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Tilta has launched its Full Camera Cage for the Nikon ZR, featuring a modular design that converts between full cage and L-bracket configurations. This lightweight rigging solution weighs just 0.31 lb / 139 g in L-bracket mode and includes an ergonomic wooden handle, built-in Arca-Swiss base, and optimized clearance for all camera controls
The Nikon ZR, launched in late 2025 as Nikon’s first dedicated cinema camera co-developed with RED Digital Cinema, has quickly gained traction among solo creators and small production teams. The camera’s compact body measures just 1.19 pounds / 540 grams, making it one of the most portable full-frame cinema cameras available. However, its minimal built-in grip and single bottom mounting point create clear opportunities for expanded rigging options, which Tilta addresses with this new cage system.
The defining feature of Tilta’s approach is the dual-configuration design. Users can quickly switch between a full protective cage and a lightweight L-bracket setup using simple screw installation or removal. This modularity addresses two distinct shooting scenarios: the full cage provides comprehensive protection and maximum mounting options for complex rigs, while the L-bracket configuration maintains the Nikon ZR’s portability advantage for handheld work and gimbal mounting.
The L-bracket weighs 0.31 lb / 139 g, adding minimal bulk to the camera body. The full cage version (complete weight 0.42 lb / 189.5 g excluding cable clamp) provides comprehensive body coverage while maintaining access to essential controls. Both configurations share the same base mounting interface, allowing operators to reconfigure their setup on location without extensive teardown.
Tilta has incorporated a wooden side handle with an ergonomic curve designed to reduce fatigue during extended handheld operation. The composite wood material provides a natural grip texture while keeping the weight minimal. This handle attaches to the left side of the cage via integrated mounting points.
The cage design ensures unobstructed access to all Nikon ZR control buttons, the built-in microphone array, and the tally light. The bottom section doesn’t interfere with the camera’s lens adapter, a critical consideration for operators using PL mount cinema lenses with adapters. This attention to clearance maintains the ZR’s compact profile while expanding accessory mounting options.
The cage incorporates multiple 1/4″-20 threads with locating points, providing secure attachment options for monitors, wireless transmitters, and other accessories. A cold shoe receiver is integrated into the top section, while a wrist strap receiver on the side handle enables additional support options. The cage also includes 3/8″-16 threads for heavy-duty mounting applications and a 3/8″-16 to 1/4″-20 screw adapter for versatility.
An Arca-Swiss quick-release base is built into the bottom of the cage, enabling rapid transitions between tripod and gimbal configurations without removing the cage. This feature particularly benefits hybrid shooting workflows where operators move between stabilization methods throughout a production day.
The cage includes a thumb-screw cable clamp that prevents accidental disconnection of HDMI and USB-C cables, addressing a common frustration with compact cinema cameras where cable stress can interrupt recording or power delivery. This simple addition provides reliable data transfer security during active shooting.
Tilta offers three package options. The Base Kit includes the full camera cage only. The Pro Kit bundles the cage with a compact NATO top handle, left side wooden handle with attachment, and the Tilta Arca Height Adjustable 15mm LWS baseplate for rod-based accessories. This configuration suits operators building complete shoulder or tripod rigs.
The Power Kit combines the cage with Tilta’s recently launched Mini PD V-Mount Battery Plate with an adjustable Arca receiver. This battery plate, introduced approximately two months ago, eliminates the need for a full baseplate while providing V-Mount battery power and PD charging capabilities. The streamlined design maintains the camera’s compact form factor while extending runtime significantly beyond the Nikon ZR’s native EN-EL15C batteries, which provide approximately 90 minutes of HD recording per charge.
Tilta also offers a PL Mount Lens Adapter Support accessory designed to work with the Kippertie Z to PL mount adapter. This support bracket provides additional stability for heavier PL mount cinema lenses, addressing the mechanical stress that full-frame cinema glass can place on mirrorless lens mounts.
The cage measures 6.46 x 4.02 x 2.36 in / 164 x 102 x 60 mm. Construction combines composite wood, aluminum alloy, and SUS304 stainless steel components. The color option is black, matching the Nikon ZR’s industrial aesthetic. The cage includes a multi-functional screwdriver and silicone pads to protect the camera body from scratches during installation and operation.
Additional included accessories comprise four 1/4″-20 threads with locating points, 3/8″-16 threads, and the integrated cable clamp. The modular design philosophy extends to these components, all of which can be removed or repositioned based on specific rigging requirements.
Tilta is offering 10% off all Nikon ZR cage configurations during the End of Year Sale. The Full Camera Cage for Nikon ZR retails at $59.00 ($53.00 with discount). The Base Kit is priced at $89.00 ($80.00 with discount). The Pro Kit is available for $179, and the Power Kit configuration is available for $161. The PL Mount Lens Adapter Support costs $5.00 ($4.50 with discount). Orders placed during the pre-order period ship in three to four weeks.
For more information, please head to the Tilta Nikon ZR cage product page here.
Are you currently shooting with the Nikon ZR? Does the modular L-bracket to full cage design solve real workflow challenges for your productions? Let us know your thoughts in the comments below!
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Johnnie Behiri is a documentary filmmaker with more than three decades behind the camera: he learned the craft in daily television news gathering, filmed for Japan's public broadcaster NHK, and spent eight years shooting and editing for BBC News. He joined cinema5D in 2011 and has co-owned and co-run CineD and MZed ever since. Johnnie writes many of CineD's camera reviews, co-hosts our weekly Focus Check podcast, and heads CineD's manufacturer relationships and product development.