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fylm.ai update 2.2 has been introduced, which brings several interesting new features to the table. Among the highlights are a dedicated skin tone editor and some very notable enhancements to the AI Colour Match and AI Auto Correct tools. Let’s take a closer look at what else the update offers!
fylm.ai makes color grading easier, a process that generally can feel overwhelming for many filmmakers. In August, the NeuralFilmAI Tool was added with update 2.1, but fylm.ai can do a lot more. To get an idea of what it can do and have a go at it yourself, take a look at my colleague Nino’s article. He will walk you through the details of building your own CineD LUTs in a process powered by fylm.ai.
It is as scientific as it sounds – it’s a tool for creating three-dimensional color grades for your images. You can adjust saturation, luminance, hue, density, and more, all while preserving the image’s quality. However, what is unique is that it works in a three-dimensional space; the controls operate independently, taking the spatial relationships between colors into account. Too much science? Have a look at the following video from fylm.ai:
According to fylm.ai, AI Colour Match has been completely revamped using new AI matching models, which should lead to significantly better color matching than the previous version. The AI Auto Correct tool, which automatically balances and prepares images for color grading with one click, has also been improved using new AI color correction models to “better understand the context of different color grades.”
fylm.ai now features a dedicated skin tone editor, letting you precisely adjust hue, saturation, and luminance within a targeted color range. Have a look:
A number of other updates have been added, including improvement in RAW file handling, with the company stating that raw files now open 20% faster. Guest Downloads have also been introduced, allowing you to give clients or Guests access to download specific high-resolution, color-graded images.
The Tool Menu has been restyled with the introduction of a Legacy Tools tab. This tab lets you keep the older versions of AI Colour Match, etc., in case you need them in the future or want to continue using them on a project.
AI Colour Extract has been integrated into AI Colour Match, combining the two into a single tool, and, finally, Technical Colour Match has been changed and will now offer you only the best presets that can be used on your footage. If you need to adjust settings, there is now an Advanced Technical Colour Match tool for you to play with.
The fylm.ai 2.2 update is automatic and will install when you reload the app. The company notes that if you have any problems, clear the cache and then reload. For more information, please see their website.
With AI tools becoming more integrated into color grading, what are your thoughts on balancing automation with creative control? How do you currently handle skin tone adjustments, and do you see this new tool improving your process? Let’s hear from you in the comments!
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A camera was put in my hands at 16, and I’ve been taking photographs ever since. Before moving to Vienna, I worked as a photographer on film sets, telling stories as they unfolded behind the scenes. Since then, I’ve focused on immersive theater, both as a photographer and an actor. I am the photographer for the award-winning Nesterval ensemble, documenting the energy and atmosphere of their performances. I’m a teller of stories. Stories hold my interest. I’ll take on any project with a story to tell.