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Googleβs Pixel 10 Pro may have seemed like another underwhelming smartphone launch, but hidden inside its sensor is a capability that turns it into a genuine pocket cinema camera: Dual Conversion Gain (DCG). Unlike most reviews suggested, this feature delivers 12-bit RAW video, higher dynamic range, and cleaner shadows straight out of the box β no rooting or hacks required. Let’s dive into Pixel 10 Pro 12-bit RAW video.
When the Pixel 10 Pro launched, many dismissed its cameras compared to rivals like the iPhone 17 Pro. But as uncovered in aΒ Reddit deep-dive by user RaguSaucyΒ and confirmed by tests with MotionCam Pro, Google has quietly enabled DCG, unlocking the full potential of Samsungβs GNV sensor. Shoutout to Eliot Fitzroy from Epic Tutorials for informing us about this development – check out his blog on the subject and his video embedded further down below.
DCG (also known as Smart-ISO Pro by Samsung) captures the same exposure at two analog gains simultaneously, merges them before digitization, and outputs a true 12-bit signal. This means:
Unlike HDR frame stacking, DCG achieves its results in a single exposure. Itβs a sensor-level feature, and until now it has sat dormant on devices like Samsungβs Galaxy S23βS25 Ultra, Xiaomi 13β15 Ultra, and even Googleβs own Pixel 9 Pro.
The discovery started with a Camera2API report on the Pixel 10 Pro XL. As shared on Reddit, the hardware ID showed a βwhite levelβ of 4095, confirming native 12-bit capture (compared to the 1023 value of standard 10-bit sensors) .
For the first time, this mode is not just active for Googleβs stock pipeline but accessible to third-party apps. That means MotionCam Pro, Blackmagic Camera, ProShot, and others can all benefit from the improved sensor readout.
Video tests from Sebastian Merca of MotionCam Pro demonstrate the difference clearly:
Watch the comparison video below. Waveform analysis shows visibly cleaner lows and more recoverable detail, closing the gap between smartphones and dedicated cinema cameras.
One standout advantage: using MotionCam Pro on the Pixel 10 Pro, creators can record 4K open gate (4030 Γ 3072) in 12-bit RAW, bypassing Googleβs image signal processing. Imported into DaVinci Resolve, the files support highlight recovery and log conversions (ARRI LogC, Sony S-Log3, Apple Log), giving users the same kind of grading flexibility theyβd expect from professional cinema gear.
The irony is that Samsung manufactures the sensor in the Pixel 10 Pro, yet keeps DCG locked on its own flagships. Xiaomi does the same. In the past, modders forced DCG on with risky root exploits, but mainstream users were shut out.
Google flipping the switch proves it can be done β and now pressure may mount on other manufacturers to enable DCG on both future and existing devices.
Mobile filmmakers already use apps like MotionCam Pro to bypass default image pipelines, but enabling DCG raises the ceiling. The difference is not subtle: cleaner shadows, higher usable dynamic range, and true 12-bit gradation make smartphone RAW video grading much closer to cinema workflows.
As one Redditor put it: βPixels did it. DCG mode is native on Pixel 10. History made.β
DCG does not replace strong cinematography or negate the need for proper lenses and lighting. But it brings professional-grade sensor performance to a mass-market smartphone for the first time.
For filmmakers who want more than computational tricks, the Pixel 10 Pro has gone from least interesting to theΒ most exciting smartphone for video in 2025. If Samsung and Xiaomi follow Googleβs lead, we could see a new standard in mobile imaging. Also, today is the day of Apple’s annual iPhone release event where we can expect the iPhone 17 – let’s see what they have in store when it comes to video capture. Smartphone filmmaking is definitely making huge leaps forward right now.
Would you switch to the Pixel 10 Pro just to unlock DCG, or do you think smartphone filmmaking still has too many limitations? Do you want to shoot Pixel 10 Pro 12-bit RAW video?
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Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and two sons in Vienna, Austria.