NEW PODCAST: The SmallRig x CineD OrBrella Light | Sony DP7 and DP5 Announced | IBC 2026 Outlook β Focus Check ep133 βποΈ WATCH/LISTEN Now
Watch/Listen Now The SmallRig x CineD OrBrella Light ποΈNEW PODCAST
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
At IBC 2025, we took a first look at the all-new Godox KNOWLED MG4K lighting series. The series targets film and commercial productions with a combination of high light output and reduced weight, featuring both bi-color and full-color variants designed to match the brightness of traditional 4K HMI fixtures while maintaining portability.
Founded in 1993 as a high-tech manufacturing facility specializing in lighting and audio equipment, Godox has now become a lighting equipment expert and innovator of gear for photographers, videographers, filmmakers, and more. The Chinese company has built its reputation on developing professional lighting solutions that push technological boundaries while remaining accessible to a broader range of users.
The Godox MG4K series features a 10-kilogram light head, which, according to the company, is significantly lighter than comparable high-output fixtures. According to Davi Valente from Godox, the light achieves the same output as a 4K HMI while maintaining what he describes as an “extremely compact” form factor.
The series utilizes a 63mm COB (chip-on-board) design, which Davi identifies as the smallest in its class. This compact LED array enables crisp shadow definition and optimal performance when paired with Fresnel lenses and projection attachments.
Both models (Bi-Color and full-color) operate with separate ballasts to improve weight distribution during setup. The full-color MG4KR variant incorporates additional electronics for color mixing capabilities, resulting in a slightly larger housing compared to the bi-color version.
Godox positions the MG4K series for commercial and film work requiring high light output, including slow-motion cinematography and daylight simulation applications. The fixtures maintain compatibility with existing Godox modifiers and accessories within the company’s ecosystem. The lights carry an IP67 rating for dust and water resistance, addressing durability requirements for location shooting.
Davi indicated that the MG4K series is nearing production readiness, with factory shipments expected within weeks of the IBC announcement. Godox positions the series as accessible to owner-operators rather than exclusively rental houses, and it is such that the price of the KNOWLED MG4K Bi-Color starts at $4,299. The travel kit with Flight Case included will set you back $4,499.
The company also previewed a new color engine system called “Palette” currently in final development stages, promising enhanced color rendering characteristics.
For additional product information, please head to the company’s webpage here.
Are you using any Godox lights in your productions? If so, let us know if you are happy with them in the comments section below.
Δ
Stay current with regular CineD updates about news, reviews, how-toβs and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-toβs and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Johnnie Behiri is a documentary filmmaker with more than three decades behind the camera: he learned the craft in daily television news gathering, filmed for Japan's public broadcaster NHK, and spent eight years shooting and editing for BBC News. He joined cinema5D in 2011 and has co-owned and co-run CineD and MZed ever since. Johnnie writes many of CineD's camera reviews, co-hosts our weekly Focus Check podcast, and heads CineD's manufacturer relationships and product development.