NEW PODCAST: IBC 2026 & Best-of-Show Winners | iPhone 18 Pro Gets a Variable Aperture – Focus Check ep134 →🎙️ WATCH/LISTEN Now
Watch/Listen Now IBC 2026 & iPhone 18 Pro🎙️NEW PODCAST
Education for Filmmakers
Language
The CineD Channels
Info
New to CineD?
You are logged in as
We will send you notifications in your browser, every time a new article is published in this category.
You can change which notifications you are subscribed to in your notification settings.
The Sony VENICE 2 Extension System Mini is now shipping. It is a smaller, lighter evolution of Sony’s original Rialto extension system for the VENICE. Built around the same full-frame 8.6K sensor used in the VENICE 2 8K, it lets you separate the lens and sensor from the camera body, allowing you to mount the front end in tight spaces or on gimbals and handheld rigs that wouldn’t normally support a full VENICE configuration.
In case you missed the original announcement, the Extension System Mini separates the full-frame 8.6K sensor block from the VENICE 2 camera body. You can check out our hands-on interview article here, and the video embedded below. The idea is simple: move the lens and sensor into tight or complex spaces while keeping the main body elsewhere in the rig. You retain the same imaging pipeline as the VENICE 2 8K, and with firmware v4.0, it can also be used with the VENICE 2 6K.
The Extension System Mini connects to the VENICE 2 body via a detachable 4.5 m (14.8 ft) cable that carries both video and metadata, with an optional 12 m (39.3 ft) cable available for more complex rigging. It supports Sony E-mount lenses and includes an ARRI PL adapter with Cooke /i metadata support. A drop-in ND filter set is included, and the sensor block features two assignable user buttons as well as a built-in gyro sensor that records tilt and roll metadata for post-production workflows.
The Sony VENICE 2 Extension System Mini is expected to be available shortly and is priced at $25,000. For more information, please visit the Sony website.
For your productions, is size reduction alone enough to justify the upgrade? How often do you find yourself needing to separate the sensor block from the camera body? Let us know in the comments!
Δ
Stay current with regular CineD updates about news, reviews, how-to’s and more.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. For further details, see our Privacy Policy
Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that.
You can unsubscribe at any time via an unsubscribe link included in every newsletter. The data provided and the newsletter opening statistics will be stored on a personal data basis until you unsubscribe. For further details, see our Privacy Policy
A camera was put in my hands at 16, and I’ve been taking photographs ever since. Before moving to Vienna, I worked as a photographer on film sets, telling stories as they unfolded behind the scenes. Since then, I’ve focused on immersive theater, both as a photographer and an actor. I am the photographer for the award-winning Nesterval ensemble, documenting the energy and atmosphere of their performances. I’m a teller of stories. Stories hold my interest. I’ll take on any project with a story to tell.