and anΒ integrated retractable lens hood, with classic mechanical focus and aperture control. The new close-focus feature includes haptic feedback when the rangefinder reaches its limit of 0.7m. You can turn the focus ring past this point on a rangefinder M camera, but youβll feel when youβve moved outside the rangefinderβs focusing range.
The lens’s optical formula consists of 10 elements in 5 groups, and offers a maximum aperture ofΒ f/1.2, closing down toΒ f/16Β via anΒ 11-blade diaphragm. Early samples show a rather conservative character, with a quite heavy vignette at wide apertures and reduced sharpness, mainly toward the edges. This is no surprise considering the size and optical formula. This is not a lens you buy to shoot super-sharp brick walls at f/1.2.
While no alternative offers the coveted red dot, some will seriously challenge the new Noctilux-M 35mm f/1.2 ASPH. The most obvious is theΒ VoigtlΓ€nder Nokton 35mm f/1.2 Aspherical. It covers the same focal length and aperture class, remains fully manual, and comes in at roughlyΒ a tenth of the price – $1000 give or take, with a virtually similar weight of aboutΒ 470g (1.03 lbs). Optically and mechanically, it is a solid performer, offering quite a similar high-quality experience, though far less romanticized. As a heavy user of its 50mm f/1.2 sister, I have nothing but compliments.
At the other end of the ring sits the SIGMA 35mm f/1.2 DG DN II Art, which takes a very different approach altogether. This modern, unapologetically clinical, highly corrected autofocus lens is far more affordable than the Noctilux at around $1,550. The SIGMA represents rationality. It ticks all the boxes, does everything right, but this may just be a bit “too right”. It’s not a direct competitor but rather a different approach.
Other options may also be considered. There’s the affordable Viltrox AF 35mm f/1.2 LAB Z or the huge, zero-compromise SIGMA Aizu Prime 35mm T1.3 LF Cinema Lens (still cheaper than the Noctilux, though not by much), and probably a plethora of new Chinese lenses with varying performance and pricing, but these stray a bit too far for this article.
With such strong alternatives and an exorbitant price tag, my answer is quite simple: The Leica Noctilux-M 35mm f/1.2 ASPH is a lens for Leicaphiles, purists, or those who do not need to ask about pricing because money is not one of their concerns. For most mortals, I find it hard to justify. But that’s Leica’s way, and there’s room for that in my opinion.
The Leica Noctilux-M 35mm f/1.2 ASPH will set you back $9,650. At the time of writing, the lens is available for preorder, with shipping expected to begin as stock reaches authorized Leica dealers.
Will you consider the new Noctilux as your next lens? What’s your math behind such reasoning? Or does true love need none of these? Let us know in the comments.
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Omri Keren Lapidot started his way long ago, hauling massive SVHS cameras as a young local news assistant. Maybe it was the weight that pushed him towards photography, we'll never know. In recent years he became a content creator, teacher, visual literacy promoter, and above all - a father of (fantastic) four girls. Based in Amsterdam.