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Blackmagic Design has released DaVinci Resolve 19.1.1, a minor but meaningful update that addresses several workflow pain points across the software’s key pages. While not a major version release, the update introduces subtle yet significant improvements that will resonate with professional editors, colorists, and sound designers.
As usual, Blackmagic Design is adding some useful workflow updates to its ever-evolving post production powerhouse DaVinci Resolve 19.
The most notable addition is enhanced clip placement functionality. Editors can now paste clips in the timeline either at the playhead or between in and out points, providing more granular control over complex editing workflows. This seemingly small feature can significantly streamline editing processes, especially when working on intricate projects with multiple clip arrangements.
The update also tackles several stability issues on the Edit page, including improved multicam angle switching and resolving crashes related to transition previews. These refinements demonstrate Blackmagic’s commitment to addressing real-world editing challenges.
Fusion users will appreciate the improved rendering of fisheye textures in the SphereMap 3D tool and more reliable b-spline polygon creation. For colorists, the update improves spatial photo thumbnail displays and resolves some collaboration-related grading issues.
Fairlight receives attention with more consistent automation trim controls and more accurate interpretation of AAF imports, particularly regarding clip fade levels. These updates underscore the software’s ongoing development as a comprehensive post-production solution.
The update provides notable improvements for users with older hardware and operating systems. Particularly impressive is the enhanced H.265 encoding for older NVIDIA graphics cards and expanded compatibility with Windows 10 media players.
While DaVinci Resolve 19.1.1 might not be a headline-grabbing release, it represents the kind of incremental improvement that demonstrates a mature, user-focused approach to software development. By addressing specific workflow bottlenecks and enhancing stability, Blackmagic continues to refine what has become an essential tool for filmmakers and content creators.
The update is available now as a free download for users of the free and Studio versions of DaVinci Resolve.
Don’t forget that our education platform MZed has the best courses on DaVinci Resolve in its portfolio. The Beginners Course to DaVinci Resolve by Ollie Kenchington has an average rating of 4.8 stars and is currently still on sale as part of our Black Friday promotion (ending soon!). You can get also get access to the full course as an MZed Pro subscriber for only $199 for a full year of membership (normally $349), alongside 58 other courses (including many others on DaVinci Resolve). Sign up now before it’s too late.
Are you a user of DaVinci Resolve? Let us know in the comments which updates and additions to the software you are still missing and would like to see in the future.
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Nino Leitner, AAC is Co-CEO of CineD and MZed. He co-owns CineD (alongside Johnnie Behiri), through his company Nino Film GmbH. Nino is a cinematographer and producer, well-traveled around the world for his productions and filmmaking workshops. He specializes in shooting documentaries and commercials, and at times a narrative piece. Nino is a studied Master of Arts. He lives with his wife and two sons in Vienna, Austria.