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ZILR has taken the familiar kit cart and turned it into something more practical – the ZIPR, an electric cart that can carry gear or even give a crew member a lift when the day starts to stretch. Instead of just pushing a cart from A to B, you can switch between push, pull, or ride without stopping, which takes some strain off the back and speeds up those constant runs across a studio or location. If you add the optional second seat, it can also double as a simple trackless dolly for quick repositioning. It’s meant to make the everyday shuffling of equipment a little easier and a lot faster, so let’s see how it fits into a shooting day.
ZILR is an Australia-based company focused on practical design for professional production environments, tending towards building tools that streamline work rather than complicating it. ZIPR is their first move into mobility, applying that same approach to how crews get gear where it needs to go.
ZIPR can move between manual pushing, powered assist, and ride mode without having to stop the cart to change settings. The 2WD model uses front dual regenerative braking with rear mechanical drum brakes, while the 4WD version steps up to a six-brake system with four-wheel regenerative braking and rear mechanical drums. Both include hill-start assist and anti-rollback, which help keep movement controlled when the cart is loaded. It keeps the handling straightforward rather than adding extra steps.
Both models fold down to a compact size yet carry substantial weight, up to 250kg (551 lbs) in the 2WD version and 300kg (661 lbs) in the 4WD. The 4WD model adds traction for uneven ground in controlled environments, and both versions use LiFePO4 batteries that are known for stability and long service life. The overall design points toward improving mobility while keeping the higher payloads.
ZIPR comes in two versions that share the same footprint and general layout, but they differ in how much power they deliver and how they behave under load. The 2WD model uses a 1500W system and is the lighter option, with the longer quoted range. It suits studio days or controlled interiors where surfaces are even, and travel distances are predictable. The 4WD model steps up to a 3000W system and is rated for a higher payload, which makes it more suitable for mixed terrain in backlots, event grounds, or larger facilities. The tradeoff is a shorter range due to the increased power draw.
Both versions are IPX5-rated and use puncture-proof tires. From a user standpoint, they fold down to the same transport size and operate the same way, so the choice comes down to expected surfaces, load requirements, and how much range is needed per charge.
In addition, with the optional second seat, ZIPR can be used for simple trackless dolly moves. It allows for short, smooth repositioning without laying track, which may help in smaller setups or tight interiors. It is limited compared with a dedicated dolly, but it might offer a quick positioning option.
For the launch, ZILR is commissioning five creators from around the world to reinterpret its AI storyboard and produce the real ZIPR launch film. The company used AI only for early concept frames and is handing the final version over to working crew, aiming to show the cart in real production environments. Selected filmmakers receive a ZIPR kit and accessories to create a short piece that reflects their own workflow. You can find out more about the competition here:
The ZIPR is available now for pre-order in two versions. The 2WD model is priced at $1499, and the 4WD model is priced at $1999. There are also several accessories, which include a storage or rain jacket, a second seat, a fast charger, a spare battery, etc. For more information, please visit the website.
Have you worked with powered carts, and did they change your on-set workflow? Which features on a cart make the biggest difference? Let us know in the comments!
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A camera was put in my hands at 16, and I’ve been taking photographs ever since. Before moving to Vienna, I worked as a photographer on film sets, telling stories as they unfolded behind the scenes. Since then, I’ve focused on immersive theater, both as a photographer and an actor. I am the photographer for the award-winning Nesterval ensemble, documenting the energy and atmosphere of their performances. I’m a teller of stories. Stories hold my interest. I’ll take on any project with a story to tell.