NEW PODCAST: Wood vs. Silicon Valley: A DIY Digital Bolex, OpenAI Buys the Portrait Mode Team – Focus Check ep135 →🎙️ WATCH/LISTEN Now
Watch/Listen NowA DIY Digital Bolex & OpenAI Buys the Portrait Mode Team🎙️NEW PODCAST
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
Ahead of IBC 2025, RED has just announced the new V-RAPTOR XE, where “E” stands for Essential. As the name suggests, it’s a stripped-down version of the original V-RAPTOR [X], but with half the frame rates and without Extended highlights and Phantom Track modes. This more affordable model is now available to pre-order in Nikon Z or Canon RF mount for just $14,995.
Introduced back in January 2024, the V-RAPTOR [X] is RED’s ultimate powerhouse for high-resolution, high-frame rate capture. Indeed, it boasts a large-format, Vista Vision Global Shutter sensor capable of capturing 8K .R3D footage at up to 120 fps. In case you missed it, make sure to check out my initial in-depth coverage of the V-RAPTOR [X] here.
Following the acquisition of RED, Nikon introduced Z mount versions of the V-RAPTOR [X] and KOMODO-X, integrating their versatile lens mount into RED’s ecosystem. Now, the Japanese company is making another move to appeal to cinematographers by making the V-RAPTOR platform even more accessible.
In a nutshell, the new V-RAPTOR XE shares exactly the same compact body, robust connectivity, and 8K Vista Vision Global Shutter sensor as the original V-RAPTOR [X], but with halved frame rates. This means you can shoot in:
Other missing features include Extended Highlights and Phantom Track modes. However, the former has its own limitations when it comes to fast motion, while the latter is only really useful if you’re into virtual production. On top of this, the XE is not as fully-featured when it comes to broadcast-specific functionalities.
Still, this is great news for users who were considering buying the original V-RAPTOR [X], as they can now access most of the same technology for half the price. Additionally, it could be an exciting upgrade for KOMODO-X users looking to step up their game.
Moreover, RED has also announced that the XE version will feature faster boot-up times and less power consumption. However, these features will come soon via a firmware update.
The camera is available in both Nikon Z and Canon RF mount options. If I were to buy it new, I would definitely opt for the Nikon Z mount, as it offers more versatility in terms of lens choice as well as better integration for lens customization and control. However, it’s nice to see that RED is still supporting users who have heavily invested in Canon RF glass.
The new V-RAPTOR XE is now available to pre-order from B&H and CVP. The body-only option is priced at $14,995, making it $3,000 cheaper than the rolling shutter V-RAPTOR 8K S35, and $15,000 more affordable than the Global Shutter V-RAPTOR [X].
The camera is also bundled with the DSMC3 RED Touch 7.0” LCD Monitor, Z or RF to PL Adapter with eND, and Outrigger Handle as a Cine Essentials Pack for $19,995.
Lastly, RED offers trade-in options for KOMODO and KOMODO-X owners. You can find all the details here.
For more information on the new V-RAPTOR XE, please visit RED’s website here.
What do you think of the new V-RAPTOR XE? Have you been waiting to get your hands on this technology, but couldn’t afford it? If you currently own a KOMODO-X, are you going to upgrade? Let us know your thoughts in the comments down below.
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
Francesco Andreola is a Milan-based filmmaker. He currently teaches the Video Technology class at the European Institute of Design (IED) in Milan. He works in the Camera Department as a camera operator and assistant.