NEW PODCAST: IBC 2026 & Best-of-Show Winners | iPhone 18 Pro Gets a Variable Aperture β Focus Check ep134 βποΈ WATCH/LISTEN Now
Watch/Listen Now IBC 2026 & iPhone 18 ProποΈNEW PODCAST
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
Almost one year after being acquired by Nikon, today RED announces new versions of their V-RAPTOR [X] and KOMODO-X global shutter cinema cameras, which are now available with a locking Nikon Z mount with electronic pins. Additionally, RED is introducing Z-to-PL adapters, which are available with or without Electronic ND.
Just 11 months ago, the news of Nikonβs acquisition of RED Digital Cinema shook our industry, leaving us speculating about the destiny of both brands. Since then, weβve only had a brief glimpse of what this acquisition could lead to. For example, Nikon ported over REDβs Creative LUTs to fit their N-Log curve, and REDCINE-X Pro was recently updated to process Nikon N-RAW clips, thus testifying to an increasing integration between the two systems.
However, co-developing a whole new Nikon/RED camera may take years of labor. So, as a first big move, Nikon has shrewdly decided to inject their βZ” lens mount ecosystem into REDβs existing state-of-the-art tech, thus opening up interesting possibilities. Letβs take a look!
On the outside, the new Z mount versions of the RED V-RAPTOR [X] and KOMODO-X look almost identical to the original models. The most noticeable difference is the lens mount, with the Z-mount versions featuring a Nikon-inspired golden locking ring, while the Canon RF counterparts have a red-accented design.
The Z mount integrates electronic pins for communication between the lens and the camera body, thus enabling users to take full advantage of their Nikon Z mount glass and also paving the way for advanced lens data workflows for cinema applications.
Overall, I believe the adoption of Nikonβs Z mount offers several benefits:
Since we havenβt had any hands-on time with the Z mount versions of the RED V-RAPTOR [X] and KOMODO-X yet, we cannot confirm all the details regarding the integration between the Z mount lenses and the cameras. However, according to RED, functions like smooth iris control, customizable lens response, and adjustable AF speed are supported, so this marriage seems to have a bright future.
Following in the steps of their RF-to-PL adapters (with and without eND filter), RED is now introducing their Z-to-PL variants. REDβs Nikon Z to ARRI PL mount adapters are available in 4 different packs, all supporting Cooke /i lens data communication.
You can choose between a standard Z to PL adapter or opt for the Electronic ND version, offering an ND range of 2-7 stops in ΒΌ, β , and full-stop increments. Moreover, each adapter comes with support brackets designed specifically for V-RAPTOR [X] or KOMODO-X rigs.
The new Z mount versions of RED V-RAPTOR [X] and KOMODO-X are now available to pre-order from B&H and CVP. The cameras are available in both standalone or ready-to-shoot configurations. Pricing is as follows:
The standard RED Z to PL adapter retails for $1,500, while pricing for the Electronic ND version is set at $3,500.
For more information, please visit REDβs website.
What do you think of these first Nikon x RED products? Do you see any other benefit in adopting the Nikon Z mount system? Let us know your thoughts in the comment section below!
Δ
Stay current with regular CineD updates about news, reviews, how-toβs and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-toβs and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Francesco Andreola is a Milan-based filmmaker. He currently teaches the Video Technology class at the European Institute of Design (IED) in Milan. He works in the Camera Department as a camera operator and assistant.