NEW PODCAST: IBC 2026 & Best-of-Show Winners | iPhone 18 Pro Gets a Variable Aperture – Focus Check ep134 →🎙️ WATCH/LISTEN Now
Watch/Listen Now IBC 2026 & iPhone 18 Pro🎙️NEW PODCAST
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
Eyeline Studios, powered by Netflix, announced DifFRelight, a diffusion-based framework capable of relighting complex facial performances. Their research features a method of translating flat-lit facial captures into images and dynamic sequences with precise lighting control that reproduces even complex effects like eye reflections or self-shadowing. More on DifFRelight by Netflix Eyeline Studios below.
Surely, you’ve already heard about AI relighting features, even if you don’t encounter VFX or color grading regularly. For instance, DaVinci Resolve has integrated such a tool for artificially relighting scenes in post-production since last year. The new DifFRelight by Netflix Eyeline Studios is a different framework that is targeted more toward experts in visual effects. However, seeing their results may be interesting even for those of us who are not especially technically savvy.
DifFRelight is not a ready-made tool or a button that users can click to change the lighting of a scene (at least, for now). It is a framework presented by Eyeline Studios here. Developers demonstrate a method that lets them take flat-lit input and change it into a complexly lit scene. Their examples show different facial performances and how the novel lighting situation realistically supports them while preserving detailed features such as skin texture and hair.
In the proposed workflow, researchers use a performance rendered from a GS reconstruction (“GS” meaning “Gaussian Splatting”) as input, resulting in a flat-lit video.
Starting with multi-view performance data of a subject in a neutral environment, we train a deformable 3DGS to create novel-view renderings of the dynamic sequence. These serve as inputs for a diffusion-based relighting model, trained on paired data to translate flat-lit input images to relit results based on specified lighting.A quote from the framework explanation
Starting with multi-view performance data of a subject in a neutral environment, we train a deformable 3DGS to create novel-view renderings of the dynamic sequence. These serve as inputs for a diffusion-based relighting model, trained on paired data to translate flat-lit input images to relit results based on specified lighting.
Then, the flat-lit input goes through a pre-trained diffusion-based image-to-image translation model. This model, according to Eyeline Studios, allows for the construction of new lighting conditions, with adjustments in light size and direction. In general, their presented approach enables relighting from free viewpoints and unseen facial expressions.
If you want to understand this process or how the model is trained in more technical detail, you can access the research paper here.
As noted by commenters, DifFRelight marks Netflix’s first 3DGS publication. The technique, called 3D Gaussian Splatting, has already been with us for a while. Some AI companies, like Luma AI, for instance, integrated it instead of the NeRF technology – to achieve more realistic and fast 3D scans of real-life environments. So how does it work?
I prefer to trust specialists from the VFX field to explain this topic, so here is a short 3-minute video from a YouTube channel that I follow and whose creators work a lot with 3D Gaussian Splatting:
What do you think about DifFRelight by Netflix Eyeline Studios? And if you work in the VFX field, how will such a framework affect your actual workflow? What potential does it hold for the future, in your opinion? Share your thoughts with us in the comments below! (Knowing that topics around AI always ignite edgy discussions, we kindly ask you to stay polite to each other and to us).
Feature image source: Netflix Eyeline Studios
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Mascha Deikova is a freelance director and writer based in Salzburg, Austria. She creates concepts for and works on commercials, music videos, corporate films, and documentaries. Mascha’s huge passion lies in exploring all the varieties of cinematic and narrative techniques to tell her stories.