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NANLUX Evoke 150C and 600C Launched With Nebula C8 Engine and Wide 1,000–20,000K Range

September 19th, 2025Jump to Comment Section

At IBC, we spoke with Andy Lin Qibin about two new additions to the NANLUX lineup, the Evoke 150C and 600C. Both fixtures incorporate the company’s new Nebula C8 light engine, which expands color performance and range while maintaining compact, IP-rated builds.

We recently covered the NANLUX Evoke 150C, the 600C, and the Nebula C8 eight-color light engine with 1,000–20,000K CCT. On the show floor, we could handle the lights directly, and if you’re after the heavy technical detail, you’ll find that in our earlier articles.

NANLUX Evoke 150C and 600C. Image credit: CineD

Nebula C8 light engine

At the core of both lights is the Nebula C8, an eight-color system that extends the spectrum beyond standard RGBLAC by adding deep red and indigo. The result is an ultra-wide 1,000K to 20,000K CCT range, more accurate skin tones, and higher saturation in the red and indigo channels. Andy also pointed out that the system avoids UV output, helping reduce the spectral spikes often found in conventional RGB LEDs.

Mounts, control, and accessories

The 150C uses an FE mount (an FM mount with electronic contacts), while the 600C incorporates a Bowens electronic mount (BE mount). Both allow standard modifiers, but also support Nanlux’s motorized accessories via the electronic contacts. Andy noted that compatibility with existing Bowens gear not only saves cost but also helps reduce waste. Each fixture supports wired and on-board controls, the NANLUX app, and DMX, with a slot for V-mount batteries via D-tap for portable use. Accessories include reflectors, panels, soft boxes, and projection attachments.

NANLUX Evoke 150c and 600c. Image credit: CineD

Evoke 150C and 600C: output and portability

The NANLUX Evoke 600C weighs 8.6kg (19 lbs) and is comparable in output to a 3K–4K tungsten fixture. The smaller 150C comes in closer to a 1K tungsten equivalent. Both are lightweight enough for news crews or field productions and are designed for battery operation where mains power isn’t available.

Their durability and IP rating should make them well-suited for television and film production as well as crews working quickly on location. Looking at the broader context, Andy also noted how far LEDs have come – once limited to daylight or bi-color, they’re now versatile full-color fixtures that can replace traditional hot lights.

Image credit: CineD

Price and availability

The NANLUX Evoke 150C lists at $864, and the 600C at $2,064. Both are already available for pre-order, and shipping has begun. For more information, please see the NANLUX website.

How important would an ultra-wide 1,000–20,000K range be in your work? Do you see fixtures like this replacing your tungsten kit, or working alongside it? Let us know in the comments!

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