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DJIβs latest Mavic 4 Pro firmware update adds lossless vertical recording, in-flight focal length switching, and dynamic Home Point tracking when paired with the RC 2, alongside controller and Fly app updates.
DJI has rolled out aircraft firmware update v01.00.0300 for the Mavic 4 Pro, which introduces some modes that filmmakers have been waiting for – including myself, as pointed out in my initial hands-on review of the Mavic 4 Pro (video embedded at the bottom of this article.)
The standout upgrade allows users to switch between the cameraβs focal lengths during recording, whether in Normal or Slow Motion mode. For drone cinematographers, this eliminates a common interruption when reframing and enables smoother, more continuous aerial storytelling. And it’s simply wasting less time which can be crucial if you fear to miss a moment.
Portrait mode now supports bothΒ losslessΒ andΒ cropped verticalΒ recording. This gives social-media-oriented filmmakers a ready-to-share 9:16 image without sacrificing resolution or detail. The βlosslessβ option preserves the full sensor readout for maximum image quality and can be found under Portrait preferences after updating.
When used with the DJI RC 2 remote controller, the Mavic 4 Pro can now automatically update its return-to-home position as the pilot moves. This is particularly useful for tracking subjects from a moving platformβwhether thatβs a boat, car, or hiking routeβensuring a safer and smarter return path.
View this post on Instagram A post shared by DJI (@djiglobal)
A post shared by DJI (@djiglobal)
To unlock all new functions, pilots must update all components in sync:
After installation, the drone resets certain camera parameters, so itβs worth double-checking color profile, exposure settings, and recording resolution before the next flight.
While the Mavic 4 Pro has yet to receive an official US release, the drone is now appearing through third-party resellers and importers. Some bundles β including Fly More Combos with the RC 2 β are approaching international retail levels, making the system feel more attainable than at launch, even if DJIβs U.S. warranty doesnβt apply.
The ability to switch focal lengths mid-shot allows for seamless reframing in dynamic scenes, while lossless vertical recording directly serves todayβs dual-format workflows. Together, these updates move the Mavic 4 Pro closer to a true hybrid production tool: capable of delivering cinematic results for both widescreen and vertical-first platforms without compromise.
Do you see yourself using the new vertical mode for professional delivery, or will the mid-record focal switching make the bigger difference in your next flight?
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Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and two sons in Vienna, Austria.