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Chinese lighting manufacturer NANLUX has announced the Evoke 5000B, a 5000W bi-color LED spotlight that promises output levels comparable to traditional high-powered movie lights. This IP66-rated fixture integrates several features aimed at professional motion picture lighting, including full-color temperature control and green/magenta adjustment capabilities. Oh, and if you are interested in knowing how the NANLUX (and NANLITE) lights are made, head to our factory tour here. Let’s take a closer look at the Evoke 5000B!
Given the technical specifications of the NANLUX Evoke 5000B, it is positioned directly in competition with traditional high-power movie lights.
NANLUX states the output approaches that of a 9kW HMI or 24kW tungsten light, supported by their newly developed Nebula B4 Light Engine. This proprietary system combines four types of white light chips to deliver a color temperature range of 2700K-6500K with Β±80 Green/Magenta adjustment β a feature set previously unavailable in LED fixtures of this power class.
Color accuracy specifications include CRI/TLCI values of 97/98 and TM-30 Rf/Rg averages of 96/102. The unit maintains these values across its dimming range, which extends down to 0.1% brightness. A notable addition is the High-Speed Mode, which switches from PWM to DC operation for flicker-free performance at frame rates exceeding 10,000fps.
The fixture’s physical design reflects current production requirements, with an all-in-one housing that integrates the power supply and control unit. Built from magnesium alloy, the complete unit with yoke weighs 46kg (101lb). While substantial, this represents a significant reduction in both weight and logistics compared to equivalent traditional lighting setups requiring separate ballasts and power distribution.
For practical operation, NANLUX has implemented multiple control options. The fixture features a 4.3-inch display screen with three control knobs and four buttons for direct operation. Remote control options include DMX/RDM, Art-Net/sACN, and LumenRadio CRMX wireless DMX. A new wired controller is included with the fixture.
The cooling system employs multiple operational modes including Smart, Full Speed, Low Speed, Off, and Pause. In Smart mode, which automatically adjusts fan speed based on temperature, the noise level is rated at 44 dB(A) β a consideration for sound recording on set.
NANLUX has maintained compatibility with their existing NL mount accessory ecosystem, allowing the Evoke 5000B to use most accessories designed for their 2400B model. New accessories specific to the Evoke 5000B include a 45cm motorized Fresnel lens offering a 16Β°-50Β° zoom range, with a maximum output of 47,970 lux at 16Β°. The motorized yoke provides 540Β° horizontal rotation and 270Β° vertical movement, with both accessories controllable via the fixture’s various control protocols.
The IP66 rating suggests potential for reliable operation in adverse weather conditions, though real-world testing in various production environments will be necessary to verify these capabilities. The fixture includes features like balance-adjusting rails, a disc brake system in the yoke, and a protective skid base for transport and stacking.
Pricing has been set at $14,800 for the standard package and $15,500 together with a flight case. The FL-45E Fresnel lens attachment is available separately at $2,580 (excluding local taxes). The Evoke 5000B will begin shipping in March 2025.
The timing of this release coincides with increasing industry focus on energy efficiency and sustainable production practices. While LED technology has been widely adopted for lower-power lighting requirements, the high-power segment has remained largely dependent on traditional light sources. The practical performance of the Evoke 5000B in production environments will be a key factor in determining whether it can serve as a viable alternative to established HMI and tungsten fixtures in this power class.
The Evoke 5000B will be on display at BSC Expo in London (booths #109 and #210), where cinematographers and lighting professionals can evaluate its performance firsthand.
What do you think about this new offering from NANLUX? Is it a fixture you have been waiting to work with on bigger sets? Please share your thoughts in the comment section below.
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Johnnie Behiri is a documentary filmmaker with more than three decades behind the camera: he learned the craft in daily television news gathering, filmed for Japan's public broadcaster NHK, and spent eight years shooting and editing for BBC News. He joined cinema5D in 2011 and has co-owned and co-run CineD and MZed ever since. Johnnie writes many of CineD's camera reviews, co-hosts our weekly Focus Check podcast, and heads CineD's manufacturer relationships and product development.