Sony A7RII Lowlight Footage – How Well Does it Handle Nighttime Shots?

Since its release early this week, the new Sony A7RII has left many filmmakers quite impressed. After our reviews these last days we also had many positive things to say about Sony’s newest 4K mirrorless camera.

As we know, the famous Sony A7s is legendary in terms of lowlight and the Sony A7RII vs. Sony A7s scientific lowlight comparison gave us some idea of how well the A7RII performs (Check it out HERE). But we wanted to know how that lowlight performance works in the field, so we took the camera out for a spin last night.

Watch and download the ungraded version here


  • The majority of the footage was shot at ISO 3200-6400. In some shots I was courageous enough to go as high as 12800 (0:44:20) and ISO 10000 (01:11:16) for test purposes….
  • I tried staying close to neutral colours rather than applying a certain look during grading.
  • In a few shots I adjusted the white balance contrast a bit.
  • I started shooting with a tripod/slider and after 3 shots decided to move handheld. It is less intimidating when shooting people after midnight…
  • I was using 3 lenses. The Tokina 11-16mm f2.8, Samyang 35mm f1.5 and the Samyang 85mm f1.5. It is not the first time I feel that these old Samyang lenses are not suitable for 4K shooting. Much too soft. In my opinion, those are great for HD but not 4K. (Note: I’m not referring to the 50mm T/1.5 Cine that shined in our review)
  • Originally I wanted to shoot in APS-C mode with the Metabones Speedbooster, but I discovered that the Tokina can not reach infinity focus when the adapter is on.
  • The crop mode for this video was: APS-C (better in lowlight sensitivity in our tests).
  • No noise reduction was applied to this video


In my opinion it is safe to work with the Sony A7rII (for broadcast purposes) up to ISO 6400 without a problem. You can go higher risking some noise in your footage, but in some occasions it will be more than acceptable.



Links to our other tests of the Sony A7RII:

Holly Maher – “Hiding places” supplied by

Johnnie Behiri is a freelance documentary cameraman/editor/producer working mostly for the BBC and other respected broadcasters. He is also co-owner of

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