NEW PODCAST: Wood vs. Silicon Valley: A DIY Digital Bolex, OpenAI Buys the Portrait Mode Team – Focus Check ep135 →🎙️ WATCH/LISTEN Now
Watch/Listen NowA DIY Digital Bolex & OpenAI Buys the Portrait Mode Team🎙️NEW PODCAST
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
Tokina Cinema has announced the Vista-C lens series, designed to provide a classic cinematic look with modern optical performance. These lenses feature red and blue flares, lower contrast, and soft edge fall-off reminiscent of vintage optics. Let’s take a closer look!
Tokina introduced the Cinema Vista 100mm T2.9 lens last fall and expanded the Cinema Vista-P series last month by adding the 21mm and 29mm T1.5 lenses. Now, they are offering the Vista-C series, lenses designed for filmmakers looking for a vintage look with distinctive optical characteristics, many of which you can see in their video below.
The Vista-C lenses create red and blue flares instead of the green ones common in modern cinema lenses. The optical design includes slight field distortion and softened edges. Despite these characteristics, the lenses maintain a fast T1.5 aperture, high resolution, and a sturdy build for digital cinema cameras. There is virtually no focus breathing, according to Tokina.
Tokina says their design goal for the Vista-C was to blend characteristics of classic lenses like the Cooke Speed Panchro and Canon K35 while eliminating focus breathing and ensuring large format coverage. While the outer design is similar to previous Vista and Vista-P lenses, the Vista-C lenses have been completely rebooted and modified, with all-new coatings specifically developed for this lens to create a unique image with controlled distortion, smooth bokeh, and natural fall-off. Tokina stresses that the results are considerably different from those of the other Vista lenses and other popular cinema lenses on the market. Plus, unlike third-party modifications that alter existing lenses, the Vista-C series is purpose-built to deliver these features.
An important feature of the Tokina Vista-C lenses is their coverage of Large Format sensors, such as the ALEXA 265. With an image circle exceeding 46.7mm, these lenses comfortably cover Full Frame formats. Focal lengths from 35mm and up can be used on even larger formats, such as the ALEXA 65 in Open Gate, while the 18mm and 25mm lenses do not provide full coverage for these larger formats. These lenses also cover 65mm digital large format for cameras like the Blackmagic URSA Cine 17K, which should make them well-suited for artistic applications where a super-clean image isn’t the goal.
The Vista-C lenses keep the same 114mm front diameter and nine-blade iris as the Vista series. They are available in PL, with adapters for Sony E, Canon EF, and MFT mounts. The series launches with nine lenses: 18mm, 25mm, 35mm, 40mm, 50mm, 65mm, 85mm, 105mm, and 135mm – all featuring a T1.5 aperture.
Tokina Vista-C lenses are priced from $10,499 to $12,499, and delivery will start in March 2025. You can take a closer look at these lenses at the BSC Expo in London from February 13-15, 2025. For more information, please visit the Tokina website.
Which classic cinema lenses do you think have the most distinctive look, and how do you see the Vista-C series comparing to them? How important is lens character—such as flares, contrast, and edge fall-off—in your filmmaking style, and would you choose a lens like this for your next project? Share your thoughts in the comments below!
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
A camera was put in my hands at 16, and I’ve been taking photographs ever since. Before moving to Vienna, I worked as a photographer on film sets, telling stories as they unfolded behind the scenes. Since then, I’ve focused on immersive theater, both as a photographer and an actor. I am the photographer for the award-winning Nesterval ensemble, documenting the energy and atmosphere of their performances. I’m a teller of stories. Stories hold my interest. I’ll take on any project with a story to tell.