1D X Mark III White Paper Released – 4K Proxies, Monster Bit Rates & More

January 17th, 2020
1D X Mark III White Paper Released -  4K Proxies, Monster Bit Rates & More

We covered the Canon 1D X Mark III when it was first announced, but Canon USA has now released two incredibly detailed white papers outlining the still and video capabilities of the 1D X Mark III. And the details within? Equally incredible. Let’s see what we can learn!

Canon 1DX Mark III white paper

Canon 1D X Mark III – Top Line Takeaways

To start with, the sensor itself is similar to the sensor on the 1D X Mark II. However, as I understand it, the processor and the storage media are the major upgrades. The new Digic X processor is roughly 3x faster than the dual Digic 6+ processors seen in the 1D X Mark II, allowing for higher resolutions and frame rates, obviously RAW video, noise and sharpness processing, battery life, and more horsepower dedicated to the new AF modes. Independent of any sensor upgrades, this should noticeably improve performance across all modes.

In the video whitepaper, it also becomes clear that Canon intends to make the most of its two CFExpress slots. The Canon 1D X Mark III can record 5.5K RAW video, it can record oversampled, uncropped 4K 10-bit 4:2:2 video, or it can record BOTH, one to each card slot at up to 60fps.

Canon 1DX Mark III white paper

Canon Log, and WTF is an “OETF”?

One of the big acronyms repeated over and over in this paper is OETF. It stands for “OptoElectric Transfer Function,” and is the very technical way of describing the systems and equations that convert light into an image. In whatever way Canon has designed the pipeline from the sensor to the memory card, they have made the specific logarithmic characteristics of C Log an integral part of the journey. This C Log OETF is the primary one used in photo mode as well as video mode. When you are shooting video with the 1D X Mark III, consider C Log your default setting, not an optional feature. You can record video without in regular REC709, abandoning C Log, but unfortunately, that means you will be recording in 8-bit. Otherwise, your options as far as frame rates and resolutions remain the same in either mode.

Canon 1DX Mark III white paper

To all of the technically-minded people out there

More Miscellaneous details on RAW Video

To quote Canon directly: “There are small differences between Cinema RAW Light of the EOS C200 or EOS C500 Mark II, and the RAW video of the EOS-1D X Mark III.” The exact nature of those differences remains unclear, but what we do know is that the RAW video here records in 12-bit depth, up to 2600 Mbps if you shoot 60fps. That is 2.6x higher than the Canon Raw Light output by the C200, which clocks in at merely 1Gbps. The lesson here: get big cards, and get lots of them.

Read the Video Whitepaper here

Read the Photo Whitepaper here

Do these new details change your opinion of the camera in any way? What questions do you still feel are left unanswered? Let us know in the comments, and keep your eyes peeled as we get closer to the release date!

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ConradbesterMarkus MagnonGentry Jonathan Recent comment authors
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 Gentry Jonathan
Gentry Jonathan
MemberJanuary 17th, 2020

Wish it had R-mount, how will we adapt PL lenses to this? When it comes to sensor, they have not yet demonstrated a sensor with dynamic range comparable to Sony, Nikon, BlackMagic, Panasonic, etc. Just a few concerns on the video side. When you factor in video autofocus this will be an amazing option.

 Markus Magnon
Markus Magnon
MemberJanuary 18th, 2020

Typical CANON. We give you this, but take away that. You want 24 fps, we will take it away. We give you a little bit of video functionality. But make it very hard to use so please buy a Canon C camera. Thank you.

Conradbester
Conradbester
GuestJanuary 19th, 2020

Would be nice to play with, but when it comes to actual performance you are better off with a video camera that shoots video, not a DSLR that also shoots video. Just buy an Arri Mini LF

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