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Battle of the New Cine Zooms – On the Go Ep. 38 – feat. SONY, SIGMA & ZEISS

November 2nd, 2016Jump to Comment Section3

Watch previous episodes ofΒ ON THE COUCH & ON THE GO by clicking here! VisitΒ ourΒ VimeoΒ andΒ YouTubeΒ playlists, and subscribe to the podcastΒ onΒ iTunes!

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Please visit our sponsors’ websites to keep new episodes of ON THE GOΒ coming! Thanks toΒ Hedge for Mac, Β G-Technology,Β RΓΈde Microphones,Β Sachtler, in association withΒ FordΒ Netherland (thanks for theΒ Ford Galaxy carΒ loan!) and Sony Europe (thanks for theΒ 4KΒ Action camΒ loan!)

These recent months saw the announcement ofΒ a large number of new andΒ affordable cine zoom lenses.Β With a whole bunch of them falling under the $10,000 mark, they are relatively affordable and bring zoom optics of cinema qualityΒ to the masses at a price that until recently was unheard of. But why now, precisely?Β 

In this ride recorded during IBC 2016, we talk to Christophe Casenave from ZEISS. Zeiss recently released theirΒ Lightweight Zoom LWZ.3 21-100mm/T2.9-3.9, offering aΒ focal range that makes it ideal for cinematic documentary shooting. Nino himself shot his latest documentaryΒ Through The Thick almost exclusively with this lens, and you can read all about it here and here.

Reiko Beitz from Sony Europe tells us about the development of their recent release: the Sony 18-110 f/4.

We also talked to Takuma-san from Sigma Corporation.Β Just a few weeks ago, Sigma announced a new range of cinema zooms based on the already very popular ART line zooms: 18-35mm, 50-100mm and 24-35mm. We discuss what motivated Sigma to turn these already very popular photo lenses intoΒ their new cine versions.

Please visit our sponsors’ websites to keep new episodes of ON THE GOΒ coming! Thanks toΒ Hedge for Mac, Β G-Technology,Β RΓΈde Microphones,Β SachtlerΒ and in association withΒ FordΒ andΒ Sony.

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